Nightingales Autumn 2017 UK Tour

September 9, 2017

Nightingales Autumn 2017 UK Tour Poster

Nightingales Autumn 2017 UK Tour

Back to it this Autumn

All dates are now ON SALE via www.thenightingales.org.uk/live so book ’em up and let’s make it a rockin’ one.

PLUS the group are super happy to have a true greatness back… Ted Chippington!! … for all the Oct dates.

BUY Nightingales stuff here: http://ironmanrecords.bigcartel.com/artist/nightingales

Become a Patron and help raise funds for a Nightingales Vinyl release in future.

Nightingales + Ted Chippington – UK Tour Dates in May 2016

April 25, 2016

Nightingales + Ted Chippington - UK Tour Dates in May 2016

NIGHTINGALES + Ted Chippington
UK Tour May 2016

Thu 12 – BRIGHTON, Green Door Store
Fri 13 – BRISTOL, Thunderbolt
Sat 14 – BIRMINGHAM, Flapper & Firkin
Mon 16 – LONDON, Birthdays (Dalston)
Tue 17 – MARGATE, Tom Thumb Theatre SOLD OUT
Wed 18 – MARGATE, Tom Thumb Theatre
Thu 19 – CARDIFF, Moon Club
Fri 20 – OXFORD, Cellar Bar
Sat 21 – DERBY, Hairy Dog
Tue 24 – LEICESTER, Firebug
Thu 26 – MANCHESTER, Gullivers
Fri 27 – BRADFORD, 1 In 12 Club
Sat 28 – EDINBURGH, Leith Depot
Sun 29 – NEWCASTLE UPON TYNE, Cluny 2

Buy Nightingales stuff: http://ironmanrecords.bigcartel.com/artist/nightingales

Buy Ted Chippington Vinyl: http://ironmanrecords.bigcartel.com/artist/ted-chippington

Read all about it: www.thenightingales.org.uk

Burn Money – Become A Patron of Iron Man Records

March 3, 2016

Burn-Money-A6-Postcard-No-Crop-Marks

Iron Man Records wants to make all new record releases available on Vinyl.

23 Patrons currently support the record label. You are invited to become a Patron to ensure the insanity continues.

The journey from 1996, when Iron Man Records began, has been back-breaking. The record label has generated a mountain of debt and a serious Class “A” drug habit would have probably worked out a lot cheaper. Everything I earn, working as a Tour Manager, goes into keeping Iron Man Records moving and your support would be much appreciated at a critical time.

Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. There has to be something that opposes the “reality” that we are surrounded by every day.

I don’t expect everyone to like what the record label releases, but at least you have a choice.

Musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians have to plan and finance the costs of touring to promote their music by themselves. Musicians also need to eat and have a roof over their head, and I do too. It’s a tough time for musicians and artists, and you have to be mad to carry on sometimes.

I want to return to making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. It’s madness in the current economic climate, but a little bit of madness is just what is required. Are you still with me on this?

BVPy5zWIEAAgl1f

I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself. What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl in exchange for a number of rewards to make it all worth while.

Patrons will get a copy of everything the label produces, as it becomes available. Patrons will also get access to digital files of everything, so you can listen on portable electronic devices, and you will get all sorts of other benefits. For example: free stuff from the Iron Man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along. There is method to the madness, all you have to do is join in.

If you want to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put a page together on Patreon https://www.patreon.com/ironmanrecords which appears to be an interesting way to raise money. This will help produce Vinyl in small quantities and to the highest standards. Patreon lets you make recurring monthly donations and helps to reduce the upfront costs of producing music on vinyl. Anything from £1 a month or more is actually really helpful.

Iron Man Records is not in the pop business. The Label’s debts are what it’s worth. The label is trying hard, during a tough time in the history of recorded music, to help musicians and artists develop a sustainable future. To me, the simple way to do that, is to give the bands and artists a record to sell at gigs, that people would love to buy.

Iron Man Records wants to create Vinyl, something special, something that presents music in a format that people want to keep and enjoy. Life isn’t just about computers, mobile phones and social networking. There has to be an alternative. So if you want to join in and Burn Money, become a Patron and let’s make something happen. You have to make the world you want to live in.

Have a look here and any comments, good or bad are invited.

Immanentize

 

Your Insanity Will Do – Become A Patron Of Iron Man Records

February 8, 2016

I bought a copy of “The Manual” by Jimmy Cauty and Bill Drummond in 1996. I’d been looking for a copy for years. Some of it made sense, some of it didn’t. I liked the writing style and the advice given. I sent my receipt as proof of purchase to the PO BOX printed in the book and requested The Guarantee.

This is the reply that Bill Drummond sent back on headed paper. By reply Bill Drummond became the first Unaware Patron of Iron Man Records. Blame him for everything. A lot has happened since 1996. Your Insanity will do.

Iron Man Records - Your Guarantee

Your Insanity could help Iron Man Records to release more music on Vinyl via Patreon. There are 21 Patrons currently supporting the record label, you are invited to become a Patron too.

Iron Man Records has been running since 1996. The label has released over 30 records and continues to work hard on a daily basis. Iron Man Records wants to make all new record releases available on Vinyl. The label will continue to make everything available through digital channels. You are invited to get involved.

Why help Iron Man Records? Here’s a quote from Detroit Poet John Sinclair, who released an album called “Mohawk” through the label in recent times. This sums up the sort of thing going through my head when I started out trying to bring people together to do something under the label name of Iron Man Records at the start of it all in 1996.

“One of the most important things to young, formative artists is having a group of one’s peers that one can be a part of, can talk to, work with, work out ideas, etc and can give crucial support.

Modern society has succeeded to a frightening degree in alienating artists from one another (and of course from people in general; or at least vice versa) and atomizing what could be a vital, active community into a group of lone, defensive, hung-up people who are afraid to talk to and/or work with anyone but themselves and (maybe) three or four friends.

A community of artists means that a group of highly conscious people can help each other in very real ways. Artists working alone are cutting themselves off from sources of inspiration and influence that can help them immeasurably in their work.

The lone artists have no one to listen to their work, no one to offer criticism and ideas that would bring their work into sharper focus with itself. Hard to get as excited, as completely involved in one’s work by oneself; when you can talk about it with/to others who are trying to do the same thing as yourself and communicate it to others, you can achieve and maintain the state of consciousness Henry James called “perception at the pitch of passion.” And who better to communicate to than those few people who are operating at the same level of awareness and involvement as oneself?

We are now in a period of expanded consciousness in all the arts. NOW is the time to find out what’s wrong with your work, NOW, at least get an inkling of what other real people will think of it and how it communicates.

So: what we want is a place for artists—musicians, painters, poets, writers, film-makers—who are committed to their art and to the concept of community involvement to meet and work with one another in an open, warm, loving, supportive environment—a place for people to come together as equals in a community venture whose success depends solely upon those involved with it.”

In reality, the journey from 1996 has been back-breaking, and the record label has generated a mountain of debt. Everything I earn working as a Tour Manager goes into keeping Iron Man Records moving forward, and in doing so, I try to provide a platform and focal point for everyone involved with the label.

To-The-Gig

I manage to ensure that new records come out every year and during difficult times perhaps every two years. Without fail, Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. The label seeks to share what resources it has, and provides an alternative to the onslaught of pop culture and everything that goes with it. There has to be something that opposes the nonsense that we are surrounded by every day, there has to be a meeting place and platform for those that demand an alternative. There has to be a mechanism to share contacts, resources and ideas.

I don’t expect everyone to like what the record label releases, but at least the label gives you a choice. You don’t have to buy everything from “the man” and you don’t have to work for “the man” either. As the saying goes: “We may never defeat these swine, but we don’t have to join them.” There’s always another way, and for Iron Man Records and the musicians, artists and writers it works to support “the show must go on, by any means necessary…..or until we are all eliminated”

Sound-System

I can handle the logistics of running Iron Man Records by myself but I could use some help in releasing more Vinyl. At a time when “ownership” of music is becoming less important, and digital services are making “access” a much easier way of listening to more music than ever before, we have been left with a problem to solve.

How can the record label continue to release physical records by artists for people to “buy,” at a time when anyone, with any money left, can “access” more music for free, or at a fraction of the price, using streaming digital services?

We all know how to google an album, or a song, and find it for free. We’ve all done it. We all know how to access music on social networks for free, and through Streaming services like Spotify. Some of us buy our music from download sites. I think its fair to say some of us listen to more music than ever before, and choose to only spend our money on music from our favourite groups.

Iron Man Records has invested a lot of time and effort into making every release available through as many digital services as possible ensuring all the artists get a chance to be heard.

You can find all releases from Iron Man Records on iTunes, Apple Music, YouTube Music Key, Spotify, Amazon Music, Google Play, Deezer, Groove, Rhapsody, eMusic, Simfy Africa, iHeartRadio, MixRadio, MediaNet, VerveLife, Tidal, Gracenote, Shazam, 7Digital, Juke, JB Hi-Fi, Slacker, Guvera, KKBox, Akazoo, Anghami, Spinlet, Neurotic Media, Yandex, Target Music, ClaroMusica, Zvooq, Saavn, 8tracks, NMusic, Q.Sic and others.

From the stats, it is clear that plenty of people want to listen to the music Iron Man Records produces, but they don’t always want to pay for it. Many people want music as cheap as possible, and ideally for free. They would rather have access to music, than ownership of music. Fair enough, I can accept that, enjoy the music the way you want it. But how can the artists be supported to produce more work if people want “access” rather than “ownership?”

It makes me laugh when you hear people talking about how they won’t buy music from Amazon because Amazon doesn’t pay its workers a fair wage, and then get drawn into a discussion about what sites to use to find music for free without having to use Amazon.

People forget that starving musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians have to plan and finance the costs of touring to promote their music by themselves. Musicians also need to eat and have a roof over their head, and I do too. Some of the more popular releases on Iron Man Records might achieve 23,000 streams over a five year period but only sell about 60 downloads. In the same period they may only sell about 150 physical copies on cd and even less on vinyl. I read recently that 1,500 streams can equal one album sale. If that statistic is correct, in order to sell 1,000 albums, you need to generate 1,500,000 streams. That sounds ridiculous to me. It’s a strange time for music if you are operating independently. There’s not much money coming in from sales here at Iron Man Records yet more people are listening to the music Iron Man Produces than at any time previously.

These days, it’s interesting to note that many musicians would probably earn more per hour, packing boxes and packages for Amazon, even on the poor wages that Amazon pays, than at most gigs they end up playing. But lets move on, you get the point. It’s a tough time for musicians and artists, and you have to be mad to carry on against such odds that are always stacked against you.

Where does Iron Man Records find itself in the digital world?

Streaming is taking off and I have always loved vinyl as a format. I want to return to making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. It’s madness in the current economic climate, but a little bit of madness is just what is required.

It is clear to me that if you can produce anything of value in terms of your music, a digital version is necessary so people can access and even download your music on their mobile devices. But if you are serious about your music, you must release it on Vinyl so the really passionate fans of your music, can get a copy to add to their collection and enjoy when they are at home.

Iron Man Records is capable of releasing records and making them available worldwide across pretty much every digital platform. Producing CDs of each release is also affordable within the context of selling physical copies, sending out to press and radio and keeping things ticking over. Vinyl however, is a little bit tricky.

Producing a record on Vinyl is about three times more expensive than producing a cd, which means you have to sell three times more records to recover the upfront costs. So something has to give.

This year has been tough for Iron Man records, income from selling physical sales has continued to decline. In fact physical sales of everything both CD, Vinyl and DVD has steadily declined year on year since 2004 when I started keeping a record. Habits are changing all the time and the market is choosing to access music rather than own music. Times are changing and either Iron Man Records changes too, or it’s game over.

Where am I going with this? I want you to sign up or subscribe to insanity.

Immanentize

I want to start releasing records on Vinyl again and I need help reducing the front end costs. I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself. What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl. In exchange for help and support, you will get a copy of everything the label produces, as it becomes available. Supporters will get access to digital files of everything, so you can listen on portable electronic devices, and you will get all sorts of other benefits. For example: free stuff from the Iron Man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along. There is method to the madness and all you have to do is join in.

I would like to think that if you like what Iron Man Records does, if you would like to encourage the label to produce all releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put together a page on Patreon https://www.patreon.com/ironmanrecords which I think is an interesting way to raise money. This will help produce Vinyl in small quantities and to the highest standards with regards to artwork and packaging. Patreon lets you make recurring monthly donations and thereby helps to reduce the upfront costs of producing music on vinyl.

Anyone who donates will get a copy of the vinyl produced and a number of other benefits. Anything from £1 a month or more is actually really helpful, and knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive, and to make more music.

Let me be clear: Iron Man Records is not in the pop business. In fact it’s just not in business. The debts are what it’s worth. The label is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a Record to sell, at their gigs, that people would love to buy.

Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really. Life isn’t just about computers, mobile phones and social networking. There has to be an alternative.

Have a look here and any comments, good or bad are invited.

Mark – Iron Man Records

Believe-Nothing

Become A Patron of Iron Man Records

October 23, 2015

Iron Man Records - Vinyl 12" and 10" LPs

Support Iron Man Records creating Record Releases on Vinyl.

As a Patron we invite you to be the first to hear new releases and you will be sent special updates and news. You will have unlimited access to the Iron Man Records Sound Cloud account and you will be able to choose any T-shirt, CD, or vinyl of your choice from the Iron Man Shop.

WAV files of all new releases will be sent out using a file transfer service.

Stickers, artwork and any other limited items of interest will be offered to you first as they become available. You will also get free tickets to special events.

You may also be first to get an invite to be driven round the M25 for 25 hours on the weekend of Gimpo’s M25 25 hour spin. Fuel and Vehicle included but sanity is up to you.

As a patron, you will join a highly valued group, committed to supporting the future release schedule of Iron Man Records, and will enjoy a copy of everything produced on Vinyl with your support.

Your donation as a Patron will directly support our creative programme of releasing music on Vinyl and will allow us to work with and champion artists, music, ideas and creativity.

To Become a Patron of Iron Man Records go here

Thank You

Mark – Iron Man Records, 23rd October 2015

5-Seconds

Iron Man Records would like to release more music on Vinyl. You are invited to get Involved.

October 16, 2015

Iron Man Records - Vinyl 12" and 10" LPs

I want to invite you to support Iron Man Records releasing more music on Vinyl via Patreon.

A small donation of something like $1 a month could help Iron Man Records release some of the recent CD and Digital releases on Vinyl.

Here is a list of recent releases that could be made available on Vinyl with your help:

Police Bastard - Dead To The World final 1600x1600

IMB6020 POLICE BASTARD – Dead To The World – Digital Release (23rd November 2015)

M:CAD DrawingsKey ProductionGKA94675 CD 4pp GF Softpack 2 x P

IMB6021 POLICE BASTARD – Confined CD / Digital 2013

John Sinclair - Mohawk CD front

IMB6022 JOHN SINCLAIR – Mohawk CD / Digital 2014

Death To Fanatics FRONT 1600x1600px

IMB6023 DEATH TO FANATICS – Iron Man Records 1999-2014 compilation CD 2014

TC Lethbridge - Moon Equipped 1600x1600

IMB6027 T.C. Lethbridge – Moon Equipped – Digital Release (23rd November 2014)

TC Lethbridge - 2000 TC 1600x1600

IMB6028 T.C. Lethbridge – 2000 TC – Digital Release (23rd November 2014)

TC Lethbridge - Mina 1600x1600

IMB6029 T.C. Lethbridge – Mina – Digital Release (23rd November 2014)

Iron Man Records invites you to contribute to reducing the costs of producing albums on Vinyl. In exchange for your help, you will get a copy of everything the label produces, as it becomes available. Supporters will get digital files of everything, so they can also listen on portable electronic devices. You will also get all sorts of other benefits like free stuff from the iron man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along.

If you like what Iron Man Records does, if you would like to encourage the label to produce new releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put a page up on Patreon here https://www.patreon.com/ironmanrecords

I think it is an interesting way to raise additional sums of money. This will help produce Vinyl in small quantities and to the highest standards. Patreon lets you make recurring monthly donations and helps to reduce the upfront costs of producing Vinyl.

Anyone who donates will get a copy of the Vinyl produced and a number of other benefits. Anything from $1 a month or more is actually really helpful. Knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive.

Iron Man Records is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a good record to sell.

Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really, life isn’t just about computers and social networking. There has to be an alternative. You have to make the world you want to live in.

A small donation could help Iron Man Records to release more music on Vinyl

October 5, 2015

I want to invite you to support Iron Man Records releasing more music on Vinyl via Patreon.

Police Bastard

I have been running Iron Man Records since 1996. I have never earnt anything, of any significance, from the work I have done so far, and neither have the bands. In fact the debts are what the label’s worth. It has been a true labour of love, and I like to think the music has made a lot of people happy. The label has released over 30 records by some fantastic bands and artists and continues to work hard on a daily basis. Iron Man Records wants to make all new releases from the label available on Vinyl and you are invited to help.

Iron Man Records - Vinyl 7" singles

The journey has been back-breaking, and the label has generated a mountain of debt too. Everything I earn as a Tour Manager goes into keeping Iron Man Records moving forward. I manage to ensure that records come out every year and during difficult times perhaps every two years. But without fail, Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. The label seeks to provide an alternative to the onslaught of pop culture and everything that goes with it. There has to be something that opposes the nonsense that we are surrounded by every day, in every format.

I don’t expect everyone to like what the record label releases, but at least the label gives you a choice. You don’t have to buy everything from “the man” and you don’t have to work for “the man” either. There’s always another way, and for Iron Man Records and the musicians, artists and writers it supports “the show must go on, by any means necessary, or until we are all eliminated”

I can handle running Iron Man Records by myself but I could use some help with releasing Vinyl. At a time when “ownership” of music is becoming less important, and digital services are making “access” a much easier way of listening to more music than ever before, I have been left with a problem to solve.

Iron Man Records - Vinyl 12" and 10" LPs

How can I continue to release physical records for people to “buy,” at a time when anyone, with any money left, can “access” more music for free, or at a fraction of the price, using streaming digital services?  

We all know how to google an album or a song and find it for free. We’ve all done it. We all know how to access music on social networks for free, and through Streaming services like Spotify. Some of us buy our music from download sites. I think its fair to say some of us listen to more music than ever before, and choose to only spend our money on music from our favourite groups.  

Iron Man Records has invested a lot of time and effort into making every release available through as many digital services as possible. From the stats, it is clear that plenty of people want to listen to the music Iron Man Records produces, but they don’t want to pay for it, they want it as cheap as possible and ideally for free. Fair enough, I can accept that.

It always makes me laugh when you hear people talking about how they wont buy music from Amazon because Amazon doesn’t pay its workers a fair wage and then get drawn into a discussion about what sites to use to find music for free without having to use Amazon.  

People forget that starving musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians also have to plan and finance the costs of touring to promote their music all by themselves. Musicians also need to eat and have a roof over their head, and I do too.   These days, it’s interesting to note that many musicians would probably earn more per hour packing boxes and packages for Amazon, even on the poor wages that Amazon pays, than at most gigs they end up playing. But lets move on, you get the point.

Iron Man Records - Vinyl 12" and 10" LPs

Where does Iron Man Records find itself in the current digital world?

Streaming is taking off and dominating everything, people want “access” to more music and are very choosey about what music they actually want to “buy.” The CD in my view will be around for a while yet but, if you can already access the music as a digital file online either as a download, or a stream, why buy a CD as well? I have always loved vinyl as a format and I have reached the stage now where I want to start making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. To be fair, in the UK, not many people will buy the vinyl I produce, the real market for Vinyl is in places like Germany, or Czech Republic and other places in Europe who can’t get enough of it. Vinyl provides a good incentive for any band with Vinyl for sale to go and tour. And that’s what most of the bands on the label do when given the chance.

Some years ago I was talking with a friend in Czech Republic, while on tour with Police Bastard. He was talking about the state of music and he summed it up like this. “I google new bands and their music, and listen for free. If I find a band I like, I will find out where they are playing and go and see them live. If I like the concert I will buy their album on Vinyl even though I already have it as a digital file on my computer at home. The digital files are for listening to on my phone or sending to friends, the Vinyl is for my collection and I listen to it on my record player when I’m at home.

This friend was also the same person who booked Police Bastard to play, organised the promotion of the concert, cooked the food for the band and gave us a place to have a wash and sleep after the show. People like this are what makes being in a band worthwhile, they actually care enough about the music to do something to help.

It is clear to me that if you can produce anything of value in terms of your music, a digital version is necessary so people can access and even download your music. But if you are serious about your music, you must release it on Vinyl so the really passionate fans of your music, like our friends in Czech Republic, can get a copy to add to their collection and enjoy when they are at home.

Iron Man Records is capable of releasing records and making them available worldwide across pretty much every digital platform. Producing CDs of each release is also affordable within the context of selling physical copies, sending out to press and radio and keeping things ticking over.

Iron Man Records - Vinyl 12" and 10" LPs 

Vinyl however, is a little bit tricky. Producing a record on Vinyl is about three times more expensive than producing a cd, which means you have to sell three times more records to recover the upfront costs. I don’t think any of the bands are expanding their fanbase faster than the costs of producing their music on vinyl and no one wants to start putting prices up. So something has to give. Either the records are released as digital only, or the releases come out on CD first to test the market, or I have to find three times as much money upfront to release a record on Vinyl.  

This year has been a tough year, income from selling physical sales has continued to decline. In fact physical sales of everything both CD, Vinyl and DVD has steadily declined year on year since 2004 when I started keeping a record. Its not my fault or anything to do with the bands, the physical sales are declining because the market has a greater choice of music than ever before and what I am selling is becoming a smaller and smaller part of that market. Habits have changed and the market is increasingly choosing to access music to listen to via platforms like spotify rather than owning music via buying records to take home and play. Times are changing  and either Iron Man Records changes too or it’s game over.  

So where am I going with all this? Let me explain.  

Digital – I make every release through Iron Man Records available in a digital format and that is relatively cost effective and easy to do. From the stats at this end this is something people want, and a format that makes all the music the label has produced to date easy to access across digital platforms worldwide. As a record label that’s at least one job done that the bands don’t need to worry about themselves. I have yet to generate enough money through digital services to pay the bands any meaningful sum, but month by month the situation seems to be getting better. I remain hopeful for the future.  

CD – I have made every release through Iron Man Records available on CD right up to recent years and the boxes and boxes of unsold stock tell me that there is still a market for CDS but interest in physical CDs is steadily declining. Once I’ve sold the stock I’ve already got I doubt it will be replaced by more cds. 

Vinyl – I started out releasing records on Vinyl when I first started the label, over 18 years ago. To be honest I have still got half the stock of Vinyl I pressed all those years ago but that is probably more to do with the fact I pressed too many records in an enthusiastic, naive and hopeful state of mind.   What I am proposing to do is this. I want to start releasing records on Vinyl again but I need some help and support in reducing the front end costs of producing the Vinyl. I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself.

What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl. In exchange for help and support, they will get a copy of everything the label produces, as it becomes available. Supporters will get digital files of everything, so they can also listen on portable electronic devices, and they will get all sorts of other benefits. For example: free stuff from the iron man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along.  

I would like to think that if you like what Iron Man Records does, if you would like to encourage the label to produce all releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

Iron Man Records - Vinyl 12" and 10" LPs

I have put together a page on Patreon https://www.patreon.com/ironmanrecords which I think is an interesting way to raise additional sums of money. This will help produce Vinyl in small quantities and to the highest standards with regards to artwork and packaging. Patreon lets you make recurring monthly donations and thereby helps to reduce the upfront costs of producing music on vinyl.

Anyone who donates will get a copy of the vinyl produced and a number of other benefits. Anything from £1 a month or more is actually really helpful, and knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive, and to make more music.

Let me be clear: Iron Man Records is not in the pop business. In fact it’s just not in business. The debts are what it’s worth. The label is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a Record to sell, at their gigs, that people would love to buy. Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really, life isn’t just about computers and social networking. There has to be an alternative.

Have a look here and any comments, good or bad are invited.

Mark – Iron Man Records 5th October 2015.

Nightingales – Tour Dates in Europe September and October 2015

September 24, 2015

MAINLAND EUROPE

Wednesday 30th September: Ulm, DE – Cat Café
Thursday 1st October: Stuttgart, DE – Schocken
Friday 2nd October: St Gallen, CH – Palace
Saturday 3rd October: Ebensee, AT – Kino w/ Monochrome Set
Wednesday 7th October: Vienna, AT – Rhiz
Thursday 8th October: Budapest, HU – Durer Kert
Tuesday 13th October: Chemnitz, DE – Subway To Peter
Wednesday 14th October: Hamburg, DE – MS Stubnitz
Friday 16th October: Koln, DE – Night Of Surprise festival @ Stadtgarten w/ Holger Hiller

Buy Nightingales stuff: http://ironmanrecords.bigcartel.com/artist/nightingales

Read all about it: www.thenightingales.org.uk

Nightingales – Tour Dates Aug – Oct 2015

August 18, 2015

 

ENGLAND

Friday 28th August: Southend-on-Sea – The Railway
Saturday 29th August: Bury St Edmunds – Homegrown Festival
Sunday 30th August: Brighton – At The Edge Of The Sea Festival @ Concorde 2
Monday 31st August: London – Sebright Arms

Note venue change for London (Dublin Castle tickets still apply)

WEST COAST USA
w/ special guests – Surplus 1980

Friday 4th September: San Francisco, CA – Amnesia
Sunday 6th September: Los Angeles, CA – Echo Lounge
Monday 7th September: San Diego, CA – The Black Cat
Wednesday 9th September: Sacramento, CA – Starlite Lounge
Thursday 10th September: Eugene, OR – Old Nick’s Pub
Friday 11th September: Seattle, WA – Lo Fi
Saturday 12th September: Portland, OR – Panic Room

MAINLAND EUROPE

Wednesday 30th September:Ulm, DE – Cat Café
Thursday 1st October: Stuttgart, DE – Schocken
Friday 2nd October: St Gallen, CH – Palace
Saturday 3rd October: Ebensee, AT – Kino
Wednesday 7th October: Vienna, AT – Rhiz
Thursday 8th October: Budapest, HU – Durer Kert

Buy Nightingales stuff: http://ironmanrecords.bigcartel.com/artist/nightingales

Buy more Nightingales stuff: http://thenightingales.org.uk/shop/

Read all about it: www.thenightingales.org.uk
 

Iron Man Records – a Birmingham based Independent Record Label

July 15, 2015

Iron Man Records Logo for print

Iron Man Records is a Birmingham based independent record label, founded in 1996. The label has released recordings by: P.A.I.N, Police Bastard, John Sinclair, Nightingales, Steve Fly, TC Lethbridge, Dufus, Sensa Yuma, and Last Under The Sun, amongst others.

“Music has no flag, no government, no police. Nobody owns it, nobody controls it. Music crosses all borders of geography, language, culture and belief. Music brings people together…..” – Reasons Why

Iron Man Records is run by a Music Promoter and Tour Manager – Mark Badger and a Script writer and Lawyer with a music background – Kevan Tidy.

Mark Badger founded Birmingham Music Network, in 2000.  Since 1994, Mark has organised more than 1000 gigs around Birmingham as Badger Promotions. Additionally, Mark Badger is an active member of two Birmingham based bands: Last Under The Sun and Police Bastard.

Before joining Iron Man Records, Kevan Tidy was a musician and a songwriter. Kevan has worked as a lawyer for many years and can help aspiring inventors, film makers, writers, and musicians and has worked at all levels.

Iron Man Records offers a number of services from Releasing Music, Tour Management and Online Strategy to Legal Advice. The label works closely with several radio stations, including: Music World Radio and Radio Free Amsterdam to give good new music a chance to be heard.

Iron Man Records is about artistic freedom. The label demonstrates its approach by supporting musicians who have something to say and wish to produce music in their own time, and on their own terms.

– Magdalena Szytko, Birmingham, 2015

Iron Man Records - Advert 2015 For Web

Nightingales – Mind Over Matter – New LP May 2015

March 11, 2015

Nightingales - Mind Over Matter

NIGHTINGALES have a new album called MIND OVER MATTER
label LOUDER THAN WAR
cat # – LTW008
release date MONDAY 11 MAY 2015
distributor SOUTHERN RECORD DISTRIBUTION

The “misfits’ misfits” the Nightingales new album ‘Mind Over Matter’ is released on CD and as a limited edition 180g vinyl, gatefold sleeve LP by John Robb’s Louder Than War label on Monday 11 May. Like the band’s last three albums ‘Mind Over Matter’ was recorded in Germany at Hans-Joachim Irmler’s Faust Studio and produced by the ‘Gales bassist and Faust Studio house engineer Andreas Schmid.

The Nightingales were formed by former Prefects (Clash’s ‘White Riot Tour’, Peel favourites, etc) vocalist Robert Lloyd and recorded a bunch of albums and 45s in the 1980s – as well as playing shows throughout Europe as headliners and supporting acts as diverse as Bo Diddley and Nico – but stopped working when Lloyd decided to combine a ‘solo career’ with money earning manual labour.

Around a decade ago Lloyd chose to revive the ‘Gales but not as a nostalgia act performing old material for the entertainment of the affluent and ageing ex punk/indie brigade but as an uncompromising, confrontational contemporary group. His idea of what the band should be doing has taken time to come to fruition largely due to the coming and going of various mercenary, starry eyed, wastrel &/or part time musicians but during the recording of the ‘Insult To Injury’ album in 2008 Lloyd met Schmid who joined  the band and at last the group “got good” (R.Lloyd).

The Nightingales then “got great” when former Violet Violet drummer Fliss Kitson joined the group a year or so later prior to  recording the Cooking Vinyl album ‘No Love Lost’ in 2012. The Violets had been a regular support to the ‘Gales over the years and Lloyd had always been an admirer of Kitson’s playing so when that band split up and she agreed to become a Nightingale he was “made up” and finally the group was “proper”.

This line up (completed by original Prefect Alan Apperley on guitar) became a  top notch live unit and following the sold out, self released ‘For Fuck’s Sake’ LP in April ’14, the streamlined four piece Nightingales embarked on their most successful UK tour to date before writing the new album and recording in September at the end of a short tour of Germany and Austria.

‘Mind Over Matter’ is a short, sharp blast of melody, rhythm, irritation and humour. The group might play around but does not fuck about. They may indulge themselves but do not waste your time. They could be mad but are most certainly diligent.

To coincide with the album’s release the Nightingales will be recording a session for Marc Riley’s BBC 6 Music show on May 13 before touring the UK and Ireland from Friday 15 May – Thursday 4 June (gig list to follow). Further UK dates plus trips to West Coast USA and mainland Europe are currently being booked for later in the year and a compilation of covers of ‘Gales songs by various fans/artists is scheduled for release in the next twelve month

MIND OVER MATTER track listing:

1
For Goodness Sake, 
The Only Son, 
’The Man That Time  Forgot,’ 
Ripe Old Age
, Taffy Come Home, 
For Different Folks.

2
Stroke Of Genius,
 I Itch, 
But, 
Gales Doc
, Great British Exports, 
Bit Of Rough.

Nightingales + Ted Chippington Tour Dates

May
Fri 15 – Bristol, The Thunderbolt
Sat 16 – Derby, Hairy Dog
Sun 17 – Leeds, Brudenell Social Club
Mon 18 – Manchester, Kraak Gallery
Tue 19 – Liverpool, The Magnet
Wed 20 – Preston, New Continental
Thu 21 – Glasgow, Nice N Sleazy
Fri 22 – Edinburgh, Citrus Club
Sat 23 – Middlesbrough, Westgarth Social Club
Sun 24 – Scarborough, Corporation Club
Mon 25 – Lancaster, Yorkshire House
Tue 26 – Hull, Adelphi Club
Wed 27 – Shrewsbury, The Vaults
Thu 28 – Belfast, Voodoo
Fri 29 – Dublin, Fibber Magees
Sat 20 – Knutsford, Croft Farm

June
Mon 1 – Cambridge, Portland Arms
Tue 2 – London, The Lexington
Wed 3 – Margate, Tom Thumb Theatre
Thu 4 – Brighton, Hope & Ruin

You can buy Nightingales and Ted Chippington stuff here

also available:
Nightingales – Out of True
label Iron Man Records
cat # – IMB6017

Contender for gig of the year! – MOJO

One of the best live bands in the UK at the moment  – LOUDER THAN WAR

The surplus of ideas on display is nothing short of dizzying  –  THE FLY


Ace lyrics, riffs and ideas burst out from all angles – RECORD COLLECTOR


They genuinely sound more vital than ever – UNCUT
Utterly astonishing slice of genius  – ROCK & REEL


As original as it is uncompromising  – STOOL PIGEON

Droll, surly, ace, a proper rock & roll group  – MAIL ON SUNDAY

An astonishing, invigorating album of raging righteous attack – MOJO
Among the best song writers we’ve got – ARTROCKER


Worm their way into that itchy bit of the brain that so seldom gets scratched – GUARDIAN UNLIMITED


Utterly compelling– SILENT RADIO


Fiercely energised, it presents art-punk-rock ‘n’ roll almost as literary form – Q

A bristling torrent of ideas, anger, danceable rhythms and caustic melody – THE QUIETUS


Incendiary and uncompromising – FLIPSIDE

Tour Management Services

November 26, 2014

Luxury Splitter Vans for Hire- Driving You Crazy 2012

Iron Man offers Tour Management Services to bands and artists.

Tour Management – A professional solution for touring artists, providing a reliable service at a reasonable price. I can help organise the administration for a schedule of appearances, contacting each promoter or venue to ensure the clients technical and hospitality demands are met. I ensure the work remains within the budget. I will take care of the day to day planning and management of activities on the road, and any unforeseen issues or emergencies should they occur. Some recent clients have included: Seasick Steve, John Paul Jones, Madness, The Stone Roses, Killing Joke, Adam Ant, Roland Gift, Fatoumata Diawara, Talib Kweli, Little Barrie, House of Pain, Vagina Monologues, Ivo Papasov, Sierra Meastra.

Transfers – A simple and cost effective transfer service to or from the airport, the office, an exhibition, or an event.

Backline and Gear Moves – A reliable service to pick up or drop off backline, gear or trailers depending on your need. I use a suitable panel van, splitter van, or a Land Rover Defender, which will pull a Trailer (with a ramped load-on/off) capable of moving up to 2 tonnes of gear.

Email: mark@ironmanrecords.co.uk
Telephone: Mark (+44) 07974 746810

I can help with Merchandise, Production, Backline, Crew, Rehearsal, Recording, Press, Promotion, Online strategy and equipment storage.

From the point of pick up, to the final destination, your client is in safe hands. I offer a courteous and helpful service with an eye on safety and security. You and your clients can relax as I understand the importance or being discreet, reliable and friendly.

Safety and comfort is of utmost importance. All vehicles are always in a technically and optically perfect condition. Furthermore, all vehicles are non-smoking and undergo regular interior and exterior cleaning.

Email or Call for more info: Mark (+44) 07974 746810

Tour Management and Transfer Services

I can be found frequently in Birmingham, Cardiff and London.

Luxury Splitter Vans for Hire- Driving You Crazy 2012

Tour Management Services

Most of my work is based around Tour Management in the Music Industry but I have also worked with the Theatre and Film Industry.

I have played in all sorts of bands myself over the years, I’ve organised 1000’s of gigs as i used to put on regular shows in Birmingham, I’ve set up tours, managed bands, put together press kits, pr and promotion strategies, worked out online strategies for artists big and small, I run a record label, and I’ve dealt with all sorts of madness along the way. I have an understanding of most problems, pressures and issues that performers and their crew may face. I’ve taken a lot of people to a lot of gigs from living rooms, small venues, squats, warehouses, TV and Radio Stations to major music venues and festivals of all shapes and sizes.

I have a clean driving licence with a C1 and D1 which means I can tow trailers and drive any car, van or splitter.

Vehicles

I’m a freelance. I work for you, not the hire company. This means that if you employ me I can find you a good vehicle or trailer or anything else you might need so that’s less work you have to do. I can source Splitters, Gear vans, Cars, Minibuses…anything you might need.

Online Strategy

I have an active interest in internet and social media. If you’re interested in how I could help with your, or your artist’s on-line presence get in touch.

Rates

I charge per day. A day is 8 hours, after the first 8 hours I charge per hour. The hours run from when I collect the vehicle for the work until I return it.

Alternatively, I also charge a ‘set day rate’. This is negotiable, in advance of the work, depending on what you want me to do. Longer term clients tend to be on a set day rate, It works out cheaper and no one has to watch the clock.

I expect PDs and buyout/catering on any work where I’m away overnight, and buyout/catering on any day over 8 hours.

Some recent Artists / Clients

Seasick Steve, John Paul Jones, Madness, The Stone Roses, Mika, Killing Joke, Adam Ant, Roland Gift, Fatoumata Diawara, Anthrax, Modestep, Talib Kweli, Little Barrie, House of Pain, The Enemy, Friendly Fires, Crystal Castles, Bullet for my Valentine, The Orb, Barry Adamson, Vagina Monologues, Taio Cruz, Jay Reatard, Nightingales, Ivo Papasov, Sierra Meastra, Endbutt Lane, The Rakes, The Magistrates, Soulsavers, As I lay Dying, Roisin Murphy, Police Bastard, Dufus, Arrows, Ladytron, Son de la Frontera, Jeffrey Daniel, Johnny 2 Bad, XOVA, Johnny Foreigner and many others…..

(Long Wheel VW Crafter Splitter Van shown above is an example of the type of vehicle I most often use when working with Clients.)

The Nightingales – For Fuck’s Sake – New LP available April 2014

February 14, 2014

The Nightingales - For Fuck's Sake - New LP available April 2014

In September 2013 the Nightingales recorded a new album at Faust Studio in Germany.

Having been dumped by their fourth consecutive label, following the release of one album each, the group are self releasing the new LP on their own terms.

No interference or outside opinions, no label, no distributor, no catalogue number, no bar code or logo shit, blah blah.

“For Fucks Sake” is an 180g vinyl LP, containing twelve songs & comes packaged in a beautiful matt varnish gatefold sleeve (& inner bag) featuring five original art works by brilliant Scarborough based artist David Yates.

The LP is a limited edition of 600 copies & will be available for pre-order up until 9 April 2014, after which it will only be available at Nightingales gigs.

Download coupon included.

You can buy Nightingales CDs and Vinyl from Iron Man Records on eBay here or Big Cartel here

or Pre-order “For Fuck’s Sake” from the band themselves here http://nightingales.bigcartel.com/
UK – £18 inc p&p
Rest of the World – £21 inc mailing & paypal charges
From 9 April available at Nightingales gigs only

Side 1
Bullet For Gove
Diary Of A Bag Of Nerves
The Gruesome Threesome
Toasted On Both
The Abstract Dad
Good Morning & Goodbye

Side2
His Family Has Been Informed
Dumb & Drummer
Thick & Thin
Contempt
Same Old
Good Morning Midnight

NIGHTINGALES Live radio session – Marc Riley Show, BBC 6Music – Tues 15 April 19.00hrs

NIGHTINGALES + TED CHIPPINGTON – UK TOUR April 2014

Wed 9 – NORWICH, Arts Centre
Thu 10 – WOLVERHAMPTON, Slade Rooms + Jump The Shark
Fri 11 – BRISTOL, The Thunderbolt
Sat 12 – MARGATE, Tom Thumb Theatre
Wed 16 – CAMBRIDGE, Portland Arms + Kepler + Motor Tapes
Thu 17 – LONDON, The Borderline
Fri 18 – LIVERPOOL, East Village Arts Club
Sat 19 – SCARBOROUGH, The Spa Pub + Crumplehorns
Sun 20 – HULL, Adelphi
Mon 21 – DERBY, The Hairy Dog
Tue 22 – MANCHESTER, Kraak
Wed 23 – GLASGOW, Nice N Sleazy
Thu 24 – NEWCASTLE, The Cluny
Fri 25 – EDINBURGH, Citrus Club + Phil Vickers & The Leg
Sat 26 – BRADFORD, 1 In 12 Club + The Family Elan – Benefit for www.bradfordwomensaid.org
Sun 27 – BRIGHTON, Prince Albert + Helen McCookerybook

See www.thenightingales.org.uk for ticket info

FREE NIGHTINGALES DOWNLOADS
There are currently two free downloads from the ‘Gales ‘Covers Club’ available at http://thenightingales.bandcamp.com/

These two tracks are the group’s takes on songs by Joanna Newsom (“Book Of Right On”) and Christy & Emily (“Ghost”)

If you download a song you also become part of the Nightingales mailing list so you will get to hear about any band news before it is posted online

www.facebook.com/thenightingalesuk

https://twitter.com/@_Nightingales

Tour Management and Vehicle Hire

January 6, 2014

I work as a Tour Manager Email or Call Mark: (+44) 07974 746810

I can be found in or around Birmingham, Cardiff and London.

Luxury Splitter Vans for Hire- Driving You Crazy 2012

My work is based around Tour Management in the Music Industry but I also work with the Theatre and Film Industry.

I can help with: Merchandise, Production, Backline, Crew, Rehearsal, Recording, Press, Promotion, Online strategy and equipment storage.

Luxury Splitter Vans for Hire- Driving You Crazy 2012
Driving / TM Services

I have played in all sorts of bands myself over the years, I’ve organised 1000’s of gigs as I used to put on regular shows in Birmingham, I’ve set up tours, managed bands, put together press kits, PR and promotion strategies, worked out online strategies for artists big and small, I run a record label, and I’ve dealt with all sorts of madness along the way. I have an understanding of most problems, pressures and issues that performers and their crew may face. I’ve taken a lot of people to a lot of gigs from living rooms, small venues, squats, warehouses, TV and Radio Stations to major music venues and festivals of all shapes and sizes.

I have a clean driving licence with a C1 and D1 which means I can tow trailers and drive any van or splitter.

Vehicles

I’m a freelance. I work for you, not the hire company. This means that if you employ me I can find you a good vehicle or trailer or anything else you might need so that’s less work you have to do. I can source Splitters, Gear vans, Cars, Minibuses…anything you might need.

Online Strategy

I have an active interest in the internet and social media. If you’re interested in how I could help with your, or your artist’s on-line presence get in touch.

Rates

I charge per day. A day is 8 hours, after the first 8 hours I charge per hour. The hours run from when I collect the vehicle for the work until I return it.

Alternatively, I also charge a ‘set day rate’. This is negotiable depending on what you want me to do. Longer term clients tend to be on a set day rate, It works out cheaper and no one has to watch the clock.

I expect PDs and buyout/catering on any work where I’m away overnight, and buyout/catering on any day over 8 hours.

Some recent Artists / Clients

Seasick Steve, John Paul Jones, Madness, The Stone Roses, Mika, Killing Joke, John Sinclair, Adam Ant, Roland Gift, Fatoumata Diawara, Anthrax, Modestep, Talib Kweli, Little Barrie, House of Pain, The Enemy, Friendly Fires, Crystal Castles, Bullet for my Valentine, The Orb, Barry Adamson, Vagina Monologues, Taio Cruz, Jay Reatard, Nightingales, Ivo Papasov, Sierra Meastra, Endbutt Lane, The Rakes, The Magistrates, Soulsavers, As I lay Dying, Roisin Murphy, Police Bastard, Dufus, Arrows, Ladytron, Son de la Frontera, Jeffrey Daniel, Johnny 2 Bad, XOVA, Johnny Foreigner and many others…..

(Long Wheel VW Crafter Splitter Van shown above is an example of the type of vehicle I most often use when working with Clients.)

Nightingales – "Out Of True" in 2014

January 4, 2014

Born out of Birmingham’s original punk group The Prefects, the Nightingales have stubbornly ploughed their own furrow in the field of alternative rock n roll for three decades. 2006 saw the release of “Out Of True” on Iron Man Records and the return of a reformed Nightingales after some years away. The band have not wasted much time since then and yet another new album is on the way for 2014.

Nightingales - Out of True

Buy Nightingales CDs here: http://ironmanrecords.bigcartel.com

The new album, which remains secret for now, was recorded at Faust studio in September 2013 for release in spring 2014. There will be a vinyl lp and the record label & title will be confirmed soon.

The band hope to announce tour dates for UK/Europe for  April and May and some Festivals to be confirmed for over the summer/autumn 2014.

There may be some United States dates in Sept/Oct time too.

Nightingales are planning a 7″ 45rpm to be released at some point & another album to be recorded later in the year for early 2015 release.

Described in John Robb’s definitive post punk biography ‘Death To Trad Rock’ as “the misfits’ misfits”, the band has constantly garnered praise and respect from other artists and received endless glowing press reports, particularly for their live shows. Led by singer/lyricist Robert Lloyd (‘The most underestimated songwriter of his generation’ according to Ben Thompson in the Independent) the latest incarnation of the Nightingales are back again with a new album recorded at Faust studio in September 2013 for release in spring 2014. There will be a vinyl lp and the record label & title will be confirmed soon.

Birmingham’s original punk group The Prefects had been part of The Clash’s ‘White Riot Tour’, recorded a couple of Peel sessions, released a 45 on Rough Trade and, years after splitting up, had a retrospective CD released by NY label Acute Records to all round glowing reviews – from Rolling Stone to webzines.

The Nightingales was formed by former members of The Prefects following that band’s demise in 1979.

With an ever fluctuating line up, based around lyricist/singer Robert Lloyd, the Nightingales enjoyed cult status in the early ’80’s as darlings of the credible music scene and were championed by John Peel, who said of them – “Their performances will serve to confirm their excellence when we are far enough distanced from the 1980’s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans”.

The group recorded a bunch of critically acclaimed singles (Almost always ‘Single Of The Week’ in the music press) and three albums, plus many radio sessions for their great supporter Peel – more than any other band bar The Fall. They also regularly toured the UK and Northern Europe, as headliners and supporting acts as diverse as Bo Diddley and Nico.

In the late Eighties the Nightingales stopped working but, following the occasional gig between times, they re-grouped in 2004, with Lloyd being joined by original Prefects guitarist Alan Apperley.

Since restarting the group have been more productive than ever – releasing five 7″ vinyl singles and three studio albums (Plus two live ‘bootleg’ albums), touring England, mainland Europe and USA numerous times, recording many radio sessions along the way. They have been invited to play various festivals in Europe and the States, including Glastonbury and SXSW. Their “Let’s Think About Living” 45 was ‘Single Of The Week’ on BBC 6 Music and they have continued to receive regular rave reviews for their records and live shows.

2006 saw the release of “Out Of True” on Iron Man Records and the return of a reformed Nightingales after some years away. In 2008 the band recorded “Insult to Injury” produced by Hans Joachim Irmler of krautrock legends Faust which was released in 2009 on Irmler’s Klangbad label. “The Lost Plot”, an Irmler produced 10″ EP was released to coincide with the band’s Euro tours in 2011.

“No Love Lost” was also recorded at Faust Studio in Germany but this time self produced and was released in April 2012.

small selection of recent press:

Nothing could have prepared for the astonishing revelation of Robert Lloyd’s Nightingales… The cumulative effect is one of euphoric delight, of old knowledge in the hands of new disciples. “Dig the depth of the furrow of mirth that I can plough,” sings Lloyd on The Overreactor. Tonight The Nightingales hit an epic new low. Catch them when they’re at it again – MOJO, UK

The Nightingales have always been simply a great rock ‘n’ roll band and 32 years on they’re right at the top of their game – THE STOOL PIGEON, UK

The Nightingales – they’re back and they’re marvellous – MARC RILEY/BBC 6 MUSIC, UK

Nightingales are unreal. The level of playing and songwriting after their post-punk hiatus is unparalled by any of their generational comeback cohorts – TERRE T/WFMU, USA

With The Fall getting Lifetime Achievement awards and Gang Of Four canonised it is long past time the wayward genius of Robert Lloyd and his cohorts was recognised – RECORD COLLECTOR, UK

Rock & Roll at its best – SUDDEUTSCHE ZEITUNG, GERMANY

Consistently excellent, the Nightingales are back, as ferociously sardonic as ever. Nice to see them still mad, still funny, still wrecking the furniture after all these years. – DUSTED, USA

Shows just how poor these skinny jeaned little shits currently doing the rounds really are. – TASTY, UK

The Nightingales in Southend on Friday jetted in to my top ten gigs of all time – PHILL JUPITUS/BBC 6 MUSIC, UK

Forget all these NME Band of the Week types, who make out they don’t care, they won’t compromise, etc, whilst wearing the same indie uniform and churning out the same tired old riffs. They don’t need your attention. The Nightingales do. Because rock ‘n’ roll rarely gets as uncompromising as this – PLASTELIN, SERBIA

The Nightingales revisited their past and offered up the future. Still stunningly relevant – LONDON EVENING STANDARD, UK

The Nightingales subjugate a rapt and breathless audience with a performance of sinewy magnificence – DAILY TELEGRAPH, UK
Tuesday night at the Cake Shop in NYC. One of the best shows I’ve seen in years. Jangly, angsty, angular, punk, post-punk, just rock and roll, whatever, they destroyed – DAN SELZER/ILXOR, USA

The Nightingales have been responsible for some of the most genuinely innovative minority music of the past three decades. – THE QUIETUS, UK

They sound wired, edgy, boozy and as dangerous as ever, like a new band full of that energy that comes with those first moves and not a band who’ve been doing this since the start of punk. Robert Lloyd really shouldn’t be this good after all these years, should he? – THE ORGAN, UK

Boozy and deranged, Insult to Injury is how the new Franz record ought to sound – VICE, UK

This is a living, breathing beast of an album – ARTROCKER MAGAZINE, UK

This is their fiercest, most lacerating album yet, better by a good margin than the mid-1980s Pigs on Purpose…and that was excellent – BLURT, USA

Their freshest and most subtly intoxicating work to date – OBSERVER MUSIC MONTHLY, UK

The new album from the ‘Gales is their finest for 27 years. Start here and work backwards – SUNDAY TIMES, UK

Unlovable as ever. The Nightingales remain hard work for precious little gain – MOJO, UK

“The new album by Nightingales is brilliant. One of the fiercest and most exhilarating rock records I’ve heard in ages.” Andrew Male, MOJO

Nightingales ‘No Love Lost’ cd/dd – Cooking Vinyl – Released April 30th 2012 – Press Report March 30th 2012

www.thenightingales.org.uk
www.facebook.com/pages/The-Nightingales/8860762012
http://twitter.com/_Nightingales

Buy Nightingales CDs here: http://ironmanrecords.bigcartel.com

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