Police Bastard – Confined: Death, doom, despair and TERRIFYING NOISE… discussed.

February 23, 2017

Here’s part of an interview With 2 members of Police Bastard conducted by Robin Valk who spends his time writing about Music, Musicians, Music Business and Radio in the UK’s West Midlands.

Robin: As a bumbling young rock DJ, I covered the decline of progressive and hard rock throughout the 70s. Pub-rock rose and fell, global forces like Springsteen and Fleetwood Mac emerged, and Birmingham moved from Monsters of Metal to cross-cultural mixes, (UB40, Apache Indian, the Beat, Ruby Turner). Oh, and let’s not forget the New Romantics. On second thought, let’s.

By the end of the decade, Punk Rock emerged, to be rapidly commoditised as product and fashion trend (Generation X anyone?), and used as a career-launching platform (Police, Squeeze, Boomtown Rats). Then the mainstream lost interest, so it went underground, morphing from a bunch of snotty teenagers flipping the bird at the man, into something else altogether.

Police Bastard were punks once. Now they’re punk/metal/thrash, a set of 40 somethings with a remarkably long history, and a new album, Confined.  The dumb rebellious simplicity of the late 70s has been replaced by something more complex, more considered, even dutiful. The music? Savage as ever, of course – but now, these guys can play. John Doom and Mark Badger talk it up after the jump.

John Doom: The band started as a fun project in about 1993. Not many albums, but we’ve done lots of touring. A real mix.

Robin: Twenty years – are you still as angry?

John: When I was about 16 I formed Doom. They’re still going now. It was Crust/Punk. We were raised on Punk – and political punk as well. Anarchist Punk Rock.

Robin: OK, let’s clarify some definitions. Proper Punk has always been about being snotty and challenging the establishment. I came in for all that when the Sex Pistols went round radio stations on promo tours. But Political Punk goes a lot further – as irreverent and challenging as all Punk, but with a more layered set of things to say?

John: We were influenced by Crass and Conflict and all these bands that were political. Yeah, we were angry then… but we lived with our parents! We were at odds with a lot of things. We lived in suburbia; a lot of people there were quite racist, traditional in their values. We were singing from a slightly different hymn sheet.  So, yeah, when we formed Police Bastard in 1993, I’d left Doom, and become a bit jaded. I made a commitment to write about things that were pertinent to me and the band – fresh ideas, positive things, not spiteful and vicious things. But filtering down to where we are now, I’d still say there’s plenty to be angry about.

Robin: No argument from me on that score. The early punk bands reacted against turgid progressive rock. There’s that famous Who song, Who Are You, which tells the story of Pete Townsend having a drunken row with Johnny Rotten in a Soho pub… but all that was years before you even started Doom. So does that mean that you are bringing – gulp – an adult perspective to your punk?

John: I’ve been through many different ways of thinking about things. In some ways, time strengthens your position, because you can come at things from an adult perspective. You’re not quite so quick to judge, to let things spill out your mouth. Here’s an example. When we were growing up listening to Crass and the like, people were really, vitriolically anti-religious. If you fast forward to now, there’s all these questions about what faith is, and about respecting other people’s faith; Islam for example.  All these ideas of being blasphemous and rude and in your face – you come round to thinking maybe faith isn’t the problem, maybe it’s the organisation and the power behind it. That’s something we address on the new album.

Robin: But that early 70s/80s anti-establishment punk blasphemy was pretty much all against Christianity. Nothing else was on the radar.

John: Exactly. It’s a more complex and globalised world. You’ve got to take on ideas about the whole world, not just your own neighbourhood.  The world’s got smaller. It’s easy to see a lot more problems – Syria, Russia – different issues.

Robin: How does that play out with your audiences – from the early days to now?

John: Weird. It might be my cynical nature. Underground Punk exists as an entity, outside the mainstream. It’s always been a constant. But around acid house and rave culture, some people forgot about issues, forgot about being angry…

Robin: They were blissed out…

John: Yeah!  More hedonistic, having a good time. But those issues were still there. Things come around though. A lot of original bands came back for one last time in their fifties… Things come in cycles. Over the last five years, you’ve seen a shift back, politically and in society, to what brought people out in the seventies. People are feeling disillusioned. Feel there’s no hope, that there might not be those jobs for them. So you can see Punk growing again.

Robin: Are you saying nostalgia for Punk? That makes it a commodity!

Mark Badger: It’s like a dogma. Some people still think that if you want to be in punk band, you gotta think a certain way, look a certain way, sound a certain way, do certain things.  The idea of Police Bastard, when I joined was more attractive than the band itself. Something that had a brutal musical delivery of political ideas, with a very diverse set of individuals.  To me, that flies in the face of the dogma of what it is to be punk or metal.  And we’re still doing that.

John: Some of our goals have come true. The major labels don’t control things anymore. So the DIY ethic, at the heart of punk, hasn’t been affected by the decline of the industry. And the web has helped.
On the craft and musicianship front, the band now has some phenomenally good technical skills.  A thunderous attack, played with blistering skill and stamina. You just wouldn’t have had those skills twenty years ago – they come with time. Does stagecraft sort of get in the way?

John: I think there have been times when we’ve been in danger of disappearing up our own asses. A few pints where we became a little bit too metally, a little bit too technical. That’s because we’re absorbing ideas from all over.

Robin: But there’s nothing wrong with being a fabulous player…

John: Not at all. But you can move away from some of the areas you should be in. As Mark was saying, one of the beauties of Police Bastard is that if we want to do a dub song, a metal song, a two-minute punk song, we’ll do it. It doesn’t get in the way.

Robin: What’s the gender split with your audience?

John: Fairly good. I never like to see it get too male. There was a point with hardcore where it became too violent and too macho. Everything became blokes with their shirts off, fighting rather than enjoying the gig. My experience has been good. We’ve had loads of girls dancing, and not feeling harassed or beaten or groped. I’ve been fairly happy with it.

Mark: We manage to sell good quantities of girls and boy’s t-shirts.

Robin: So how about the album….?

John: I’m proud of this album, We’d finished the band in about 98… the rest of the band was unable to put the time in. We had jobs, I went back to university… Then the band sort of reformed, and at first I felt a little bit off about it. But what they were doing was great – exactly what Police Bastard were all about. Eventually Mark asked me to come in with the band, and it’s gone from there. Our singer lives in Spain, we’re all doing different things, and we’ve still managed to come together and create new songs. All different, dark, aggressive, touching on new material.

Mark: John and Pid (Stu-pid) have probably come up with the best lyrics on Confined they have written so far. The new album was difficult in lots of ways, especially getting everyone together. But we’ve got to hand it to Simon Reeves. He sat there with about 27 channels of guitar. John put down several tracks of noise and feedback and other horror. Simon sat there clamly with his head in his hands muttering what am I going to do with this? John simply said ‘You’re the Producer, you sort it out!’ And of course, he did. We are all really pleased with the finished record.

Robin Valk

Police Bastard – Confined

Police Bastard – Confined (VINYL) is available from Iron Man Records now

February 12, 2017

Police Bastard – Confined (VINYL) has arrived after many months of waiting.

A big Thank You to all of you who have pre-ordered the VINYL or have contributed as Iron Man Records Patrons. I would like to acknowledge the ongoing insanity of the following and their kind financial support for this madness:

Suzy Tweddle, Deborah Ritchie, Scott Roe, Margaret Calleja, Thomas Rathgeber, Dan, Lee Parsfield, Chris Scales, Muir Mathewson, Michael Howe, Jonathan Harris, Dave Barnard, Bill Fadden, Mike Burgess, Joachim Palm, Lyle Bignon, Thomas Burke, Ben Cartlidge, Matt Grimes, Toby Conyers, Chris, Andy Cavendish, Steve Wyatt, Andrew Dubber, Frank Knoblich, Vaughan Roberts, Ian Robertson, Marcus H, Seth Faergolzia, Ricky Lee, Kathryn McCormack, Ade Cartwright, Sunwoo Jung….

Almost all orders have been posted out in the last few days, and Patrons will get their copies this week.

It’s been a bit mad at this end, I have never had to post out so many records in such a short time before. It’s been a task in itself just trying to get the orders to the post office.

If you would like to buy Police Bastard – Confined on VINYL try the Iron Man Shop here

If you would like to become an Iron Man Records Patron go here

This record is possibly the best record the band have released to date and there are only 500 copies on Vinyl so get one while you can.

The work continues on new recordings and new material. The band will be back playing live later this year, hope to see you then

Cheers Mark

Police Bastard – “Confined” VINYL limited to 500 copies. Released Jan 23rd 2017

December 4, 2016

“Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control and disillusionment.”

M:CAD DrawingsKey ProductionGKA94675 CD 4pp GF Softpack 2 x P

Cover Art by Mark “Skinny” Orton

Pre-order your copy on VINYL now. Only 500 copies to be pressed on Double Gatefold VINYL. Released January 23rd 2017

All pre-orders will be £10 plus postage and sent out ahead of the release date.

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A big thank you to all Iron Man Records Patrons who helped make this possible.

Suzy Tweddle, Deborah Ritchie, Scott Roe, Margaret Calleja, Thomas Rathgeber, Dan, Lee Parsfield, Chris Scales, Muir Mathewson, Michael Howe, Jonathan Harris, Dave Barnard, Bill Fadden, Mike Burgess, Jachim Palm, Lyle Bignon, Thomas Burke, Ben Cartlidge, Matt Grimes, Toby Conyers, Chris, Andy Cavendish, Steve Wyatt, Andrew Dubber, Frank Knoblich, Vaughan Roberts, Ian Robertson, Marcus H….

M:CAD DrawingsKey ProductionGKA94675 CD 4pp GF Softpack 2 x P

“CVLT Nation’s Top 6 Crust Albums 2013: Police Bastard are pretty infamous at this stage, so no need for any introductions with band member links to Doom, Sore Throat, Filthkick, Sensa Yuma etc. Their new album ‘Confined’ sticks to their cynical view of the world mixed with innovative guitar textures and driving industrial intensity. Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control, disillusionment and omnipresent bullshit. For a band that has been knocking about on and off for twenty years, they could be forgiven for reverting to the formulaic. However, they rethink and deliver a furious maelstrom of complex dark hardcore, best served cold.” – CVLT Nation (Dec 19, 2013)

“The album starts with “The Curse Of The Cross”, an anti-theistic slice of brutality, which leaves the listener in no doubt that Police Bastard mean business. You even get a quote from Richard Dawkins about teaching the bible as fiction. Musically they give us huge chugging riffs on “Brought To Our Knees”, which tackles the blandness of multi-national companies infecting the high street, set against the backdrop of the widening gap between rich and poor. For those that like their anthems loud and stompy, “Sick Sick System” will no doubt win a seal of approval with its knock about Punk mayhem and catchy refrain, ‘sick sick system, same old bullshit’. Elsewhere on the album, we get subjects as diverse as being captivated by virtual reality (Word Confined) and environmental disaster from the hand of mankind (Cries From The Earth). Album closer “Fortress” sees organised religion attacked once more, and poses the question, how long before it crumbles…..” – Zak, Ryans Gig Guide (Dec 01, 2013)

“….From Mark Orton‘s cover art through the final song, “Fortress,” Police Bastard have presented an album that uses hardcore’s battering ram approach to push through a series of songs that depict how humanity has destroyed the Earth. Lines such as “We’re sealing our fate” hammer home the idea that mankind has taken the world to the edge of existence, and we’ll all soon perish, should we not change our ways. Thankfully, Confined manages to never lapse into Earth Crisis-like preaching, choosing instead to quote the likes of John Gray‘s Straw Dogs: “Long after the traces of the human animal have disappeared, many of the species it is bent on destroying will still be around, along with others that have yet to spring up. The Earth will forget mankind. The play of life will go on.” While the music is basic hardcore which occasionally aims for bigger sonic targets, the lyrics and presentation are what make Police Bastard worth checking out……” – Rock Star Journalist, Rock Star Journalist (Nov 22, 2013)

Ten songs recorded in early 2013 and released through Iron Man Records, Birmingham.

Tracklisting:

Side A
The Curse Of The Cross
Brought To Our Knees
Sick Sick System
Humanimal
Cries From The Earth

Side B
Binary Thinker
Words Confined
Bite The Hand
We Are The Dead
Fortress.

All Lyrics: Pid and John

All Music: Police Bastard

Layout: John Doom

The album was Recorded, Mixed, Produced and Mastered by Simon Reeves at Framework Recording Studios.

Label: Iron Man Records
Catalog: IMB6036
Format: VINYL Double Gatefold Limited to 500 copies
Country: England
Released: 2017
Genre: Rock
Style: Punk

John Sinclair – Mohawk – Press

February 20, 2015

John Sinclair - Mohawk front cover

ARTIST: John Sinclair
TITLE: Mohawk
LABEL: Iron Man Records
FORMAT: CD Double Gatefold Sleeve / Digital Release too
RELEASE DATE: 24th March 2014
FILE UNDER: Rock
Cat No: IMB6022
John Sinclair – “Mohawk” CD out now on Iron Man Records. Distribution by Cargo

John Sinclair - Uncut Feb 2014

John Sinclair and the MC5 by David Sheppard MOJO March 2014

John Sinclair - Mohawk - The Wire - March 2014 album review

John Sinclair - Mohawk in Shindig 38 2014

John Sinclair - Mohawk - review by Peter Watts for Uncut April 2014

John Sinclair - Mohawk Guardian 3rd March 2014

John Sinclair - Mohawk Mohawk Rock N Reel/R2 Magazine album review March/April 2014

John Sinclair - Mohawk - Record Collector April 2014

John Sinclair - Mojo May 2014

John Sinclair - Classic Rock Magazine - Rob Hughes interview - August 2014

John Sinclair - Mohawk - review Jan 2015 High Times

John Sinclair - Mohawk review Visioni Intervista 25th April 2014

Works in Progress: Beat Poet John Sinclair 10/15/2013 By: Tom Porter – The Maine Public Broadcasting Network.

Poet John Sinclair has been described as a pioneer in the counter-cultural movement that began in the 1960s. He’s been at the forefront of the underground publishing movement, he’s managed rock bands, organized concerts, and was also founder of the White Panther movement – a group of white left-wing activists united in sympathy with the radical civil rights organization, the Black Panthers. In 1969 he was imprisoned for possessing a small amount of marijuana. His plight inspired a freedom rally and concert: John Lennon even wrote a song in his honor. Today, Sinclair lives in Amsterdam and still performs regularly around the world, often to musical accompaniment. As part of our ongoing series, Works in Progress, where we talk to artists about the creative process, Maine Things Considered host Tom Porter spoke to Sinclair this afternoon, as he prepared for a performance this evening in Portland.

WHITE PANTHER: The Legacy of John Sinclair

“I’m here to tell you that apathy isn’t it. And we can all do something if we try.” ~ John Lennon

“I just considered it part of my job. If you were gonna be a revolutionary, you were gonna have to go to prison.” ~ John Sinclair

John Sinclair is best known as the Sixties marijuana activist who was sentenced to 10 years in prison for giving two joints to an undercover policewoman. He was eventually freed when John Lennon and Yoko Ono spoke out on his behalf

Less understood is his role as the founder and chairman of the radical anti-war group, The White Panther Party, an offshoot of the Black Panthers. The Black Panther Party was a militant political organization formed after the brutal murders of Martin Luther King, Malcolm X and Robert Kennedy.

During the Cold War the US Government launched a secret program called COINTELPRO to disrupt and ultimately destroy the Black Panthers and the Anti-War movement. As part of this program, John Sinclair was set up and imprisoned on marijuana charges. When the government could no longer justify denying him a bond over two joints, they falsely charged him with a Federal conspiracy to blow up a CIA station, in order to make him disappear.

In this case we find the secret origins of so much that troubles us today, like: classifying dissidents as terrorists, or the use of warrantless wiretaps and indefinite detention. The things that were revealed during his case are what the US government would prefer history forget.

a short film by CHARLES SHAW, featuring JOHN SINCLAIR. Music by Thelonius Monk, Roy Harper & Jimmy Page, Jello Biafra & Mojo Nixon, Phil Ochs, Frijid Pink, Commander Cody, The Up.

John Sinclair – Motor City’s Burning – Detroit from Motown to the Stooges

Documentary looking at how Detroit became home to a musical revolution that captured the sound of a nation in upheaval.

In the early 60s, Motown transcended Detroit’s inner city to take black music to a white audience, whilst in the late 60s suburban kids like the MC5 and the Stooges descended into the black inner city to create revolutionary rock expressing the rage of young white America.

With contributions from Iggy Pop, Alice Cooper, George Clinton, Martha Reeves, John Sinclair and the MC5.

John Sinclair performs Twenty One Days in Jail | Madam Miaow Says

Following the awesome appearance of 1960s icon, poet and political jailbird John Sinclair on Madam Miaow’s Culture Lounge at Resonance FM, I’m posting the video I took of John when he played at Café Oto a few years back. He performs Twenty One Days In Jail, accompanied by Gary Lammin on guitar, Martin Stacey on bass, Jim Jones on piano, and Paul Ronnie on harmonica.

The John Sinclair Freedom Rally: John Sinclair Radio Show 526

On December 10, 1971 – 42 long years ago – I was serving the 3rd year of a 9-1/2-to-10-year sentence for possession of two joints of marijuana, and people in Ann Arbor, Michigan staged a gigantic concert on my behalf that drew almost 15,000 people to demand my release and enjoy music & speeches by The Up, Allen Ginsberg, Ed Sanders, Bob Seger, Fr. James Groppi, Teegardin & Van Winkle, Bobby Seale, Phil Ochs, Rennie Davis, Dave Dellinger, Archie Shepp, Roswell Rudd, CJQ, Leni & Sunny Sinclair, Commander Cody & His Lost Planet Airmen, Elsie Sinclair, Stevie Wonder, Jerry Rubin, David Peel & The Lower East Side, and John Lennon, Yoko Ono & The Plastic Ono Band. Tonight’s program in celebration of this happy event which resulted in my release from prison three days later, on December 13, 1971, is edited from the soundtrack to Steve Gebhardt’s documentary film of the event called TEN FOR TWO: The John Sinclair Freedom Rally and was assembled at the Blackheath Studios of The Fuck You Sound.

Marijuana at the Amsterdam coffee shop. Cafe 420 with John Sinclair

John Sinclair, Cafe 420 and a reporter from CNN discussing Cannabis and the issues of coffee shop consumption in Amsterdam.

John Sinclair: Gary Grimshaw Was “A Beautiful Cat” | MOJO

John Sinclair: “Gary Grimshaw was a great creative artist who helped define the spirit and feeling of an entire era with his brilliant posters for the Grande Ballroom in Detroit, his artwork for underground newspapers like the Detroit Sun, the Fifth Estate and the San Francisco Oracle, and his posters and record covers for the MC-5 and other bands. “He was a music lover first and foremost, best friends in high school with Rob Tyner of the MC5, a beautiful cat and the most tireless and dedicated art worker I’ve ever known. We were partners in crime at the Grande Ballroom and the Detroit Artists Workshop, we founded Trans-Love Energies and the White Panther Party together, we worked side by side for several years while he beautifully interpreted all my ideas for cultural and social change into public artwork that could make people want to do things they’d never done before….

Gideon Coe played ‘Bloomdido’ from John Sinclair – Mohawk on last nights show – Wed 22nd Jan 2014

Album Review: John Sinclair – Mohawk | Folk Radio UK

Nobody could ever accuse John Sinclair of not doing his own thing. The Detroit-born poet and activist has been defying The Man since the mid-sixties: running countercultural magazines, founding anti-racist political movements and managing the MC5, one of the most mindblowing musical acts to come out of America in the psychedelic era. He was also sentenced to ten years imprisonment for a seemingly minor drug infringement, but was released with the help of John Lennon (who wrote a song about his plight), Allen Ginsberg and Abbie Hoffman, amongst others. More recently Sinclair has combined his love of the history of jazz with his considerable talent as a performance poet and storyteller to produce a surprisingly extensive body of work, mostly in the form of spoken word releases, often backed by his band the Blues Scholars. For his latest release, Mohawk, he has pillaged his own past, collecting 10 poems written over the last twenty-plus years and giving them a thoroughly modern shakedown

BBC Radio 6 Music – Stuart Maconie’s Freak Zone, Ice Music Festival

BBC 6 Music – Gideon Coe played John Sinclair – ‘Relaxing With Mr Lee’ on last nights show Tuesday 28th January

John Sinclair, the renegade poet, scholar and cultural revolutionary released his new album on 24th March 2014 on Iron Man Records. John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together. First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word…..

Before John Sinclair founded the White Panthers, managed the MC5 and did time for giving an undercover cop two joints as a Christmas present, he read Jack Kerouac’s On the Road as a junior in high school — and he says his life started. Sinclair will be at the Mercury Cafe on Friday, February 7 as part of the Neal Cassady Birthday Bash, reading poetry and performing with the Blues Scholars. In advance of that event, we spoke with Sinclair about On the Road, poetry and reefer, since he’s been a weed activist for five decades.
“My life started when I read On the Road, by Jack Kerouac,” says John Sinclair, a poet, activist, former MC5 manager and White Panther Party founder. “It came out in September of 1957. I was a junior in high school. It set me on the correct path of life. I’ve followed that path ever since.” Kerouac cohort Neal Cassady, who was raised on the streets of Denver and died in 1968, is featured prominently in On the Road, as protagonist Dean Moriarty. Cassady would have been 88 years old this weekend, and will be remembered at the fifth annual Neal Cassady Birthday Bash, which kicks off tonight at 8 p.m. at the Mercury Cafe, 2199 California Street. Sinclair, who was inspired by Kerouac’s approaching writing the way a jazz musician improvises, will be reading poetry with the Blues Scholars at the event along with other friends of Cassady and Kerouac; a jazz group led by Beat legend David Amram, featuring local musicians such as trumpeter Hugh Ragin, drummer Tony Black and bassist Artie Moorie
Mohawk is the previous MC5 manager and beatnik-poet’s umpteenth album of jazzy gravel-voiced verbiage and mighty fine it is too. Billed as a homage to the life and times, wit and wisdom of perhaps jazz-music’s finest players – Dizzy, Bird and in particular Monk, in case you were curious – Mohawk features Sinclair drawling out his passionate observations and energetic lyricisms on top of Stourbridge mixmaster Steve The Fly’s deft brushwork, turntable gymnastics and be-bop bounce, all engineered sweetly by Dutch wizard Tim Egmond – a good job all round.
On the Monday following the Watergate break-in, the Supreme Court decided U.S. vs. U.S. District Court (Keith) ex rel Sinclair, which struck down the Nixon/Mitchell program of warrantless domestic political wiretapping. The aftermath, leading to Nixon’s resignation, revealed the ugliness of the FBI’s COINTELPRO campaign to disrupt the civil rights, black liberation, anti-war, youth, women, environmental, LGBT and other social justice movements that exploded in the 1960s. That led to the Church Commission, which recommended various checks on the FBI’s power to disrupt political dissent and the creation of Foreign Intelligence Security (FISA) Court, which is today the subject of great controversy in the wake of Edward Snowden’s revelations about the massive data mining and surveillance of U.S. citizens and their communications (not to mention that of the rest of the world). Particularly since 9/11 and the passage of the Patriot Act, progressives and civil libertarians have protested…

I was sent a freebie CD of John Sinclair’s newest spoken-word disc, Mohawk, courtesy of my pal and fellow M.L.A.-alumnus, Fly Agaric (or Steve Pratt, to his folks) and the good people at Iron Man Records. Going by the title, and groovy cover art (by digital artist Chu – the “Mohawk” cover seems a clever post-techno hommage to Thelonius Monk‘s “Underground” album cover) – I reckoned the ‘theme’ would be one about the punk explosion in the 1970s and beyond. You see, Sinclair, for those not familiar with him, was the manager of the legendary MC5, the Detroit psychedelic rock band in their glory days. Sinclair got the ’5 into radical politics via his own “White Panther Party“, a kind of more trippy version of the Black Panthers. The White Panthers weren’t really into setting up a state to replace the old one, they were more into free dope, fucking in the streets and just generally having a good time. Eventually, John and the MC5 parted ways. As a result of a drug bust…..
He was the fearless Detroit protopunk who terrified America with his band the MC5 – and saw busts and jail as all part of a revolutionary’s lot. So what’s John Sinclair doing today? Writing jazz poetry in Amsterdam and releasing his new album called Mohawk on Iron Man Records, an independent record label based in Birmingham…..
Sean O’Hagan of the London-based Guardian meets John Sinclair in a canalside coffee shop in Amsterdam, “where the vibes are mellow, the air perfumed, and the soundtrack a stream of vintage rock songs of the more laidback kind.” Sinclair, 72, “seems utterly relaxed, an ageing hippy blissfully at home in a city that still retains some of the libertarian values he fought so hard for – a fight that cost him his liberty at the tail end of the 1960s.” It is, however, a long way – literally and metaphorically – from Detroit, the city where Sinclair made his name, and that of the rock group he managed, the MC5, in the most dramatic fashion. Almost 50 years after those culturally heady and politically tumultuous days, when he found himself at the heart of the race riots that raged through Detroit, the 72-year-old now keeps the freak flag flying as best he can in a world that has become more liberal, and paradoxically more conservative, than his younger self could ever have imagined.

John Sinclair - Mohawk gatefold inner

John Sinclair – legend! He was the 60s in a nutshell: cultural revolutionary, manager of the MC5, founder of the White Panther Party, subject of a John Lennon protest song after being imprisoned on drugs offences (part of The Man’s crushing of anything countercultural), poet, broadcaster on Radio Free Amsterdam – but he was really a child of the 50s. His great book Guitar Army includes dedications to people like Coltrane, Ayler, Dolphy and Kerouac, and those influences are still reflected in Mohawk, essential a 50s-tributing beatnik jazz record. As ‘Carolina Moon’ explains, it was conceived in 1982 after hearing of the death of Thelonius Monk, and recorded in Amsterdam much more recently. Sinclair’s spoken word lyrics are meditations on Monk and lots of other jazz sessions from the 50s, “when Bird, and Diz and Monk made it all happen” (‘Bloomdido’) set to louche be-bop backing from Steve The Fly
Released on 24th March 2014 John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together. First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word. The music was written and arranged by Steve Fly who mirrored John’s poems in the music…..
John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album called “Mohawk,” on Iron Man Records, on Monday 24th March 2014 with distribution by Cargo. The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk. Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Temple Dragon band, of course he is now full time with John Sinclair. CHU, also a native of Stourbridge UK, has made a fantastic video showing how he put the John Sinclair – Mohawk CD sleeve art together. It’s really worth a look. Watch it here: http://youtu.be/20RFyhTfs7U
John Sinclair – “Mohawk” CD Released Monday 24th March 2014 by Iron Man Records, Birmingham. John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album on Monday 24th March 2014. John, has been described as an Archetype of the 1960′s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together. First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word…
Mohawk is the previous MC5 manager and beatnik-poet’s umpteenth album of jazzy gravel-voiced verbiage and mighty fine it is too. Billed as a homage to the life and times, wit and wisdom of perhaps jazz-music’s finest players – Dizzy, Bird and in particular Monk, in case you were curious – Mohawk features Sinclair drawling out his passionate observations and energetic lyricisms on top of Stourbridge mixmaster Steve The Fly’s deft brushwork, turntable gymnastics and be-bop bounce, all engineered sweetly by Dutch wizard Tim Egmond – a good job all round. It’s one busy, ‘dizzy’ little ride that’s best taken in one hit, rather than hopping and skipping through the tracks. Most of the free-styling odes fall short of three minutes, making the title-track, Straight No Chaser and Leap Frog and the like, easy-to-swallow chunks of hip story-telling that actually date back to the ’80s in a few cases. Straight No Chaser has some tight back-winding and scratching going on and is an album highlight.
“The rest of the music industry was controlled by the Illuminati, the book explained, which was how they were able to incorporate the anti-JAMS slogan ‘Kick out the Jams, motherfucker!’ into MC5 records.” – John Higgs, Illuminations and Illuminatus, The KLF, pg 48. Sean O’Hagen of the Guardian newspaper flew out to meet John and I in Amsterdam. Read his article here.
Sinclair croaks his way through a short narrative over a free jazz backing on the title track that starts the album off. He plays it perfectly, an elder statesman of hip, oozing grizzled late-night coffee house cool. ‘Straight No Chaser’ is everything the title suggests, and Sinclair’s nicely warming to his theme. ‘Leap Frog’ is a real wig-out, and the music vibes well with the first-hand recollections of the legendary era of the true jazz greats. Namedropping Dizzy and Monk, Sinclair was there, at the heart of it, as it happened. The way he tells it… yeah, good times, good times. Swingin’ times. Electric times, a musical revolution was happening. ‘Bloomdido’ sees Sinclair getting excited as he recounts the way Bird and Monk transformed the musical landscape in the clubs of Harlem, painting a vivid picture of how these cats made everything bloom, great big flowers around New York…. He reminisces about the birth of be-bop of ‘An Oscar for Treadwell’. ‘This is the shit!’ he cries…..
In Ken Burns’ 1994 documentary “Baseball,” writer and essayist Gerald Early said, “When they study our civilization two thousand years from now, there will only be three things that Americans will be known for: the Constitution, baseball and jazz music.” With that in mind, I write enthusiastically of “Mohawk,” a new spoken-word release from renegade poet John Sinclair (who also once managed the iconic rock band MC5) because it celebrates a part of the history of an American art form — some say the only true American art form — that is all too often forgotten by our culture in this day and age. Opening track “Mohawk” expresses Sinclair’s passion for the be-bop revolution well when he says “Bird,” “Monk” and “Dizzy” were “building a new music on the bones of the old … with a whole new structure of sound … breathing life of its own, like nothing that had ever existed before.” On tracks such as “Bloomdido” and “An Oscar for Treadwell,” Sinclair waxes ecstatic with pure enthusiasm….
Counter culture icon, beat poet and manager of the MC5 John Sinclair chats about his new album Mohawk on Iron Man Records, a tribute to the jazz pianist Thelonious Monk. Plus ‘outsider musician’ Daniel Johnston talks about what it’s like being an underground artist and Stuart’s featured album is an under-appreciated classic of mid-90s trance from The Black Dog.
“Man, I worshipped those guys as gods when I was young,” John Sinclair told the Guardian earlier this month, over a joint. “Coltrane, Albert Ayler, Pharoah Sanders. That’s where I was coming from, not rock or folk.” Which is why, for his album Mohawk, he has set his poetry to jazz – there’s no sign here of the hard rock of the band he famously managed, the MC5. But don’t think the revolutionary flame has dimmed. As he also told the Guardian: “All I know is that if you want things to change, you have to work to make them change. And sometimes, you have to be prepared to go to jail or have your head cracked open. Far as I can see, that’s still the case. Look at Pussy Riot. They are the first kick-ass revolutionary group since the MC5. They don’t want a record contract, they don’t want their own fragrance, they want to overthrow the goddam Russian government. Yes!” Have a listen to Mohawk, and let us know what you think.
Some months ago, Steve “Fly Agaric” Pratt wrote me and asked if I’d pen a press release for the new album he did with John Sinclair, the famous countercultural icon. I said sure. I asked Steve to send me some quotes. I didn’t hear back. I forgot to remind him. Time passed, and I got busy with other stuff, and the album was released. So Steve, sorry the press release didn’t get written, how about a blog post at my blog? Here is the official press release on the album, which features Steve’s music and Sinclair’s words. The Guardian article is here. It links to a stream of the album.

Mohawk by John Sinclair | by graffiti artist Chu

Mohawk, John and Sinclair. This began as a replica of Thelonius Monk’s 1968 album sleeve for ‘Underground’. The art direction won a Grammy Award for Best Recording Package the following year, so it obviously ruffled a few feathers…..

It’s hard to like a hippie. That’s true. Still, it doesn’t mean hippies can’t do good work, right? John Sinclair was once the manager of the magnificent, world-spinning MC5. He was arrested countless times as he fought as part of the counter-culture of the ‘60s (though he was apprehended, of course, for possession of marijuana rather than civil unrest) and was sentenced to a decade in prison for giving a pair of joints to FBI agents – a term of which he served only two years following the intervention of some of his famous allies. He was a friend of Lennon (who wrote a song about him), a tireless protester, a man who always seemed to find himself at the epicentre of cultural and social action. Yet Sinclair is, all of that aside, a poet and what we get though on this album is something gentle, something beatific – his love of early/mid 20th century jazz, expressed through spoken word. This love is no surprise – he was an early and vocal fan of the free jazz movement…..
Tom Robinson played ‘Straight No Chaser’ from John Sinclair – Mohawk on last nights show 6th April listen back here. John Sinclair – Mohawk is out now on Birmingham’s Iron Man Records.
Released on the 24th of March 2014, ‘Mohawk’ is John Sinclair’s latest album. Depicting his musical attributes and his radical attitudes, Sinclair presents a truly authentic collection of his work. The generalised description as a ‘72 year old jazz poet’ simply does not offer his figure justice. ‘Mohawk’ is not merely another notch in his musical bedpost, but a direct manifestation of his talent, knowledge and his political stand. His career is proof that passion and persistence in one’s beliefs can move people towards revolution. Defying the cultural practice of the 21st century music industry, which predominantly aims to create audible satisfaction for a particular audience, Sinclair aims to stir political stances in all of his work. Sinclair is an advocate for the power of music and is an individual whose goals go beyond winning media popularity or reaping the perks of fame.
John Sinclair, man of many accolades, releases new album that draws upon work conceived in the 80′s with production from Steve Fly. Mohawk feels personal, reflective and assertive, a long developed and creative record, that has been visualised through Walsall born artist Chu. Chu talks through the conceptualisation and formation of the artwork in his blog, referencing his influences as be-bop, John’s Detroit roots, and motifs of rebellion, activism and cannabis culture. It does capture the instrumental virtuosity of the record, and in its details mirrors Sinclair’s politically charged and self reflective poetry. Worth looking at the processes he uses to realise the 3D design.
Poet, writer and former 60’s far left counterculture leader John Sinclair speaks to John Clarkson about his ever controversial views on drug culture, his new blues album ‘Mohawk’ on Birmingham’s Iron Man Records and managing influential Detroit-based 60’s band, the MC5
John Sinclair opens the tracklist with Mohawk for Drastic Shuffle EP 05 by Claudia Haddow
It’s Friday May 23, the day after the centenary of Sun Ra’s birth, and I’m sat around a table in a pub in north London with John Sinclair, Thurston Moore and Paul Smith, founder of the Blast First record label. As David Stubbs’ excellent Sun Ra piece which appeared on the Quietus on the day of Ra’s birthday last Thursday has rendered an introduction to the man and his music unnecessary, I intend to keep this opening paragraph short so as to reproduce the interview as fully as space permits. Thurston Moore himself needs little introduction, as he is well known for both his work with the seminal New York band Sonic Youth and innumerable other projects as he is known as a champion of underground music, film and art in all its forms. For those interested in further listening, his Top Ten Free Jazz Underground list is essential reading. John Sinclair similarly needs little introduction…..
From the 1995 retrospective of the pioneering ’70’s Detroit rock band, The Up – Killer Up! – this bonus cut – “Prayer For John Sinclair”, an agit-prop chant by Allen Ginsberg It’s 1971 and John Sinclair (“Ten for Two” – ten years for two joints!) is, most definitely, a political prisoner. So hear him (Allen) intone: “Trick or treat. Year after year. Literary persons, Ed Sanders, Robert Creeley, myself organization, the American chapter of PEN Club representing one thousand one hundred writers have petitioned the state of Michigan for release of poet-musician John Sinclair from entrapment by police courts jails – nine-and-a-half to ten years sentence – no appeal – bail – fully maximum-security – for two-joint bust. This case articulates the bankrupcy of middle-class law and order – work within the system rationalizations of irrational public injustice. No lawmaker, judge or policeman in Michigan can argue their own respectability while their state bureaucracy conspires to outrage..
DETROIT – This is the story of a woman, her camera and the thousands of moments she’s captured. Sitting down with Leni Sinclair inside her Detroit home, she showed me thousands of negatives of her photographs that hold a lot of history. “I came to Detroit in 1959 and brought with me a little camera and I’ve been taking pictures ever since,” Sinclair said. She has taken some of the most iconic images of the Detroit rock scene – and you’re probably familiar with her work and not even know it. Sinclair has photographed so many iconic artists such as the MC5, Iggy and the Stooges, Bob Seger, Marvin Gaye, Alice Cooper and John Lee Hooker.
Produced by Steve Gebhardt & John Sinclair – A Musicus Production with Big Chief Productions – Executive Producer: Robert A. Johnson With appearances by John Lennon & Yoko Ono, Allen Ginsberg, MC-5, Up, Ed Sanders, Commander Cody & His Lost Planet Airmen, Ed Moss, Andre Williams, Bo Dollis and Cyril Neville. Original 16mm footage from the 1960s and ’70s by Leni Sinclair. Graphic design by Gary Grimshaw. Music supervision by John Sinclair. Edited by Tom Hayes. Directed by Steve Gebhardt. 20 TO LIFE Begun in 1991 and completed in 2007, 20 TO LIFE is the real-life story of this legendary poet-provocateur and American cultural warrior whose exploits have reverberated throughout the international underground for 40 years. The story is told by Sinclair, his family, friends and associates through the years and highlighted by a series of electrifying poetry performances by Sinclair’s contemporary blues and jazz ensembles.
Oregon voters are pretty savvy on a lot of issues; Oregon is a one-party state; money still exercises a lot of speech in Oregon – and “Follow the Money” remains the best political advice; New Jersey, Illinois, Louisiana, Carl Hiaasen’s Florida…aren’t the only states with political soap operas and dubious ethics… One cannot lead off about Oregon Election 2014 with anything other than the End of Prohibition (again). Oregon voters passed Measure 91; joining voters in the District of Columbia in legalizing, regulating and taxing recreational marijuana use (the tax is fixed at $35 an ounce with local entities not allowed to tax it – only the state); coming together with Washington and Colorado as Free States that have seen the light…with many more to come. Whew. It’s been a long haul. It was the fourth try here. Pretty much the sole opposition came from the Oregon Sheriffs and the State Prosecuting Attorneys, who financed the No on Measure 91 campaign.
Television Blues episode 1, with features & music from Trampolene, Michael Head & The Red Elastic Band, Alan McGee, Nev Cottee & John Sinclair. Thanks to Tony Linkin, Matt Lockett at shacknet.co.uk, John Read & Matt Bristow at Cherry Red, Sean Newsham, Mark Sampson at Iron Man Records, Chu, Jon Mojo Mills & The Briton’s Protection pub in Manchester. John Sinclair 360 degree artwork c/o Chu at schudio.co.uk/blog.
Political activist, poet, MC5 manager, and leader of the White Panther Party: Detroit’s original rebel reflects on his lengthy career. John Sinclair has always been a poster child for what he calls “outness and defiance and all that kind of shit.” While acting as the manager of iconoclastic rock group MC5, his political collective the White Panther party worked to support the civil rights movement with free concerts and political rallies in 1960s era Detroit. After he was imprisoned in 1969 for giving two joints to an undercover officer, artists including John Lennon, Yoko Ono and Stevie Wonder performed and spoke at the John Sinclair Freedom Rally in 1971, which saw him successfully released three days later. The resulting changes in the state marijuana laws contributed to his cred as a lifelong marijuana activist. In 1992 he formed his band The Blues Scholars in New Orleans, which allowed him to set his radical poetry to music, and in 2014 released the album Mohawk…
“C’est pas mon boulot de parler de moi, iI y a ce truc appelé Google pour ça”, déclarait lors de notre entrevue le provocateur John Sinclair en évoquant les questions perpétuelles des journalistes sur son passé. Avant de vous parler de l’album de jazz ‘Mohawk’ qu’il vient de sortir chez Iron Man Records, nous allons donc brièvement vous parler de ce que nous avait appris Google à son sujet ! Rencontrer John Sinclair, c’est un peu rencontrer une légende vivante qui, contrairement aux nombreux grands personnages qu’il a côtoyés, a survécu. Originaire de Detroit aux États-Unis, Sinclair est impliqué dès les années 1960 dans le milieu underground alors dominé par un mouvement artistique et pacifique sous fond d’émancipation, inédit à ce jour, dans la veine de ce qu’avaient déjà initié les beatniks. Il participe ainsi à la création de plusieurs journaux alternatifs, le plus connu étant Fifth Estate. Poète déjà célèbre (il lit à la Berkeley Poetry Conference en 1965 au sein d’un cercle…..

John Sinclair - Mohawk back cover

All Press Enquiries Sean Newsham: sean@mutante-inc.demon.co.uk

CHU talks about his artwork for John Sinclair – Mohawk here: http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

John Sinclair – Mohawk CD released on Iron Man Records Buy It Here

Buy Books and Music by John Sinclair in the Iron Man Shop: http://ironmanrecords.bigcartel.com John Sinclair - Mohawk CD Gatefold back

John Sinclair – Mohawk

February 12, 2015

John Sinclair - Mohawk front cover

John Sinclair – “Mohawk” CD
Out Now on Iron Man Records, Birmingham. Distribution by Cargo

John Sinclair, the renegade poet, scholar and cultural revolutionary released his latest album in March 2014. John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word.

The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Temple Dragon band, of course he is now full time with John Sinclair.

These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John.

“to take the hair off
the sides of the head

& leave just a strip
along the top,
scalping pretense
for the baldness of statement

building a new music
on the bones of the old

— John Sinclair from the title track “Mohawk”

John Sinclair - Mohawk gatefold inner

The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering.

Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects.

Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.

All artwork was cradled and visualized by the post-industrial imagination of CHU; The Black Country, tech savvy, rule-breaking, progressive wordsmith and thinker – an ardent advocate of aerosol painting and its vanguard for over 30 years with global public works and murals, 3D perspective illusions and many group shows, under his Walsall leather belt. CHU’s work has included projects with Banksy and Jamie Hewlett among many others, and he has been described as the ‘Escher of UK street art’ and founder of Graffiti Bastards.

John Sinclair - Mohawk back cover

The album is released by Birmingham based Iron Man Records whose releases have included The Nightingales, Howard Marks, P.A.I.N (Propaganda And Information Network), and Police Bastard, amongst others.

The album is beautifully packaged in a double gatefold cd wallet with artwork by CHU in full colour and a ten page booklet. Mohawk illustrates the kind of care and attention a John Sinclair record deserves. After all, he kinda helped start this underground art explosion.

All Press Enquiries Sean Newsham: sean@mutante-inc.demon.co.uk

CHU talks about his artwork for John Sinclair – Mohawk here: http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

John Sinclair – Mohawk CD released on Iron Man Records 24th March 2014 Buy It Here

Listen to: The John Sinclair Freedom Rally: John Sinclair Radio Show 526

Watch WHITE PANTHER: A Legacy Interview with John Sinclair – https://ironmanrecords.net/2013/10/white-panther-a-legacy-interview-with-john-sinclair/

ARTIST: John Sinclair
TITLE: Mohawk
LABEL: Iron Man Records
FORMAT: CD Double Gatefold Sleeve / Digital Release too
RELEASE DATE: 24th March 2014
FILE UNDER: Rock
Cat No: IMB6022

Buy It Here from Cargo Distribution Direct: http://cargorecordsdirect.co.uk/products/john-sinclair-mohawk

Buy Books and Music by John Sinclair in the Iron Man Shop here: http://ironmanrecords.bigcartel.com

Visit John Sinclair: http://www.johnsinclair.us

Visit Steve Fly: http://acrillic.blogspot.co.uk

Visit Chu: http://www.schudio.co.uk
John Sinclair - Mohawk CD Gatefold back

Police Bastard Interview – Bald Cactus #31 – 2014

October 18, 2014

Andy at Bald Cactus has put together an interview with Police Bastard in issue #31. Here it is in full, you can email Andy and get a copy of the Fanzine for a £1 here
Police Bastard Interview - Bald Cactus #31 - 2014 (1)

Police Bastard Interview - Bald Cactus #31 - 2014 (2)
Police Bastard Interview - Bald Cactus #31 - 2014 (3)

Police Bastard – Music, T-shirts and other items of interest Buy here

More Police Bastard info here: Police Bastard, Twitter, Facebook

For all Police Bastard bookings: mark@ironmanrecords.co.uk

Police Bastard – “Confined” CD distributed by Cargo

September 20, 2014

“Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control and disillusionment.”

Police Bastard - Confined CD Front Cover

Police Bastard – Confined – CD Album (Iron Man Records) Distributed by Cargo – October 6th 2014

Cover Art by Mark “skinny” Orton

Police Bastard - Confined - Terrorizer review by Ian Glasper 2014

“CVLT Nation’s Top 6 Crust Albums 2013: Police Bastard are pretty infamous at this stage, so no need for any introductions with band member links to Doom, Sore Throat, Filthkick, Sensa Yuma etc. Their new album ‘Confined’ sticks to their cynical view of the world mixed with innovative guitar textures and driving industrial intensity. Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control, disillusionment and omnipresent bullshit. For a band that has been knocking about on and off for twenty years, they could be forgiven for reverting to the formulaic. However, they rethink and deliver a furious maelstrom of complex dark hardcore, best served cold.” CVLT Nation (Dec 19, 2013)

Police Bastard - Confined Band Photo 2013

Police Bastard band photo by Andy Ward

“The album starts with “The Curse Of The Cross”, an anti-theistic slice of brutality, which leaves the listener in no doubt that Police Bastard mean business. You even get a quote from Richard Dawkins about teaching the bible as fiction. Musically they give us huge chugging riffs on “Brought To Our Knees”, which tackles the blandness of multi-national companies infecting the high street, set against the backdrop of the widening gap between rich and poor. For those that like their anthems loud and stompy, “Sick Sick System” will no doubt win a seal of approval with its knock about Punk mayhem and catchy refrain, ‘sick sick system, same old bullshit’. Elsewhere on the album, we get subjects as diverse as being captivated by virtual reality (Word Confined) and environmental disaster from the hand of mankind (Cries From The Earth). Album closer “Fortress” sees organised religion attacked once more, and poses the question, how long before it crumbles…..” – Zak, Ryans Gig Guide (Dec 01, 2013)

Police Bastard - Confined CD Back Cover

“….From Mark Orton‘s cover art through the final song, “Fortress,” Police Bastard have presented an album that uses hardcore’s battering ram approach to push through a series of songs that depict how humanity has destroyed the Earth. Lines such as “We’re sealing our fate” hammer home the idea that mankind has taken the world to the edge of existence, and we’ll all soon perish, should we not change our ways. Thankfully, Confined manages to never lapse into Earth Crisis-like preaching, choosing instead to quote the likes of John Gray‘s Straw Dogs: “Long after the traces of the human animal have disappeared, many of the species it is bent on destroying will still be around, along with others that have yet to spring up. The Earth will forget mankind. The play of life will go on.” While the music is basic hardcore which occasionally aims for bigger sonic targets, the lyrics and presentation are what make Police Bastard worth checking out……” Rock Star Journalist, Rock Star Journalist (Nov 22, 2013)

Tracklisting:

The Curse Of The Cross, Brought To Our Knees, Sick Sick System, Humanimal, Cries From The Earth, Binary Thinker, Words Confined, Bite The Hand, We Are The Dead, Fortress.

All Lyrics: Pid and John

All Music: Police Bastard

Layout: John Doom

The album was Recorded, Mixed, Produced and Mastered by Simon Reeves at Framework Recording Studios.

Police Bastard - Confined Inside CD wallet

Police Bastard Logo 2013

Presskit for Reviewers / Podcast / Radio people here: http://www.sonicbids.com/PoliceBastard

Police Bastard / War Plague – Attrition Vinyl split album Buy it here (Vinyl version of It’s Good To Hate with an extra track)

Police Bastard – T-shirts and other items of interest Buy here

IMB6020 Police Bastard – Dead to the world CD Album (Discography of everything from Gulf War Syndrome onwards with 7 never released new songs. Should be released next…..)

More Police Bastard info here: Police Bastard, Twitter, Facebook

For all Police Bastard bookings: mark@ironmanrecords.co.uk

John Sinclair – Mohawk CD 24th March 2014 on Iron Man Records

March 7, 2014

John Sinclair - Mohawk front cover

John Sinclair – “Mohawk” CD
Released Monday 24th March 2014 by Iron Man Records, Birmingham.

John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album on Monday 24th March 2014. John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word.

The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Temple Dragon band, of course he is now full time with John Sinclair.

These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John.

“to take the hair off
the sides of the head

& leave just a strip
along the top,
scalping pretense
for the baldness of statement

building a new music
on the bones of the old

— John Sinclair from the title track “Mohawk”

John Sinclair - Mohawk gatefold inner

The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering.

Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects.

Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.

All artwork was cradled and visualized by the post-industrial imagination of CHU; The Black Country, tech savvy, rule-breaking, progressive wordsmith and thinker – an ardent advocate of aerosol painting and its vanguard for over 30 years with global public works and murals, 3D perspective illusions and many group shows, under his Walsall leather belt. CHU’s work has included projects with Banksy and Jamie Hewlett among many others, and he has been described as the ‘Escher of UK street art’ and founder of Graffiti Bastards.

John Sinclair - Mohawk back cover

The album is to be released by Birmingham based Iron Man Records whose releases have included The Nightingales, Howard Marks, P.A.I.N (Propaganda And Information Network), and Police Bastard, amongst others.

The album will be beautifully packaged in a double gatefold cd wallet with artwork by CHU in full colour and a ten page booklet. John Sinclair will be appearing in 2014 to promote the new album, all show details to follow. Mohawk illustrates the kind of care and attention a John Sinclair record deserves. After all, he kinda helped start this underground art explosion.

All Press Enquiries Sean Newsham: sean@mutante-inc.demon.co.uk

CHU talks about his artwork for John Sinclair – Mohawk here: http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

John Sinclair – Mohawk CD released on Iron Man Records 24th March 2014 Buy It Here

Listen to: The John Sinclair Freedom Rally: John Sinclair Radio Show 526

Watch WHITE PANTHER: A Legacy Interview with John Sinclair – https://ironmanrecords.net/2013/10/white-panther-a-legacy-interview-with-john-sinclair/

ARTIST: John Sinclair
TITLE: Mohawk
LABEL: Iron Man Records
FORMAT: CD Double Gatefold Sleeve / Digital Release to follow
RELEASE DATE: 24th March 2014
FILE UNDER: Rock
Cat No: IMB6022

Buy It Here from Cargo Distribution Direct: http://cargorecordsdirect.co.uk/products/john-sinclair-mohawk

Buy Books and Music by John Sinclair in the Iron Man Shop here: http://ironmanrecords.bigcartel.com

Visit John Sinclair: http://www.johnsinclair.us

Visit Steve Fly: http://acrillic.blogspot.co.uk

Visit Chu: http://www.schudio.co.uk
John Sinclair - Mohawk CD Gatefold back

Video by CHU on the making of 360 degree artwork for "Mohawk" by John Sinclair

February 17, 2014

“I sketched the entire world and digitised it inside Google’s Sketchup, where this three dimensional, three hundred and sixty degree artwork could spring to life. This sketch can be viewed from almost anywhere and the result is a multi-dimensional drawing – a million sketches worth. When making a normal two dimensional drawing, changing the viewpoint requires a completely new sketch – this way, the sketch allows plenty of freedom for the viewer and there are a sickening amount of permutations.

This economy in the production stemmed from the need to pay tribute to, as close as possible, the location and setting for the photoshoot on the cover of Thelonius Monk’s Undeground LP released on Columbia in 1967. The sleeve won a Grammy in 1968 for art direction.

Steve ‘Fly’ and I considered it may have been Monk’s apartment in Manhattan on the original sleeve. Wherever it may have been, I rebuilt the scene, destroyed it, reinfected it and drenched it all in psychedelia, on a stage that Paddington Bear would be proud of.

Is there something in that marmalade?” – CHU 14th Feb 2014

For more on CHU’s mind boggling digital sculpting, research and free-form thinking have a look at his own site and see for yourself what he has been up to:

http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

Video by CHU on the making of 360 degree artwork for "Mohawk" by John Sinclair

February 17, 2014

“I sketched the entire world and digitised it inside Google’s Sketchup, where this three dimensional, three hundred and sixty degree artwork could spring to life. This sketch can be viewed from almost anywhere and the result is a multi-dimensional drawing – a million sketches worth. When making a normal two dimensional drawing, changing the viewpoint requires a completely new sketch – this way, the sketch allows plenty of freedom for the viewer and there are a sickening amount of permutations.

This economy in the production stemmed from the need to pay tribute to, as close as possible, the location and setting for the photoshoot on the cover of Thelonius Monk’s Undeground LP released on Columbia in 1967. The sleeve won a Grammy in 1968 for art direction.

Steve ‘Fly’ and I considered it may have been Monk’s apartment in Manhattan on the original sleeve. Wherever it may have been, I rebuilt the scene, destroyed it, reinfected it and drenched it all in psychedelia, on a stage that Paddington Bear would be proud of.

Is there something in that marmalade?” – CHU 14th Feb 2014

For more on CHU’s mind boggling digital sculpting, research and free-form thinking have a look at his own site and see for yourself what he has been up to:

http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

Interview: John Sinclair – Mohawk

January 15, 2014

John Sinclair, the renegade poet, scholar and cultural revolutionary interviewed on his new album Mohawk, music and poetry, sharing ideas, the war on drugs, doing what you want, and more.

John Sinclair – “Mohawk” CD. Released Monday 24th March 2014 by Iron Man Records

John Sinclair - Mohawk front cover

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word.

The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Temple Dragon band, of course he is now full time with John Sinclair.

These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John.

“to take the hair off
the sides of the head

& leave just a strip
along the top,
scalping pretense
for the baldness of statement

building a new music
on the bones of the old

— John Sinclair from the title track “Mohawk”

John Sinclair - Mohawk gatefold inner

The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering.

Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects.

Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.

All artwork was cradled and visualized by the post-industrial imagination of CHU; The Black Country, tech savvy, rule-breaking, progressive wordsmith and thinker – an ardent advocate of aerosol painting and its vanguard for over 30 years with global public works and murals, 3D perspective illusions and many group shows, under his Walsall leather belt. CHU’s work has included projects with Banksy and Jamie Hewlett among many others, and he has been described as the ‘Escher of UK street art’ and founder of Graffiti Bastards.

John Sinclair - Mohawk back cover

The album is to be released by Birmingham based Iron Man Records whose releases have included The Nightingales, Howard Marks, P.A.I.N (Propaganda And Information Network), and Police Bastard, amongst others.

The album will be beautifully packaged in a double gatefold cd wallet with artwork by CHU in full colour and a ten page booklet. John Sinclair will be appearing in November through to March to promote the new album. Mohawk illustrates the kind of care and attention a John Sinclair record deserves. After all, he kinda helped start this underground art explosion.

All Press Enquiries Sean Newsham: sean@mutante-inc.demon.co.uk

Amiri Baraka (1934-2014) Poet, Playwright, Activist. Baraka was a leading force in the black arts movement of the 1960s and 1970s. In 1963 he published “Blues People: Negro Music in White America,” known as the first major history of black music to be written by an African American. A year later he published a collection of poetry titled “The Dead Lecturer” and won an Obie Award for his play, “Dutchman.” After the assassination of Malcolm X in 1965 he moved to Harlem and founded the Black Arts Repertory Theater. In the late 1960s, Baraka moved back to his hometown of Newark and began focusing more on political organizing, prompting the FBI to identify him as “the person who will probably emerge as the leader of the pan-African movement in the United States.” Baraka continued writing and performing poetry up until his hospitalization late last year, leaving behind a body of work that greatly influenced a younger generation of hip-hop artists and slam poets. Track 5 on John Sinclair – Mohawk is called “Bloomdido” and is dedicated to Amiri Baraka. Rest in Peace. The work continues.

John Sinclair – Mohawk CD released on Iron Man Records 24th March 2014

Listen to: The John Sinclair Freedom Rally: John Sinclair Radio Show 526

Watch the short film:

WHITE PANTHER: A Legacy Interview with John Sinclair – https://ironmanrecords.net/2013/10/white-panther-a-legacy-interview-with-john-sinclair/

ARTIST: John Sinclair
TITLE: Mohawk
LABEL: Iron Man Records
FORMAT: CD Double Gatefold Sleeve / Digital Release to follow
RELEASE DATE: 24th March 2014
FILE UNDER: Rock
Cat No: IMB6022

Buy Books and Music by John Sinclair in the Iron Man Shop here: http://ironmanrecords.bigcartel.com

John Sinclair – Mohawk CD released 24th March 2014

January 3, 2014

John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album on 24th March 2014.
John Sinclair - Mohawk front cover

John Sinclair – “Mohawk” cd
Released Monday 24th March 2014 by Iron Man Records

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word.

The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Temple Dragon band, of course he is now full time with John Sinclair.

These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John.

“to take the hair off
the sides of the head

& leave just a strip
along the top,
scalping pretense
for the baldness of statement

building a new music
on the bones of the old

— John Sinclair from the title track “Mohawk”

John Sinclair - Mohawk gatefold inner

The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering.

Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects.

Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.

All artwork was cradled and visualized by the post-industrial imagination of CHU; The Black Country, tech savvy, rule-breaking, progressive wordsmith and thinker – an ardent advocate of aerosol painting and its vanguard for over 30 years with global public works and murals, 3D perspective illusions and many group shows, under his Walsall leather belt. CHU’s work has included projects with Banksy and Jamie Hewlett among many others, and he has been described as the ‘Escher of UK street art’ and founder of Graffiti Bastards.

John Sinclair - Mohawk back cover

The album is to be released by Birmingham based Iron Man Records whose releases have included The Nightingales, Howard Marks, P.A.I.N (Propaganda And Information Network), and Police Bastard, amongst others.

The album will be beautifully packaged in a double gatefold cd wallet with artwork by CHU in full colour and a ten page booklet. John Sinclair will be appearing in November through to March to promote the new album. Mohawk illustrates the kind of care and attention a John Sinclair record deserves. After all, he kinda helped start this underground art explosion.

All Press Enquiries Sean Newsham: sean@mutante-inc.demon.co.uk

CHU talks about his artwork for John Sinclair – Mohawk here: http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

Amiri Baraka (1934-2014) Poet, Playwright, Activist. Baraka was a leading force in the black arts movement of the 1960s and 1970s. In 1963 he published “Blues People: Negro Music in White America,” known as the first major history of black music to be written by an African American. A year later he published a collection of poetry titled “The Dead Lecturer” and won an Obie Award for his play, “Dutchman.” After the assassination of Malcolm X in 1965 he moved to Harlem and founded the Black Arts Repertory Theater. In the late 1960s, Baraka moved back to his hometown of Newark and began focusing more on political organizing, prompting the FBI to identify him as “the person who will probably emerge as the leader of the pan-African movement in the United States.” Baraka continued writing and performing poetry up until his hospitalization late last year, leaving behind a body of work that greatly influenced a younger generation of hip-hop artists and slam poets. Track 5 on John Sinclair – Mohawk is called “Bloomdido” and is dedicated to Amiri Baraka. Rest in Peace. The work continues.

John Sinclair – Mohawk CD released on Iron Man Records 24th March 2014

Listen to: The John Sinclair Freedom Rally: John Sinclair Radio Show 526

Watch the short film:

WHITE PANTHER: A Legacy Interview with John Sinclair – https://ironmanrecords.net/2013/10/white-panther-a-legacy-interview-with-john-sinclair/

ARTIST: John Sinclair
TITLE: Mohawk
LABEL: Iron Man Records
FORMAT: CD Double Gatefold Sleeve / Digital Release to follow
RELEASE DATE: 24th March 2014
FILE UNDER: Rock
Cat No: IMB6022

Buy Books and Music by John Sinclair in the Iron Man Shop here: http://stores.ebay.co.uk/Iron-Man-Shop

John Sinclair – Mohawk CD released 24th March 2014

January 3, 2014

John Sinclair, the renegade poet, scholar and cultural revolutionary releases his new album on 24th March 2014.
John Sinclair - Mohawk front cover

John Sinclair – “Mohawk” cd
Released Monday 24th March 2014 by Iron Man Records

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today, is still kicking with both feet on his trajectory for cultural transformation. His new record features ten tracks from his book of verse: always know: a book of monk. Twenty poems planted firmly in a single-shot session, and carefully trimmed down to ten exhibits for this album. Beatnik poems, great odes and personal reflections of the Be-Bop jazz persuasion, all flowering together.

First conceived of in Detroit City, spring 1982, and developed throughout the 1980s with streaks of fresh edits leading right up to the session itself, John navigates some of these texts for the first time in over twenty years, free-styling his energized sincerity and attention to every word, transforming the text on the page into his unique unmistakable spoken word.

The music was written and arranged by Steve Fly who mirrored John’s poems in the music by initially combing the tempo of the original songs recorded by John ‘Dizzy’ Gillespie, Charlie ‘Bird’ Parker and Thelonious Monk.

Steve The Fly is a native of Stourbridge UK, now an Amsterdam resident who plays drums, spins vinyl, writes novels and literary and cultural commentary. He also maintains a flock of websites and works in various other art forms without visible restraint. His other music projects have included New Flesh, Garaj Mahal, Temple Dragon band, of course he is now full time with John Sinclair.

These songs are further utilized by John’s poetic method so that each title and the rhythm of his poetry can piggy-back upon the same song title, and rhythm, of an original composition set in history, for extra rooting. Steve put down drums, turntables, cello-bass, flute, and glockenspiel, shooting to play around the vocal lead lines and diverse expressions from John.

“to take the hair off
the sides of the head

& leave just a strip
along the top,
scalping pretense
for the baldness of statement

building a new music
on the bones of the old

— John Sinclair from the title track “Mohawk”

John Sinclair - Mohawk gatefold inner

The album was recorded diligently by Tim Egmond at Ei Studios, Amsterdam and passed along to Simon Reeves at Framework Studios, Birmingham for mastering.

Tim Egmond is a music producer, engineer and studio whizz, based in Amsterdam, who has worked with scores of international and locally based artists on a wide variety of projects.

Simon Reeves has completed many projects for Iron Man Records already and he has been described as one of Birmingham’s finest independent studio engineers who has worked with bands from Napalm Death to Police Bastard, and a host of other brutal metal and punk bands.

All artwork was cradled and visualized by the post-industrial imagination of CHU; The Black Country, tech savvy, rule-breaking, progressive wordsmith and thinker – an ardent advocate of aerosol painting and its vanguard for over 30 years with global public works and murals, 3D perspective illusions and many group shows, under his Walsall leather belt. CHU’s work has included projects with Banksy and Jamie Hewlett among many others, and he has been described as the ‘Escher of UK street art’ and founder of Graffiti Bastards.

John Sinclair - Mohawk back cover

The album is to be released by Birmingham based Iron Man Records whose releases have included The Nightingales, Howard Marks, P.A.I.N (Propaganda And Information Network), and Police Bastard, amongst others.

The album will be beautifully packaged in a double gatefold cd wallet with artwork by CHU in full colour and a ten page booklet. John Sinclair will be appearing in November through to March to promote the new album. Mohawk illustrates the kind of care and attention a John Sinclair record deserves. After all, he kinda helped start this underground art explosion.

All Press Enquiries Sean Newsham: sean@mutante-inc.demon.co.uk

CHU talks about his artwork for John Sinclair – Mohawk here: http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

Amiri Baraka (1934-2014) Poet, Playwright, Activist. Baraka was a leading force in the black arts movement of the 1960s and 1970s. In 1963 he published “Blues People: Negro Music in White America,” known as the first major history of black music to be written by an African American. A year later he published a collection of poetry titled “The Dead Lecturer” and won an Obie Award for his play, “Dutchman.” After the assassination of Malcolm X in 1965 he moved to Harlem and founded the Black Arts Repertory Theater. In the late 1960s, Baraka moved back to his hometown of Newark and began focusing more on political organizing, prompting the FBI to identify him as “the person who will probably emerge as the leader of the pan-African movement in the United States.” Baraka continued writing and performing poetry up until his hospitalization late last year, leaving behind a body of work that greatly influenced a younger generation of hip-hop artists and slam poets. Track 5 on John Sinclair – Mohawk is called “Bloomdido” and is dedicated to Amiri Baraka. Rest in Peace. The work continues.

John Sinclair – Mohawk CD released on Iron Man Records 24th March 2014

Listen to: The John Sinclair Freedom Rally: John Sinclair Radio Show 526

Watch the short film:

WHITE PANTHER: A Legacy Interview with John Sinclair – https://ironmanrecords.net/2013/10/white-panther-a-legacy-interview-with-john-sinclair/

ARTIST: John Sinclair
TITLE: Mohawk
LABEL: Iron Man Records
FORMAT: CD Double Gatefold Sleeve / Digital Release to follow
RELEASE DATE: 24th March 2014
FILE UNDER: Rock
Cat No: IMB6022

Buy Books and Music by John Sinclair in the Iron Man Shop here: http://stores.ebay.co.uk/Iron-Man-Shop

Police Bastard – "Confined" CD

January 2, 2014

“Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control and disillusionment.”

Police Bastard - Confined CD Front Cover

Police Bastard – Confined – CD Album (Iron Man Records) Buy it here: http://ironmanrecords.bigcartel.com

Cover Art by Mark “skinny” Orton

Police Bastard - Confined - Terrorizer review by Ian Glasper 2014

“CVLT Nation’s Top 6 Crust Albums 2013: Police Bastard are pretty infamous at this stage, so no need for any introductions with band member links to Doom, Sore Throat, Filthkick, Sensa Yuma etc. Their new album ‘Confined’ sticks to their cynical view of the world mixed with innovative guitar textures and driving industrial intensity. Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control, disillusionment and omnipresent bullshit. For a band that has been knocking about on and off for twenty years, they could be forgiven for reverting to the formulaic. However, they rethink and deliver a furious maelstrom of complex dark hardcore, best served cold.” CVLT Nation (Dec 19, 2013)
“The album starts with “The Curse Of The Cross”, an anti-theistic slice of brutality, which leaves the listener in no doubt that Police Bastard mean business. You even get a quote from Richard Dawkins about teaching the bible as fiction. Musically they give us huge chugging riffs on “Brought To Our Knees”, which tackles the blandness of multi-national companies infecting the high street, set against the backdrop of the widening gap between rich and poor. For those that like their anthems loud and stompy, “Sick Sick System” will no doubt win a seal of approval with its knock about Punk mayhem and catchy refrain, ‘sick sick system, same old bullshit’. Elsewhere on the album, we get subjects as diverse as being captivated by virtual reality (Word Confined) and environmental disaster from the hand of mankind (Cries From The Earth). Album closer “Fortress” sees organised religion attacked once more, and poses the question, how long before it crumbles…..” – Zak, Ryans Gig Guide (Dec 01, 2013)
“….From Mark Orton‘s cover art through the final song, “Fortress,” Police Bastard have presented an album that uses hardcore’s battering ram approach to push through a series of songs that depict how humanity has destroyed the Earth. Lines such as “We’re sealing our fate” hammer home the idea that mankind has taken the world to the edge of existence, and we’ll all soon perish, should we not change our ways. Thankfully, Confined manages to never lapse into Earth Crisis-like preaching, choosing instead to quote the likes of John Gray‘s Straw Dogs: “Long after the traces of the human animal have disappeared, many of the species it is bent on destroying will still be around, along with others that have yet to spring up. The Earth will forget mankind. The play of life will go on.” While the music is basic hardcore which occasionally aims for bigger sonic targets, the lyrics and presentation are what make Police Bastard worth checking out……” Rock Star Journalist, Rock Star Journalist (Nov 22, 2013)

Ten new songs recorded in early 2013 and released through Iron Man Records, Birmingham.

Police Bastard - Confined Band Photo 2013

Police Bastard band photo by Andy Ward

Members of Police Bastard on this recording are: (from left to right…)

Mark BadgerGuitar, Chris CrassBass, Simon RoeDrums, John DoomVocals / Guitar, Seano Porno Guitar, Stu-PidVocals

Presskit for Reviewers / Podcast / Radio people here: http://www.sonicbids.com/PoliceBastard

Police Bastard - Confined CD Back Cover

Tracklisting:

The Curse Of The Cross, Brought To Our Knees, Sick Sick System, Humanimal, Cries From The Earth, Binary Thinker, Words Confined, Bite The Hand, We Are The Dead, Fortress.

All Lyrics: Pid and John

All Music: Police Bastard

Layout: John Doom

The album was Recorded, Mixed, Produced and Mastered by Simon Reeves at Framework Recording Studios.

Label: Iron Man Records
Catalog#: IMB6021
Format: CD
Country: England
Released: 2013
Genre: Rock
Style: Punk

Police Bastard - Confined Inside CD wallet

Police Bastard Logo 2013

IMB6018 Police Bastard: It’s Good To Hate…..CDEP with DVD 2010 Buy it here

Police Bastard / War Plague – Attrition Vinyl split album Buy it here (Vinyl version of It’s Good To Hate with an extra track)

Police Bastard – T-shirts and other items of interest Buy here

IMB6020 Police Bastard – Dead to the world CD Album (Discography of everything from Gulf War Syndrome onwards with 7 never released new songs. Should be released next…..)

IMB6021 Police Bastard – Confined – CD Album Buy it here

More Police Bastard info here: Police Bastard, Twitter, Facebook

some additional words:

Police Bastard are back with a new album on Iron Man Records called “Confined.” The band have been influenced by many different sounds ranging from the likes of Discharge and Chaos UK to Amebix, Rudimentary Peni, Celtic Frost, Black Sabbath, The Cardiacs and Killing Joke. The band emerged from the ashes of some of Britain’s well known hardcore thrash bands: Doom, Sore Throat, Filthkick, English Dogs, Sensa Yuma and Contempt. Police Bastard started in 1994 and the new album is possibly the best record the band have made so far.

“Confined” was recorded at Framework Studios, Birmingham and will be released as a digital download from 30th September 2013. The album will follow on 23rd November as a full CD release on Iron Man Records. The track listing for Confined includes: The Curse Of The Cross, Brought To Our Knees, Sick Sick System, Humanimal, Cries From The Earth, Binary Thinker, Words Confined, Bite The Hand, We Are The Dead, Fortress. All the lyrics were written by Pid and John, the music was written, arranged and performed by Police Bastard and the CD layout was done by John Doom. “Confined” was recorded, mixed, produced and mastered by Simon Reeves at Framework Recording Studios with cover art by Mark “Skinny” Orton. Members of Police Bastard on this recording include Mark Badger – Guitar, Chris Crass – Bass, Simon Roe – Drums, John Doom – Vocals / Guitar, Seano Porno – Guitar, Stu-Pid – Vocals

Digital release September 30th. CD release on Iron Man Records November 23rd.

Press kit for Reviewers / Podcast / Radio people here: http://www.sonicbids.com/PoliceBastard

Label: Iron Man Records / Catalog#: IMB6021 / Format: CD / Country: England / Released: 2013 / Genre: Rock / Style: Punk

All Press enquiries: mark@ironmanrecords.co.uk (tel: 07974 746810)

John Sinclair – renegade poet, scholar and cultural revolutionary…..

December 31, 2013

John Sinclair the renegade poet, scholar and cultural revolutionary releases his new album on Iron Man Records on Monday 24th March 2014.

While his work has continued in preparation for this, John found himself at Dial House, home of Crass members Penny Rimbaud and Gee Vaucher in December. John wanted to work on some new recordings at Dial house with The Bermondsey Joyriders who in turn will be in Birmingham in coming months. After many years working hard in their respective fields, John finally had a chance to have a good chat with Penny. Discussions of music, art and the rest followed before Penny gave John a book of his latest poetry and its all John’s been reading for the past few days. John has also been working on a short video documentary about his new record of the same name called Mohawk and has completed a show for Radio Free Amsterdam remembering the John Sinclair Freedom Rally in Ann Arbor on 10th Dec 1971. Look out for John talking about how he first started working with MC5 and how it all ended in the next issue of Mojo and there should be an interesting piece in Uncut too on the subject of Jazz, Blues and all things John Sinclair.

All Press Enquiries Sean Newsham: sean@mutante-inc.demon.co.uk

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