Iron Man Records – Online Shop

The Iron Man shop sells Punk, Dub, Rock, Metal, Acoustic and Alternative music on CD, Vinyl, DVD, and Video. The shop also stocks books, comic books and rare or hard to find items.

I only sell what I listen to, I like, and I recommend. Every item is brand new and undamaged, no second hand or damaged goods.

Try it, you might like what you find. http://stores.ebay.co.uk/Iron-Man-Shop

John Sinclair – Underground Issues CD

John Sinclair in a variety of musical settings: with his Blues Scholars in New Orleans, Boston & Los Angeles, with the Kudzu Kings, Jimbo Mathus, Little Milton, Wayne Kramer, Ed Moss & the Society Jazz Orchestra, Charles Moore, and Marion Brown

My first album, Full Moon Night, was released by Alive Records in 1995. I was 53 years old and finally had a full-scale document of my hard-won performance style, developed over a 30-year gestation period which began at the Artists Workshop in Detroit. I was first invited by Charles Moore to perform my verse to musical accompaniment with his jazz ensemble, the Detroit Contemporary 5, in late 1964, and I did this for kicks with a variety of musical partners over the years.

After Full Moon Night came out, I decided it was time to pursue my performing arts career in earnest and began a series of tours which have since taken me all over the United States and western Europe. I had organized a working ensemble, the Blues Scholars, in New Orleans the year before and used it as a model for the kind of bands I would assemble to accompany my recitations wherever my travels took me.

Underground Issues is a compilation of recordings from a variety of sources assembled to illustrate several facets of my work in verse and the diverse settings in which it is performed. The first five cuts feature my regular ensemble recorded in performance at the Howlin’ Wolf club in New Orleans on March 30, 2000, and the “Homage to John Coltrane” suite [12-14] is from a 1997 live radio broadcast on KXLU-FM with a Los Angeles edition of the Blues Scholars featuring fellow former Detroiters Wayne Kramer, Charles Moore and Ralph “Buzzy” Jones.

In between these “live” sets are several guest-artist performances recorded with the Kudzu Kings [6], Jas Mathus [7], Little Milton [8], Ted Drozdowski & the Boston Blues Scholars [9], Wayne Kramer [10], and Ed Moss and his Society Jazz Orchestra [11], plus a “bonus cut,” a duet with saxophonist Marion Brown on “Spiritual” [14], recorded “live” at the Louisiana Music Factory in 1993. These sides originally saw the light of day on several widely scattered CDs and are now gathered together here in one place.

The Howlin’ Wolf selections are the most recent performances here and feature guitarist and musical director Bill Lynn and drummer Michael Voelker, who have worked closely with me since 1994. Harmonica ace Larry “Rockin’ Jake” Jacobs made an appearance on the first Blues Scholars CD, recorded “live” at the late lamented Kaldi’s Coffeehouse in New Orleans in 1994, and he’s been a frequent guest Scholar ever since. The band is augmented by sousaphonist Kirk Joseph, leader of the Forgotten Souls Brass Band and, as a founding member of the Dirty Dozen Brass Band, the man who pioneered the modern approach to the tuba bass in brass band music.

“When Will the Blues Leave” features Bill Lynn’s guitar with the harmonica of Rockin’ Jake on music adapted from Billy Boy Arnold’s classic VeeJay 45, “I Wish You Would.” The text, composed in 1982, was inspired by an Ornette Coleman song of the same name and is dedicated to my wife Penny.

“Thank You, Pretty Baby” was written in late 1995 to honor my friend Allison Miner, who had just passed away after a long and brave battle against bone-marrow cancer. I had also lost my dear friend Bob “Righteous” Rudnick to cancer of the pancreas earlier in the year. The music is inspired by the Professor Longhair tune, “Gone So Long,” recorded for Federal Records in December of 1951.

The Blues Scholars are joined on “My Buddy,” a salute to my dear departed pal Henry Normile, murdered in Detroit in January 1979, by my frequent companion James Andrews, “the Satchmo of the Ghetto,” on trumpet. James is an important and inescapable element of the Crescent City music scene and has played with the Blues Scholars at the New Orleans Jazz & Heritage Festival and the Cannabis Cup in Amsterdam.

“Ain’t Nobody’s Bizness” was the big underground hit on my 1997 release, Full Circle with Wayne Kramer (Alive Records), and here utilizes Bill Lynn’s arrangement and vocal. The text was updated in 1998 with a reference to President Clinton’s infamous dalliance with Ms. Monica Lewinsky.

“Fattening Frogs For Snakes,” the title piece from my elongated blues work in verse, a “Delta Sound Suite” published in 2002 by the Surregional Press, was composed in 1999 and set to a driving blues riff by Bill Lynn. This is the first time the number has been recorded.

The text for “Down in Mississippi” was commissioned by the Kudzu Kings, a popular Southern dance band based in Oxford, Mississippi. It was recorded in February 1999 in a little studio out in the countryside surrounding Monticello, Mississippi, the home of J.B. Lenoir.. It was released as a hidden bonus track following track 13 on the Kings’ 1999 CD, Y2Kow.

“Some of These Days” is a statement by Roebuck “Pops” Staples as told to the late, great Robert Palmer for his book Deep Blues and set to verse in 1982 as part of Fattening Frogs For Snakes. It was recorded with guitar and vocal by Jas “Jimbo” Mathus for his blues project called Songs For Rosetta, a salute to the daughter of Charley Patton. The gorgeous violin was contributed by Andrew Byrd. This track was released as the final cut on Songs For Rosetta by Jas Mathus & the Knockdown Society (Mammoth Records, 1997).

“Mother Earth” was commissioned by producer Greg Preston to introduce Little Milton on his 1999 Malaco album, Welcome to Little Milton. Greg called me with the assignment on a Thursday, I received a tape of Milton’s performance on Friday, wrote the text over the weekend, recorded my part on Monday afternoon and shipped it to Greg that night. He added it to the album during the final mix session in Jackson, Mississippi, the next day but left it to stand alone as a spoken word piece. I’ve remixed it here to go over the musical intro to the song as originally intended.

“monk in orbit” was recorded with Ted Drozdowski & the Boston Blues Scholars at a church in Cambridge MA in the fall of 2000 and included on the album by the Boston Blues Scholars from TriPup Records called Steady Rollin’ Man.

“friday the 13th” is a piece from thelonious: a book of monk, an investigation in verse into the music, life, times and impact of the great African American pianist and composer, Thelonious Monk. Here the text is set to music improvised by guitarist Wayne Kramer and his Nashville rhythm section circa 1994. Wayne sent me the tape of his music and the recitation was recorded at Chez Flames Recording in New Orleans. The cut was originally issued on a 10” LP titled Friday the 13th (Alive/Total Energy Records, 1995) and anthologized on CD on Motor City’s Burning, Volume 2 (Alive/Total Energy, 1997).

“rhythm-a-ning,” another Monk piece, is an account in verse of an imaginary baseball contest between the New York Tenors and the Bebop All Stars for the championship of the world. Dedicated to my friend Paul Lichter and the Detroit Tigers’ Hall of Fame broadcaster, Mr. Ernie Harwell, the poem is set to music by Ed Moss (“Rhythm Changes”) inspired by Monk’s composition and played by Ed’s eight-piece Society Jazz Orchestra at a 1994 concert in Cincinnati. This recording was produced by Steve Gebhardt and Ron Esposito and originally released in 1996 on If I Could Be With You (Schoolkids Records), now out of print.

“Spiritual,” “Consequences”/”Blues To You” and “I Talk to the Spirits” comprise a homage to John Coltrane recorded during a KXLU-FM radio broadcast in Los Angeles in 1997. The music, inspired by the Coltrane compositions “A Love Supreme” and “Tunji,” was arranged by Charles Moore and improvised by my Los Angeles Blues Scholars while we were on the air. The other suite we played that day — for the first time, “live” on the radio — was a completely improvised performance of the White Buffalo Prayer which has just been released on CD by SpyBoy Records (SB 1001).

The “bonus cut” is a reprise of “Spiritual” performed as a duet with alto saxophonist Marion Brown during his brief stay in New Orleans in early 1993. I’d been wanting to play with Brown since the early days of our friendship, back in 1965, and this desire was finally consummated at a free concert at the Louisiana Music Factory. This cut was included on the 10” LP, Friday the 13th, and on The Sounds of New Orleans, Volume 2, a CD I produced for WWOZ Radio in 1994.

Now I’ve got all this music in one place at last, and I’d like to thank Mario Madero and John Bouille of SpyBoy Productions for making this album a reality. I hope you enjoy it as much as I do.

—John Sinclair
New Orleans
August 14, 2000

Underground Issues by John Sinclair
(Originally issued as SpyBoy Records SB 1002)

1 “When Will the Blues Leave” with the Blues Scholars (2:20)
2 “Thank You, Pretty Baby” with the Blues Scholars (4:15)
3 “My Buddy” with the Blues Scholars (5:06)
4 “Ain’t Nobody’s Bizness” with the Blues Scholars (4:19)
5 “Fattening Frogs For Snakes” with the Blues Scholars (7:21)
6 “Down in Mississippi” with Kudzu Kings (4:35)
7 “Some of These Days” with Jas Mathus (3:43)
8 “Mother Earth” with Little Milton (0:51)
9 “’Scuze Me While I Kiss the Sky” with Ras Kente (3:23)
10 “Friday the 13th” with Wayne Kramer (3:46)
11 “rhythm-a-ning” with Ed Moss & the Society Jazz Orchestra (4:00)
12 “Spiritual” with Wayne Kramer & the Blues Scholars (5:30)
13 “Consequences”/Blues To You” with Wayne Kramer & the Blues Scholars (8:22)
14 “I Talk with the Spirits” with Wayne Kramer & the Blues Scholars (4:16) >
“Spiritual” with Marion Brown (2:27)

Produced By John Sinclair for Big Chief Productions
Executive Producers: John Bouille & Mario Madero
Production Coordination by Penny Sinclair for SpyBoy Productions

1-5 John Sinclair, voice; Bill Lynn, guitar & vocal [4]; Kirk Joseph, sousaphone; Michael Voelker, drums; Larry “Rockin’ Jake” Jacobs, harmonica; James Andrews, trumpet [3]. Texts by John Sinclair, music by Bill Lynn (Big Chief, ASCAP). Recorded at Howlin’ Wolf, New Orleans, March 30, 2000. Mixed, edited & mastered by Henry Petras & Greg Troyer at Side One Studios, Metairie, LA, May 25, 2000. Edited & remastered by John Sinclair & Tom Morgan at Elysian Fields, June 29, 2000. Produced by Henry Petras & John Sinclair. Executive Producers: John Bouille & Mario Madero.

6 John Sinclair, voice, with the Kudzu Kings: Tate Moore & George McConnell, guitars; Robert Chaffee, keyboards; Tommy Bryan Ledford, bandobrolin; Dave Woolworth, bass; Chuck Sigler, drums. Text by John Sinclair (Big Chief, ASCAP). Music arranged by the Kudzu Kings. Recorded by Jeffrey Reed at Rte. 1 Recording, Monticello, MS, February 1999. Produced by Jeffrey Reed. Original release: Y2Kow (Kudzu Kings, 1999).

7 John Sinclair, voice; Jas Mathus, guitar & vocal; Andrew Byrd, violin. Text by Roebuck “Pops” Staples, arranged by John Sinclair (Big Chief, ASCAP). Music arranged by Jas Mathus. Recorded by Mike Napolitano at Glennsway Studio, New Orleans, 1997. Produced by Jas Mathus. Original release: Songs For Rosetta by Jas Mathus & the Knockdown Society (Mammoth Records, 1997).

8 John Sinclair, voice; Little Milton, guitar & vocal; Will MacFarlane, guitar; Clayton Ivey, piano; David Hood, bass; George Lawrence, drums; and the Muscle Shoals Horns: Steve Patrick & Jim Williamson, trumpets; Charles Rose, trombone; Harvey Thompson & Doug Moffat, tenor saxophones; Jim Horn, baritone saxophone. Text by John Sinclair (Big Chief, ASCAP). Music arranged by Little Milton and recorded by Kent Bruce at Muscle Shoals Sound Studios, Sheffield, AL, 1999. Text recorded by Steve Daffner at the Dream Palace, New Orleans, September 1999. Produced by Greg Preston & Kent Bruce for Malaco Records. Original release: Welcome to Little Milton (Malaco Records, 1999). Remixed and mastered by Henry Petras & Greg Troyer at Side One Studios, Metairie, LA, May 25, 2000.

9 John Sinclair, voice; Ras Kente, guitar; others unidentified. Text by John Sinclair (Big Chief, ASCAP). Music by Ras Kente. Text recorded by Keith Keller at Chez Flames Recording, New Orleans, 1994 Produced by George Clinton. Line Producer: John Sinclair. Original release: P-Funk Guitar Army (Blues Interactions Records, Japan, 1995) and Cutting Edge 1998 (Music Business Institute, 1998).

10 John Sinclair, voice; Wayne Kramer, guitar; Brad Jones, bass; Fenner Castner, drums. Text by John Sinclair (Big Chief, ASCAP). Music by Wayne Kramer, recorded by Brad Jones at Alex the Great Studios, Nashville, TN, 1994. Text recorded by Keith Keller at Chez Flames Recording, New Orleans, 1994. Produced by Wayne Kramer & John Sinclair. Original release: Friday the 13th (Alive/Total Energy 10” LP, 1996) and Motor City’s Burnin’, Volume 1 (Alive/Total Energy CD, 1998).

11 John Sinclair, voice; Ed Moss, piano; Jerry Conrad, trumpet; Clarence Pawn, trombone; Tim McCord, alto saxophone; Arthur Quitman, tenor saxophone; Joe Gaudio, baritone saxophone; Chris Dahlgren, bass; Art Gore, drums. Text by John Sinclair (Big Chief, ASCAP). .Music (“Rhythm Changes”) by Ed Moss (Ed Moss Music, BMI). Recorded by Goeff Maxwell in concert at the Hyatt Regency, Cincinnati, OH, January 15, 1994. Produced by Steve Gebhardt & Ron Esposito. Original release: If I Could Be With You (Schoolkids Records, 1996).

12–14 John Sinclair, voice; Wayne Kramer, guitar, Paul Ill, bass; Michael Voelker, drums; Charles Moore, trumpet; Craig Stuart, alto & tenor saxophones; Ralph “Buzzy” Jones, tenor saxophone. Texts by John Sinclair (Big Chief, ASCAP). Music arranged by Wayne Kramer & Charles Moore. Recorded by Matt “Justin Time” Fitzgerald at KXLU-FM, Loyola-Marymount University, Los Angeles, CA, August 18, 1997. Produced by John Sinclair for Big Chief Productions.

15 John Sinclair, voice; Marion Brown, alto saxophone. Text by John Sinclair (Big Chief, ASCAP). Music by Marion Brown. Recorded by Mark Bingham at the Louisiana Music Factory, New Orleans, February 1993. Produced by John Sinclair. Original release: Friday the 13th (Alive/Total Energy 10” LP, 1996) and Smokin’: The Sounds of New Orleans, Volume 2 (WWOZ on CD, 1995).

The producer would like to thank Mario Madero, John Bouille, Henry Petras, Greg Troyer, Tom Morgan, Bill Lynn, Michael Voelker, Rockin’ Jake, Kirk Joseph, James Andrews, Wayne Kramer, Charles Moore, Buzzy Jones, Craig Stuart, Paul Ill, the staff at Howlin’ Wolf and KXLU-FM, Dave Woolworth and the Kudzu Kings, Jas Mathus, Glen Graham, Mike Napolitano, Greg Preston, Little Milton, Tom Stevens, Brad Sumrall, Steve Daffner, George Clinton, Ras Kente, Rick Cioffi, Bob DeDeckere, Keith Keller, Ross Firestone, Patrick Boissel, Ed Moss, the Society Jazz Orchestra, Steve Gebhardt, Ron Esposito, Steve Bergman, Michael Simmons, Mark Groubert, Marion Brown, Jerry Brock, Barry Smith, the great Diane Wanek and, as always, my wife Penny for her patience, support and understanding.

— August 14, 2000

You can find this and more John Sinclair in the Iron Man shop here: http://stores.ebay.co.uk/Iron-Man-Shop

John Sinclair & his Blues Scholars – White Buffalo Prayer CD

White Buffalo Prayer
John Sinclair & His Blues Scholars
Featuring Wayne Kramer
SpyBoy Records SBCD-1001

By John Sinclair

For many First Nations people, the birth of a female white buffalo calf named Miracle on a farm in Janesville, Wisconsin in August 1994 fulfilled a key Lakota prophecy and signaled the beginning of a new era in human relations.

According to this prophecy, White Buffalo Calf Woman materialized long ago in a Lakota village in the guise of a beautiful maiden. She gave the people the gift of the sacred pipe of peace and taught them how to live respectfully and harmoniously with everyone on earth. She would leave them now to learn these lessons for themselves, she explained, but upon her return she would lead them into a new social order based on her teachings.

As the woman left the village the people saw her change into a black buffalo calf. The calf rolled on the ground and came up red; rolled again and turned yellow; rolled once more and changed to white, signifying that people of all colors are one. Then the calf disappeared, and it was prophesied that the woman would return in the form of a white buffalo calf when the people were ready to receive her wisdom.

As keeper of the sacred White Buffalo pipe and interpreter of the Lakota prophecy, Dr. Arvol Looking Horse has traveled far from his home on the Green Grass reservation in South Dakota to spread the word of universal peace to world leaders and people from all walks of life. In January Looking Horse was invited by President Clinton to pray at the Inaugural festivities in Washington DC, where he spoke of the drum as the heart of Mother Earth and of the need for global healing through the power of the drum and the music it brings us.

Chief Looking Horse enjoys a special relationship with the city of New Orleans since his 1996 visit for our annual White Buffalo Day celebration, where the Lakota holy man blessed Congo Square as sacred ground and sanctified the remarkable treaty made between Lakota and Choctaw Ghost Dancers and the Mardi Gras Indians at their long-awaited first meeting on August 27, 1994.

On that day a Sacred Circle was formed in Congo Square by Kam Night Chase (Lakota Pipe Carrier) and David Carson (Choctaw) to greet and honor Big Chiefs Tootie Montana (Yellow Pocahontas), Donald Harrison Sr. (Guardians of the Flame), Larry Bannock (Golden Star Hunters), Spy Boy Nat (White Eagles), other Big Chiefs and representatives of the Mardi Gras Indian Council.

There the Mardi Gras Indian Natiion was formally accepted as brothers by the Native Americans, gifted with medicine bundles, and invited to share the sacred 1500-year-old Choctaw clan pipe of Mayan origin with the face of an African warrior on the bowl. The treaty was solemnified by drumming and sacred songs of both peoples, including a Lakota Ghost Dance song and a jubilant “Indian Red” led by Tootie Montana.

Kam Night Chase, a Lakota Pipe Carrier active in the Ghost Dance movement, had learned of the Black Indians of New Orleans from his friend Goat Carson, a half-breed harmonica preacher and barbeque specialist, and his wife Sharon Marie Asch, new residents of the Crescent City.

Goat and Sharon had met members of the Carrollton Hunters at Carson’s weekly Sunday afternoon cookouts at Snake & Jake’s Christmas Club Lounge uptown. When they spied the Wild Indians in the streets at their first Mardi Gras, Goat and Sharon’s minds were blown by the many forms of homage paid to Native American culture by these inner-city Americans of African descent.

Carson could hear the echoes of Cherokee and Choctaw ceremonial music in the songs and chants of the Mardi Gras Indians; he wasn’t surprised to learn that these distinctive forms had been arranged for the original Creole Wild West tribe more than a hundred years before by a full-blooded 7’2″ Choctaw named Eugene Honore. But the Mardi Gras Indians had developed through successive generations without the benefit of actual contact with First Nations peoples, and Goat and Sharon resolved to try to bring the two together.

Night Chase was shown tapes and photos of the Mardi Gras Indians and heard a recording of the Black Indian prayer, “Indian Red,” which struck a deep, responsive chord. Soon Night Chase would receive a vision revealing the Mardi Gras Indians as fellow Ghost Dancers, honoring and keeping the spirits of the ancestors alive with song, dance, and elaborate ritual costumery. In keeping with the teachings of White Buffalo Calf Woman, their prayer for recognition as brothers should be answered.

Night Chase extended an “Invitation to a Ghost Dance and Sacred Treaty” to Big Chief Alison “Tootie” Montana of the Yellow Pocahontas on behalf of the Mardi Gras Indian Nation. Montana asked that a public ceremony be held in Congo Square to celebrate the realization of this deeply cherished “hundred-year dream.” The historic meeting was capped by the participation of City Councilman Troy Carter, who smoked the peace pipe and joined the City of New Orleans to the treaty.

Following the Sacred Circle ceremony Night Chase continued to pray for a sign that he had done the right thing by accepting the Black Indians as brothers of the Lakota Nation. That night the birth of the white buffalo calf in Wisconsin was announced by Dr. Looking Horse as a harbinger of the return of White Buffalo Calf Woman.

Night Chase now felt certain the Sacred Circle had fulfilled the Lakota prophecy that red, yellow, black and white would all come together and pray, each in their own way, for unity, peace and healing. The Sacred Circle should be joined to the birth of the white buffalo calf as a day of celebration in New Orleans each year.

In the spirit of White Buffalo Calf Woman, may it help lead us to the ultimate goal of unity for the family, peace for the tribes, and healing for the wounds of all nations.

New Orleans
April 23, 2000

White Buffalo Prayer John Sinclair & His Blues Scholars
Spyboy Records SB 1001

[1] The White Buffalo Legend (9:11)
[2] The White Buffalo Prophecy (8:17)
[3] History 101 > White Buffalo Day (17:40)

Produced by John Sinclair for Big Chief Productions

John Sinclair, voice ” Wayne Kramer, guitar ” Charles Moore, trumpet ” Ralph Buzzy Jones, tenor saxophone ” Craig Stuart, alto saxophone ” Paul Ill, bass ” Michael Voelker, drums.

This performance is taken from a live radio broadcast on KXLU-FM, Loyola-Marymount University, Los Angeles, California, August 18, 1997 and was recorded in performance by Matt (Justin Time) Fitzgerald.

The original DAT masters were destroyed by fire in New Orleans on January 24, 2000 and the performance restored from cassette tapes and edited with the assistance of Andy Soloviev and David Kunian. Mastered by Henry Petras, John Sinclair & Greg Troyer at Side One Studios, Metairie, LA, April 22, 2000. Remastered by Tom Morgan at Elysian Fields, August 3, 2000.

Composers:

1 Chief Arvol Looking Horse / Sinclair/ Michael Voelker (Big Chief Productions, ASCAP)
2 Looking Horse / Sinclair / Kramer (Big Chief Productions, ASCAP)
3 Charles Neville / Sinclair / Kramer / Moore (Big Chief Productions, ASCAP)
4 Goat Carson (Nophir Music)/ Sinclair / Kramer / Moore (Big Chief Productions, ASCAP)

Executive Producers: John Bouille & Mario Madero for Spyboy Productions
Production Coordination: Henry Petras for New Orleans Music Online
Cover & package design: Celia Sinclair for Mojo Graphix

This album is dedicated to Chief Arvol Looking Horse and Rev. Goat Carson

You can find this and more John Sinclair in the Iron Man shop here: http://stores.ebay.co.uk/Iron-Man-Shop

John Sinclair & Planet D Nonet – Viper Madness CD

Viper Madness album by Planet D Nonet / John Sinclair was released Nov 09, 2010 on the No Cover Productions label.

Viper Madness (NCP128) Features the legendary John Sinclair doing 10 pieces on the period before Marijuana was illegal and featuring stories and comments from Louie Armstrong and Mezz Mezzrow. John is backed up by the big horn sounds of RJ Spangler’s Planet D Nonet, a big band and swing ensemble from Detroit!

Liner Note Author: John Sinclair. Viper Madness CD music contains a single disc with 10 songs.

Recording information: Straight Ahead Studio, Oak Park, MI (04/12/2010/04/19/2010).

Editor: John Sinclair Viper Madness CD music.

Arrangers: James O’Donnell ; John Sinclair; PD-9.

Personnel: John Sinclair (vocals); Justin Jozwiak (clarinet, alto saxophone); Joshua James (clarinet, baritone saxophone); Jim Holden (tenor saxophone); James O’Donnell , Ken Ferry (trumpet); David Gadd (piano); Bill MacLeod (acoustic bass); RJ Spangler (drums).

Audio Remixers: Joshua James ; Holice P. Wood; Mike Boulan; RJ Spangler.

1 
Sendin’ the Vipers
 
2 
Really the blues
 
3 
Struttin’ With Some Barbecue
 
4 
There’ll Be Some Changes Made
 
5 
Everybody Loves My Baby 

6 
If You’se a Viper 

7 
I’ll Be Glad When You’re Dead
 
8 
Tin Roof Blues 

9 
When the Saints Go Marching In 

10 
Chant of the Weed (It’s All Good)

You can find this and more John Sinclair in the Iron Man shop here: http://stores.ebay.co.uk/Iron-Man-Shop

Iron Man Records – Online Shop

The Iron Man shop sells Punk, Dub, Rock, Metal, Acoustic and Alternative music on CD, Vinyl, DVD, and Video. The shop also stocks books, comic books and rare or hard to find items.

I only sell what I listen to, I like, and I recommend. Every item is brand new and undamaged, no second hand or damaged goods.

Try it, you might like what you find. http://stores.ebay.co.uk/Iron-Man-Shop

Iron Man Records – Online Shop

The Iron Man shop sells Punk, Dub, Rock, Metal, Acoustic and Alternative music on CD, Vinyl, DVD, and Video. The shop also stocks books, comic books and rare or hard to find items.

I only sell what I listen to, I like, and I recommend. Every item is brand new and undamaged, no second hand or damaged goods.

Try it, you might like what you find. http://stores.ebay.co.uk/Iron-Man-Shop

Cypherpunks Freedom and the Future of the Internet – Julian Assange with Jacob Appelbaum, Andy Muller-Maguhn and Jeremie Zimmermann

“Cypherpunks is gripping, vital reading, explaining clearly the way in which corporate and government control of the internet poses a fundamental threat to our freedom and democracy.” — Oliver Stone

“Obligatory reading for everyone interested in the reality of our freedoms.” — Slavoj Zizek

“The power of this book is that it breaks a silence. It marks an insurrection of subjugated knowledge that is, above all, a warning to all.” — John Pilger

Buy Cypherpunks Freedom and the Future of the Internet here: http://stores.ebay.co.uk/Iron-Man-Shop

Cypherpunks are activists who advocate the widespread use of strong cryptography (writing in code) as a route to progressive change. Julian Assange, the editor-in-chief of and visionary behind WikiLeaks, has been a leading voice in the cypherpunk movement since its inception in the 1980s.

Now, in what is sure to be a wave-making new book, Assange brings together a small group of cutting-edge thinkers and activists from the front line of the battle for cyber-space to discuss whether electronic communications will emancipate or enslave us. Among the topics addressed are:

Do Facebook and Google constitute “the greatest surveillance machine that ever existed,” perpetually tracking our location, our contacts and our lives?

Far from being victims of that surveillance, are most of us willing collaborators?

Are there legitimate forms of surveillance, for instance in relation to the “Four Horsemen of the Infopocalypse” (money laundering, drugs, terrorism and pornography)?

And do we have the ability, through conscious action and technological savvy, to resist this tide and secure a world where freedom is something which the Internet helps bring about?

The harassment of WikiLeaks and other Internet activists, together with attempts to introduce anti-file sharing legislation such as SOPA and ACTA, indicate that the politics of the Internet have reached a crossroads. In one direction lies a future that guarantees, in the watchwords of the cypherpunks, “privacy for the weak and transparency for the powerful”; in the other lies an Internet that allows government and large corporations to discover ever more about internet users while hiding their own activities. Assange and his co-discussants unpick the complex issues surrounding this crucial choice with clarity and engaging enthusiasm.

Publication November 2012 • 192 pages
Paperback ISBN 978-1-939293-00-8 • Ebook ISBN 978-1-939293-01-5

Julian Assange is the editor in chief of WikiLeaks. An original contributor to the cypherpunk mailing list, Assange is the author of numerous software projects in line with the cypherpunk philosophy, including the Rubberhose encryption system and the original code for WikiLeaks. An ‘ethical hacker’ in his teens, and subsequently an activist and internet service provider to Australia during the 1990s, he is the co-author (with Sulette Dreyfus) of Underground, a history of the international hacker movement. “Julian is currently a refugee under the protection of the government of Ecuador, and lives in the Ecuadorian embassy in London.”

Jacob Appelbaum is a staff research scientist at the University of Washington, and a developer and advocate for the Tor Project, which is an online anonymity system for everyday people to fight against surveillance and against internet censorship.

Andy Müller-Maguhn is a long time member of, and former spokesman for, the Chaos Computer Club in Germany. A specialist on surveillance he runs a company called Cryptophone, which markets secure voice communication devices to commercial clients.

Jérémie Zimmermann is the co-founder and spokesperson for the citizen advocacy group La Quadrature du Net, the most prominent European organization defending anonymity rights online and promoting awareness of regulatory attacks on online freedoms.

AN EXCHANGE FROM CYPHERPUNKS:

JULIAN:
I want to look at what I see as a difference between a US cypherpunk perspective and the European perspective, which I think is quite interesting. The US Second Amendment is the right to bear arms. Just recently I was watching some footage that a friend shot in the US on the right to bear arms, and above a firearms store it says ‘Democracy, Locked and Loaded,’ and that’s the way that you ensure that you don’t have totalitarian regimes – that people are armed and if they are pissed off enough, then they simply take their arms and they retake control by force. Whether that argument is still valid now is actually an interesting one because of the difference in the types of arms that have occurred over the past 30 years. So, we can look back to this declaration that code-making, providing secret cryptographic codes that the government couldn’t spy on, was in fact a munition, and this big war that we fought in the 1990s to try and make cryptography available to everyone, which we largely won.

JAKE:
In the West?

JULIAN:
In the West we largely won and it’s in every browser – it is now perhaps being back-doored and subverted in different kinds of ways. The notion is that you cannot trust a government to implement the policies that it says that it is implementing, and so we must provide the underlying tools, cryptographic tools that we control, as a sort of use of force, in that if the ciphers are good no matter how hard it tries a government cannot break into your communications directly. Maybe it can put a bug in your house or whatever.

JAKE:
Force of authority is derived from violence. One must acknowledge with cryptography no amount of violence will ever solve the math problem.

JULIAN:
Exactly.

JAKE:
And this is the important key. It doesn’t mean you can’t be tortured, it doesn’t mean that they can’t try and bug your house or subvert it some way but it means that if they find an encrypted message it doesn’t matter if they have the force of the authority behind everything that they do, they cannot solve that math problem. This is the thing though that is totally non-obvious to people that are non-technical and it has to be driven home. If we could solve all of those math problems, it would be a different story and, of course, the government will be able to solve those math problems if anyone could.

JULIAN:
But it’s just a fact. It just happens to be a fact about reality, such as that you can build atomic bombs, that there are math problems that you can create that even the strongest state cannot directly break. I think that was tremendously appealing to Californian libertarians and others who believed in this sort of ‘democracy locked and loaded,’ and here was a very intellectual way of doing it – of a couple of individuals with cryptography standing up to the full power of the strongest suit of power in the world. And we’re still doing that a little bit, but I wonder, I have a view that the likely outcome is that those are really tremendously big economic forces and tremendously big political forces, like Jérémie was saying, and that the natural efficiencies of these technologies compared to the number of human beings will mean that slowly we will end up in a global totalitarian surveillance society. By totalitarian I mean a total surveillance, and that perhaps there’ll just be the last free living people – and these last free living people are those who understand how to use this cryptography to defend against this complete, total surveillance, and some people who are completely off-grid, neo-Luddites that have gone into the cave, or traditional tribes-people. And these traditional people have none of the efficiencies of a modern economy so their ability to act is very small. Are we headed for that sort of scenario?

JÉRÉMIE:
First of all, if you look at it from a market perspective, I’m convinced that there is a market in privacy that has been mostly left unexplored, so maybe there will be an economic drive for companies to develop tools that will give users the individual ability to control their data and communication. Maybe this is one way that we can solve that problem. I’m not sure it can work alone, but this may happen and we may not know it yet. Also it is interesting to see that what you’re describing is the power of the hackers, in a way – ‘hackers’ in the primary sense of the term, not a criminal. A hacker is a technology enthusiast, is somebody who likes to understand how technology works, not to be trapped into technology but to make it work better. I suppose that when you were five or seven you had a screwdriver and tried to open devices to understand what it was like inside. So, this is what being a hacker is, and hackers built the Internet for many reasons, also because it was fun, and they have developed it and have given the Internet to everybody else. Companies like Google and Facebook saw the opportunity to build business models based on capturing users’ personal data. But still we see a form of power in the hands of hackers and what is my primary interest these days is that we see these hackers gaining power, even in the political arenas. In the US there has been these SOPA (Stop Online Piracy Act) and PIPA (Protect IP Act) legislations – violent copyright legislation that basically gives Hollywood the power to order any Internet company to restrict access and to censor the internet.

JULIAN:
And banking blockades like the one we’re suffering from.

JÉRÉMIE:
Exactly. What happened to WikiLeaks from the banking companies was becoming the standard method to fight the evil copyright pirates that killed Hollywood and so on. And we witnessed this tremendous uproar from civil society on the Internet – and not only in the US, it couldn’t have worked if it was only US citizens who rose up against SOPA and PIPA. It was people all around the world that participated, and hackers were at the core of it and were providing tools to the others to help participate in the public debate.

Buy Cypherpunks Freedom and the Future of the Internet here: http://stores.ebay.co.uk/Iron-Man-Shop

Police Bastard / War//Plague – Attrition (Vinyl LP) Released May 2011

Police Bastard / War//Plague – Attrition

Label: Profane Existence – EXIST117
Format: Vinyl, 12″, Album
Country: USA
Released: 03 May 2011
Genre: Rock
Style: Hardcore, Punk, Crust

Side A
Police Bastard – The Lie
Police Bastard – Born To Die
Police Bastard – Blasphemy Squad (Rudimentary Peni)
Police Bastard – God Off
Police Bastard – Erosion
Police Bastard – I Wish (The Mob)

Recorded, Mixed, Produced and Mastered by Simon Reeves at Framework Recording Studios, Musoplex, Birmingham between February & December 2009.

Side B
War//Plague – Scene Not Heard
War//Plague – How Will They Reassemble Themselves
War//Plague – Concrete Burns
War//Plague – The Sheep
War//Plague – Rust
War//Plague – Screams Of The Dead

Recorded in the Summer of 2009 in Minneapolis, MN by Amy at Core Source Productions. Mastered by Jack at Enormous Door Studios.

Iron Man Records has made some good friends at Profane Existence and this Vinyl LP release is the result of  months of hard work on all sides. Iron Man Records released Police Bastard – It’s Good to Hate (on CD only) in 2010 and the CD featured 5 new songs and a DVD of live material recorded between 2007 and 2010. The band wanted to get a release out in other parts of the world so Profane Existence offered to release a different version in USA as a split album with War//Plague.

Police Bastard / War//Plague – “Attrition” split LP was released in May 2011 as a limited edition of 2000 VINYL LPs and features the same five Police Bastard songs as “It’s Good to Hate” plus an extra track Blasphemy Squad originally written by Rudimentary Peni. There are 6 tracks by War//Plague and some fantastic original sleeve artwork by Gost.

What people have said:

POLICE BASTARD WAR//PLAGUE split LP Absolutely crushing stuff here by two bands made up of weathered veterans from both sides of the Atlantic:

POLICE BASTARD hailing from Birmingham, UK (formed by ex-DOOM members) play a combination of classic peace punk with thrashier punk influences and include crustified versions of RUDIMENTARY PENI and the MOB.

WAR//PLAGUE hail from the DIY punk underbelly of Minneapolis (ex-PROVOKED, CALLOUSED, PONTIUS PILATE etc.) and play a deeply moody style of crusty punk with rhythmatic tribal undertones. Really good split if you’re into any of the aformentioned bands.

Buy It Here http://stores.ebay.co.uk/Iron-Man-Shop

Chris Bowsher & the Faction – ‘Infinitive Splits’ CD (Front man of Radical Dance Faction (RDF), with electro-dub rhythm section, The FACTION)

The collaboration of Chris Bowsher, word-smith and better known front man of underground pioneers Radical Dance Faction (RDF), with electro-dub rhythm section, The FACTION, has brought forth a heavy piece of musical poetry in their newly completed album

‘Infinitive Splits’ . . . . . . . . . . . .

Buy now on-line at Iron Man Shop

Read more about Chris Bowsher and The Faction and listen to tracks from the album at :

http://www.myspace.com/thefactionis

TRACK LISTING

1. Smasharagga

2. RU1

3. Beat the dance

4. Landing Party

5. Chinese poem

6. The train

7. Subway 6

8. Lived, we loved

Police Bastard – “It’s Good to Hate” CD (Iron Man Records) Released May 23rd 2010

Police Bastard – “It’s Good To HATE” will be released through Birmingham’s Iron Man Records, May 23rd 2010. The release contains a CD featuring four new songs and one cover version with an additional DVD containing live footage collected between 2007 and 2010. The record features the work of founding band members Pid and John Doom doing dual vocals together again for the first time in ten years. The gigs and recordings have also seen the return of Chris Crass, who took over on bass from Trogg in 1994. Seano Porno and Mark Badger from Last Under The Sun have picked up the work of guitars and additional vocals and the drummer is Simon James who also plays in Last Under The Sun and formerly of Rivers Edge.  The release is dedicated to Trogg, Police Bastard’s first bass player who passed away in 2008. It was because of Trogg and his enthusiasm to do it all again that Police Bastard started writing, rehearsing, recording and touring again.

CD tracks include: The Lie, God Off, Erosion, Born To Die and a cover of I Wish (Originally written by The Mob)

DVD includes: Keep An Active Mind (2007-2008), Police Bastard Live at 25 Jahre AU Festival, Frankfurt, Germany (2008), Police Bastard Live at Kopi, Berlin, Germany (2010).

The CD tracks were Recorded, mixed, produced and mastered by Simon Reeves at Framework Recording Studios, Musoplex. Simon has worked with the likes of Napalm Death, Cathedral, Meathook Seed, and a host of others from The Cubans, Harpies, and The Nightingales. After a nearly 20 year dedication to new and alternative music in all its many forms, he has become a master at capturing ferocious guitars and brutal sounds. The new recordings are by far the best thing the band has produced to date.

The DVD includes “Keep an Active Mind” a film by Iron Man Records, edited by Anthony J. Hughes, documenting a year in the life of Police Bastard with footage from a show the band organised at The Market Tavern, Birmingham 2007, Steve Ignorant’s “Feeding of the 5,000″ aftershow party, London 2007 and a tour of Europe in 2008 organised by Alerta Antifascista. The footage includes some live performances and out takes of the band on tour with a budget you can stick under a glass.

The footage of Police Bastard Live at 25 Jahre AU Festival, Frankfurt and Live at Kopi, Berlin, Germany was filmed, edited and directed by Peter Rhead.

Sleeve Artwork was done by Richard Daborn and photographs were taken by Lucy Pryor

Please Note:  **You can BUY it NOW through the Iron Man Shop on ebay**

Label: Iron Man Records
Catalog#: IMB6018
Format: CD and DVD
Country: England
Released: 2010
Genre: Rock
Style: Punk

Members of Police Bastard on this recording are:

Stu-Pid – Vocals (1994-1999) (2006-Present) (Contempt / English Dogs / Sensa Yuma)

John Doom – (Vocals / Guitar 1994-2003) Vocals (It’s Good to Hate) (Doom / Sore Throat / Cain / Spineless /
 Haxan)

Chris Crass – Bass (1994-1997) (2007-Present)

Mark Badger – Guitar (2007-Present) (Last Under The Sun)

Simon James – Drums (2008-Present) (Last Under The Sun / Rivers Edge)

Seano Porno - Guitar (2007-Present) (Last Under The Sun / Jilted Generation / Depth Charge / Sensa Yuma / DS Sandwich / Freebase / Set Against / Hardcore (That Became Mangled) / The Dangerfields).

Past Members:-
John Doom – Guitar/Vocals (1994-2003) (Doom/Sore Throat/Cain/Spineless/
Haxan)

Clive – Drums (1994-2003) (Grovelhog/Filthkick/Cain/Spineless/Sensa Yuma)

Trogg – Bass (R.I.P. 1964-2008)
(1994) (2006-2007) (Contempt/The Tenants)

Dee – Bass (1997-2003) (LD50/Endless Torment/Haxan)
, Dan – Guitar (1997-2003) (Spineless)

Gizz Butt - Guitar (2006) (English Dogs/Janus Stark/The Prodigy/The More I See/Doom Day)

Mad Max Evilsen – Drums (2006) (Sensa Yuma)

Si Reeves – Bass (European Tour 2008 & 2010) (Last Under The Sun/Damn Dirty Apes)

Pixie – Drums (2007-2008) (POA/H8 Target/Kaya/Sensa Yuma/Last Under The Sun)

Police Bastard, Twitter, Facebook, Myspace, Last.fm

Police Bastard Press kit

Life in a Blender – Tell Me I’m Pretty CD (2002)

Track listing
1. Something Must Break
2. Kent
3. Hero Rising from the Sea
4. Mobile Wash Unit
5. Dead Get Down
6. Dolly Down the Hole
7. Sex With Cops
8. Sleep for Years
9. Eyes Are Red
10. Paterson Falls
11. Prize at the Bottom
12. Drunks Have All the Answers
13. Party Soon

buy it here: http://stores.shop.ebay.co.uk/Iron-Man-Shop

Details
Producer: Al Houghton, Chris Rael, Mark Lerner
Distributor: Big Daddy Music Dist.
Recording type: Studio
Recording mode: Stereo

Album notes
Life In A Blender: Don Ralph (vocals); Al Houghton (guitar); Dave Moody (cello); Rebecca Weiner (violin); Mel Melon (horns); Mark Lerner (bass); Ken Meyer (drums).

Personnel: Al Houghton (vocals, guitar, keyboards); Mark Lerner (vocals, dobro); Dave Moody (vocals, cello); Don Ralph, Julia Douglass (vocals); Olivier Conan (banjo); Chris Rael (sitar, piano); Rebecca Weiner (violin); Mel Melon (trumpet, trombone); Ken Meyer (marimba, drums, cymbals, percussion).

Recording information: Dubway Studios, New York, NY.

Photographer: Paolo Vescia.

Admittedly it’s a case of slightly dashed expectations (for some) when it turns out that opening song “Something Must Break” is an original rather than a Joy Division cover, but who says that titles can’t be used again, after all? As for Life in a Blender itself, at this stage in its lengthy existence the Brooklyn-based septet seems to occupy a quirky space between Firewater and Soul Coughing when it comes to try-anything-once eclecticism with the lead singer’s voice and vision front and center. In that regard the group seems like one of those many New York bands that has a love and hate relationship with rock & roll as such — they can certainly crank the volume as needed and drummer Ken Meyer can get some full-bodied stomp in, but there’s no mistaking them for the Yeah Yeah Yeahs or the Ramones. Lead figure and songwriter Don Ralph is unsurprisingly still at the core of it all when it comes to how the band can both work and not work in equal measure. Sometimes he seems to be exaggerating a strident speak-singing approach that aims for wry and witty but can just be tiring (or else seems to be trying to fulfill the non-present demand for a clear-singing Tom Waits). Then again, he can just as easily find a breezy, bemused wistfulness that works far better, sometimes in the same song (“Kent” and “Paterson Falls” in particular capture him at both his best and worst). When both band and singer bring it together to concentrate on a good song — the wistful New Orleans jazz/sea shantey tip to the street cleaners “Mobile Wash Unit,” the spaghetti Western-tinged drama of “Eyes Are Red” — then the group really has a certain fun and entertaining something. ~ Ned Raggett

Dark but humorous, an oddly skewed vision of the American landscape set to a unique score of string-driven rock.

Life in a Blender is an extraordinary band from Brooklyn that is not unlike the drunken clown lost in the darkened carnival grounds. Spectacular arrangements with strings and horns, a keen melodic sensibility, and a sense of humor that swings wildly from the absurd to the bleak make Life in a Blender a true original. Life in a Blender has carved out a special spot in the ears of fans worldwide. They show up unexpectedly, even at the breakfast hour, and begin playing. These guerilla tactics have made Life In A Blender one of the most notorious bands in the music business. When you open your garage door tomorrow, be warned. Life In A Blender may be waiting.

From the opening line of the first tune you’re attention is grabbed by the acoustic goolies and the album just doesn’t let go. Brilliant lyrics. Brilliant tunes. If there is a God, and he likes music, Life in a Blender will go far. 11 out of 10 – Pete Wade

Life in a Blender is the personal playground of Don Ralph, a bizarre vocalist that offers a deep-voiced quirkiness to match his charismatic college rock. Working with high school friends Dave Moody, Mark Lerner (Rosine,) Rebecca Weiner (Patti Smith,) Ken Meyer, John Donne, and Al Houghton (a frequent They Might Be Giants collaborator,) Life in a Blender is a project that is often put on hold due to the member’s various musical commitments. Still, as members of They Might Be Giants’ inner circle, they enjoy a status as a cute and lovable pop band that hides a twisted sense of humor and wicked attitude underneath the surface. Starting in the late 80′s, the band comes together every four to six years and makes fun rock music that offers a deranged lyrical viewpoint in contrast to the jangly guitars and lushly produced music. Based in Brooklyn, New York, the band makes waves in their home city with fun publicity stunts such as performing at a strip club art opening, and playing “Stairway to Heaven” on the street in their underwear. A lengthy absence marked the time between records after Motivational Tape #1, but they returned in 2002 with Tell Me I’m Pretty. ~ Bradley Torreano, All Music Guide

Tell Me I’m Pretty, the band’s fourth album, paints a landscape with strange, sad, and at times funny images. From the opening track, Something Must Break, very reminiscent of Cake, with its la la la’s and slinky trumpet to the sad finale, Party Soon, the tunes offer a welcome peek into Don’s fascinating off-kilter mind. The album’s strongest piece, Dead Get Down, is sure to become a Halloween classic, with its spooky horns, cymbals, and killer percussion. This song sounds like an outtake from a Danny Elfman soundtrack. The song Mobile Wash Unit is featured in the movie Dr. Bronner’s Magic Soapbox.

I just latched onto this CD as a result of playing a couple tracks on my radio program. I am surprised that more spot reviews have not been written on this group. In fact, a search of the web will find nothing but discounts on household appliances. On the subject of originality- to me there are two gigantic, but pleasing similarities. Vocalist Don Ralph must be holding a very large torch for David Byrne (Talking Heads), and to a lesser degree Fred Schneider (B-52′s). Ralph possesses that dark, keening vocal style reminiscent of Byrne, and perhaps even uses a few of the other expected stylistic tricks. Other times, his natural voice comes very close to the plaintive barking of Schneider. A bit darker than much of the Heads or B-52′s material, but these factors alone make this band in instant must have for any fan of those seminal 80′s groups, The Talking Heads, or the B-52′s. Enjoy it. – Jonathan Colcord

http://www.lifeinablender.net

http://www.myspace.com/lifeinablender

Life in a Blender – Two Legs Bad CD (1997)

Strange, sad, and at times funny songs about chickens and teens featuring horns, cello, and violin.

buy it here: http://stores.shop.ebay.co.uk/Iron-Man-Shop

Like the Cyclone, Life In A Blender is a long-time Brooklyn institution that has been exhilarating and possibly nauseating audiences for years. Blender’s tunes leave you dancing in your seats and very often laughing thanks mainly to Don Ralph’s quirky stage presence–he belts out his off-kilter musings while dancing Sprockets-style or flashing his “bag of doorknobs”–aka beergut. The stellar band includes Don’s friend from junior high, Dave Moody, on cello; Mark Lerner (leader of the renowned country/dub band Rosine) on bass; Rebecca Weiner (she played with Patti Smith) on violin; Al Houghton (producer of They Might Be Giants) on guitar; Ken Meyer (author of The Solid-Time Tool Kit) on drums; and Mel Melon (a John Donne expert) on horns.

Blender was chosen as a 2003 Emerging Artist finalist in Washington State. Watch us as we now emerge.

1. Chicken Dance
2. Not Your Problem
3. Asshole from Menlo Park
4. Easy Eggs
5. Hard to Swallow
6. Headlights
7. Buzzing
8. Tiny Ankles
9. Teens
10. Power Mower
11. Man and a Woman
12. Big Hat
13. Grand Union
14. Motherlode

Life in a Blender – The Heart is a small Balloon CD 2007

After a day of carnage and deboning, these would be the sounds that soothe the troubled brows of Odin and his Norsemen. Sven, the bashful oarsman, says, “I enjoy this music with my grapes.”

Audio CD (18 Nov 2008)
Number of Discs: 1
Label: Fang
ASIN: B000O780P6

Track listing
1. Blood Is Worthless
2. Fill My Glass
3. Whole Thing Down
4. Into the Bleak
5. Unfamiliar Sting
6. Sweet Things, The
7. Rope to the Water
8. What Happened to Smith?
9. Seagull
10. Teach Me How to Be Cool
11. Ashamed
12. She Handed Me the Mitten
13. Kissusness
14. Professional Mover

buy it here: http://stores.shop.ebay.co.uk/Iron-Man-Shop

Details
Producer: Al Houghton
Distributor: Burnside Distribution
Recording type: Studio

Album notes
Personnel: Don Ralph (vocals); Al Houghton (guitar, harmonica, piano, percussion, background vocals); Andrew Solin (slide guitar); Rebecca Weiner (violin, viola); Chris Rael, Jason Parker (trumpet); Ken Meyer (marimba, drums, cymbals, percussion); Mark Lerner (background vocals).
Recording information: Dubway Studios, New York, NY.

Like the Cyclone, Life In A Blender is a long-time Brooklyn institution that has been exhilarating–and possibly nauseating–audiences for years. Singer Don Ralph belts out his off-kilter musings backed by cellist Dave Moody, guitarist Al Houghton, bassist Mark Lerner, violinist Rebecca Weiner, drummer Ken Meyer, and horn player Mel Melon.

Having toured from Toronto to Berlin to Chicago to Seattle and back to New York, Life In A Blender has developed a devout fan base that is as broad and fat as the underbelly of the U.S. and Europe combined. Over the course of four albums, this orchestra of the bizarre and melodic has collaborated with the likes of John Linnell (They Might Be Giants), Ralph Carney (Tom Waits band), James Mastro (The Bongos), and sitarist Chris Rael (Church of Betty). Life In A Blender has played on bills with NRBQ, Camper Van Beethoven, the Buzzcocks, Scrawl, and even Billy Idol, who sucks.

“For nearly forever, Life in a Blender has been the secret jewel of New York City; their shows always frantic and feisty without being venomous, their songs merry and melodic without being vapid. Their newest CD, “Tell Me I’m Pretty,” is their best yet. Still as inventive, intelligent, and invigorating as ever, Life In A Blender has a new warmth, an immense and soulful complexity of sound. Highly recommended.” –Camden Joy, author of “Lost Joy” and contributor to Village Voice and Spin.

“Shows by local quirk rock favorites Life In A Blender showcase the band’s absurdist sensibility and oddball, prop-laden spectacles.” –The New Yorker

“An alternative five-piece with a curious sense of humor and a knack for the catchy pop song.” –Billboard

Isn’t It Time You Accepted Life in a Blender Into Your Life?
Here’s What the World is Saying About Life in a Blender and Their New Album “Tell Me I’m Pretty” on Fang Records.

“Life In A Blender have a bizarrely theatrical show (often involving tirades from a sheep-headed hand puppet named Rugged Rick) and lighthearted surreal sensibility that’s capable of amusing even the surliest indie rocker.” —The New Yorker

“Tell Me I’m Pretty was easily one of the best records I received in the mail in 2004….from Life In A Blender, a great band that puts out catchy and corrosive rock albums.” —J.R. Taylor, The NY Press

Photo: Paolo Vescia
“Life In A Blender is basically two parts cleverness, one part Stan Ridgeway’s dead-end gumshoe, and a pinch of Tom Waits’ grimy barker.” —Timeout New York

If They Might Be Giants got hammered and picked a fight in a bar with Tom Waits, if carnivals didn’t suck, if dancing were permitted on your boss’s desk, if Mark E. Smith were articulate and friendly, if instead of “mosh pits” rebellious teenagers congregated in “swoon pits” at rock concerts, if if if — then a brief glimpse of something akin to the experience of hearing Life in a Blender might be achieved. They are a band that is passionate about finding the absurdity that lurks within the marginalia of mundane everyday existence. And also rocking out. They make me feel like transcendence is constantly achievable.” —Francis Heaney, musical producer and DJLunchboy

“An American Robyn Hitchcock” —The Big Takeover

“Tell Me I’m Pretty, the band’s fourth album, paints a landscape with strange, sad, and at times funny images. From the opening track, “Something Must Break,” very reminiscent of Cake, with its la la la’s and slinky trumpet, to the silly “Mobile Wash Unit,” to the sad finale, “Party Time,” the tunes offer a welcome peek into Ralph’s fascinating off-kilter mind. The album’s strongest piece, “Dead Get Down,” is sure to become a Halloween classic, with its spooky horns, cymbals, and killer percussion. This song sounds like an outtake from a Danny Elfman soundtrack. I’m also fond of Ralph’s gravely vocals on “Prize on the Bottom,” as well as Houghton’s guitar work.” —Delusions of Adequacy online magazine

“Life in a Blender is the secret jewel of New York City. Their shows are always frantic and feisty without being venomous, their songs merry and melodic without being vapid. Their newest CD, “Tell Me I’m Pretty” is their best yet. Still as inventive, intelligent, and invigorating as ever, Life in a Blender has a new warmth, an immense and soulful complexity of sound. Highly recommended.” —Camden Joy, critic for the Village Voice and Spin

“Like Haley’s coment, a Life In A Blender album only comes along very rarely and Tell Me I’m Pretty should not be missed.” -Splendid magazine

“I just latched onto this CD as a result of playing a couple tracks on my radio program. I am surprised that more spot reviews have not been written on this group. In fact, a search of the web will find nothing but discounts on household appliances. On the subject of originality- to me there are two gigantic, but pleasing similarities. Vocalist Don Ralph must be holding a very large torch for David Byrne (Talking Heads), and to a lesser degree Fred Schneider (B-52′s). Ralph possesses that dark, keening vocal style reminiscent of Byrne, and perhaps even uses a few of the other expected stylistic tricks. Other times, his natural voice comes very close to the plaintive barking of Schneider. A bit darker than much of the Heads or B-52′s material, but these factors alone make this band in instant must have for any fan of those seminal 80′s groups, The Talking Heads, or the B-52′s. Enjoy it.” From Amazon.com— A Pleasantly Dark and Strange Surprise…, November 18, 2002 Reviewer: Jonathan Colcord from Concord, NH USA

“Life In A Blender was hands down the most entertaining, surprising showcase we took in over the week.” —Ezra Thomas at South x Southwest Austin, 2003

“It’s a wig…! After a solid 5-4 days of music at the ’03 SxSW it all ended on a positive note after catching the Life In a Blender set to close out the weekend. The band set itself apart as one of the tightest and most talented bands I saw all week. Further setting Life in a blender apart from the pack were the lyrics, delivery and theatrics of the lead singer that would please fans ranging from Eno and the T-heads to Ween and Beck.” —Matt Zdinak Nimbit

Police Bastard – “Dedicated” (Live At AU, Frankfurt 16th October 2006)

Police Bastard – Dedicated (Live At AU, Frankfurt 16-10-2006) – Buy it here

Label: Not On Label
Catalog#: none
Format: CD, Album
Country: Germany
Released: 2009
Genre: Rock
Style: Punk

Credits:
Bass – Trog
Drums – Max
Guitar – Gizz Butt
Vocals – Pid

Notes:
Recorded at the AU squat in Frankfurt, Germany on September 16 2006.
This release has been released by the people of the AU as a tribute to Trogg.

Tracklisting:

Intro (The Lie)
Who’s Side?
Smash The Face
Payback
Major Label Control
Mind Siege
Traumatized
Exploitation  Written-By – Doom
Dance, Be Happy!
Enslaved
Regression
Kept Down
No Justice, No Peace
Inferior
Race Hate
Police Bastard  Written-By – Doom
Kept Down

more info on line-ups past and present:

Current Line Up:-

Stu-Pid – Vocals (1994-1999) (2006-Present) (Contempt/English Dogs/Sensa Yuma)
Seano Porno – Guitar (2007-Present) (Jilted Generation/Depth Charge/Sensa Yuma/Dogshit Sandwich/Fatal Impact/Freebase/Set Against/Hardcore(That Became Mangled)/The Dangerfields)
Mark Badger – Guitar (2007-Present) (Last Under The Sun/Iron Man Records)
Chris Crass – Bass (1994-1997) (2007-Present)
Simon James – Drums (2008-Present) (Rivers Edge)

Past Members:-
John Doom – Guitar/Vocals (1994-2003) (Doom/Sore Throat/Cain/Spineless/
Haxan)
Clive – Drums (1994-2003) (Grovelhog/Filthkick/Cain/Spineless/Sensa Yuma)
Trogg – Bass (R.I.P. 1964-2008)
(1994) (2006-2007) (Contempt/The Tenants)
Dee – Bass (1997-2003) (LD50/Endless Torment/Haxan)
Dan – Guitar (1997-2003) (Spineless)
Gizz Butt – Guitar (2006) (English Dogs/Janus Stark/The Prodigy/The More I See/Doom Day)
Mad Max Evilsen – Drums (2006) (Sensa Yuma)
Si Reeves – Bass (European Tour 2008) (Last Under The Sun/Damn Dirty Apes)
Pixie – Drums (2007-2008) (POA/H8 Target/Kaya/Sensa Yuma/Last Under The Sun)

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-AGONY (CZE): “MY TURN TO DIE” CD I.F.A. Records // 4 eur – 5 usa $

-AMAZING TAILS (FIN): “MERRY GO ROUND” 7″ Hätäapu Records // 2 eur – 2.50 usa $

-ANESTESIA (CZE): “SATISFIED” CD Cephalic Records // 4 eur – 5 usa $

-ANIMUS (GER): “HOMO HOMINI DEUS” 7″ Horned Records // 2 eur – 2.50 usa $

-ANTHENORA (ITA): “SOULGRINDER” CD My Graveyard Productions // 4 eur – 5 usa $

-ANTI REGIMEN (SPA): “AÑOS DEL KAOS” CD Reek of Putrefaction Records // 4 eur – 5 usa $

-ANTI REGIMEN (SPA): “AUN RECUERDO” CD Reek of Putrefaction Records // 4 eur – 5 usa $

-APPARITION (UK): “DROWNED IN QUESTIONS” CD Casket Music // 4 eur – 5 usa $

-ARTISIAN (UK): “LAMENT FOR THE ETERNAL FROST” MCD Casket Music // 3.50 eur – 4.50 usa $

-ARYADEVA (UKR): “KSHATRA” CD Nordsturm Productions // 4 eur – 5 usa $

-ATAVISM/PUTREFIED GENITALIA (GRC): “SPLIT” CD Autoproducido-Selfreleased // 4 eur – 5 usa $

-ATOMIC ANTS (ITA): “KEEP COOL AND DRY” CD Casket Music // 4 eur – 5 usa $

-AUTUMN (RUS): “AND WE ARE FALLING LEAVES…” CD Stygian Crypt Productions // 4 eur – 5 usa $

-AVOID NOTES/HABITACION 101 (SPA): “SPLIT” CD Oidos Sordos // 4 eur – 5 usa $

-AVULSED (SPA): “GORESPATTERED SUICIDE” CD Metal Age Productions // 4 eur – 5 usa $

-BAAL (MEX): “PASSAGES TO ETERNITY” CD American Line prods // 4 eur – 5 usa $

-BABY STAB HORROR (USA): “MANIFESTO INFERNALE” CD Rotting Corpse records // 4 eur – 5 usa $

-BANDOG (GER): “MY TIME IS AT HAND” CD MDC Records // 4 eur – 5 usa $

-BEYOND GOOD AND EVIL: “TRIBUTE TO ANARCHUS” CD American Line prods // 4 eur – 5 usa $

-BEYOND THE NINTH WAVE (CAN): “BEYOND THE NINTH WAVE” CD Suffering Jesus Productions // 4 eur – 5 usa $

-BLACK OMEN (TUR): “WHEN PURE DARKNESS COVERS…” CD Poem Productions // 4 eur – 5 usa $

-BLACKMASS (BRA): “GLORIA DIABOLI” CD Blasphemy Production // 4 eur – 5 usa $

-BLINDSPOT A.D. (GER): “KNOWLEDGE VS FEAR” CD Per Koro Records // 4 eur – 5 usa $

-BLOOD 7.62 (ITA): “DOGMASEAR” CD Anger Music Releases // 4 eur – 5 usa $

-BREAD AND CIRCUITS (USA): “BREAD AND CIRCUITS” CD Ebullition Records // 4 eur – 5 usa $

-BROKEN (USA): “DEFY THE SEASON” CD Standfast Records // 4 eur – 5 usa $

-BRUTAL MASTICATION (USA): “UNDERGROUND” CD Hook’n Mouth Records // 4 eur – 5 usa $

-BUDELLAM/THE LUCKY 7 (ESP/SWE): “ANIMALS” 7″ Autoproducido-Selfreleased // 2 eur – 2.50 usa $

-BURNING BUTTHAIRS (GER): “IMPULSE TO EXHUME” CD Nocturnal Empire // 4 eur – 5 usa $

-CARPATUS (BRA): “PROCELLARUM” CD Pazuzu Records // 4 eur – 5 usa $

-CATCHTHIRTEEN (USA): “LEFT TO BLEED” CD Lifeless Records // 4 eur – 5 usa $

-CELE KULA (ITA): “THE MOONLIGHT AND THE MISTY NIGHT” CD Raptures Asylum Productions // 4 eur – 5 usa $

-CERBER (RUS): “HATRED, DEATH, INTOLERANCE…” CD Soundage Productions // 4 eur – 5 usa $

-CEREBRAL TURBULENCY (CZE): “CRASH TEST” CD Khaaranus productions // 4 eur – 5 usa $

-CHOKEHOLD (UK): “THE KILLING HAS BEGUN” CD Casket Music // 4 eur – 5 usa $

-CLITPEELER (USA): “BITCH GIVES ROTTEN HEAD” MCD Autoproducido-Selfreleased // 3.50 eur – 4.50 usa $

-CORNERED (USA): “THIS TIME” CD 625 Thrashcore // 4 eur – 5 usa $

-CRUSHER (CZE): “UNTEARABLE OFF COLOSSUS” CD Sheer Records // 4 eur – 5 usa $

-CYST (USA): “CONCUSSION SYMPHONY” CD Hook’n Mouth Records // 4 eur – 5 usa $

-DARKLAND (GER): “RISE AND FALL” CD Perverted Taste Records // 4 eur – 5 usa $

-DECIMATE (UK): “11 ROUNDS” CD Copro Records // 4 eur – 5 usa $

-DECOHERENCE/TRAITOR (FRA/ITA): “SPLIT” MCD Nekromantik Records // 3.50 eur – 4.50 usa $

-DEIMOS (RUS): “NEVER BE AWAKEN” CD Wroth Emitter Productions // 4 eur – 5 usa $

-DEMOLISH (MEX): “REMEMBERING THE CABALISTICAE LAMENTS” CD American Line prods // 4 eur – 5 usa $

-DEMON DAGGER (POR): “INANNA ISHTAR” CD Recital Records // 4 eur – 5 usa $

-DENY THE URGE (GER): “SUBSEQUENT CONFRONTATION” CD G.U.C. // 4 eur – 5 usa $

-DESENSITISED/ PEACH HER (HOL/FRA): “SPLIT” CD Grodhaisn Productions // 4 eur – 5 usa $

-DIECOLD (HUN): “REST IN HELL” CD ISO666 Releases // 4 eur – 5 usa $

-DISGRACE (FIN): “SUPERHUMAN DOME” CD Morbid Records // 4 eur – 5 usa $

-DISSOBER/DOWNWARD SPIRAL (SWE): “SPLIT” 7″ Aparat Records // 2 eur – 2.50 usa $

-DIVA NOCTUA ENTROPIA (GRC): “TRANSERPENTUAL” CD Sleaszy Rider Records // 4 eur – 5 usa $

-DIVE IN MINDS (ARG): “INNOCENT VICTIMS” CD Furias Records – Orion Music Ent // 4 eur – 5 usa $

-DIVINA ENEMA (BLR): “TO WIGHT SHALT NEVER SHINE” CD More Hate Productions // 4 eur – 5 usa $

-DIVISIA (USA): “WIFEBEATER” CD Pessimiser Records // 4 eur – 5 usa $

-DOOM NATION (USA): “DOG DAY AFTER DOOM” CD Lifeless Records // 4 eur – 5 usa $

-DOOM SYNDICATE (USA): “BEYOND SALVATION” CD Rotting Corpse records // 4 eur – 5 usa $

-DOOMSTONE (USA): “WITHOUT PRAYER” CD Root Of All Evil // 4 eur – 5 usa $

-DOWNLORD (DNK): “GRIND TRIALS – THE DEMOS EP” MCD Open Grave Records // 3.50 eur – 4.50 usa $

-DRAGONSPOON (USA): “DRAGONSPOON” CD Hook’n Mouth Records // 4 eur – 5 usa $

-DROGHEDA/MORTICITE (USA): “SPLIT” CD Extremist Records // 4 eur – 5 usa $

-DUSK (PAK): “CONTRARY BELIEFS” CD Epidemie Records // 4 eur – 5 usa $

-DYING PASSION (CZE): “SWEET DISILLUSIONS” CD Metal Breath Productions // 4 eur – 5 usa $

-DYING PASSION (CZE): “VOYAGE” CD Metal Breath Productions // 4 eur – 5 usa $

-ECLIPSE (RUS): “THE SYMPHONYS OF PATHOLOGICAL LOVE…” CD Blacksmith Productions // 4 eur – 5 usa $

-EDITOR (SVK): “GAME OVER” CD Hirax Records // 4 eur – 5 usa $

-EL SANTO (MEX): “METAMORPHOSIS” CD American Line prods // 4 eur – 5 usa $

-ELYSIAN BLAZE (AUS): “BENEATH SILENT FACES” CD Asphyxiate Recordings // 4 eur – 5 usa $

-EMBRYOSTORE/ LOST IN THE SUPERMARKET (GER): “SPLIT” 7″ Quamby Hill records // 2 eur – 2.50 usa $

-EMPIRE OF SOULS (BRA): “REVENGE CIRCLE” CD Nocturnal Age Records // 4 eur – 5 usa $

-ERANTZUN/I.A.G. (ESP): “SPLIT” 12″ Carnus Records // 4 eur – 5 usa $

-ESCUELA DE ODIO (SPA): “EP’S 94-96″ CD Fragment Music // 4 eur – 5 usa $

-EVIDENCE (POR): “SPIRAL” CD Recital Records // 4 eur – 5 usa $

-EVIRUS69 (SPA): “HYPOTHERMIA” CD Fragment Music // 4 eur – 5 usa $

-EXTROVERT (RUS): “HAVING WOKEN OCEAN” CD Blacksmith Productions // 4 eur – 5 usa $

-F.O.B. (CZE): “FOLLOW THE INSTRUCTIONS” CD I.F.A. Records // 4 eur – 5 usa $

-FACE OF CHANGE (JAP): “KEEP THE BALANCE” MCD Soulforce Records // 3.50 eur – 4.50 usa $

-FATIMA HILL (JAP): “AION” CD World Chaos Productions // 4 eur – 5 usa $

-FISHSTICKS / SHORT FUSE (USA): “SPLIT” 7″ Theologian/Pessimiser Records // 2 eur – 2.50 usa $

-FJELL (GER): “TOYLAB” MCDQuamby Hill records // 3.50 eur – 4.50 usa $

-FLASH TERRORIST (ITA): “BODY FUSION LIMIT” CD Nosferatu Records // 4 eur – 5 usa $

-FLATLINED (USA): “ONE STEP CLOSER TO ETERNAL REST” CD Lifeless Records // 4 eur – 5 usa $

-FLAYING (LTU): “COMMANDMENTS – VIOLATED” MCD Epidemie Records // 3.50 eur – 4.50 usa $

-FLESHRIPPER/OBLITERATION (GER): “SPLIT” CD Suffer Productions // 4 eur – 5 usa $

-FOR SOME REASON (SPA): “LAST TEARS” CD Fragment Music // 4 eur – 5 usa $

-FOREVER NEVER (UK): “APORIA” CD Casket Music // 4 eur – 5 usa $

-FORGIVE ME NOT (RUS): “PERFECT INNOCENCE” CD Soyuz Music // 4 eur – 5 usa $

-FORGOT (RUS): “BURNING DOWN” CD Propaganda records // 4 eur – 5 usa $

-FORGOTTEN SUNRISE (EST): “RU:MIPU:DUS” CD My Kingdom Music // 4 eur – 5 usa $

-FREICORE (GER): “SLOW TIMES” CD Ecocentric Records // 4 eur – 5 usa $

-FROM BEYOND (CZE): “ENDTIME” CD Sonic Temple Records // 4 eur – 5 usa $

-FROSTMOON ECLIPSE (ITA): “DEATH IS COMING” CD ISO666 Releases  // 4 eur – 5 usa $

-FRUIT TREE (UK): “SUNSET” CD Casket Music // 4 eur – 5 usa $

-FULCRUM CREAK (FIN): “CONQUER ME/ SIGHT OF AGGRESSION” 7″ Tylyt Levyt Records // 2 eur – 2.50 usa $

-GILLA BRUJA (UK): “6 FINGERED JESUS” CD Retribute Records // 4 eur – 5 usa $

-GLACIAL FEAR (ITA): “FRAMES” CD Nocturnal music // 4 eur – 5 usa $

-GLOBAL HOLOCAUST/ OPRESSED CONSCIENCE (CAN) : “SPLIT” 7″ Tobacco Shit records // 2 eur – 2.50 usa $

-GOMORRHA (GER): “BODY (P)ART” CD Nice to eat you recs // 4 eur – 5 usa $

-GRIEF OF GOD (GER): “FLESH, SPERM AND VIOLENCE” MCD Quamby Hill records // 3.50 eur – 4.50 usa $

-GRIFFAR (FRA): “OF WITCHES AND CELTS” CD ISO666 Releases // 4 eur – 5 usa $

-GRIM FORCE (JAP): “CIRCULATION TO CONCLUSION” CD World Chaos Productions // 4 eur – 5 usa $

-GROZA (TUR): “LIFE, AFTER LIFE” CD Poem Productions // 4 eur – 5 usa $

-GUILT (USA): “BARDSTOWN UGLY BOX” CD Victory Records // 4 eur – 5 usa $

-HAEMOTH (FRA): “VICE, SUFFERING AND DESTRUCTION” CD ISO666 Releases // 4 eur – 5 usa $

-HAVOCHATE (USA): “THIS VIOLENT EARTH” CD Root Of All Evil // 4 eur – 5 usa $

-HOLLOW HAZE (ITA): “HOLLOW HAZE” CD My Graveyard Productions // 4 eur – 5 usa $

-HOMO HOMINI LUPUS: “AN INTERNATIONAL THRASH COMPILATION” 7″ Mac Gyver Records //2 eur – 2.50 usa $

-HORDAGAARD (NOR): “ANTI HUMAN ANTI LIFE” CD ISO666 Releases // 4 eur – 5 usa $

-HYBRID (GRC): “THE WILL TO CREATE” CD Secret Port Records // 4 eur – 5 usa $

-ILLIDIANCE (RUS): “INSANE MYTHERIES TO DEMISE” CD Magik Art Entertainment // 4 eur – 5 usa $

-IMPURE (SPA): “HEMICORPORECTOMY” CD Goregiastic Records // 4 eur – 5 usa $

-IN ARTICULO MORTIS (CZE): “THE TIME HAS COME” CD Autoproducido-Selfreleased // 4 eur – 5 usa $

-IN MEMORY (ITA): “INTOXICATING MIND” CD Sleaszy Rider Records // 4 eur – 5 usa $

-IN SOLITUDE (POR): “OPUS: UNIVERSE” CD Recital Records // 4 eur – 5 usa $

-INSIDIUS INFERNUS (GRC): “EYES IN ASTRAL ABYSS” CD Sleaszy Rider Records // 4 eur – 5 usa $

-INSIGNE (ESP): “GIROCICLO” CD Rucand Records // 4 eur – 5 usa $

-INTOLERANCE (ESP): “CONDENADOS A SEGUIR LUCHANDO” CD Potencial Hardcore // 4 eur – 5 usa $

-JONBENET RAMSEY (USA): “THE FORSAKEN PORNING OF…” CD Latex Solar Beef Productions // 4 eur – 5 usa $

-KARCINOMA (RUS): “THE NIGHT…APOGEE OF MADNESS” CD Stygian Crypt Productions // 4 eur – 5 usa $

-KEVLAR SKIN (ESP): “THE BEREAVED” MCD Life Fluid Productions // 3.50 eur – 4.50 usa $

-KIJU (ITA): “NOTHING TO PLAY FOR” CD Metal Age Productions // 4 eur – 5 usa $

-KINETIC (GRC): “THE CHAINS THAT BIND US” CD Sleaszy Rider Records // 4 eur – 5 usa $

-KISSIN COUSINS/CLOROX GIRLS (ESP/USA): “SPLIT” 7″ Carnus Records // 2 eur – 2.50 usa $

-KLOAKAO (ESP): “CUZAO DE GALINHA” 12″ Oidos Sordos  // 4 eur – 5 usa $

-KONTROVERS (SWE): “KONTROVERS” CD Putrid Filth Conspiracy records // 4 eur – 5 usa $

-KORP (SWE): “THORNS OF CENTURIES UNFOLD” CD VOD Records // 4 eur – 5 usa $

-KOSA (UKR): “EVILABSORPTION” CD Propaganda records // 4 eur – 5 usa $

-L.I.G.O. (RUS): “NO ONE SAFE” CD More Hate Productions // 4 eur – 5 usa $

-L.MINYGWAL (GER): “L.MINYGWAL” 7″ Quamby Hill records // 2 eur – 2.50 usa $

-LIFESITE (USA): “INVISIBLE WISH” CD New Life Records // 4 eur – 5 usa $

-LIPID (DNK): “HAGRIDDEN” CD Casket Music // 4 eur – 5 usa $

-LONGOBARDEATH (ITA): “KI L’E’ DUR” CD Anger Music Releases // 4 eur – 5 usa $

-LORD BLASPHEMATE (BRA): “A RESTLESS SHELTER UNDER…” CD Blasphemy Production // 4 eur – 5 usa $

-LOS DOLARES (VEN): “NUNCA EL OLVIDO” 7″ Deskontento Records // 2 eur – 2.50 usa $

-LOS RUMPS (SPA): “NECRO MINORITY” CD Oidos Sordos // 4 eur – 5 usa $

-LOST IN THE SUPERMARKET (GER): “GRUESOME EP” 7″ Quamby Hill records // 2.50 eur – 3.25 usa $

-LOW TWELVE (USA): “THIS SIDE TOWARD ENEMY” CD Rotting Corpse records // 4 eur – 5 usa $

-MAD PARADE (USA): “CLOWN TIME IS OVER” CD Last Resort Records // 4 eur – 5 usa $

-MAIROLLOSNAUTA (SPA): “DUDAS, FURIA Y DEMAS RATOS MUERTOS” 12″ Oidos Sordos // 4 eur – 5 usa $

-MAJDANEK WALTZ (RUS): “O PROISHOZHDENII MIRA” CD Wroth Emitter Productions // 4 eur – 5 usa $

-MALEFACTOR (USA): “DEATH FALLS SILENT” CD Metal Age Productions // 4 eur – 5 usa $

-MALKUTH (BRA): “FOURTH EMPIRE” CD Necrodemon Records // 4 eur – 5 usa $

-MALLACAN (ESP): “LUEN D´O PARADISO” CD Desobediencia Records // 4 eur – 5 usa $

-MALVEILLANCE (CAN): “JUST FUCK OFF” CD Suffering Jesus Productions // 4 eur – 5 usa $

-MANGLER/ABORTARIUM (RUS): “SPLIT” CD Blacksmith Productions // 4 eur – 5 usa $

-MATER MONSTIFERA (CZE): “ZROZEN Z HRICHU” CD I.F.A. Records // 4 eur – 5 usa $

-MATER TENEBRA (ITA): “SANGUE” CD Pulsar Light Records // 4 eur – 5 usa $

-MEDULLA NOCTE (UK): “DYING FROM THE INSIDE” CD Copro Records // 4 eur – 5 usa $

-MERCILESS CRUCIFIXION (GRC): “AIPESIS” MCD Blackseed Productions // 3.50 eur – 4.50 usa $

-MERLIN (RUS): “THEY MUST DIE” CD Great White North // 4 eur – 5 usa $

-METHEDRAS (ITA): “RECURSIVE” CD Autoproducido/Selfreleased // 4 eur – 5 usa $

-MISCREANT (RUS): “INSIDE THE BEYOND” CD Blacksmith Productions // 4 eur – 5 usa $

-MISCREANT (RUS): “OCCULT PHILOSOPHY” CD Blacksmith Productions // 4 eur – 5 usa $

-MISKATONIC UNIVERSITY (ITA): “TIME’S UP” 7″ Boundless Records // 2 eur – 2.50 usa $

-MITTERNACHT (ARG): “THE RAISE OF THE SECRET CITIES” CD Furias Records – Orion Music Ent // 4 eur – 5 usa $

-MONAGUILLOS SIN FRONTERAS (ESP): “ENTRE EL CERDO Y EL MONO” CD Getazo Records // 4 eur – 5 usa $

-MONSTERWORKS (NZL): “THE PRECAUTIONARY PRINCIPLE” CD Casket Music // 4 eur – 5 usa $

-MOURNBLADE (USA): “MANGLED LIES” MCD Open Grave Records // 3.50 eur – 4.50 usa $

-NATRIUM (ITA): “THE DAY OF PAIN” CD Autoproducido/Selfreleased // 4 eur – 5 usa $

-NEEDFUL THINGS (CZE): “DEAD POINT” CD Khaaranus productions // 4 eur – 5 usa $

-NEFORMAT (KAZ): “BREATHE WITH HATRED” CD Blacksmith Productions // 4 eur – 5 usa $

-NEILA (ESP): “UNCLEAN” CD In My Heart Empire // 4 eur – 5 usa $

-NET WEIGHT (ESP): “S/T” CD Fragment Music // 4 eur – 5 usa $

-NIGHTMARE VISIONS (UK): “GATES OF DELIRIUM” CD Casket Music // 4 eur – 5 usa $

-NIGHTMARE VISIONS (UK): “NVIII” MCD Casket Music // 3.50 eur – 4.50 usa $

-NIL (ESP): “NIL” CD Cooperación Records // 3 eur – 4 usa $

-NITROMINDS (BRA): “SOMETHING TO BELIEVE” CD Fragment Music // 4 eur – 5 usa $

-NOSFERATOS (RUS): “PANDEMONIUM” CD Blacksmith Productions // 4 eur – 5 usa $

-NOSFERATOS (RUS): “VENTUM INFERUM DE TENEBRAE…” CD Blacksmith Productions // 4 eur – 5 usa $

-NOT! / FSFI (CZE): “SPLIT” CD Lecter Music Agency  // 4 eur – 5 usa $

-NOTHING MORE (FRA): “NOTHING MORE” 7″ Panx Records // 2 eur – 2.50 usa $

-NUCLEAR MASSACRE (USA): “MELTDOWN” CD Autoproducido/Selfreleased // 4 eur – 5 usa $

-NUNNERY (ESP): “FRIENDS AT WORK” CD Lengua Armada // 4 eur – 5 usa $

-OBLOMOV (CZE): “WISHING THE RENAISSANCE” MCD Radiation Noise Productions // 3.50 eur – 4.50 usa $

-OCULTAN (BRA): “PROFANATION” CD Pazuzu Records // 4 eur – 5 usa $

-OPA HOSTIL (ESP): “NUESTRA MISERIA ES VUESTRA RIQUEZA” CD Disidente Records // 3.50 eur – 4.50 usa $

-PAGALGUENNA (GER): “DREAMS” CD Nordsturm Productions // 4 eur – 5 usa $

-PAGAN (BLR): “…AND DARKNESS IS ABOVE ALL” CD Werewolves Records // 4 eur – 5 usa $

-PARA TU ETERNO (BRA): “EM NOME DE NOSSA SUPREMA MAJESTADE…” CD Imperial Records // 4 eur – 5 usa $

-PAROXYSM (CAN): “REVELATION IS DENIED” CD Great White North // 4 eur – 5 usa $

-PATRIARCH (UKR): “DARK WORLD OF MEN” CD Wroth Emitter Productions // 4 eur – 5 usa $

-PHANTASMA (SVK): “JAHVE” CD Rock Extremum records // 4 eur – 5 usa $

-PHANTASMAGORY (UKR): “ODD SOUNDS” CD Magik Art Entertainment // 4 eur – 5 usa $

-PLASTIC EARTH (JAP): “S.E.A.M. – 01″ CD World Chaos Productions // 4 eur – 5 usa $

-POEMA ARCANUS (CHI): “ICONOCLAST” CD Aftermath Music  // 4 eur – 5 usa $

-POLYMORPH (GER): “DISGRACEFUL SUPPER” MCD G.U.C. // 3.50 eur – 4.50 usa $

-POLYMORPH (GER): “INNOCENT SUFFERING” CD G.U.C. // 4 eur – 5 usa $

-POPPY SEED GRINDER (CZE): “OPPRESSED REALITY” CD Khaaranus productions // 4 eur – 5 usa $

-PROCESS (USA): “WORLD OF FIRE” CD Conversion Records // 4 eur – 5 usa $

-PROFESOR LEFEBVRE (CZE): “GENIO Y FIGURA” CD Lecter Music Agency // 4 eur – 5 usa $

-PROP 13 (USA): “CHANGE IS GOOD” CD Theologian Records/ Pessimiser // 4 eur – 5 usa $

-PSYCHOFAGIST (ITA): “PSYCHOFAGIST” CD Subordinate Productions // 4 eur – 5 usa $
-PSYCHOTIC YOUTH (SWE): “STEROIDS” CD Wolverine Records // 4 eur – 5 usa $

-PSYLENCE (UK): “THROUGH DISTORTED EYES” CD Casket Music // 4 eur – 5 usa $

-PUSHBUTTON WARFARE (USA): “A PAIN YOU NEVER THOUGHT COULD EXIST” CD Lifeless Records  // 4 eur – 5 usa $

-PUTRID SCUM (GER): “PUTRID SCUM” CD PW Productions // 4 eur – 5 usa $

-RAIN ON THE PARADE (USA): “BODY BAG E.P.” MCD Soulforce Records // 3.50 eur – 4.50 usa $

-RAIN PAINT (FIN): “NIHIL NISI MORS” CD My Kingdom Music // 4 eur – 5 usa $

-RAINBIRD (BLR): “POET’S BLOOD” CD Backfire Productions  // 4 eur – 5 usa $

-RAPTURE (MEX): “LIVING INSIDE OF DEATH” CD Ablaze Prods // 4 eur – 5 usa $

-REACTION EXTASY TRANCE (CZE): “THE DARK AT THE END OF THE TUNNEL CD Crystal Productions // 4 eur – 5 usa $

-REDSHIFT (ESP): “SHADOWLESS CITIZEN” CD Soulforce Records // 4 eur – 5 usa $

-REST IN PAIN (RUS): “LEPROSY OF SUBCONSCIOUS” CD Magik Art Entertainment // 4 eur – 5 usa $

-RICTUS GRIN (USA): “LIVING THE DREAM” CD Autoproducido/Selfreleased // 4 eur – 5 usa $

-RIGOR SARDONICOUS (USA): “PRINCIPIA SARDONICA” CD Paragon Records // 4 eur – 5 usa $

-RIPHEAD/DROGHEDA (USA): “SPLIT” CD Extreme Millenium Entertainment // 4 eur – 5 usa $

-RIPSNORTER (USA): “PULSE” CD Nexus 1 // 4 eur – 5 usa $

-ROOTS OF ROT (MEX): “HATED FLESH” CD American Line prods // 4 eur – 5 usa $

-ROTTING FLESH (GRC): “DREAMING… THE UNDERWORLD” CD Sleaszy Rider Records // 4 eur – 5 usa $

-SAGARIS (TUR): “RAISING THE OLDEST” CD Poem Productions // 4 eur – 5 usa $

-SCAVENGE (ESP): “SCAVENGE” MCD Autoproducido-Selfreleased 3.50 eur – 4.50 usa $

-SCHIZTOME (UK): “THE ART OF DYING” CD Casket Music // 4 eur – 5 usa $

-SCOFF (GER): “REVERSE UNIVERSE” CD Daredevil Records // 4 eur – 5 usa $

-SCRATCHING SOIL (RUS): “SEPARATISM” CD Stygian Crypt Productions // 4 eur – 5 usa $

-SCREAMING SHADOWS (ITA): “IN THE NAME OF GOD” CD My Graveyard Productions // 4 eur – 5 usa $

-SEA OF TRANQUILITY (USA) :”THE OMEGAN RUINS” CD Cursed Productions // 4 eur – 5 usa $

-SECRET SPHERE (ITA): “MISTRESS OF THE SHADOWLIGHT” CD Elevate Records // 4 eur – 5 usa $

-SEPTRION (MEX): “PERPETUAL FROST” CD Ablaze Prods // 4 eur – 5 usa $

-SERENADE (UK): “THE SERPENTS DANCE” CD Golden Lake Productions // 4 eur – 5 usa $

-SEVERANCE (USA): “SUFFERING IN HUMANITY” CD Goregiastic Records // 4 eur – 5 usa $

-SHADOWS OF SUNSET (FIN): “REFLECTION FROM AFAR” MCD Fadeless Records // 3.50 eur – 4.50 usa $

-SHAMEFUL HEAVEN (ESP): “SHAMEFUL HEAVEN” MCD Outlast Records // 3.50 eur – 4.50 usa $

-SIDE EFFECTS (BRA): “TRAITORS EXECUTION” CD Hate Storm Records // 4 eur – 5 usa $

-SIEGHETNAR (GER): “TODESSEHNSUCHT” CD Nordsturm Productions // 4 eur – 5 usa $

-SIX DEGREES OF SEPARATION (CZE): “MOON 2002 – NOCTURNAL BREED” CD Élysion Music // 4 eur – 5 usa $

-SIX DEGREES OF SEPARATION (CZE): “TRIOTUS, TRICEPHALUS AND…” CD Élysion Music // 4 eur – 5 usa $

-SKIN LIMIT SHOW (UK): “WALKING KNIFE” MCD Epistrophy Recording Company // 3.50 eur – 4.50 usa $

-SLAVERY (FRA): “TO SEDATE AGONY” MCD MiserereChords // // 3.50 eur – 4.50 usa $

-SLITTER (JAP): “THINK OTHER WISE” CD Akom Productions // 4 eur – 5 usa $

-SLOPPY SECONDS (USA): “LIVE: NO TIME FOR TUNING” CD Wolverine Records // 4 eur – 5 usa $

-SMASHED FACE (CZE): “HUMAN: EARTH PARASITE” CD Radiation Noise Productions // 4 eur – 5 usa $

-SNOWBLIND (GRE): “THE LORD OF MY FATE” CD Sleaszy Rider Records // 4 eur – 5 usa $

-SOULLESS (USA): “AGONY´S LAMENT” CD World Chaos Productions // 4 eur – 5 usa $

-SOULSKINNER (GRC): “BREEDING THE GROTESQUE” CD Sleaszy Rider Records // 4 eur – 5 usa $

-SOUND OF SILENCE (GRC): “SPIRITUAL JOURNEY” CD Sleaszy Rider Records // 4 eur – 5 usa $

-SPACESHITERS (GER): “GRINDING DANCERS FROM OUTA SPACE” CD Noisi Production // 4 eur – 5 usa $

-SPASMOPHILIUS (FRA): “THE MAZE” CD Manitou Music // 4 eur – 5 usa $

-SPEEDWAY 69 (GER): “NOW DENIAL” 12″ Drag Star Records // 5 eur – 6.50 usa $

-SPEEDWAY 69 (GER): “THE VELVET LOUNGE” 7″ Empty Records // 2 eur – 2.50 usa $

-SPELL FOREST (BRA): “LUCIFER REX” CD Black Tears Of Death // 4 eur – 5 usa $

-SQUAD (POR): “SCARS OF HUMANITY” CD Recital Records // 4 eur – 5 usa $

-STIGMHATE (ITA): “SATISFIED BY THE CRUELTY” CD Pulsar Light Records // 4 eur – 5 usa $

-STONEHENGE (RUS): “VICTIMS GALLERY” CD Wroth Emitter Productions // 4 eur – 5 usa $

-STROMMOUSSHELD (POL): “BEHIND THE CURTAIN” CD Avantgarde Music/ Wounded Love // 4 eur – 5 usa $

-SUBKUTAN (GER): “SUBKUTAN” 10″ Mac Gyver Records // 4 eur – 5 usa $

-SUBKUTAN/ WUTENTBRANNT (GER): “SPLIT” 7″ An’s Bein Pissen Records // 2 eur – 2.50 usa $

-SUBMISSION HOLD (CAN): “WAITING FOR ANOTHER MONKEY TO….” CD Ebullition Records // 4 eur – 5 usa $

-SUMMONER (ITA): “WINTER SOLSTICE” CD Black Tears Of Death // 4 eur – 5 usa $

-SYMBEL (UK): “WE DRINK – HYMNS AND COUNSEL OF ANGLOSAXON…” CD Angelisc Enterprises // 4 eur – 5 usa $

-TAARMA (AFG): “REMNANTS OF A TORMENTING BLACK SHADOW” CD Suffering Jesus Productions // 4 eur – 5 usa $

-TAKESHI (SPA): “ALGUNAS PALABRAS VUELAN” CD Oidos Sordos // 4 eur – 5 usa $

-THALARION (SVK): “FOUR ELEMENTS MYSTERIUM” CD Mighty Music // 4 eur – 5 usa $

-THE END 666 (FRA): “TERROR INSIDE” CD D.U.K.E. // 4 eur – 5 usa $

-THE END 666 (FRA): “THE ULTRA-VIOLENCE” CD D.U.K.E. // 4 eur – 5 usa $

-THE EVERSCATHED (USA): “RAZORS OF UNREST” CD Open Grave Records // 4 eur – 5 usa $

-THE HARDBOILED (ESP): “…THE DAMAGE IS DONE” CD Fragment Music // 4 eur – 5 usa $

-THE RAYS OF THE SUN (CZE): “LIVING FLOWERS GALLERY” CD Metal Breath Productions // 4 eur – 5 usa $

-THE SECOND COMING (ITA): “OPUS II” CD Black Vomit Productions // 4 eur – 5 usa $

-THEATRE OF THE MACABRE (USA): “A PARADISE IN FLESH & BLOOD” CD Root Of All Evil // 4 eur – 5 usa $

-THERM.EYE.FLAME (RUS): “SOLAR NEBULA” CD More Hate Productions // 4 eur – 5 usa $

-TJOLGTJAR (USA): “FIVE TJOLGTJARIAN KEYS” CD Suffering Jesus Productions // 4 eur – 5 usa $

-TODESSTOSS (GER): “SPIEGEL DER URÄNGSTE / SEHNSUCHT” CD Wroth Emitter Productions // 4 eur – 5 usa $

-TRIUMPH (BRA): “TRIUMPH” CD Paranoid Records // 4 eur – 5 usa $

-TROLLECH/SORATH (CZE): “SPLIT” 7″ Pigeon Shit Agency // 2 eur – 2.50 usa $

-TUMULUS (RUS): “SREDOKRESIE” CD Wroth Emitter Productions // 4 eur – 5 usa $

-TUPPERGUARROS (SPA): “TUPPERGUARROS” CD Oidos Sordos // 4 eur – 5 usa $

-TWENTYEARSOLD (ESP): “WE STILL ARE LOOKING FOR SUCH A GIRL” CD Gruta 77 // 4 eur – 5 usa $

-UCK GRIND (TUR): “THE HUMAN RACE MUST BE DESTROYED” CD Poem Productions // 4 eur – 5 usa $

-UNGRAVED (RUS): “A LIFE ELDER” CD Backfire Productions // 4 eur – 5 usa $

-UNSUNG (ITA): “NAIL THE HAND OF CHRIST” CD Tetanus Productions // 4 eur – 5 usa $

-URSHURARK (ITA): “ARCHITECTURE OF PERFECT DAMNATION” CD Butchery Music // 4 eur – 5 usa $

-VEXED (ITA): “HELLBLAST EXTINCTION” CD Ashen Productions // 4 eur – 5 usa $

-VEXED/HELL IN A CELL/HATEWORK/ALEA JACTA (ITA): “SPLIT” CD Ashen Productions // 4 eur – 5 usa $

-VIGILIA MORTUM (EST): “BLOODY REMORSE” CD Blacksmith Productions // 4 eur – 5 usa $

-VIVID X (RUS): “V.XTREMAL PROGRESS” CD Blacksmith Productions // 4 eur – 5 usa $

-VORKUTA (HUN): “INTO THE CHASMS OF LUNACY” CD Paragon Records // 4 eur – 5 usa $

-VV.AA. : COCK´N´ROLL “THE WORLD´S SLEAZIEST ROCK BANDS” CD Sleazegrinder Records // 5 eur – 6.50 usa $

-VV.AA. : FROZEN DAWN COMP. III CD Frozen Dawn Records // 4 eur – 5 usa $
-VV.AA. : THE MORBID TWO CD Morbid Records // 4 eur – 5 usa $

-VV/AA: “BRUTAL ASSAULT FESTIVAL COMPILATION VOL 11″ CD Brutal Assault // 3 eur – 4 usa $

-WARSPITE (GER): “CONFRONTATION COURSE” CD G.U.C. // 4 eur – 5 usa $

-WASTEFALL (GRE): “FALLEN SCARS AND RISING SCARS” CD Sleaszy Rider Records // 4 eur – 5 usa $

-WASTEFORM (USA): “CRUSHING THE REVILED” CD Nice to eat you recs // 4 eur – 5 usa $s

-WAYNE (SPA): “EVE OF YOUR REVOLUTION” CD Elizabeth Dane Records // 4 eur – 5 usa $

-WICKED INNOCENCE (USA): “WORSHIP” CD Headfucker Records // 4 eur – 5 usa $

-WINDFALL (GRC): “TIME OF THE HAUNTED” CD Sleaszy Rider Records // 4 eur – 5 usa $

-WOD´Z YER NAME? (FRA): “COMP” 7″ Up Front Records // 2 eur – 2.50 usa $

-XENOMORPH (HOL): “ACARDIACUS” CD Teutonic Existence Records // 4 eur – 5 usa $

Forma de pago (españa)

Gastos de Envio: 3.50 €. (sea cual sea el número de artículos, envío por correo certificado – de 4 a 5 días en llegar)
Los pedidos superiores a 60 euros no tendrán gastos de envío.
Para realizar tu pedido escribe a mondongo@mondongocanibale.com
Forma de pago: contrareembolso [los gastos por mandar el pedido contrareembolso son 4.50 euros + los derechos que cobra correos (1.50 euros)], ingreso bancario, mediante giro postal o paypal.
No olvidéis echar un vistazo a nuestra web http://store.mondongocanibale.com donde aparece el catálogo al completo detallado (más de 1500 artículos a la venta), con reseñas de los discos, mp3, fotos de las portadas, etc.

Payment (outside spain)

If you are interested in purchase anything, please write to mondongo@mondongocanibale.com click here for payment form options, postage rates depends of the parcel’s weight (we apply the spanish postal service rates), ask us about it. Check our web site http://store.mondongocanibale.com for more info about this and many more stuff (up to 1500 articles), with reviews, mp3, cover pictures and so….. take a look on it!!

Mondongo Canibale:
Daniel Rojas
P.O. Box 27106
28080 Madrid
Spain
www.mondongocanibale.com

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