The Full Cosmic Trigger Experience 22nd/23rd November 2014 Find The Others Conferestival Performance, Speakers, Art, Music Cinema, Rituals, Workshops, poetry, Quizzes, Stalls, Discordian Papal Ball. Prof. Robert Temple, Robin ince, Nina Conti, Youth, Adam Gorightly, Johnny "Dolphin" Allen, C.J. Stone, John Higgs, Dr. David Luke, Greg Sams, Jeff young, Liverpool Impropriety, TC Lethbridge, DJ Kin, Michael Brunstrom, Dr. david david Bramwell, John Constable, Salena Godden, Jacqueline Genie, Adrian reynolds, Jamie Reid, Jimmy Cauty. Camp and furnace, Liverpool L1 0BY 14:23-02:23 Sat 22nd november 2014 (Play and Ball) 11:23-23:23 Sun 23 Nov 2014 (Conferestival) Tickets £69 (full weekend = play and ball and festival) Phone The Everyman box office: 0151 709 4776…
art
Video by CHU on the making of 360 degree artwork for "Mohawk" by John Sinclair
"I sketched the entire world and digitised it inside Google's Sketchup, where this three dimensional, three hundred and sixty degree artwork could spring to life. This sketch can be viewed from almost anywhere and the result is a multi-dimensional drawing - a million sketches worth. When making a normal two dimensional drawing, changing the viewpoint requires a completely new sketch - this way, the sketch allows plenty of freedom for the viewer and there are a sickening amount of permutations. This economy in the production stemmed from the need to pay tribute to, as close as possible, the location and setting for the photoshoot on the cover of Thelonius Monk's Undeground…
Video by CHU on the making of 360 degree artwork for "Mohawk" by John Sinclair
"I sketched the entire world and digitised it inside Google's Sketchup, where this three dimensional, three hundred and sixty degree artwork could spring to life. This sketch can be viewed from almost anywhere and the result is a multi-dimensional drawing - a million sketches worth. When making a normal two dimensional drawing, changing the viewpoint requires a completely new sketch - this way, the sketch allows plenty of freedom for the viewer and there are a sickening amount of permutations. This economy in the production stemmed from the need to pay tribute to, as close as possible, the location and setting for the photoshoot on the cover of Thelonius Monk's Undeground…
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