The only way to support a revolution…..

December 23, 2016

Looking back on this year, Iron Man Records has had an interesting one. Three recurring themes emerged.

“The only way to support a revolution is to make your own” — Abbie Hoffman, Woodstock Nation.

“Reality is not enough; we need nonsense too. Drifting into a world of fantasy is not an escape from reality but a significant education about the nature of life.” Edmund Miller, Lewis Carroll Observed

“It’s dangerous to understand new things too quickly” — Josiah Warren, True Civilization

Make of that what you will. Some of the significant things that happened this year included:

Seth Faergolzia of Dufus brought his new band Multibird to Europe on Tour.

John Sinclair published a book called It’s All Good: A John Sinclair Reader.  Stories of tragedy and triumph that will take you on a trip through the Wonder Years with music lyrics and poetry. Stuart Maconie’s Freak Zone attempted to find out how to live a psychedelic life with the poet and activist John Sinclair as BBC Music’s My Generation celebrated the 1960s.

Dr Marshmallow Cubicle – Occupy was released on Iron Man Records, 23rd April, 2016.

In the early hours of 10th April 2016, Howard Marks died peacefully in his sleep. Iron Man Records had the pleasure of meeting, working with and listening to Howard Marks. He really was exactly as you would hope: A truly decent bloke, funny, humble and just Mr Nice. His life and work will live on…..“You might control a lot of things Drugs Tsar, but you’ll never control my mind…..” Howard Marks from the song Let Me Grow More Weed he recorded with P.A.I.N

Robert Anton Wilson meets Steve “Fly Agaric” Pratt was released on Iron Man Records, 23rd June, 2016

The entire Iron Man Records music catalogue was made available on Bandcamp. To start with all releases are £5 or you can Stream the releases and listen for free. All Releases are available on most of the download and streaming platforms already but for those of you who want an alternative to Apple Music, Spotify, Amazon, Google, Youtube, Facebook and all the other main providers, Bandcamp seems good.

Some people wonder what on earth I do for a living. Well, I earn money working as a Tour Manager and I spend all of it keeping Iron Man Records going. I spend the rest of my time trying to stay sane, despite serious provocation from people who are totally convinced or totally stupid, and often both at the same time. Have a read and make up your own mind: Back In Five Years  and My life is a pile of receipts in a deserted restaurant on a cross channel ferry

Simon Reeves at Framework Studio spent three days recording Oliver Senton reading Cosmic Trigger 1 by Robert Anton Wilson for a forthcoming audio book. Iron Man Records somehow managed to neglect it’s responsibilities to The Cosmic Trigger play but was happy to help see Oliver Senton looked after during these recordings.

Test pressings arrived for John Sinclair – Beatnik Youth Ambient which includes a beautiful recording of Howard Marks’ last lost words called War On Drugs with an ambient soundscape masterpiece from Youth…and also Police Bastard – Confined. Both records will be released in 2017.

But these things wouldn’t have happened without the money burning antics of Iron Man Records Patrons and people like you supporting the madness and getting involved.

Iron Man Records has ambitious plans to make a big impact in 2017. And with Patrons helping out, I feel positive we can make a big change. I guarantee there will be no funding appplications, no idiotic culture bids, no creative consultants, no government, business or arts advice types involved. Just you, me, musicians, madness and music.

If you want to contribute, have a look in the shop before you go: http://ironmanrecords.bigcartel.com

Thanks again for all your support and have a fun Christmas.

Cheers Mark

This Week: Total Assault On The Culture

September 24, 2016

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Bandcamp
Work has started on uploading the Iron Man Records Catalogue on Bandcamp. To start with all releases will be available for £5 or you can Stream the releases and listen for free. All Releases are available on most of the download and streaming platforms already but for those of you who want an alternative to Apple Music, Spotify, Amazon, Google, Youtube, Facebook and all the other main providers, Bandcamp seems good.

Back In Five Years:
Some people wonder what on earth I do for a living. Well, I earn money working as a Tour Manager. I spend all the money I earn trying to keep Iron Man Records going. Here’s a life in a couple of weeks:

Support Insanity A6 Postcard No Marks
Become A Patron
If you want to contribute to the work of Iron Man Records, here’s How To Burn Money – Become A Patron of Iron Man Records

Cosmic Trigger
Steve Fly and Simon Reeves start work on post production this week. Simon spent three days last week recording Oliver Senton reading Cosmic Trigger 1 by Robert Anton Wilson. Here’s a picture of Simon and Oliver at Framework Studio, Birmingham, on completion of the great work.

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Framework Recording Studios, Birmingham.
Framework Studios has worked with Napalm Death, Carcass, Cathedral, Meathook Seed, P.J.Harvey, Ride, Family Cat and other acts including Piss On Authority, Police Bastard, Spirit Bomb, Drongos For Europe, Selfless, Cerebral Fix and more. Telephone Simon (UK+44) 07790 158210 or email siframework@gmail.com

Vinyl Test Pressings:
I’m waiting on test pressings of John Sinclair – Beatnik Youth Ambient to arrive and also test pressings of Police Bastard – Confined. Exciting times.

Pre-order John Sinclair – Beatnik Youth Ambient on VINYL
LP-3.5mmSPINE_GZ.qxd
You can pre-order the Vinyl, Double CD and T-shirt here:  http://ironmanrecords.bigcartel.com/artist/john-sinclair

All Press enquiries to Sean Newsham : sean@mutante-inc.demon.co.uk
Catalogue Number: IMB6033
Release date: April 2017
Label: Iron Man Records
Distribution: Cargo

Side A
Do It (6:16) Recitation – John Sinclair, Music – Youth, Mix – Youth and Michael Rendall
Brilliant Corners (11.29) Recitation – John Sinclair, Produced by Youth

Side B
War On Drugs (6:18) Recitation – Howard Marks, Music – Youth, Mix – Youth and Michael Rendall
Sitarrrtha (9:19) Recitation – John Sinclair, Produced by Youth

John Sinclair, the renegade poet, scholar and cultural revolutionary releases “Beatnik Youth Ambient” on Iron Man Records. The record is over 30 minutes of ambient, chill out music from the restless creative mind of Youth with some fine spoken word and poetry delivered by John Sinclair.

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today continues his work for cultural transformation.

Youth is one of the UK’s most influential producers and has been honoured, this year, with an Outstanding Contribution Award by the Music Producers Guild. His career spans more than 30 years and is one of the UK’s most consistent, credible and influential producers, Youth has also hand drawn the beautiful cover artwork.

The record features 4 ambient tracks including 2 tracks completed in late 2015. Do it and War on Drugs were composed and produced by Youth with words By John Sinclair and Howard Marks. John Sinclair presents some illuminating words of wisdom on the life of the artist in the opening track Do It, while Howard Marks delivers some lost last words in War on Drugs on side B.

The Mood is maintained by 2 extra ambient tracks taken from the Beatnik Youth album simultaneously released by Iron Man Records on Double CD. The free-form cinematic Brilliant Corners is a homage to Kerouac, Ginsberg and Burroughs and the smokily atmospheric Sitarrtha reflects on the work of John Coltrane. The record is a smoker’s dream with the 4 ambient tracks clocking in at just over 30 minutes.

From Detroit to New Orleans and from Los Angeles to Amsterdam, John Sinclair is still the king-size, psychedelic old-gangster poet, a living legend, a veteran of the counterculture, a survivor of the Marijuana Wars, and one of the last bohemians still standing. As a co-founder of the Detroit underground newspaper The Fifth Estate, manager of MC5, and Chairman of the White Panther Party described on Wikipedia in these modern times as a far-left, anti-racist, white American political collective founded in 1968 and dedicated to cultural revolution his mark on the boho rock & roll underground has been unique.

In 1969, with Richard Nixon in the White House, Vietnam in chaos in the wake of the Viet Congs near-suicidal Tet Offensive, and American cities still scared and scarred from urban riots, even the comparatively harmless agitprop pranks of White Panther cultural revolution had those in power reaching for their metaphoric and sometimes actual revolvers. Authorities remembered how John had organized the MC5 playing outside the 1968 Democratic National Convention in Chicago, the only band actually able to perform before Mayor Daley’s rabid police department violently derailed the massive anti-Vietnam war rally with teargas, billy clubs, and helicopter support.

John was deemed a danger to society and set up like a bowling pin. After handing a couple of joints to a hassling hippie who turned out to be an undercover narcotics agent, John found himself on the bad end of a ten year jail term. At the same time though he became a cause celebre. Free John Sinclair became one more battle cry in an embattled era. Protests, propaganda, and a giant concert in Ann Arbor headlined by John Lennon and Yoko Ono ultimately resulted in John s release in November 1971. Lennon even wrote a song about him called ‘John Sinclair’ which he included on his
‘Sometime In New York City’ album.

In common with much that happens with John, a meeting with producer Youth (Paul McCartneys ‘Fireman’, Primal Scream, The Verve etc & Killing Joke bass player) that sowed the creative seeds was a matter of stoned synchronicity. As former Track Records boss Ian Grant tells it, Alan Clayton told me he had John Sinclair coming round tomorrow. I said “The John Sinclair?” One night Zodiac (Mindwarp) was on the bill with the Dirty Strangers and Youth was very taken with John. “I want to make a jazz album with John” he said. Since then, the two met at Youths house whenever he was home, and when John was in the country, and recorded the album.

And through the course of those recordings John, always so associated with the 1960s, took a serious step into the ways of the 21st century, with the same intoned poetry, but with melodic backing vocals, highly inventive production, even a nod to hip-hop, but still remembering his first loves of blues, be-bop, and classic rock & roll.

Beatnik Youth Ambient is one more step in the Big Chief’s long zigzag trip that seems set to continue all the way to the far blue horizon. Summing up John Sinclair, you can only say with certainty that the beatnik goes on.

Robert Anton Wilson meets Steve “Fly Agaric” Pratt

June 15, 2016

Robert Anton Wilson - Meets Steve "Fly Agaric" Pratt 1600 x 1600

WORDS: Robert Anton Wilson and Steve ‘Fly Agaric 23’ Pratt

MUSIC: Steve Fly, Tim Egmond, Martin ‘Youth’ Glover, Rick Rasa, Hagbard Celine, Garaj Mahal.

ARTWORK: CHU

PRODUCED BY: Mark Sampson and Steve Fly Pratt

MASTERED BY: Simon Reeves at Framework Studios, Birmingham

RELEASED on IRON MAN RECORDS June 23rd 2016.

Special thanks to: Robert Anton Wilson, Christina Pearson, Rick Rasa, Chu, Mark Sampson, Kai Eckhardt, Matt Black, Martin ‘Youth’ Glover, Paul Krassner, John Sinclair, Tim Egmond, Toby Philpott, Prop Anon, Nick Larson, Caleb Selah, Pete Maybe, Jenni Vyskocil, Faustin Bray, Bob Tesch, Lance Bauscher, Jack Sarfatti, Nigel Blunt, UB40, Robin Johnson, Tom Jackson, Raymond Wiley, Daisy Eris Campbell, Janne Svensson, Gregory James, Ben Kappel, Brien Harvey, the Maybe Logic Academy staff and students.

While getting firmly hooked on the series of Cosmic Trigger books during the mid 1990s, I literally dreamed of meeting the mysterious author, Dr Robert Anton Wilson. He was an early anarchist hero to me, a truly free man, and he remains one of the funniest scientific philosophers of all time. And yet, he, and his great works remain underground for the most part, bubbling away beneath the surface, patiently awaiting rediscovery and reenactment by brave new readers from next generations and with fresh interpretations. I hope this recording can introduce his ideas to at least one such reader. We need to act on his wisdom now!

After an auspicious solar eclipse experience in August, and a house fire in December moments before the millennium fever of 1999 went into overdrive, i had a rare moment of clarity, and decided to sell my prized turntables and scrape the money together for a ticket to go and see this guy for myself. Only six days after the sad passing of Terence Mckenna, i set off to New York where i next caught the Greyhound bus to New mexico, and my destination, the so called the ‘Prophets Conference’ only two days before my 24th birthday.

Little did i know that RAW had fallen ill that week due in part to his post polio syndrome, together with the grief of losing his lifelong companion, writer and activist Arlen Riley Wilson. The announcer at the conference informed the crowd Bob would not make it, and i went into an altered state of total shock awareness. 

 After the conference was over i straddled that Greyhound up to San Francisco and fell in awe of the San Francisco bay area. I hung out at Wired Magazine radio station, worked for Sound Photo Synthesis, jammed on turntables with jam jazz super group Garaj Mahal. Plus i met Dr John Lilly, Jack Sarfatti, Saul Paul Sirag, and some other friends and associates of RAW, all  seemingly by happy coincidence most of them were presenting at the Guilding The Lilly event at 3220 Sacremento street.

PROPHETS CON

When my visa time limit came up, unlike Columbus, I returned to the UK. One memorable summer day in 2000 i received an email from the Prophets Conference asking if i would like to be a carer for Bob during his next lecture in Palm Springs, 16-18th December 2000. I eagerly responded ‘yes’ and started to save up my dole money.

Bob’s fine lecture at Palm Springs can be viewed on youtube and you can hear him say at one point “I had a Manhattan with my lunch” which i purchased for him when sat together with Paul Krassner and his wife Nancy before his show. This may have led to him using slightly more taboo words than usual, which became part of the reason why the conference wrote him a letter explaining that they had received complaints about his language! and were unwilling to invite him to any more conferences, unless he more or less cleaned up his act. For fucks sake.

 Bob writes about this in his book T.S.O.G: The Thing That Ate The Constitution. I was sacked from the Prophets Conference a few months before Bob. My crime was much less punk rock, i failed to get Bob to the stage with adequate time to spare before he was scheduled to speak, which set a few people panicking and resulted in the boss lady of the conference screaming at me in front of Bob.

After his lecture, Bob gestured me over and invited me up to his room to conduct an interview, which i hinted at earlier. This was partly due, i think, to the fact that he saw how badly i was disgraced earlier and so took a little pity on me. I gifted Bob with a copy of the “The Stargate Conspiracy”, a pretty lame book in retrospect, but a text i figured he should take a look at as he had a few mentions in it, along with almost everybody else at the fringes of paranormal and psychic research in the 1970s.

I offered Bob some dried mushrooms picked at my local spot called Wychbury Hill. He gracefully passed on them with a kind smile and nod. They didn’t go to waste though, years later while reading an article by Richard Metzger (Dangerous Minds) who visited Bob’s room shortly after my interview–i discovered Richard ate the shrooms’ and reported that they were good and strong. Success. His friend Alex Burns, also from Disinformation, managed to get us all super high with some High Times Cannabis Cup winning weed, named William’s Wonder.

CAPITOLA

I pressed the button for the apartment number Bob had sent and waited, and waited…and after what seemed like an eternity i heard the crackle of the intercom and a familiar voice “yes”.

“It’s fly agaric, erm’, i was in touch with you by email about coming down to visit”. After another long pause he said “So…do you wanna’ come in then?” “Yeah, sure” i said, and he buzzed open the steel gate. I walked around the small inner garden area, up some steps to the front door which was already ajar. I stepped through the door.

Once through I slipped my shoes off and walked past his study on the right, and his small library area to the left. He was sitting on a couch, next to some large sliding doors, with a fresh clear view looking out over the Monterey bay. “Hi Bob, thanks for having me over.”

“Would you be so kind as to grab me a coffee, it’s in the pot” he said. “Sure”. I fetched a mug, which had a quote from Hannibal Lecter printed on it, filled it with black coffee and set it down on the table, sitting opposite Bob. “Thanks, fly. So, you’re going to make a recording right?” he asked. “yeah, if that’s cool with you.” I unpacked my minidisc recorder, and set up the microphone on the table.

The apartment reflected a humble man, with moderate furnishings, a couch, two chairs, a television set, stereo, coffee table and a dresser decorated in what looked to me like traditional Japanese artefacts. There were framed pictures hanging up and ornaments that indicated this really was Bob’s residence. On my way out I recall seeing a certificate from a UFO convention, plus I’ll never forget the cute Loch Ness monster ornament laying out on top of the cable box, which at one point during the interview he politely asked me to straighten out for him.

We had two smoke breaks out on the balcony, where i kissed the sky with a specially rolled up bomber. Bob passed my offer due to already feeling high as a mountain goat on his marijuana brownies, which he consumed for medical purposes to help relieve the pain from post polio syndrome. It would be fair to say we were both pretty high and cheerful. I went the whole nine yards and cracked open a four pack of guinness, which was probably a mistake due to the slight fogging of my memory caused by the alcohol.

Bob talked and talked, weaving his unique prose to my unrehearsed questions, turning them into delightful examples of his unique mind at play. He mixed hilarious tales with some serious facts and produced his unmistakable discordian dance of delicate metaphors. There were times when my mouth opened and nothing came out, due to my processing what he had previously said. I had to remain mindful not to interrupt or talk over him, which i’m prone to do at times. There seems nothing worse to me than an interviewer who can’t listen, and sings the eternal song of “I”.

The audio interview is regrettably only the first half of the full recording, the other half of which remains lost in an ocean of badly indexed minidiscs. Fortunately, i made a transcription of the full recording, which was published at the Maybe Logic Quarterly magazine in 2008. However during the interview my disc space ran out, but we carried on talking for at least another 45 minutes. Hence my regret at getting half drunk. Some of the subject matter i recall from that chat included Saul Paul Sirag, Jack Sarfatti, Paul Krassner, David Bohm and the Physics Consciousness Research Institute. He commented at length on 9/11 describing a friends experiences in New York, and the high weirdness that day, and the days that followed. I talked about some of my musical projects, about Garaj Mahal, graffiti art, Ninjatune and my fascination with jazz and synchronicities connected to the music John Coltrane.

Robert Anton Wilson Meets Steve Fly

I was made to feel welcome during the 3-4 hour visit, and Bob did not whinge or complain once. I only felt him get slightly agitated during the interview after i blindly asked him a series of four readymade questions from somebody else, the last of which was “how do you plan to take physical action?” which, when i said it, sounded rather inappropriate for a man suffering from post polio syndrome most his life, and who uses a wheelchair to get around. It hit a small nerve, he coughed and raised his voice a little “I don’t mean to ball you out but, it’s just that i hear that kind of question a lot.” He went on to describe how he attends protests and gatherings when he can get a ride there, and contributes to Amnesty International.

In 2015 I was digging for a minidisc of DJ Fly material for use on my Fly By Night radio shows, produced for Radio Free Amsterdam. While sifting through the discs I noticed one with writing in light pencil that read: R.A.W 10th September 2002. I popped it into the player, and to my delight it was the first half of the interview. I edited and boosted the sound files to the best of my ability, and added a selection of music from friends and past collaborators, resulting in what you hear right here.

I uploaded two short excerpts from the interview to my Soundcloud account and was planning to release the other parts when a friend, Mark Sampson of Iron Man Records, stepped up. In March 2016 Mark kindly offered to master the audio and release it on his independent record label Iron Man Records. So the circle is complete and I hope you enjoy the words and music. Long live the optimists.

– Steve Fly, June 2016

TC Lethbridge – Neo-Psychedelic rock troupe missing for 23 years by Guy Hirst

September 4, 2015

TC Lethbridge - 2000 TC book by John Higgs

Made up of two long standing members of space rock pioneers Spiritualized (Doggen, Bales) and named after the radical archaeologist turned occultist T.C. Lethbridge, the band return with three re-issues of their self-released albums recorded in the early nineties: Moon Equipped, Mina and 2000 TC – released November 23rd 2014 via Iron Man Records.

T.C Lethbridge is Kevin Bales, Tony Doggen Foster and Flinton Chalk.

TC Lethbridge - 2000 TC, Mina and Moon Equipped released 23rd November 2014 on Iron Man Records

The re-issues promoted their first public performance in 23 years last November at Liverpool’s Cosmic Trigger Festival, a theatrical production and continuation of the Illuminatus Trilogy – a satirical story of drugs, sex, magic and conspiracy theories – which was originally adapted to stage by legendary English writer and director Ken Campbell.

T.C. Lethbridge’s performance at Cosmic Trigger was a tribute to the late-great psychedelic evangelist Brian Barritt (cohort of LSD advocate Timothy Leary) who appears in the Cosmic Trigger book and had recorded with the band at Avebury stone circle during the making of 2000TC. Barritt also features on the track “Bou Saada” on the album and Flinton Chalk had previously collaborated with Barritt exploring the trance-inducing frequencies of Neolithic burial tombs – a main theme that runs throughout their music. In Brian Barritt’s words the group are exploring “Automatic writing on a sacred landscape.”

You can explore their music by listening to 2000TC here:

Author John Higgs has written a biography of T.C Lethbridge entitled “2000TC – Standing on the verge of Getting It On” and said:

“Spending a few months writing a biography of a band who have yet to show their faces in public was not the most career-minded way to spend my time, but it had to be done. This is a story about people who’ve had some form of visionary or incomprehensible experience, and about how they can only move on and process what happened to them through a creative act. It is about the impact an uncompleted artistic project can have on a life. It also functions as a jigsaw piece, connecting the story in my Timothy Leary book to the one I tell in The KLF. So, yeah, it had to be written.”

‘2000TC’ was recorded 1994 John Stewart Hall, Melbourne House, The Henge Shop, Avebury, 4 Track cassette, digitally remastered by John Davies 2014. You can buy 2000TC here

All re-issued TC Lethbridge albums can be found here

T.C. Lethbridge website: http://www.tclethbridge.com

– written by Guy Hirst 2015

John Higgs – “Stranger than we can imagine: Making Sense of The Twentieth Century” Book Launch

August 19, 2015

Friday 28th Aug 2015 - An evening with John Higgs and Guests

Friday 28th Aug 2015

An evening with John Higgs and Guests

Heavenly Social presents an evening with John Higgs and Guests

To celebrate the publication of his new book

Stranger Than We Can Imagine:

Making Sense of The Twentieth Century

Friday 28th August

7pm-1am

Free

The Social, 5 Little Portland Street, W1W 7JD

Nearest Tube Oxford Circus

The Social.com

If it’s not impossible, it’s not worth doing…..Find the others. Go to The Adelphi.

July 7, 2015

photo-44

Adelphi is a Greek word meaning “brothers” (a + delphi, literally “of the same womb”)

Many thoughts pass through your mind when you do enough driving, few of them make any sense. I take a lot of bands to a lot of gigs, it’s what I do for money these days. Sometimes it can be hard not to pull the van over, drag everyone out on the motorway hard shoulder and tell them to “Stop living out of the asshole of your belief system and kick out the jams motherfucker!” In other words, shut up and play the music, or stop blaming everyone else and learn to get on with it. We all need each other in order to survive in this business, even if we don’t like that idea. Write, rehearse, record, perform. Everyone you meet has a piece in the puzzle. It’s your job to work out which piece. It’s not as simple as this one or that one, and I try not to live in the “A,” “not A” world, but if you drive long enough, you have to engage it in some sense. If you are in a band you have to learn the world can be more complex than just “A, Not A” and you have to read the signs too. You can never have enough confusion. Let me explain.

It can start with a simple set of roadsigns that flash past in a moment. Turn left for the Crematorium, turn right for the A30m. I’ll take the A30 for now. If you have ever been to Munich in Germany, there’s a T-junction on the way out of town. The sign at the T-junction reads Dachau to the right, or McDonalds to the left. Which way to the gig?

Using a Sat Nav can help you avoid the endless stream of reassuring roadside bill board images that seek to distract and divert but you still have to read the signs. You may find yourself at the mercy of the cult of yellow signs that seek to subvert your journey with irrational routes to a land that time and space has forgotten. You could end up at Thurrock Services one mad March morning and find yourself driving for 25 hours round the M25 with Gimpo jumping around in the back shouting “Tim! Tim! You’ve missed the turning!” To find your way you will need to read the signs. Timothy Leary said that “Everyone has a piece of the puzzle” and once you’ve turned on, tuned in and dropped out….your next task is to “Find The Others.” What happens next is up to you.

Turning on the TV in 1992, I watched with interest as one of my favourite bands of the previous 5 years, The KLF performed a song called “3am Eternal” backed by Extreme Noise Terror. The show ended with the audience being machine gunned. As the KLF left the music business, I decided to start organising gigs in Birmingham, which is where I was living at the time.

I had no money, no idea and made a start right away. As one things ends, so another must start. If Ken Campbell taught one thing that has resonated with me, he demonstrated the importance of picking up a phone and asking the question. “If it’s not impossible, it’s not worth doing.” I may not have had money or experience, but I did have access to a phone.

1992 was as good a time as any to start a music project if you discount the impact of the end of all music genres in 1994, the arrival of the internet, the cult of amateur, mobile phones and the end of all physical product. But I digress, thats not what I’m planning on discussing here. As Bill and Jimmy of The KLF moved on to other things in their own way, they set a clear benchmark for popular music, they also nailed the coffin lid shut on it too. Get in, go all the way, get out. Don’t over think it, keep it simple and don’t stick around once you have reached the top of your game. But the game’s over. Know when it’s time to leave. Understand what you’re starting. You can learn the rules to break them properly, but be prepared to embrace the contradictions. I have to agree that “It’s what you know, not who you know…..that matters.” To others you can appear mad, but that doesn’t mean you’re wrong.

I sometimes wonder how Hunter S. Thompson knew so much about so many things ahead of so many others. His work is almost a user manual, but that is another story.

Nearly 23 years later, I found myself driving a long wheel base VW Crafter from DYC Touring across London. It was the 1st of May 2015. If you are into your numbers then that is an interesting date. In the back was an amazing singer and songwriter called Eska, and her band. I was taking them to a gig and the traffic was heavy like any day in central London. As I turned to cross a bridge that has the HQ of MI5 on one side, and The Houses of Parliament on the other, Bill Drummond passed me on the inside in his land rover. In a moment I considered the five years of KLF, the Brit award from 1992 being buried somewhere near Stonehenge, the concepts of pop bands only living 5 years with everything provided before being executed by their successors live onstage, the idea that many artists produce their greatest work early in their career then limp on for 25 years desperate to relive their former glories and so on. All of the late night discussions about art, music, politics, belief systems and nonsense seemed to pass through my head in an instant.

I followed Bill Drummond’s land rover onto the bridge and considered the idea that a lot of his work is inspired by impulse. I considered the situation I found myself in, and I had a terrible realisation: The date, timing and location of all of this appeared to me to be perfect for some sort of ritual killing, and the abrupt ending of Bill Drummond’s career. I could bulldoze his vehicle over the side of the bridge into the River Thames. I had this mad idea that the energy released by such an act would be absorbed by Eska, strapped in the back, who in turn would go on to fame and fortune with her own music. Eska would live and Bill Drummond and the rest would be forgotten or perhaps consigned to notes given to music industries skills students at a failing place of Academia somewhere.

But as I considered the whole idea in more detail I became horrified I should even think such a thing. Bill Drummond should live. It is not for me to choose someone else’s end. Perhaps Bill’s best work is yet to come, perhaps his best work has indeed been early on in his career, but more important than that, does it really matter to anyone other than me? You have to learn to let it all go. You are the master, you make the grass green in your own world, but that’s it. Stop there. As Robert Anton Wilson will tell you, “Never totally believe anyone else’s belief system, and never totally believe your own.”

I settled for entertaining myself by overtaking his landrover and forcing him to sit behind the van in a state of rage whilst Eska reclined in air conditioned comfort in the back. I took a picture as we sat at the lights. Who could have known what insane thoughts were going through my head. I had to live on from this point. No pushing landrovers off bridges. Stop living out of silly belief systems. Let Bill Drummond live. If he goes on to create his greatest work now, so what…..and if its another 25 years of clinging to the cliff of hope, trying to relive former glories, then you can blame yourself for having such stupid beliefs, sorry. It doesn’t matter. Let it go. We all have a piece of the puzzle. Work it out for yourself. We are all better alive in my short sighted view.

But don’t let everything go. In 2006 I was on tour with a band called Dufus and I found a piece in the puzzle. We went to the Adelphi in Hull. The band spent a pleasant evening at a gig organised by Paul Jackson. After sound check, Paul ordered some food from a local take away and invited the travelling group to take a seat in the back room. If you visit The Adelphi Club in Hull you must also visit the back room. There is a sign on the back wall and it reads: “Hull is Twinned with your darkest thought.” The sign is Bill Drummond’s work, not very pleasant, but still his work. To me, my darkest thought with regards to a place like The Adelphi has always been “Imagine if all music was funded by the state?” Imagine if only those with approved funding applications organised music projects in your home town? Imagine what shit they would pull to manufacture your consent for their project. Imagine what shit they would buy for themselves with the money, whilst making all the artists, creatives and volunteers they’ve recruited jump through endless hoops on their behalf. Understand, The state of music would become the music of the state.

Make no mistake, funding is for funding, not you. People get what they deserve. If you don’t seek interesting music out for yourself then your world will fill with the latest indie shit spreaders pushed by the latest batch of sales and marketing types on the payroll of some funding application. Dufus had a good gig at The Adelphi that night and no funding application was in sight, Paul was delighted and the people who bought tickets and listened to the show left with big grins on their faces. Anyone who goes to The Adelphi, or any place like it to listen to music, knows something you don’t. As Dick Lucas of Subhumans will tell you, “Life isn’t about computers, it’s about talking to people face to face.” There’s a whole world that goes on without computers or mobile phones in places like The Adelphi. But the Adelphi is in trouble and its my own suspicion that you are spending too much time online. What was that? You don’t agree? Try this: First person to check their phone pays for dinner. Paul is struggling to make ends meet, he is worn out from 30 or more years of back breaking work to support new music. The place could use a bar manager and some good bands who have already made a name for themselves to return and shine a light on the venue, its ethos and Paul who has run the place from the start. New music needs a champion and Paul has played that role for long enough. You know what has happened since John Peel passed away. Imagine a world without Paul Jackson to book your band when no one else will give you a stage? The Adelphi needs a champion now, several champions to be exact. So you know what to do. If you are in a good band or want to see some good bands, Go to the Adelphi. Time may be running out but you can reverse the situation by simply turning up. It’s not rocket science.

I’m working with John Sinclair at the moment, he’s a poet from Detroit. When asked on BBC radio what new bands he felt excited about, he replied “None.” When asked to explain why, John reasoned that most new bands these days were more interested in buying a fancy car than any form of social, political or cultural change. Think about that for a moment. Have you ever been to the Adelphi? I wonder what can be said of audiences these days? Anyone else reading this ever been to the Adelphi? John Sinclair was a former manager of MC5. I don’t need to go into the detail but if you know what MC5 are all about and what John Sinclair is all about, there are enough ideas to last any artist a lifetime. Its not about some funded project. Its not about buying fancy goods either. It’s not about the money, it’s about sending a message. You have to make the world you want to live in. You cant just hope for it or believe in it, or apply for funding to create it. You have to make it and you had better start today. MC5 are celebrating 50 years this year. Where have you been all this time? Have you learned nothing?

Which brings me back to Ken Campbell. “Don’t believe anything. Nothing which is the product of a human mind is a fitting subject for your belief. But, you can suppose anything. And you should. The act of supposing is mind expanding. Suppose flying saucers, fairies, god if you must. But, don’t believe it!” – Ken Campbell. Thats why artists are important. They give you the chance to suppose.

Sometimes I think that Artists should be left to live or die by the work they create. Creation demands destruction. But I also think that the trick is to create but not be destroyed by it. Paul Jackson and many who have frequented the Adelphi have witnessed many good people fall by the way and too many idiots seem to be telling you that they are in charge. The arts should not be funded but don’t believe that the arts can survive without you. You are in charge here, you are the master, you make the grass green. The arts do need to be supported, but not by the state, not by funding applications, not by any of that. It’s up to the artists, musicians, poets, creators and you. If the Adelphi is to survive then the Adelphi needs you. Through the works you create and the ideas you present and the friends you invite to come with you. Suppose anything. Do as you will. Create. The Adelphi needs artists, musicians, creators and an Audience, not some funding application that demands a box to be ticked or some administrative outcome. If the Adelphi is to live then we all need to “Stop living out of the asshole of our belief system and kick out the jams motherfucker!” These things don’t make themselves. Here’s the website: http://www.theadelphi.com If it’s not impossible, it’s not worth doing. Find the others. Go to The Adelphi.

If you know any good live bands, pick up a phone:

Manager/Booker/Promoter Paul Jackson

Paul Jackson
The New Adelphi Club
89 De Grey Street, Beverley Road
Hull, East Yorkshire
Kingston Upon Hull
HU5 2RU
Call +44 (0) 1482 348216

The Story of TC Lethbridge – 2000 TC: Standing on the verge of getting it on by John Higgs

January 8, 2015

Automatic writing in the sacred landscape. Established 1991.
TC Lethbridge - 2000 TC (Iron Man Records - 23rd Nov 2014)

TC Lethbridge – 2000 TC (Released by Iron Man Records – 23rd November 2014)

If you spend too much time in a state of mind which prevents normal perception, behaviour, or social interaction you might end up running a record label. Living life in a completely deluded state, generating massive debt for no apparent reason can be difficult to keep going for more than 17 years at a time but, it seems by some terrible mistake I’ve made it look relatively easy. But anyway, enough of that, I want to explain something.

I went to a meeting last year year, the back room of a pub, The George in Southwark actually. The pub is just a few minutes walk from The Shard in London. Gimpo worked on The Shard and if I was going to park anywhere, parking at the foot of the Shard endorsed his work. I’ve spent time, 25 hours at a time, in a van going round the M25 with Gimpo, and believe me, it’s an experience to be had. I was with Steve Fly, a writer, musician and someone who plays drums for the Detroit Poet, John Sinclair who used to manage MC5 and was a founder member of the White Panthers. Steve and John released Mohawk through Iron Man Records in March and I was interested to accompany Steve to the meeting. I wanted to listen in, and if necessary, endorse him as a potential Music Director for The Cosmic Trigger, a new stage play by Daisy Eris Campbell. Daisy is the daughter of Ken Campbell who staged the Illuminatus! in 1976. I was 5 years old when all of that was going on.

The meeting was interesting as I had never met Daisy before and had no idea what to expect. Michelle the production manager, who was sat opposite, seemed to be keen to find the right people to take on the task ahead and no one was thinking any of this was going to be easy. A lot of hard work was ahead. If Bill Drummond had gone out to get Araldite in 1976, never to return…I was sure that this new stage adaptation of Robert Anton Wilson’s book The Cosmic Trigger was not going to be any easier for anyone.

Robert Anton Wilson was an American author novelist, psychologist, essayist, editor, playwright, poet, futurist, civil libertarian and self-described agnostic mystic. I discovered Robert Anton Wilson by way of a band called The KLF and the various aliases from The Timelords, The Jams, The Justified Ancients of MU MU, to 2K and K Foundation. Magic Temple of Discordian Promotions gave me many of Robert Anton Wilson’s books as a present which I’ve read and sometimes re-read. Magick was also a big KLF fan and seemed to know more than me so we soon became good friends. Both Robert Anton Wilson and the discussions I had about his work with Magick gave me inspiration when organising gigs for bands in Birmingham, when signing on and eating the food in my housemate’s cupboard was about all I had. The last posting that Robert Anton Wilson put on his website said: “I look forward without dogmatic optimism but without dread. I love you all and I deeply implore you to keep the lasagna flying.” The whole concept of keeping the lasagne flying made sure I didn’t get any ideas like getting a job or doing anything sensible with my time. In fact, I only stopped organising gigs because the venue I worked at, The Old Railway, was scheduled to be bulldozed. But that’s an aside, someone else was at the meeting who I knew of but had never met. Flinton Chalk was sat across from me, he was the one who sold the old car to Jimmy Cauty which ended up being used in KLF music videos and was renamed Ford Timelord. Flinton had bought the car from a film studio and spent time with friends dressing up as a nun and driving around doing donuts in muddy fields in the middle of the night. You might be wondering where on earth all this is going. You see, as John Higgs will tell you, if you happen to run a record label and read his book The Brandy Of The Damned “This is the problem with doing weird things. If you behave like a reasonable person, then the world will be reasonable back. If you step outside of the norm, however, and act in freaky ways, then the world will match you step for step. ”

And this is how I ended up talking with Flinton about the car, dressing up as a transvestite pirate nun, Jimmy Cauty, KLF, Julian Cope, Tall Hats, Stones Circles, and his time living in Avebury. I used to live in Wiltshire so I know that part of the world pretty well. Judging by the number of times I had driven through Avebury late at night in the early 1990’s its a wonder I didn’t run Flinton down. Somehow we got on to 111hz which can wait for another time, and then to a serious story about his trip to Mothers Jam on Fyfield down near Avebury. A stone tried to dematerialise Flinton and Julian Cope on one of their outings to collect photos and detail for The Modern Antiquarian. Flinton also told me about his band TC Lethbridge, named after Thomas Charles Lethbridge, who was an English archaeologist, parapsychologist, and explorer.

Having spent every last penny for the last 17 years on a record label that few people have any interest in, or understanding of, I was in no mood to consider working with another band and certainly not one that hadn’t played a gig, or had been missing for 23 years with three unreleased albums. But, I have done many things over the years, sometimes for money, sometimes for free, and sometimes because insanity is a far more rational approach to a complex situation than trying to think things through properly. And that’s how I ended up agreeing to help TC Lethbridge until they found someone more suitable.

Sat next to me, Steve Fly had just been appointed Music Director for The Cosmic Trigger so the work was done. I didn’t get out of the building until I had also agreed to do whatever I could to help The Cosmic Trigger. What had started out in my mind as a meeting to endorse Steve and “listen in and learn,” ended up as “You don’t listen and you never learn.” And so it began. TC Lethbridge had found themselves a record label.

I drove back to Birmingham wondering if I would ever learn anything ever. But that was then, so here’s to the now.

John Higgs is the Author of ‘The KLF: Chaos, Magic and the Band who Burned A Million Pounds’ and ‘I Have America Surrounded: The Life of Timothy Leary’. John Also writes fiction (as JMR Higgs) including The Brandy of the Damned and The First Church on the Moon.

I’ve read John’s book on Timothy Leary and also his book on the KLF and The Brandy of The Damned. All of them are well worth the read, you can make your own mind up which one to read first but, before you consider any of those, I want to tell you about his latest work.
TC Lethbridge - 2000 TC book by John Higgs
John Higgs has written a book called 2000 TC: Standing on the Verge of Getting It On. The book is not for sale, it will be one of a private edition of 111 copies. Don’t ask. The answer will blow the right side of your brain.

2000 TC was written to mark The Cosmic Trigger play and festival performance in Liverpool. It is the story of TC Lethbridge, who played their first gig after the play, 23 years after they formed. TC Lethbridge are Doggen and Kev Bales, of Spiritualized and Julian Cope/Brain Donor, and Flinton Chalk, who you’ll find more about in John’s KLF book (pages 116-117).

2000 TC Standing on the verge of getting it on

2000 TC is an album recorded by TC Lethbridge in Avebury 20 years ago. It was remastered by the same person who remastered the recent Led Zeppelin reissues. Don’t ask about that either, that’s another story altogether. Flinton met me backstage at The Barbican on 31st May after John Sinclair had performed with The Founder Effect supporting Marshall Allen and The Sun Ra Arkestra. The gig was to celebrate 100 years since the birth of Sun Ra and it was a suitable venue to hand over the 2000 TC master. The album was released on November 23rd by Iron Man Records along with an album called Moon Equipped and another called Mina. The band have been missing for 23 years and now they are back with a gig as part of The Cosmic Trigger, a book by John Higgs, and three albums on Iron Man Records.

I should mention that Thomas Charles Lethbridge was born 23rd March 1901 and passed away on 30th September 1971. You may be interested to know that 30th September 1971 is my birthday. Let me be clear: I am not the reincarnation of TC Lethbridge. If I had come up with a good reason not to work with the band of the same name, it still wouldn’t have stopped anything. It appears from birth, despite my protesting, I have been destined to know TC Lethbridge and release the records by a band of the same name. You cant make this stuff up, no one would believe it. Give the music a listen, you might like it.

The voice on the 2000 TC track Bou Saada is that of Brian Barritt. He makes an appearance in the book Cosmic Trigger, when Timothy Leary tells Robert Anton Wilson that he needs to talk to Brian if they are to both understand Aleister Crowley.

John Higgs said “Spending a few months writing a biography of a band who have yet to show their faces in public was not the most career-minded way to spend my time, but it had to be done. This is a story about people who’ve had some form of visionary or incomprehensible experience, and about how they can only move on and process what happened to them through a creative act. It is about the impact an uncompleted artistic project can have on a life. It also functions as a jigsaw piece, connecting the story in my Timothy Leary book to the one I tell in The KLF.

So, yeah, it had to be written.

No doubt it will be made more widely available at some point, in some format, in some way, should the band keep gigging and putting themselves about. But until then – more about the band here, and catch them Saturday if you can.”

All three TC Lethbridge albums – Moon Equipped, Mina, and 2000 TC were released on 23rd November 2014 on Iron Man Records. Note: Any money generated from sales of these TC Lethbridge albums will be used to finance a vinyl and CD release of each record in future.

If you are interested in reviewing the 2000 TC book or reviewing any TC Lethbridge album get in touch

John Higgs spoke in Liverpool on the Sunday after Robin Ince and made an attempt to make sense of the preceeding days. Unfortunately I didn’t get there, I had to finish a few things and then pop out for a bit. I needed to get some Araldite.

Find out more about the band here:

TC Lethbridge website: http://www.tclethbridge.com

Facebook: https://www.facebook.com/TCLethbridgeMusic

Twitter: http://www.twitter.com/TC_Lethbridge

Iron Man Records - TC Lethbridge A5

TC Lethbridge – 2000 TC Standing on the verge of getting it on by John Higgs

November 21, 2014

Automatic writing in the sacred landscape. Established 1991.
TC Lethbridge - 2000 TC (Iron Man Records - 23rd Nov 2014)

TC Lethbridge – 2000 TC (Released by Iron Man Records – 23rd November 2014)

If you spend too much time in a state of mind which prevents normal perception, behaviour, or social interaction you might end up running a record label. Living life in a completely deluded state, generating massive debt for no apparent reason can be difficult to keep going for more than 17 years at a time but, it seems by some terrible mistake I’ve made it look relatively easy. But anyway, enough of that, I want to explain something in the hope that you might understand it better than me.

I went to a meeting earlier this year, the back room of a pub, The George in Southwark actually. The pub is just a few minutes walk from The Shard in London. Gimpo worked on The Shard and if I was going to park anywhere, parking at the foot of the Shard endorsed his work. I’ve spent time, 25 hours at a time, in a van going round the M25 with Gimpo, and believe me, it’s an experience to be had. I was with Steve Fly, a writer, musician and someone who plays drums for the Detroit Poet, John Sinclair who used to manage MC5 and was a founder member of the White Panthers. Steve and John released Mohawk through Iron Man Records in March and I was interested to accompany Steve to the meeting. I wanted to listen in, and if necessary, endorse him as a potential Music Director for The Cosmic Trigger, a new stage play by Daisy Eris Campbell. Daisy is the daughter of Ken Campbell who staged the Illuminatus! in 1976. I was 5 years old when all of that was going on.

The Full Cosmic Trigger Experience 22nd/23rd November 2014

The meeting was interesting as I had never met Daisy before and had no idea what to expect. Michelle the production manager, who was opposite, seemed to be keen to find the right people to take on the task ahead and no one was thinking any of this was going to be easy. A lot of hard work was ahead. If Bill Drummond had gone out to get Araldite in 1976, never to return…I was sure that this new stage adaptation of Robert Anton Wilson’s book The Cosmic Trigger was not going to be any easier for anyone.

Robert Anton Wilson was an American author novelist, psychologist, essayist, editor, playwright, poet, futurist, civil libertarian and self-described agnostic mystic. I discovered Robert Anton Wilson by way of a band called The KLF and the various aliases from The Timelords, The Jams, The Justified Ancients of MU MU, to 2K and K Foundation. Magic Temple of Discordian Promotions gave me many of Robert Anton Wilson’s books as a present which I’ve read and sometimes re-read. Magick was also a big KLF fan and seemed to know more than me so we soon became good friends. Both Robert Anton Wilson and the discussions I had about his work with Magick gave me inspiration when organising gigs for bands in Birmingham, when signing on and eating the food in my housemate’s cupboard was about all I had. The last posting that Robert Anton Wilson put on his website said: “I look forward without dogmatic optimism but without dread. I love you all and I deeply implore you to keep the lasagna flying.” The whole concept of keeping the lasagne flying made sure I didn’t get any ideas like getting a job or doing anything sensible with my time. In fact, I only stopped organising gigs because the venue I worked at, The Old Railway, was scheduled to be bulldozed. But that’s an aside, someone else was at the meeting who I knew of but had never met. Flinton Chalk was sat across from me, he was the one who sold the old car to Jimmy Cauty which ended up being used in KLF music videos and was renamed Ford Timelord. Flinton had bought the car from a film studio and spent time with friends dressing up as a nun and driving around doing donuts in muddy fields in the middle of the night. You might be wondering where on earth all this is going. You see, as John Higgs will tell you, if you happen to run a record label and read his book The Brandy Of The Damned “This is the problem with doing weird things. If you behave like a reasonable person, then the world will be reasonable back. If you step outside of the norm, however, and act in freaky ways, then the world will match you step for step. ”

And this is how I ended up talking with Flinton about the car, dressing up as a transvestite pirate nun, Jimmy Cauty, KLF, Julian Cope, Tall Hats, Stones Circles, and his time living in Avebury. I used to live in Wiltshire so I know that part of the world pretty well. Judging by the number of times I had driven through Avebury late at night in the early 1990’s its a wonder I didn’t run Flinton down. Somehow we got on to 111hz which can wait for another time, and then to a serious story about his trip to Mothers Jam on Fyfield down near Avebury. A stone tried to dematerialise Flinton and Julian Cope on one of their outings to collect photos and detail for The Modern Antiquarian. Flinton also told me about his band TC Lethbridge, named after Thomas Charles Lethbridge, who was an English archaeologist, parapsychologist, and explorer.

Having spent every last penny for the last 17 years on a record label that few people have any interest in, or understanding of,  I was in no mood to consider working with another band and certainly not one that hadn’t played a gig, or had been missing for 23 years with three unreleased albums. But, I have done many things over the years, sometimes for money, sometimes for free, and sometimes because insanity is a far more rational approach to a complex situation than trying to think things through properly. And that’s how I ended up agreeing to help TC Lethbridge until they found someone more suitable.

Sat next to me, Steve Fly had just been appointed Music Director for The Cosmic Trigger so the work was done. I didn’t get out of the building until I had also agreed to do whatever I could to help The Cosmic Trigger. What had started out in my mind as a meeting to endorse Steve and  “listen in and learn,” ended up as “You don’t listen and you never learn.” And so it began. TC Lethbridge had found themselves a record label.

I drove back to Birmingham wondering if I would ever learn anything ever. But that was then, so here’s to the now.

John Higgs is the Author of ‘The KLF: Chaos, Magic and the Band who Burned A Million Pounds’ and ‘I Have America Surrounded: The Life of Timothy Leary’. John Also writes fiction (as JMR Higgs) including The Brandy of the Damned and The First Church on the Moon.

I’ve read John’s book on Timothy Leary and also his book on the KLF and The Brandy of The Damned. All of them are well worth the read, you can make your own mind up which one to read first but, before you consider any of those, I want to tell you about his latest work.
TC Lethbridge - 2000 TC book by John Higgs
John Higgs has written a book called 2000 TC: Standing on the Verge of Getting It On. The book is not for sale, it will be one of a private edition of 111 copies. Don’t ask. The answer will blow the right side of your brain.

2000 TC was written to mark The Cosmic Trigger play and festival performance in Liverpool. It is the story of TC Lethbridge, who will be playing their first gig after the play on Saturday – 23 years after they formed. TC Lethbridge are Doggen and Kev Bales, of Spiritualized and Julian Cope/Brain Donor, and Flinton Chalk, who you’ll find more about in John’s KLF book (pages 116-117).

2000 TC Standing on the verge of getting it on

2000 TC is an album recorded by TC Lethbridge in Avebury 20 years ago. It was remastered by the same person who remastered the recent Led Zeppelin reissues. Don’t ask about that either, that’s another story altogether. Flinton met me backstage at The Barbican on 31st May after John Sinclair had performed with The Founder Effect supporting Marshall Allen and The Sun Ra Arkestra. The gig was to celebrate 100 years since the birth of Sun Ra and it was a suitable venue to hand over the 2000 TC master. The album is being released on November 23rd by Iron Man Records along with an album called Moon Equipped and another called Mina. The band have been missing for 23 years and now they are back with a gig as part of The Cosmic Trigger, a book by John Higgs, and three albums on Iron Man Records.

I should mention that Thomas Charles Lethbridge was born 23rd March 1901 and passed away on 30th September 1971. You may be interested to know that 30th September 1971 is my birthday. Let me be clear: I am not the reincarnation of TC Lethbridge. If I had come up with a good reason not to work with the band of the same name, it still wouldn’t have stopped anything. It appears from birth, despite my protesting, I have been destined to know TC Lethbridge and release the records by a band of the same name. You cant make this stuff up, no one would believe it. Give the music a listen, you might like it.

The voice on the 2000 TC track Bou Saada is that of Brian Barritt. He makes an appearance in the book Cosmic Trigger, when Timothy Leary tells Robert Anton Wilson that he needs to talk to Brian if they are to both understand Aleister Crowley.

John  Higgs said “Spending a few months writing a biography of a band who have yet to show their faces in public was not the most career-minded way to spend my time, but it had to be done. This is a story about people who’ve had some form of visionary or incomprehensible experience, and about how they can only move on and process what happened to them through a creative act. It is about the impact an uncompleted artistic project can have on a life. It also functions as a jigsaw piece, connecting the story in my Timothy Leary book to the one I tell in The KLF.

So, yeah, it had to be written.

No doubt it will be made more widely available at some point, in some format, in some way, should the band keep gigging and putting themselves about. But until then – more about the band here, and catch them Saturday if you can.”

All three TC Lethbridge albums – Moon Equipped, Mina, and 2000 TC will be released on 23rd November 2014 on Iron Man Records. Note: Any money generated from sales of these TC Lethbridge albums will be used to finance a vinyl and CD release of each record in future.

If you are interested in reviewing the 2000 TC book or reviewing any TC Lethbridge album get in touch

John Higgs will be speaking in Liverpool on the Sunday after Robin Ince and will then host a panel that will attempt to make sense of the preceeding days. Someone has to do it and if anyone stands a chance, it’s John. I hope the weekend is fun but unfortunately I wont be there, I just need to finish this and then pop out for a bit. I need to get some Araldite.

Find out more about the band here:

TC Lethbridge website: http://www.tclethbridge.com

Facebook: https://www.facebook.com/TCLethbridgeMusic

Twitter: http://www.twitter.com/TC_Lethbridge

Iron Man Records - TC Lethbridge A5

TC Lethbridge

November 5, 2014

TC Lethbridge are Doggen, Kev Bales and Flinton Chalk. Automatic writing in the sacred landscape. Established 1991.

T.C. Lethbridge - Band photo
T.C. Lethbridge – Band photo.

Daniel James, Kev Bales, Tony Doggen Foster, Flinton Chalk at John Stewart Hall, Yatesbury, Wessex, where most of the tracks for Mina and 2000TC were recorded.

Flint had a tape with him, rough mixes of 2000TC songs recorded in Avebury which he pulled out of a box of cassettes under the stairs. I was keen to hear it. I was a big fan of the Mina instrumentals. I don’t know what I had been expecting, but it wasn’t the overwhelming sense of purpose that burst out of the speakers. I was reminded of the Jimi Hendrix Experience, which I was not prepared for. There is one particular section of 2000TC that for me crystallises everything that Flint, Kev and Doggen were doing. It is at the end of the sixth track. Doggen’s playing becomes increasingly possessed by some musical spirit, the like of which I have never heard before. As the song progresses you get the strange sense that those musicians no longer exist, that they have been replaced. They have sunk a deep well and been swept away by the sound gushing out of them. This builds and builds and… stops, abruptly. The tape ran out. But back in that hall none of them noticed. They continued, utterly lost in what they were doing… To hear where they were when just before the tape ended is a cruel tease indeed. But it also points to those lost moments we can never recover, of three musicians in Avebury who had left their egos far behind and were producing, as Brian Barritt put it, “automatic writing in the sacred landscape.” – John Higgs

 

‘Moon Equipped’ – 250 Vinyl 1994 self released. Recorded 1992 on board Judith, a Dutch barge on Thames at Battersea Bridge on 4 Track cassette.
TC Lethbridge - Moon Equipped (Iron Man Records - 23rd Nov 2014)
TC Lethbridge – Moon Equipped (Iron Man Records – 23rd Nov 2014)

‘Mina’ – 500 CDs self released 2001, recorded John Stewart Hall, Yatesbury, Melbourne House, Avebury, 1993, 4 track cassette, released to mark 100 years since Lethbridge’s birth.
TC Lethbridge - Mina (Iron Man Records - 23rd Nov 2014)
TC Lethbridge – Mina (Iron Man Records – 23rd Nov 2014)

‘2000TC’, recorded 1994 John Stewart Hall, Melbourne House, The Henge Shop, Avebury, 4 Track cassette, digitally remastered by John Davies 2014.
TC Lethbridge - 2000 TC (Iron Man Records - 23rd Nov 2014)
TC Lethbridge – 2000 TC (Iron Man Records – 23rd Nov 2014)

Band Line up:

Formed 1991 (Laurel Canyon) named 1992 (Avebury).

Flinton Chalk – Vocs, Keys, Percussion, Engineer, Producer.

Tony ‘Doggen’ Foster – Guitars, Keys, Lead Vocs, Digital Remaster Engineer.

Kev Bales – Drums, Percussion, Vocs,

Daniel James – Bass on 1st album.

Next public performance:
The Cosmic Trigger Festival, Camp and Furnace, Liverpool, 22nd Nov 2014 around 10pm…..

The Full Cosmic Trigger Experience 22nd/23rd November 2014
The Full Cosmic Trigger Experience 22nd/23rd November 2014

The Full Cosmic Trigger Experience
Find The Others
Conferestival

Performance, Speakers, Art, Music Cinema, Rituals, Workshops, poetry, Quizzes, Stalls, Discordian Papal Ball.

Prof. Robert Temple, Robin Ince, Nina Conti, Youth, Adam Gorightly, Johnny “Dolphin” Allen, C.J. Stone, John Higgs, Dr. David Luke, Greg Sams, Jeff young, Liverpool Impropriety, TC Lethbridge, DJ Kin, Michael Brunstrom, Dr. David Bramwell, John Constable, Salena Godden, Jacqueline Genie, Adrian reynolds, Jamie Reid, Jimmy Cauty.

Camp and furnace, Liverpool L1 0BY

14:23-02:23 Sat 22nd november 2014 (Play and Ball)

11:23-23:23 Sun 23 Nov 2014 (Conferestival)

Tickets £69 (full weekend = play and ball and festival)

Phone The Everyman box office: 0151 709 4776 www.cosmictriggerplay.com

T.C. Lethbridge website: http://www.tclethbridge.com

Facebook: https://www.facebook.com/TCLethbridgeMusic

Twitter: http://www.twitter.com/TC_Lethbridge

Iron Man Records - TC Lethbridge A5

The Full Cosmic Trigger Experience 22nd/23rd November 2014

October 18, 2014

The Full Cosmic Trigger Experience 22nd/23rd November 2014

The Full Cosmic Trigger Experience
Find The Others
Conferestival

If you are interested in finding out more about Robert Anton Wilson, The writing (and living) of Illuminatus, the cult novel which launched a million conspiracy-freaks; Stumbling, via LSD and Aleister Crowley onto a 6500-year-old conversation with the planet Sirius; Dreaming up the formula, with Timothy Leary, of positive human evolution; Co-conspiring to create the Discordian religion, which worships Eris, the Goddess of Chaos and Confusion; Tantric sex, musical sing-alongs and mass initiations; Bob’s fellow Discordian being accused of being “the second Oswald” in JFK’s assassination; Mind-blowing visual effects, extraordinary musical soundscapes, and proper “Ken Campbell style” acting; The journey through Chapel Perilous, a dangerous occultist crossing point, from which one either emerges paranoid or agnostic. This might be for you…..

Performance, Speakers, Art, Music Cinema, Rituals, Workshops, Poetry, Quizzes, Stalls, Discordian Papal Ball.

Prof. Robert Temple, Robin Ince, Nina Conti, Youth, Adam Gorightly, Johnny “Dolphin” Allen, C.J. Stone, John Higgs, Dr. David Luke, Greg Sams, Jeff young, Liverpool Impropriety, T.C. Lethbridge, DJ Kin, Michael Brunstrom, Dr. David Bramwell, John Constable, Salena Godden, Jacqueline Genie, Adrian Reynolds, Jamie Reid, Jimmy Cauty.

Camp and Furnace, Liverpool L1 0BY

14:23-02:23 Sat 22nd november 2014 (Play and Ball)

11:23-23:23 Sun 23 Nov 2014 (Conferestival)

Tickets £69 (full weekend = play and ball and festival)

Phone The Everyman box office: 0151 709 4776