April 7, 2012
The Usual Suspects
Cop On Fire
plus the return of Skinny
8pm til late
April 6, 2012
Back To The Planet, Tarantism, YT, P.A.I.N, Cracked Actors, Dead Silence Syndicate, Kilnaboy, Supajamma, 10 O’clock Horses,
Dance Tent DJ’s
Riddimtion Soundsystem Full Crew, Johnny Sideways, Buda, Opus 23, Remington, Earthpipe, Kam-Pain, Busmonitor, Witchdoktor, Cousin EV, Distorted Panda, Ir Goon, Kuss, Mykee Wildting, Tinitus, Toby Highpeak, Benji 303, Addiktz, Hannibal Selekta, Spread, Jake Snake, Bushkah and Omen Breaks
Tickets for The Rogues Picnic are available online or by post from Rogues Records
April 5, 2012
Nightingales and Ted Chippington on Tour
Fri 25 – Stewart Lee gig in wolves
Tue 29 – SHREWSBURY, The Vaults
Wed 30 – BRIGHTON, Green Door Store
Fri 1 – LONDON, Nambucca
Sat 2 – SOUTHAMPTON, Talking Heads
Sun 3 – WOLVERHAMPTON, Slade Rooms
Mon 4 – YORK, Fibbers
Tue 5 – MANCHESTER, Night & Day
Wed 6 – GLASGOW, Nice N Sleazy
Thu 7 – STOCKTON, ARC
Fri 8 – BIRMINGHAM, Wagon and Horses
Sat 9 – BRISTOL, Thunderbolt
Sun 10 – KIDDERMINSTER, The Boars Head
“The new album by Nightingales is brilliant. One of the fiercest and most exhilarating rock records I’ve heard in ages.” Andrew Male, MOJO
The first album by the latest Nightingales line up featuring the return of Matt Wood on guitar and new drummer Fliss Kitson
Recorded at Faust Studio, Germany in December 2011 “No Love Lost” is the first record by the group for Cooking Vinyl
Released in beautiful Digipak sleeve with original artwork by brilliant Scarborough based artist Jehan
1. Ace Of Hearts
2. Born Yesterday
3. The Done Thing
4. Real Gone Daddy
5. Best Of British Luck
6. Say It With Flowers
7. The Burster
8. The Dishwater Kid
9. Someone For Everyone
10. Sentimental Dunce
11. Mutton To Lamb
12. The World Of Nothing Really
13. Dick The Do-Gooder
Catalogue # COOKCD557
No Love Lost – Reviews:
Nightingales ‘No Love Lost’ (Cooking Vinyl) – Losing Today May 2012
The Nightingales – you’re familiar with them right – once the Prefects, been around since dinosaurs roamed the earth (or so the youth of today would have you believe when you mention anything that passed before they came to be), around at a time when releases came pressed up on wax and the only way to gage whether a record was much cop was to have it featured in the NME (indeed dear people the same NME that these days sadly looks like a giant advertising insert with occasional music things and a back slapping name check for bands / artists you‘d couldn’t care to read about less breathe the same air as), played by Peel or shoved in front of your face by your in-tuned pulse feeling record emporium owner. Talking of Peel – he admired them so much that like the equally loved Fall, Wedding Present, Beatnik Filmstars and many others to numerous to name (though the three mentioned with the addition of Fatima Mansions (best viewed here on the schizoid powered prickly pop of the Cathal Coughlan meets Beefheart needle sharp blister blues ‘Born Yesterday’) all appear to share a common melodic mindset to the Nightingales in so far as each has emerged from musical reference markers not quite so easily obvious), he’d have them in for regular sessions and play list them at every given opportunity whether you liked them or not with resolute and unwavering conviction that he was right and you were wrong. And of course he was.
Several line ups over the years following 2004’s reformation and now sporting a new label after signing to Cooking Vinyl, the Nightingales of 2012 are a totally different proposition to the tykes whose awkward aural aerosol spiked the airwaves in the early 80’s, these days tighter and at the peak of their powers ’No Love Lost’ seers, scolds and sizzles with all the air of a collective mindset with the bit between their teeth and demanding attention. Rarely have I heard Lloyd and co sounding so forthright, bullish and at peace and enjoying themselves in the process. There’s an urgency about ‘No Love Lost’ its an urgency that encircles the would be listener the moment the opening salvo ‘Ace of Hearts’ rears into ear view wherein your dropkicked immediately into a sea of sonic shrapnel with its twang taunting 50’s informed beat grooved boogie. Elsewhere the kick-ass paint bombing punked up power pop scowl of ‘Real Gone Daddy’ comes across initially like a teen spirited day-glo dinked Rezillos before exiting stage left in a haze of squalling feedback attrition while the shoe shuffling pub rock rumble ‘Best Of British Luck‘ tailgates a youthful Dalmatian Rex and the Eigentones. Old school purists of Nightingales of old should find much with the wiring art pop grizzled math dislocation of both ‘The Burster’ and ‘Dishwater Kid’ to keep them satiated the latter especially finding itself huffing and puffing with a reserved cool as it shimmies casually smooching up to the stylus. Braided with a slyly effervescent 60’s pop persona and showered with echoes of his sole solo effort ‘Me and My Big Mouth‘ – ‘Something for Everyone’ shimmies and shakes to a sun lined feel good accent that should see it assured of radio play action while the mellowing ’The World of Nothing Really’ is cradled in a wounded soft reflection which leaves the frenetic ramshackle spike of ’Dick the Do Gooder’ to round off the set to reveal a fierce some spirit of intent especially at its finale as it dissolves into a sea of head melting cacophonic skree. That said with its snaking slow to burn motifs, nothing quite comes close to the pure mercurial beauty of ’the done thing’ – with its droning ’Low’-esque minimalist chill nodding to a Berlin era Bowie applied and enhanced with howling halos of souring and soaring feedback and lightly kissed with smidgeons of the Weddoes ‘Dalliance’ and the Fall’s ‘Bill is Dead’ to be rounded up into a majestically quiet subdued euphoric glow by Decoration themselves powered via an Arab Strap bypass. Sublime in a word.
Well, well, well the funniest man alive is back! Ted Chippington at last brings to vinyl one of his top true stories – “Blues Fan”.
A really hilarious moment in Ted’s life, recalled with style, makes the long awaited record release of this classic story an immediate TC greatest hit!
And this Top Comedian does not stand still!
Check out the B-Side of this platter for new experimental Ted material.
A brace of rip-roaring impressions of showbiz legends Phil Collins and Benny Hill’s mate are intercut with live show stormer “Mint” and a true story wig out featuring TC & The Sunshine Band, Ted’s all American female backing group.
A hero to your favourite comics and pop stars. A good mate of the ordinary folk. A clean living, straight talking, hard working entertainer. A top bloke.
And now another great record – “Blues Fan” is the maestro’s best release yet.
Ted Chippington is to be appreciated – he’s mint!
A – Blues Fan
B – Phil Collins Impression + Mint + Impression Of Benny Hill’s Mate + Sunshine
Born out of Birmingham’s original punk group The Prefects, the Nightingales have stubbornly ploughed their own furrow in the field of alternative rock n roll for three decades. Described in John Robb’s definitive post punk biography ‘Death To Trad Rock’ as “the misfits’ misfits”, the band has constantly garnered praise and respect from other artists and received endless glowing press reports, particularly for their live shows. Led by singer/lyricist Robert Lloyd (‘The most underestimated songwriter of his generation’ according to Ben Thompson in the Independent) the latest incarnation of the Nightingales – the best batch – yet release their new album “No Love Lost” on Cooking Vinyl in April 2012.
To coincide with the album’s release the Nightingales will be touring the UK and mainland Europe. The UK shows follow their May 2011 tour which culminated in a headline performance at the Southbank Centre in London as part of Stewart Lee’s Austerity Binge and the Festival Of Britain, which Mojo magazine called “Astonishing” and “Gig of the year”.
Birmingham’s original punk group The Prefects had been part of The Clash’s ‘White Riot Tour’, recorded a couple of Peel sessions, released a 45 on Rough Trade and, years after splitting up, had a retrospective CD released by NY label Acute Records to all round glowing reviews – from Rolling Stone to webzines.
The Nightingales was formed by former members of The Prefects following that band’s demise in 1979.
With an ever fluctuating line up, based around lyricist/singer Robert Lloyd, the Nightingales enjoyed cult status in the early ’80’s as darlings of the credible music scene and were championed by John Peel, who said of them – “Their performances will serve to confirm their excellence when we are far enough distanced from the 1980’s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans”.
The group recorded a bunch of critically acclaimed singles (Almost always ‘Single Of The Week’ in the music press) and three albums, plus many radio sessions for their great supporter Peel – more than any other band bar The Fall. They also regularly toured the UK and Northern Europe, as headliners and supporting acts as diverse as Bo Diddley and Nico.
In the late Eighties the Nightingales stopped working but, following the occasional gig between times, they re-grouped in 2004, with Lloyd being joined by original Prefects guitarist Alan Apperley.
After fucking about with various wastrels, precious sorts and mercenaries the group arrived at it’s current line up, which features Lloyd, Apperley, Andreas Schmid (Faust Studio engineer) on bass, ex Violet Violet drummer Fliss Kitson and guitarist Matt Wood.
Since restarting the group have been more productive than ever – releasing five 7″ vinyl singles and three studio albums (Plus two live ‘bootleg’ albums), touring England, mainland Europe and USA numerous times, recording many radio sessions along the way. They have been invited to play various festivals in Europe and the States, including Glastonbury and SXSW. Their “Let’s Think About Living” 45 was ‘Single Of The Week’ on BBC 6 Music and they have continued to receive regular rave reviews for their records and live shows.
In 2008 the band recorded “Insult to Injury” produced by Hans Joachim Irmler of krautrock legends Faust which was released in 2009 on Irmler’s Klangbad label and “The Lost Plot”, an Irmler produced 10″ EP was released to coincide with the band’s Euro tours in 2011.
“No Love Lost” the new Nightingales album – their finest yet and first for Cooking Vinyl – was also recorded at Faust Studio in Germany but this time self produced and will be released in April 2012.
The group will be touring the UK in May, followed by dates in Europe, a bunch of festivalsduring the Summer and another U.S tour later in the year.
In addition to the group’s own activity there is a Nightingales ‘tribute’ album planned featuring ‘Gales covers by punk and post punk legends (Raincoats, Mekons, Subway Sect, others), young contemporary bands (Art Brut, Lovely Eggs, others), stand up comedians (Stewart Lee, Phill Jupitus) and academic/author Greil Marcus.
from Southbank web site:
Birmingham’s indomitable punk survivors fuse Beefheart licks and pulverising rhythms with a strangely sensitive cynicism, and arrive at Southbank Centre in advance of imminent National Treasure status. ‘One day their excellence will be confirmed, as other, infinitely better known, bands stand revealed as charlatans.’ (John Peel on The Nightingales)
small selection of recent press:
Nothing could have prepared for the astonishing revelation of Robert Lloyd’s Nightingales… The cumulative effect is one of euphoric delight, of old knowledge in the hands of new disciples. “Dig the depth of the furrow of mirth that I can plough,” sings Lloyd on The Overreactor. Tonight The Nightingales hit an epic new low. Catch them when they’re at it again – MOJO, UK
The Nightingales have always been simply a great rock ‘n’ roll band and 32 years on they’re right at the top of their game – THE STOOL PIGEON, UK
The Nightingales – they’re back and they’re marvellous – MARC RILEY/BBC 6 MUSIC, UK
Nightingales are unreal. The level of playing and songwriting after their post-punk hiatus is unparalled by any of their generational comeback cohorts – TERRE T/WFMU, USA
With The Fall getting Lifetime Achievement awards and Gang Of Four canonised it is long past time the wayward genius of Robert Lloyd and his cohorts was recognised – RECORD COLLECTOR, UK
Rock & Roll at its best – SUDDEUTSCHE ZEITUNG, GERMANY
Consistently excellent, the Nightingales are back, as ferociously sardonic as ever. Nice to see them still mad, still funny, still wrecking the furniture after all these years. – DUSTED, USA
Shows just how poor these skinny jeaned little shits currently doing the rounds really are. – TASTY, UK
The Nightingales in Southend on Friday jetted in to my top ten gigs of all time – PHILL JUPITUS/BBC 6 MUSIC, UK
Forget all these NME Band of the Week types, who make out they don’t care, they won’t compromise, etc, whilst wearing the same indie uniform and churning out the same tired old riffs. They don’t need your attention. The Nightingales do. Because rock ‘n’ roll rarely gets as uncompromising as this – PLASTELIN, SERBIA
The Nightingales revisited their past and offered up the future. Still stunningly relevant – LONDON EVENING STANDARD, UK
The Nightingales subjugate a rapt and breathless audience with a performance of sinewy magnificence – DAILY TELEGRAPH, UK
Tuesday night at the Cake Shop in NYC. One of the best shows I’ve seen in years. Jangly, angsty, angular, punk, post-punk, just rock and roll, whatever, they destroyed – DAN SELZER/ILXOR, USA
The Nightingales have been responsible for some of the most genuinely innovative minority music of the past three decades. – THE QUIETUS, UK
They sound wired, edgy, boozy and as dangerous as ever, like a new band full of that energy that comes with those first moves and not a band who’ve been doing this since the start of punk. Robert Lloyd really shouldn’t be this good after all these years, should he? – THE ORGAN, UK
Boozy and deranged, Insult to Injury is how the new Franz record ought to sound – VICE, UK
This is a living, breathing beast of an album – ARTROCKER MAGAZINE, UK
This is their fiercest, most lacerating album yet, better by a good margin than the mid-1980s Pigs on Purpose…and that was excellent – BLURT, USA
Their freshest and most subtly intoxicating work to date – OBSERVER MUSIC MONTHLY, UK
The new album from the ‘Gales is their finest for 27 years. Start here and work backwards – SUNDAY TIMES, UK
Unlovable as ever. The Nightingales remain hard work for precious little gain – MOJO, UK
“The new album by Nightingales is brilliant. One of the fiercest and most exhilarating rock records I’ve heard in ages.” Andrew Male, MOJO
Nightingales ‘No Love Lost’ cd/dd – Cooking Vinyl – Released April 30th 2012 – Press Report March 30th 2012
Marc Riley played ‘Dishwater Kid’ on Wednesday 28th March
BBC6Music – Marc Riley played ‘The Burster’ on Thursday 22nd March
BBC 6Music – Marc Riley played ‘Best of British Luck’ on 8th,13th and 19th March
Resonance FM – (London) Artrocker Radio – played ‘Ace of Hearts’ on 19th March
Buy Nightingales CDs and more here: http://stores.ebay.co.uk/Iron-Man-Shop
Buy Nightingales and Ted Chippington stuff here
April 4, 2012
Seth Faergolzia (from the band Dufus) is heading over to Germany, Switzerland, Austria, Bulgaria, Italy and perhaps a couple other countries this May promoting a new album called “Tin Wood Soldier”
Seth Faergolzia returns to Music World Radio – Free Podcast preview:
April 28 Bugjar, Rochester [European Tour Send-Off and CD Release Party]
May 1 Darmstadt, Germany -Oetinger Villa w/The Mole
May 2 Köln, Gernany – Wohngemeinschaft
May 4 TBA- Leipzig, Germany
May 5 Offenburg, Germany – Spitalkeller
May 6 Berlin, Germany – Schokoladen
May 7 Hannover, Germany – Sing Sing
May 8 Halle/Saale, Germany – Objekt 5
May 9 Vienna, Austria – Rhiz
May 10 Bregenz, Austria – Plattenhahn
May 11 Innsbruck, Austria – Bäckerei
May 12 Nyon, Switzerland – Noviodunum
May 13 Morges, Switzerland – Couvaloup
May 17 Veliko Turnovo, Bulgaria
May 18 Blagoevgrad, Bulgaria – TBA (Bulgarian National Radio)
May 19 Sofia, Bulgaria – The Red House Center for Culture and Debate
May 20 (dom), Italy – A venue by the Adriatic Sea
May 21 Bolzano, Italy – TBA
May 22 Italy – TBA
May 23 Rome, Italy – Fanfulla
May 24 Italy – TBA
May 25 Vasto, Italy – Beat Cafe
May 26 Cassino, Italy (sab) – Nuove Officine
GERMANY SUMMER TOUR
August 3 Bad Doberan, Germany – Zappanale Festival
August 4 Wrendenhagen, Germany – Scheune
August 5 Trittau, Germany – Alter Bahnhof
More dates TBA!!!
Buy Dufus CDs here: http://stores.ebay.co.uk/Iron-Man-Shop
Seth Faergolzia and the 23 Psaegz will be releasing their debut CD on April 28, 2012. Seth will then be touring Europe three times in 2012 and is also making plans for a US tour. He will be traveling to Germany, Austria, Switzerland, France, Bulgaria, Italy, and the UK, including performances at the Zappanale Festival in Germany and the End of the Road Festival in the UK.
Founded by Seth in 2010 as the successor to his world-renowned 13-year project, Dufus, Seth Faergolzia and the 23 Psaegz carry on the warm, weird legacy by stretching the boundaries of musical experience with craze and care unmatched. The group originally gathered with the intention of performing Seth’s 23 Psaegz stream of consciousness puppet rock opera, and has since also become a collaborative backing for his complex web of musical delight. Front man Faergolzia brings his one-man-band skills (mastering simultaneously the guitar, glockenspiel, kick drum, and vocal antics) to a new apex of musical sagacity, as he leads the 23 Psaegz odd.
23 Psaegz pl. n. *say-jezz* An extensive, boisterous musical composition, derived from the 23 pages of Seth’s streaming mind waves
Seth conducts his rollicking 15-folk-grand orchestra with a “glock” mallet, booming kick pedal, frolicsome guitar, and far-reaching vocals. Designed with five moving parts, 23 Psaegz ignites a most profoundly human machine, a musical organism with propellers that blast whirls of free-thought, frequencies that both cut close to the bone and hug the heart; a true masterwork. Seth’s keen ear for harmony deftly channels the energies and talents of the human voice, flute, tuba, trumpet, violin, guitars, bass, piano and found and salvaged metal percussion. With the precision and release of flight, melodic instruments melt sweet cream harmonies with the bass section, lead and vocal choir, then muscle up with brain circuit cranking dissonance. The playful and seriously probing expanse of 23 Psaegz is kaleidoscopic-divine New Orleans marching band meets Peter & the Wolf in outer space. This intense conflation of lyrical imagery and sonic wonder is music to submerge in.
Seth & the Psaegz concoct music which remains outside the scope of particular genre-labels or classification. With their harmonic subtlety, poetically experimental lyricism, quirked-out energy, and of course, Seth’s soaring, roaring gurgling, whip-crack-acrobatic vocals, each Psaegz performance lovingly unweaves time, revealing moments honest & organic in their exploration of possibility. Spontaneously fusing performers with audience, Psaegz mingle into the crowd in fits of wild dance to Seth’s iPod-karaoke hip-jump samplegasms. They’re reshaping and reinventing musical forms to create new, relevant gestures forward. Whether a whistle-driven dirge, foot-stomping fable, or inspired improvisation, these are not songs that will attract only a novel-shock-response, but a growing body of music so dynamic and full, it can be approached with new ears every time: outlandish, wise, and fool-hearted. Copied by many, equalled by none.
If you’d like to help out with booking a date for any of these tours, please write… email@example.com