April 29, 2009
The Music Network is open to all on Thursday 30th April 2009 4pm til 6pm at Technology and Innovation Centre (TIC), Millennium Point, Curzon Street, Birmingham, B4 7XG. If you have any involvement in music, come and talk about what you’re up to and meet some new people. The Music Network organises a NETWORKING EVENT on the last Thursday of each month, for the benefit of music related businesses in the West Midlands region. If you are a musician, work with musicians, represent musicians, have involvement with the music industry, or are looking to make new contacts the meeting will be useful to you. http://birminghammusicnetwork.com
April 24, 2009
Moving Space Tours operates from LONDON and LEEDS supplying the music and film industry with high quality Mercedes splitter and sleeper tour buses. All the vehicles are serviced and maintained to the highest standard and fully insured for self drive hire within the UK and Europe. A professional approach and personal touch ensures all clients benefit from a smooth and simple service. LEEDS vehicle hire: our new depot will service Manchester, Liverpool, Sheffield, Leeds, Bradford and all the surrounding areas. All of the vehicles on our website are available, plus we are able to deliver to, and collect vehicles from, all these locations. Moving Space is part of Grand Union Group, which is comprised of: Grand Union Artist Management, 2kHz Studios, and Source Productions. Our vans start from £60 per day All our vehicles are self drive. However, we can provide drivers for you.
April 23, 2009
Police Bastard playing the song 'Dance, be happy' at She fell on my knife, 13 times Fest in AC De Noodzaak in Ghent, Belgium. Punx not junx!!
Here are the photos from the Police Bastard European Tour April 11th-18th 2009
April 22, 2009
Here are the photos from the Police Bastard European Tour April 11th-18th 2009
11.04. [Sat] Secret Venue - London, England. Venue to be announced 24hrs before show
13.04. [Mon] ‘She-fell-On-My-Knife,13-Times-FEST - Autonoom Centrum, De NooDZaaK, gerardwillemotlaan 69, 9030 Mariakerke, GENT, Belgium http://denoodzaak.tk http://acdenoodzaak.blogspot.com
16.04. [Thu] Liwi - Stöckartstr.11, 04277 Leipzig, Germany.
Here is a video of Police Bastard playing the song 'Dance, be happy' at She fell on my knife, 13 times Fest in AC De Noodzaak in Ghent, Belgium.
More pictures to follow
April 11, 2009
Mission Print started way back in 1995 in the spare bedroom of a shared house in Balsall Heath. Screens were washed out in the shower, artwork was penned by hand, tshirts dried with a heat gun and deliveries made by bike. After a few months of waking up to the smell of solvents my house mates encouraged me to move into a low rent unit in Digbeth (now Eastside). Over four years we grew in size, taking on more space, staff and clients. Our clients came mainly from the action sports and music business and we built a reputation on quality TShirts and stickers at a fair price. We go out of our way to look after our clients; working late in the night and on weekends, in return they have come back again and again. In 2000 we moved round the corner to our current location, 7000 sqft of Digbeth's finest factory units complete with the painted building you can see opposite. Until 1936 it was a pub called the Royal Oak and dates back to 1825.
April 10, 2009
P.A.I.N have a page on myspace website: http://www.myspace.com/painhq
P.A.I.N are considering options for shows or perhaps another European tour later this year but nothing is confirmed yet.
If you are interested in booking the band to play later in the year contact: steopain at yahoo.co.uk
April 10, 2009
Filmed by a Channel 4 News (ITN) cameraman, this new footage shows the moment a policeman struck out at Ian Tomlinson during at last week's G20 demonstrations.
The Metropolitan Police have apologised to journalists and photographers for abusing Section 14 of the Public Order Act when they moved a group of them away from covering an operation at the memorial demo for the late Ian Tomlinson on 2nd April at Bank tube station. It has now been confirmed through witness statements that Ian Tomlinson died as a result of the repressive policing on April 1st. The police and the media have attempted to coverup the fact that Tomlinson was killed as a result of the policing on that day. Police also injured members of the press on Wednesday 1st April, resulting in a broken arm and torn ligaments for two photographers.
Tom Whipple quotes other examples of police misconduct during the G20 in London, arguing that an officer pushing Ian Tomlinson, the man who later died of a heart attack, was not an isolated incidence, but there was something wrong with the overall policing of the protest.
Police assaulted Ian Tomlinson minutes before he died http://www.guardian.co.uk/uk/video/2009/ap... Ian Tomlinson died on April 2st during the protests against the G20. First the police and media claimed police had been attacked by protesters when trying to safe his life. Shortly after some witnesses came forward to say that protesters had been calling on megaphones for a doctor or medic and calling 999 while a woman was providing first aid. They also said police had forcibly removed the first aider and refused to speak to the emergency operator on the phone. The following day, more witnesses came forward, who said they saw Ian Tomlinson being assaulted by police officers. Today the Guardian published a video corroborating these claims: Ian Tomlinson is seen walking slowly with his hands in his pockets, right in front of officers with dogs and moving away from them, when one officer seems to hit his legs with a baton and then push him, making him fall heavily to the ground.
April 9, 2009
Ian Tomlinson death: G20 witnesses tell of dogs, batons and an attack by police. From G20 protesters to journalists to bystanders, those who saw the events leading up to Ian Tomlinson's death speak out
Footage obtained by the Guardian shows Ian Tomlinson, who died during G20 protest, was attacked from behind by a baton–wielding police officer
April 8, 2009
Secret ROIR press page for the record. http://www.roir-usa.com/lionssay/attitude.html Brooklyn Vegan (show preview) - http://www.brooklynvegan.com/archives/2009/03/jeffrey_lewis_t.html Village Voice (show preview) - http://www.villagevoice.com/events/dufus-jeffrey-lewis-933614/ Ithaca Journal (interview w/ Seth) - http://www.theithacajournal.com/article/20090312/ENTERTAINMENT04/903120323 New York Mag (show preview) - Das Klienicum (DE blog) - http://dasklienicum.blogspot.com/2009/03/neue-tone-535-dufus.html The Philler (blog) - http://www.thephiller.com/news/2009/02/dufus-tour-new-york-and-europe-in-sup port-of-new-album/ New Yorker (show preview) - http://www.newyorker.com/arts/events/nightlife/2009/02/09/090209goni_GOAT_ni ghtlife?currentPage=2
THE NIGHTINGALES with guests TED CHIPPINGTON and VIOLET VIOLET INSULT TO INJURY TOUR - APRIL 2009 Sat 18 - ST. GALLEN, Palace www.palace.sg Sun 19 - LEIPZIG, TBC www.bllalabooking.de underground show, keep ‘em peeled Mon 20 - BERLIN, Wild At Heart www.wildatheartberlin.de Tue 21 - HAMBURG, Hafenklang www.hafenklang.de + Cpt. Howdy Wed 22 - KOLN, Blue Shell www.blue-shell.de + Another Nice Mess/DJ Marcelle Thu 23 - RAVENSBURG, Club Douala www.douala.de Fri 24 - MUNCHEN, 59:1 Club www.59to1.net Sat 25 - ULM, Cat Cafe www.cat-ulm.de Sun 26 - LONDON, 100 Club www.the100club.co.uk + David Cronenberg’s Wife Mon 27 - MARC RILEY’S BRAIN SURGERY www.bbc.co.uk/6music/shows/brain_surgery live radio session on BBC 6 MUSIC 7pm* Mon 27 - MANCHESTER, Night And Day* www.nightnday.org + Hotpants Romance Tue 28 - WOLVERHAMPTON, Little Civic www.wolvescivic.co.uk
April 7, 2009
Dufus' "In Monstrous Attitude" available now!
Colossal 12-panel digipak w/ art by Jeffrey Lewis!
Secret ROIR press page for the record.
Brooklyn Vegan (show preview) -
Village Voice (show preview) -
Ithaca Journal (interview w/ Seth) -
New York Mag (show preview) -
Das Klienicum (DE blog) -
New Yorker (show preview) -
April 7, 2009
with guests TED CHIPPINGTON and VIOLET VIOLET
INSULT TO INJURY TOUR - APRIL 2009
Sat 18 - ST. GALLEN, Palace www.palace.sg
Sun 19 - LEIPZIG, TBC www.bllalabooking.de
underground show, keep 'em peeled
Mon 20 - BERLIN, Wild At Heart www.wildatheartberlin.de
Tue 21 - HAMBURG, Hafenklang www.hafenklang.de
+ Cpt. Howdy
Wed 22 - KOLN, Blue Shell www.blue-shell.de
+ Another Nice Mess/DJ Marcelle
Thu 23 - RAVENSBURG, Club Douala www.douala.de
Fri 24 - MUNCHEN, 59:1 Club www.59to1.net
Sat 25 - ULM, Cat Cafe www.cat-ulm.de
Sun 26 - LONDON, 100 Club www.the100club.co.uk
+ David Cronenberg's Wife
Mon 27 - MARC RILEY'S BRAIN SURGERY www.bbc.co.uk/6music/shows/brain_surgery
live radio session on BBC 6 MUSIC 7pm*
Mon 27 - MANCHESTER, Night And Day* www.nightnday.org
+ Hotpants Romance
Tue 28 - WOLVERHAMPTON, Little Civic www.wolvescivic.co.uk
* Violet Violet not playing Manchester
INSULT TO INJURY
new album out now on Klangbad label
catalogue # KLANGBBAD40
distribution via Broken Silence/Germany & Cargo/UK
This is a living, breathing beast of an album - ARTROCKER, UK
This is their fiercest, most lacerating album yet, better by a good margin than the mid-1980s Pigs on Purpose...and that was excellent - BLURT, USA
The Nightingales have been responsible for some of the most genuinely innovative minority music of the past three decades. What's more with the release of Insult To Injury they have significantly raised their game. In fact, this is undoubtedly their finest moment - THE QUIETUS, UK
Boozy and deranged, Insult to Injury is how the new Franz record ought to sound - VICE, UK
Their freshest and most subtly intoxicating work to date - OBSERVER MUSIC MONTHLY, UK
They sound wired, edgy, boozy and as dangerous as ever, like a new band full of that energy that comes with those first moves and not a band who’ve been doing this since the start of punk. Robert Lloyd really shouldn’t be this good after all these years, should he? - THE ORGAN, UK
The new album from the 'Gales is their finest for 27 years. Start here and work backwards - SUNDAY TIMES, UK
Unlovable as ever. The Nightingales remain hard work for precious little gain - MOJO, UK
Its no wonder that they are on the label of the Krautrock legends Faust. The Nightingales capability with sound and playfulness is endless. Their rough unruliness is very charming - ECLIPSED, Germany
Insult to Injury is probably as good as the Nightingales have ever been. This isn’t just an 80's band doing good but it’s a fine record period, and puts most contemporary (and younger) “post-punk” bands to shame - SOUNDS XP, UK
This album is uneven, undisciplined and overlong - UNCUT, UK
Insult To Injury combines stuff capable of being on the radio with utterly entertaining experiments. Thrilling. - NOTES, Germany
WALKING DOWN THE ROAD... A HISTORY OF TED CHIPPINGTON 4CD box set available on Big Print Recprds
new single C-C-C-CAT out now on NROne Records
IT'S A HEATWAVE CD album available on Big Print Recprds
April 7, 2009
THE NIGHTINGALES ONLY LONDON SHOW IN 2009
with guests TED CHIPPINGTON & VIOLET VIOLET
plus David Cronenburg's Wife & DJ - Matt Wood
100 CLUB, OXFORD ST, LONDON
SUNDAY 26 APRIL
doors at 7.30
DOOR PRICE IS £10 BUT THERE WILL BE A DISCOUNT 'PAYING GUEST LIST' OF £7
TO BE ON THIS LIST PLEASE WRITE TO US BY SATURDAY 11 APRIL WITH YOUR NAME & NUMBER OF 'TICKETS' REQUIRED
PLEASE FEEL FREE TO FORWARD THIS MESSAGE ON TO OTHERS
April 6, 2009
Thursday 9th April: Paradox, dirty love, rage dc, social schism, self inflicted, jesus bruiser, fat cats, leading the charge, moral dilemma Friday 10th April: p.a.i.n, the kadt, trashcat, faintest idea, contempt, local madmen, the terrors, jonas first date, automads, rotten agenda, terminal decline, kilnaboy, dread messiah Saturday 11th April: left for dead, defcon zero, police bastard, dead subverts, active slaughter, r.a.m. m.a.n., 2 sick monkeys, rabies babies, section 13, the dead batteries, something more grotesque, Sunday 12th April: a.o.s.3, headjam, jimmy the squirrel, the extinguishers, the hostiles, the john plyer specials, captain black no stars, jakal, the apostates.
April 5, 2009
Thursday 9th April: Paradox, dirty love, rage dc, social schism, self inflicted, jesus bruiser, fat cats, leading the charge, moral dilemma
Friday 10th April: P.A.I.N, the kadt, trashcat, faintest idea, contempt, local madmen, the terrors, jonas first date, automads, rotten agenda, terminal decline, kilnaboy, dread messiah
Saturday 11th April: left for dead, defcon zero, police bastard, dead subverts, active slaughter, r.a.m. m.a.n., 2 sick monkeys, rabies babies, section 13, the dead batteries, something more grotesque,
Sunday 12th April: A.O.S.3, headjam, jimmy the squirrel, the extinguishers, the hostiles, the john plyer specials, captain black no stars, jakal, the apostates.
Easter Punx Picnic - A 4 Day Benefit in London, Raising Money for Faslane Peace Camp in Scotland
Since 1982 Faslane Peace Camp has been occupied by an ever expanding group of multinational Peace activists... Intent on disrupting any attempts to make nuclear war, at the Submarine Base. We are also doing a alternative lifestyle project. Living and working together, organising ourselves and co-operatively helping each other. Faslane has done protests against faslane navy base, the nearby Coulport nuclear storage, Truck convoys coming up from Aldermaston/Burghfield (nr. Reading), canoeing infront of Submarines and other actions on the MOD, BAe, Rolls Royce, and other Military corporations.
Faslane Peace Camp welcomes visitors, feel free to visit at anytime, or come to the Annual birthday party week of action - To be announced Directions - The camp is situated 6 miles North of Helensburgh. Helensburgh can be reached from Glasgow by train, for £5 return, trains leave every half hour from Glasgow Queens Street (Low level station).Or the 216 from Jamaica St - Helensburgh. You can catch the 316 bus from Helensburgh Central train station (for Coulport or Garelochead, stops outside the camp) it only costs £1:50, and you can ask to be dropped off at the peace camp. -F.P.C. is on the east verge of the A814 road, which leads to HMNB Clyde and beyond. The Camp is therefore visible to all traffic coming towards the base from the direction of Helensburgh. We are about 30 miles west of Glasgow, by the Gareloch, a river Clyde estuary sea loch. Faslane Naval Base is on the Gareloch. CAMP PHONE 01436820901
Form 696 is an eight page form which the Metropolitan Police have introduced to gather information about all live music events in London. It could become the responsibility of venue owners to complete a copy of the form for every gig they put on in their premises. Thirteen London boroughs Bexley, Brent, Camden, Croydon, Ealing, Enfield, Hammersmith & Fulham, Kingston, Lambeth, Royal Borough of Kensington & Chelsea, Royal Borough of Windsor & Maidenhead, Southwark, and Sutton - have already signed up to this scheme, and are likely to make completion of Form 696 for all events a condition of granting a performance license. These boroughs have all already incorporated Form 696 requirements into their Statements of Licensing Policies; most of these include the Metropolitan Police’s definition of a “significant event”:
'This definition relates to events that require a Promotion/Event Risk Assessment Form 696. A significant event will be deemed to be: any occasion in a premises licensed under the provisions of the Licensing Act 2003, where there will be a live performer(s) - meaning musicians, DJs, MCs or other artiste; that is promoted in some form by either the venue or an outside promoter; where entry is either free, by invitation, pay on the door or by ticket.'
http://www.lambeth.gov.uk/moderngov/ieListDocuments.aspx?MId=6464 (search within the document for '696')
In addition to this, once the gig is over venues must complete Form 696A giving an account of how it went: http://www.met.police.uk/events/forms/form_696a.doc (Microsoft Word document)
According to a recent piece in The Independent newspaper: Feargal Sharkey is applying for a judicial review into whether a local authority has the right to make it a condition of a publican's licence that they have to fill in Form 696. The scheme was introduced by the Metropolitan Police after incidents at live music concerts in 2006, some involving guns. In theory, it applies to any licensed premises where there is live entertainment, but Detective Chief Superintendent Richard Martin, head of the Met's pubs and vice squad, said that in reality it will apply only to performances likely to draw large crowds.
Professionals in the music business fear that if it becomes accepted, it will be copied in other cities. Martin Rawlings, director of the Pub and Beer Association, said: "I know of licensees faced with this saying they are just not going to put live music on. Form 696 is being used only in London so far, but there are similar things going on around the country, where the police are asking publicans to sign various protocols. It has gone too far, frankly."
Mr Sharkey has also complained to the Equality and Human Rights Commission that the police appear to be focusing on the music enjoyed by black and Asian teenagers. One of the questions on the form requires the licensee to specify the type of music that will be performed, giving as possible examples "Bashment, R'n'B, Garage". Another question asks, "Is there a particular ethnic group attending?"
In a letter to Sir Ian Blair, the Met commissioner, Mr Sharkey said: "In explicitly singling out performances and musical styles favoured by the black community we believe the use of Risk Assessment Form 696 is disproportionate, unacceptable and damaging to live music."
The Musicians' Union is also consulting lawyers, because they believe that performers' privacy is being invaded. Rick Finlay, 49, who has been playing drums in London venues for 30 years, warned that even if licensees agree to fill in Form 696, musicians may not co-operate. "I would be pretty angry about it, and I can tell you some of my colleagues would refuse to work with me rather than give their details," he said. "The last thing they need is a deterrent, which implies that there is something wrong with what they are doing."
But Det Ch Supt Martin said Form 696 was already making live music in large venues safer. "It's not about being risk averse, it's about managing the risk," he said. "If you a publican and you are just having some performers to entertain your regular customers, you won't be expected to do a risk assessment. It's for when the performance is being put on to draw people in. We will never assess somebody just on the genre of music they are performing. There is a whole raft of factors that are taken into account."
And from The Register:
The threat is serious: failure to comply "may jeopardise future events by the promoter or the venue". Licensing of live music is nominally under the democratic control of local authorities. However, few councillors dare contradict the advice of the constabulary - even when such advice exceeds the police's authority, as it does here. John Whittingdale, the Culture select committee chairman, described it as "a consequence of the Metropolitan Police exceeding what is required by law".
UK Music chief Feargal Sharkey told a House of Commons select committee that the policy had already been used to pull the plug on an afternoon charity concert of school bands in a public park organised by a local councillor.
"No alcohol would be sold, tickets were limited to three maximum, and the councillor offered to supply eight registered doormen. Police objected on the grounds that the names, addresses and dates of birth of the young performer could not be provided," said Sharkey, speaking to the Department of Culture Media and Sport's hearing on venue licensing today.
"Live music is now a threat to the prevention of terrorism", he concluded. In response, Detective Superintendent Dave Eyles from the Met's clubs and vice office told us that 10,000 such Risk Assessments would be processed this year. He said they weren't compulsory:
"We can't demand it - we recommend that you provide it as best practice. But you're bloody silly if you don't, because you're putting your venue at risk."
"Have a look at the papers and tell me where the black-on-black shootings happen? They're around the night time economy," said Eyles.
"Music promotions attract people who have a propensity to use violence. That's not speculation. We have a duty to prevent that from happening." But even if that's true, why vet then the performers? Unless the performers attack the audience, Sid Vicious-style in the fictional Great Rock and Roll Swindle?
"We're not vetting the performers - we're looking at the audience. It's not the music it's the people who follow it, who use that event as a catalyst to commit crimes.
But, Form 696 explictly vets the performers. We read it out.
"Some venues use their inhouse DJs all the time - others fly them in from around the world. It's not just their track record in the UK we're looking at but we're looking worldwide - what has happened historically at those events".
With the police groaning under bureaucracy, was 10,000 extra forms really justified?
"We can effectively look at those venues and say by putting in some measures as a last resort, canceling the event, we can prevent crime." But didn't Sharkey's example - a kids concert in the park - suggest that the system was being abused?
"I would doubt that's factually correct," said Eyles. "I've never known an event to be cancelled because a Risk Assessment wasn't completed. If we went to the organisers and asked them to pull it, we would be laughed out of court. I cannot believe that would happen. In itself, it's not grounds to shut an event down."
The BBC’s website says: The head of the industry body, UK Music has reported the use of the form to the Equality and Human Rights Commission, and has called for a judicial review into its use.
He explained: "We are already aware of a number of pubs that have had this now attached as a mandatory condition to their license, which means if the landlord of that pub does not give that information, he is then in breach of his license.
"That could result in either the loss of the license and therefore his business and, or a maximum of £20,000 fine and, or six months in jail."
He confirmed that they might take their fight against Form 696 to the courts: "UK Music is currently looking at the process of judicial review and that would involve all 21 local boroughs that we believe are involved in this.
"However, it does raise the question as to quite why a music industry is potentially going to have to fund a high court case costing hundreds of thousands of pounds to deal with a bit of legislation that is quite obviously deeply flawed and why isn't the Government intervening to fix it in the first place?"
David Isles, a Detective Superintendent with the Met Police Clubs and Vice unit, has responded to McClure's comments saying Form 696 is not designed to stop people having a good time.
"I think that that's naive in the extreme because this is about Black Kids being shot and stabbed and being targeted," Isles replied.
Form 696 initially came about when the police became concerned with the number of black on black shootings around nightclubs.
Isles went on: "You have particular gangs aligned to particular types of music and that obviously created an environment where rival gangs would target them.
"It wasn't about the music, it wasn't about the venue, it wasn't about the promotion it was because gangs were associated with those particular events."
And he said this came about through a process of consultation with all concerned, the nightclubs, the local police, the security firms and the promoters.
According to Isles, the method is under review and the Met are always open to consultation: "We want to work with all these various agencies to come up with solutions, not to shut events down.
"That is the last resort and we would only ever do that when the threat level is so high that no means of intervention could prevent someone from becoming a victim of violence."
One of the major difficulties in understanding the scope and scale of the problem at the moment is the conflicting information available online and via various newspaper reports. The numbers of London boroughs requiring venues to complete the Form is variously stated as 12, 13 and 21. Some reports say the use of the form is still voluntary, others that the completion of the form has been made a condition of the renewal of live music licenses at venues already.
The information requested will be held by the police and includes the genre of music to be played, the names and contact details for all performers and worst of all the likely ethnic profile of the audience. The completed form has to be submitted 14 days in advance of the event; the police claim it will help prevent violent incidents but we can't see how this will make any difference to the problems of violence at gigs; holding information on performers and venue owners isn't going to stop anyone coming in to an event to cause problems and no performer or venue owner wants to see, or can be held responsible for, trouble at their events.
We believe that if it is allowed to happen, Form 696 will effectively destroy the live music scene, particularly at the smaller-scale end of things. Venue owners won't want to be bothered with the paperwork, which will be onerous to complete anyway, and many will simply stop putting gigs on. Performers in many cases won't want to be supplying their contact details to the police. There is also the issue of how this information will be kept and used by the police. On top of this there is the question of how the police will treat identical gigs where the ethnic make-up of the audience differs, potentially breeding racial tensions.
We believe that if it becomes compulsory, this will prevent young performers from coming through, cause venues to shut or stop being able to put on shows and make it very hard for bands to be able to get to play... and possibly lead to more problems than it could possibly solve. They said the Criminal Justice Bill wouldn't happen and it did; they said the smoking ban would never happen and it did. Please, if you care about the future of live music and performance, sign the petition and stop Form 696 in its tracks.
The Downing Street petition is here - PLEASE sign it if you're a UK citizen or resident: http://petitions.number10.gov.uk/Scrapthe696/
The facebook group is here: http://www.facebook.com/home.php/group.php?gid=42439007135
A copy of the proposed form is here: http://www.met.police.uk/events/forms/form_696.doc
Finally, please tell everyone you know about this page and get them to sign the petition!!!
April 5, 2009
Police Bastard Tour April 2009 11.04. [Sat] Secret Venue - London, England. Venue to be announced 24hrs before show 13.04. [Mon] ‘She-fell-On-My-Knife,13-Times-FEST - Autonoom Centrum, De NooDZaaK, gerardwillemotlaan 69, 9030 Mariakerke, GENT, Belgium http://denoodzaak.tk http://acdenoodzaak.blogspot.com 14.04. [Tue] Sonic Ballroom - Koln, Germany http://www.sonic-ballroom.de Sonic Ballroom, Oskar-Jäger-Str.190, 50825 Köln (Ehrenfeld) Phone: 0221 - 16 91 88 94 15.04. [Wed] Tommyhaus - Wilhelm Strasse, Berlin, Germany. with LAZY SLOBS (Berlin) http://www.tommyhaus.org 16.04. [Thu] Liwi - Stöckartstr.11, 04277 Leipzig, Germany. 17.04. [Fri] Frankfurt am Main AU - Frankfurt, Germany. http://www.au-frankfurt.org 18.04. [Sat] Lobusch - Lobuschstrasse 39, Hamburg, Germany. http://www.lobusch.org can anyone offer any other shows? If you can help with additional shows please get in touch - ring Pid Police Bastard on (+34) 646 509 234