Speck Mountain European Tour Dates November 2009
October 12, 2009 by Mark Badger

SPECK MOUNTAIN November 2009
10 UK NEWCASTLE, THE CLUNY
11 UK GLASGOW, CAPTAINS REST
12 UK MANCHESTER, DULCIMER
17 BE GENT, VIDEO www.cafevideo.be
18 DE KOLN, KING GEORG
20 DE OFFENBACH, HAFEN
21 NL DEN HAAG, CROSSING BORDER www.crossingborder.nl
22 BE ANTWERP, CROSSING BORDER www.crossingborder.be
Speckmountain at gmail.com
US Press Contact: Jrogers at greenlightgopublicity.com / 248.336.9696
UK Press Contact: Will at inhousepress.com / 0161 228 2070
Website: www.myspace.com/speckmountain
Speck Mountain are an ambient-soul band possessed as much by the grit of southern soul as the spell of infinite drones. They flirt with the smiling demons of old-school indulgence, and the redemptive angels that stir in their wake. Self-described “musical soul mates,” Briedrick and Balabanian write as a team, communicating in intuitive, womb-curled melody, exploded texture and spiky rhythm.
Live, Speck Mountain are performing songs form their newest release, “Some Sweet Relief” with the aid of Chin Up Chin Up’s former drummer, Chris Dye. The material projects a loose, narcotic swagger, taking off from atmospheric majesty into full-on hypnotic assault.
Members Karl Briedrick, (guitar, bass) Marie-Claire Balabanian, (vocals, guitar, bass) Claire Haley (electric piano, organ) and Christopher Dye (percussion)
Label: Carrot Top Records, Inc.
GLASSWERKS (UK) – “Who has the balls to make a record like this these days?”
THE TIMES (UK) – “4/5. what matters here is the voice of Marie-Claire Balabanian, which carves out a territory bordered on the one side by Hope Sandoval and Margo Timmins, and on the other side by Chan Marshall and Neko Case. Meanwhile, the guitarist, Karl Briedrick, takes his cues from the Velvets’ third album and late-1960s Stones.”
Q – “a heavily addictive, comfortably numbing kind of experience.”
MOJO – “their echoey shimmer has the ghostly quality of mist on the bayou.”
KEXP – “sends a medulla-melting euphoria through the base of one’s skull.”
NPR – “…dreamy, impressionistic, and ambient. Like sunlight shining through a gauzy curtain, Balabanian’s rich vocals are simultaneously hazy, distant and piercing.”
PREFIX MAG – 8/10 “I could sit here all day and write about Balabanian’s beautiful voice, or the collection of dreamy songs on Some Sweet Relief. I could keep rambling on about the intricate guitar work and bittersweet atmosphere of the album. I could discuss its subtle moves between pop and country and soul and R&B. But, in the end, it isn’t these things, taken together or separately, that make the album great. In the end, the way Some Sweet Relief comes together is inexplicable, in a way.”
SKYSCRAPER – “Moony roots pop…the groups gentle psychedelia is amply thinned with the laid-back folk-rock of the 1970’s and layered over VU-style hypnotically churning bluesy rhythm beds.”
ALL MUSIC – 4/5 Stars “For those raised on dream pop bands and space rock songs, Some Sweet Relief sounds somewhat timeless, a 40-minute offering of neo-psych gospel that’s more polished, more promising, and altogether stronger than most of the band’s contemporaries.”
VENUS – 4.5/5 Stars “Balabanian’s voice leads the way from soft coos to bluesy wails. Pulsating electric guitar riffs, creepy organ chords, and campfire-style backing harmonies round out each track, practically compelling the listener to lay back, turn out the lights, and stay awake until the last note fades.”
OTHER MUSIC (NYC) – “The songs are all slow and hazy, with a bit of the cosmic gospel inflection you hear in Spiritualized, or perhaps what a grittier take on Beach House might sound like… Great stuff, and I can’t wait to hear what they do next.”
PICCADILLY RECORDS (UK) – “Simply beautiful.”





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