John Sinclair – Beatnik Youth (Double CD) 8th September 2017

March 15, 2017

John Sinclair - Beatnik Youth

John Sinclair – “Beatnik Youth” on Double CD
Released 8th September 2017 by Iron Man Records.

All Press enquiries to Sean Newsham : sean@mutante.co.uk

Catalogue Number: IMB6032

Release date: 8th September 2017

Label: Iron Man Records

Distribution: Cargo

Disc 1

  1. Testify (9.10)
  2. Good Stuff (4.32)
  3. Everybody Needs Somebody (7.09)
  4. Change My Life (5.14)
  5. Ain’t Nobody’s Business (3.36)
  6. My Buddy (5.13)
  7. That Old Man (3.53)

Disc 2

  1. Brilliant Corners (11.29)
  2. Culture Cide (11.38)
  3. Red Dress (Ruby My Dear) (6.25)
  4. Sitarrtha (6.16)
  5. Do It (6.16)
  6. War On Drugs (6.18)

John Sinclair, the renegade poet, scholar and cultural revolutionary releases “Beatnik Youth” on 8th September 2017 on Iron Man Records. The double CD contains over 80 minutes of music from the restless creative mind of Youth, with some fine spoken word and poetry delivered by John Sinclair.

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today continues his work for cultural transformation.

Youth is one of the UK’s most influential producers and has been honoured, with an Outstanding Contribution Award by the Music Producers Guild. His career spans more than 30 years and is one of the UK’s most consistent, credible and influential producers.

John Sinclair - Beatnik Youth

You can pre-order the Double CD, Vinyl and T-shirt here: http://ironmanrecords.bigcartel.com/artist/john-sinclair

From Detroit to New Orleans and from Los Angeles to Amsterdam, John Sinclair is still the king-size, psychedelic old-gangster poet, a living legend, a veteran of the counterculture, a survivor of the Marijuana Wars, and one of the last bohemians still standing. As a co-founder of the Detroit underground newspaper The Fifth Estate, manager of MC5, and Chairman of the White Panther Party described on Wikipedia in these modern times as a far-left, anti-racist, white American political collective founded in 1968 and dedicated to cultural revolution his mark on the boho rock & roll underground has been unique.

In 1969, with Richard Nixon in the White House, Vietnam in chaos in the wake of the Viet Congs near-suicidal Tet Offensive, and American cities still scared and scarred from urban riots, even the comparatively harmless agitprop pranks of White Panther cultural revolution had those in power reaching for their metaphoric and sometimes actual revolvers. Authorities remembered how John had organized the MC5 playing outside the 1968 Democratic National Convention in Chicago, the only band actually able to perform before Mayor Daley’s rabid police department violently derailed the massive anti-Vietnam war rally with teargas, billy clubs, and helicopter support.

John was deemed a danger to society and set up like a bowling pin. After handing a couple of joints to a hassling hippie who turned out to be an undercover narcotics agent, John found himself on the bad end of a ten year jail term. At the same time though he became a cause celebre. Free John Sinclair became one more battle cry in an embattled era. Protests, propaganda, and a giant concert in Ann Arbor headlined by John Lennon and Yoko Ono ultimately resulted in John’s release in November 1971. Lennon even wrote a song about him called ‘John Sinclair’ which he included on his ‘Sometime In New York City’ album.

In common with much that happens with John, a meeting with producer Youth (Paul McCartneys ‘Fireman’, Primal Scream, The Verve etc & Killing Joke bass player) that sowed the creative seeds was a matter of stoned synchronicity. As former Track Records boss Ian Grant tells it, Alan Clayton told me he had John Sinclair coming round tomorrow. I said “The John Sinclair?” One night Zodiac (Mindwarp) was on the bill with the Dirty Strangers and Youth was very taken with John. “I want to make a jazz album with John” he said. Since then, the two met at Youths house whenever he was home, and when John was in the country, and recorded the album.

And through the course of those recordings John, always so associated with the 1960s, took a serious step into the ways of the 21st century, with the same intoned poetry, but with melodic backing vocals, highly inventive production, even a nod to hip-hop, but still remembering his first loves of blues, be-bop, and classic rock & roll.

Beatnik Youth is one more step in the Big Chief’s long zig-zag trip that seems set to continue all the way to the far blue horizon. Summing up John Sinclair, you can only say with certainty that the beatnik goes on.

Youth

Youth has been responsible for numerous hits from artists including The Verve, Embrace, Echo and the Bunnymen, Crowded House, The Orb, Sir Paul McCartney and The Charlatans. Among his recent projects was the co-production of Pink Floyd‘s final and largely instrumental album, The Endless River. Youth also remixed David Gilmour‘s current solo album, Rattle That Lock. The Verve’s Urban Hymns brought Youth a BRIT Award for Producer of the Year after three consecutive years of nomination.

Youth says “I’m very proud of the longevity of work on Killing Joke and The Orb, how those recordings still sound fresh… and what I’ve done with The Verve and Richard Ashcroft, and Paul McCartney (The Fireman) and Pink Floyd. It’s only really working with those guys, with my insecurities, that I felt as though I could go, ‘yeah, I am a producer’.” His “university” was Killing Joke after he left school, and it “doesn’t really get more intense than that”.

As a young musician Youth, whose real name is Martin Glover, cut his teeth doing bass sessions for Adrian Sherwood productions and for artists such as Kate Bush whose phenomenally successful Hounds of Love album had Youth on bass. He was also a founder member and bassist of the band Killing Joke. After leaving Killing Joke (and a short experiment with the band Brilliant, managed by Bill Drummond and featuring June Montana, Jimmy Cauty and other key innovators of electronic and indie dance music), Youth began working with Alex Paterson and Cauty as The Orb, a collaboration that was responsible for the introduction of chill-out ambient house music.

Cauty and Drummond eventually moved on to form The KLF, leaving Youth and Paterson to experiment extensively in the post punk British dance music and Acid House scene. This led to the release of two classic albums as The Orb – U.F.Orb and Adventures Beyond The Ultraworld, which incorporated Little Fluffy Clouds, a track that defined ambient house and chill-out and brought these genres firmly into the mainstream.

Youth’s skills as a producer were now being noticed by a much wider audience, not least because of his remix work with band like Siouxsie and The Banshees, Malcolm Maclaren, A Guy Called Gerald, Fine Young Cannibals, Marc Almond and U2. In 1993, he collaborated with Sir Paul McCartney who had developed an interest in remix culture. This resulted in Strawberries Oceans Ships Forest, an ambient album – and the first of three critically acclaimed albums – released under the name of The Fireman.

Over the years, Youth has notched up a staggeringly large and varied list of production and remix credits for artists such as Yazz, James, Primal Scream, Gun’s N’ Roses, Blue Pearl, Art of Noise, P.M. Dawn, Shack, De La Soul, Erasure, Beth Orton, Bananarama, Maria McKee, Suns of Arqa, The Shamen, Kool and the Gang, Texas, Pete Murphy, Tom Jones and Dido. He remains tireless in his quest for inspiration, excellence and innovation in recording great music and also finds time to paint, illustrate and publish poetry.

John Sinclair

John Sinclair the White Panther firebrand who stoked the MC5’s insurrectionary manifesto has roots that stretch back to jazz and the beats, as a writer, avant-garde champion and poet. John has travelled the world, collaborating with like-minded souls; a living embodiment of the original free spirit that fought to emancipate a generation, one of the few still flying the freak flag.

Since the early 90s, Sinclair has released albums of his poetry, but Beatnik Youth is possibly some of John Sinclair’s best work to date.

This poorly served generation needs it: that militant energy which released the bats in the 60s is crucially booted into the 21st Century in a riotous celebration of personal freedom, cultural trailblazers and marijuana.

The following Iron Man Records Patrons have made this release possible:

Suzy Tweddle, Deborah Ritchie, Scott Roe, Margaret Calleja, Thomas Rathgeber, Dan, Lee Parsfield, Chris Scales, Muir Mathewson, Michael Howe, Jonathan Harris, Dave Barnard, Bill Fadden, Mike Burgess, Jachim Palm, Lyle Bignon, Thomas Burke, Ben Cartlidge, Matt Grimes, Toby Conyers, Chris, Andy Cavendish, Steve Wyatt, Andrew Dubber, Frank Knoblich, Vaughan Roberts, Ian Robertson, Marcus H….

Become a Patron too https://www.patreon.com/ironmanrecords

John Sinclair – Beatnik Youth Ambient (500 copies on Vinyl) 28th July 2017

March 15, 2017

John Sinclair – “Beatnik Youth Ambient” on Vinyl.
by Iron Man Records.

Pre-order the Vinyl here: http://ironmanrecords.bigcartel.com/artist/john-sinclair

All Press enquiries to Sean Newsham : sean@mutante.co.uk

Catalogue Number: IMB6033

Barcode: 5060132273319

Label: Iron Man Records

Release Date: 28th July 2017

Distribution: Cargo

Side A

Do It (6:16) Recitation – John Sinclair, Music – Youth, Mix – Youth and Michael Rendall

Brilliant Corners (11.29) Recitation – John Sinclair, Produced by Youth

Side B

War On Drugs (6:18) Recitation – Howard Marks, Music – Youth, Mix – Youth and Michael Rendall

Sitarrrtha (9:19) Recitation – John Sinclair, Produced by Youth

John Sinclair, the renegade poet, scholar and cultural revolutionary will release “Beatnik Youth Ambient” on Iron Man Records. The record is over 30 minutes of ambient, chill out music from the restless creative mind of Youth with some fine spoken word and poetry delivered by John Sinclair.

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today continues his work for cultural transformation.

Youth is one of the UK’s most influential producers and has been honoured, this year, with an Outstanding Contribution Award by the Music Producers Guild. His career spans more than 30 years and is one of the UK’s most consistent, credible and influential producers, Youth has also hand drawn the beautiful cover artwork.

The record features 4 ambient tracks including 2 tracks completed in late 2015. Do it and War on Drugs were composed and produced by Youth with words By John Sinclair and Howard Marks. John Sinclair presents some illuminating words of wisdom on the life of the artist in the opening track Do It, while Howard Marks delivers some lost last words in War on Drugs on side B. The Mood is maintained by 2 extra ambient tracks taken from the Beatnik Youth album simultaneously released by Iron Man Records on Double CD. The free-form cinematic Brilliant Corners is a homage to Kerouac, Ginsberg and Burroughs and the smokily atmospheric Sitarrtha reflects on the work of John Coltrane.

The record is a smoker’s dream with the 4 ambient tracks clocking in at just over 30 minutes.

LP-3.5mmSPINE_GZ.qxd

You can pre-order the Vinyl, Double CD and T-shirt here: http://ironmanrecords.bigcartel.com/artist/john-sinclair

From Detroit to New Orleans and from Los Angeles to Amsterdam, John Sinclair is still the king-size, psychedelic old-gangster poet, a living legend, a veteran of the counterculture, a survivor of the Marijuana Wars, and one of the last bohemians still standing. As a co-founder of the Detroit underground newspaper The Fifth Estate, manager of MC5, and Chairman of the White Panther Party described on Wikipedia in these modern times as a far-left, anti-racist, white American political collective founded in 1968 and dedicated to cultural revolution his mark on the boho rock & roll underground has been unique.

In 1969, with Richard Nixon in the White House, Vietnam in chaos in the wake of the Viet Congs near-suicidal Tet Offensive, and American cities still scared and scarred from urban riots, even the comparatively harmless agitprop pranks of White Panther cultural revolution had those in power reaching for their metaphoric and sometimes actual revolvers. Authorities remembered how John had organized the MC5 playing outside the 1968 Democratic National Convention in Chicago, the only band actually able to perform before Mayor Daley’s rabid police department violently derailed the massive anti-Vietnam war rally with teargas, billy clubs, and helicopter support.

John was deemed a danger to society and set up like a bowling pin. After handing a couple of joints to a hassling hippie who turned out to be an undercover narcotics agent, John found himself on the bad end of a ten year jail term. At the same time though he became a cause celebre. Free John Sinclair became one more battle cry in an embattled era. Protests, propaganda, and a giant concert in Ann Arbor headlined by John Lennon and Yoko Ono ultimately resulted in John s release in November 1971. Lennon even wrote a song about him called ‘John Sinclair’ which he included on his ‘Sometime In New York City’ album.

In common with much that happens with John, a meeting with producer Youth (Paul McCartneys ‘Fireman’, Primal Scream, The Verve etc & Killing Joke bass player) that sowed the creative seeds was a matter of stoned synchronicity. As former Track Records boss Ian Grant tells it, Alan Clayton told me he had John Sinclair coming round tomorrow. I said “The John Sinclair?” One night Zodiac (Mindwarp) was on the bill with the Dirty Strangers and Youth was very taken with John. “I want to make a jazz album with John” he said. Since then, the two met at Youths house whenever he was home, and when John was in the country, and recorded the album.

And through the course of those recordings John, always so associated with the 1960s, took a serious step into the ways of the 21st century, with the same intoned poetry, but with melodic backing vocals, highly inventive production, even a nod to hip-hop, but still remembering his first loves of blues, be-bop, and classic rock & roll.

Beatnik Youth Ambient is one more step in the Big Chief’s long zigzag trip that seems set to continue all the way to the far blue horizon. Summing up John Sinclair, you can only say with certainty that the beatnik goes on.

Youth

Youth has been responsible for numerous hits from artists including The Verve, Embrace, Echo and the Bunnymen, Crowded House, The Orb, Sir Paul McCartney and The Charlatans. Among his recent projects was the co-production of Pink Floyd‘s final and largely instrumental album, The Endless River. Youth also remixed David Gilmour‘s current solo album, Rattle That Lock. The Verve’s Urban Hymns brought Youth a BRIT Award for Producer of the Year after three consecutive years of nomination.

Youth says “I’m very proud of the longevity of work on Killing Joke and The Orb, how those recordings still sound fresh… and what I’ve done with The Verve and Richard Ashcroft, and Paul McCartney (The Fireman) and Pink Floyd. It’s only really working with those guys, with my insecurities, that I felt as though I could go, ‘yeah, I am a producer’.” His “university” was Killing Joke after he left school, and it “doesn’t really get more intense than that”.

As a young musician Youth, whose real name is Martin Glover, cut his teeth doing bass sessions for Adrian Sherwood productions and for artists such as Kate Bush whose phenomenally successful Hounds of Love album had Youth on bass. He was also a founder member and bassist of the band Killing Joke. After leaving Killing Joke (and a short experiment with the band Brilliant, managed by Bill Drummond and featuring June Montana, Jimmy Cauty and other key innovators of electronic and indie dance music), Youth began working with Alex Paterson and Cauty as The Orb, a collaboration that was responsible for the introduction of chill-out ambient house music.

Cauty and Drummond eventually moved on to form The KLF, leaving Youth and Paterson to experiment extensively in the post punk British dance music and Acid House scene. This led to the release of two classic albums as The Orb – U.F.Orb and Adventures Beyond The Ultraworld, which incorporated Little Fluffy Clouds, a track that defined ambient house and chill-out and brought these genres firmly into the mainstream.

Youth’s skills as a producer were now being noticed by a much wider audience, not least because of his remix work with band like Siouxsie and The Banshees, Malcolm Maclaren, A Guy Called Gerald, Fine Young Cannibals, Marc Almond and U2. In 1993, he collaborated with Sir Paul McCartney who had developed an interest in remix culture. This resulted in Strawberries Oceans Ships Forest, an ambient album – and the first of three critically acclaimed albums – released under the name of The Fireman.

Over the years, Youth has notched up a staggeringly large and varied list of production and remix credits for artists such as Yazz, James, Primal Scream, Gun’s N’ Roses, Blue Pearl, Art of Noise, P.M. Dawn, Shack, De La Soul, Erasure, Beth Orton, Bananarama, Maria McKee, Suns of Arqa, The Shamen, Kool and the Gang, Texas, Pete Murphy, Tom Jones and Dido. He remains tireless in his quest for inspiration, excellence and innovation in recording great music and also finds time to paint, illustrate and publish poetry. All original artwork on the sleeve was hand drawn by Youth.

John Sinclair

John Sinclair the White Panther firebrand who stoked the MC5’s insurrectionary manifesto has roots that stretch back to jazz and the beats, as a writer, avant-garde champion and poet. John has travelled the world, collaborating with like-minded souls; a living embodiment of the original free spirit that fought to emancipate a generation, one of the few still flying the freak flag.

Since the early 90s, Sinclair has released albums of his poetry, but Beatnik Youth Ambient is possibly some of John Sinclair’s best work to date.

This poorly served generation needs it: that militant energy which released the bats in the 60s is crucially booted into the 21st Century in a riotous celebration of personal freedom, cultural trailblazers and marijuana.

The following Iron Man Records Patrons have made this Vinyl release possible:

Suzy Tweddle, Deborah Ritchie, Scott Roe, Margaret Calleja, Thomas Rathgeber, Dan, Lee Parsfield, Chris Scales, Muir Mathewson, Michael Howe, Jonathan Harris, Dave Barnard, Bill Fadden, Mike Burgess, Jachim Palm, Lyle Bignon, Thomas Burke, Ben Cartlidge, Matt Grimes, Toby Conyers, Chris, Andy Cavendish, Steve Wyatt, Andrew Dubber, Frank Knoblich, Vaughan Roberts, Ian Robertson, Marcus H, Seth Faergolzia, Ricky Lee, Kathryn McCormack, Ade Cartwright, Sunwoo Jung….

Become a Patron too https://www.patreon.com/ironmanrecords

Police Bastard – Confined (VINYL) is available from Iron Man Records now

February 12, 2017

Police Bastard – Confined (VINYL) has arrived after many months of waiting.

A big Thank You to all of you who have pre-ordered the VINYL or have contributed as Iron Man Records Patrons. I would like to acknowledge the ongoing insanity of the following and their kind financial support for this madness:

Suzy Tweddle, Deborah Ritchie, Scott Roe, Margaret Calleja, Thomas Rathgeber, Dan, Lee Parsfield, Chris Scales, Muir Mathewson, Michael Howe, Jonathan Harris, Dave Barnard, Bill Fadden, Mike Burgess, Joachim Palm, Lyle Bignon, Thomas Burke, Ben Cartlidge, Matt Grimes, Toby Conyers, Chris, Andy Cavendish, Steve Wyatt, Andrew Dubber, Frank Knoblich, Vaughan Roberts, Ian Robertson, Marcus H, Seth Faergolzia, Ricky Lee, Kathryn McCormack, Ade Cartwright, Sunwoo Jung….

Almost all orders have been posted out in the last few days, and Patrons will get their copies this week.

It’s been a bit mad at this end, I have never had to post out so many records in such a short time before. It’s been a task in itself just trying to get the orders to the post office.

If you would like to buy Police Bastard – Confined on VINYL try the Iron Man Shop here

If you would like to become an Iron Man Records Patron go here

This record is possibly the best record the band have released to date and there are only 500 copies on Vinyl so get one while you can.

The work continues on new recordings and new material. The band will be back playing live later this year, hope to see you then

Cheers Mark

Iron Man Records would like you to become a Patron.

February 3, 2017

The general history of art and literature shows that the highest achievements of the human mind are, as a rule, not favourably received at first. Iron Man Records would like to invite you to consider becoming a Patron.

Iron Man Records has dedicated over 20 years to supporting, promoting, and working with, some of the most interesting artists you may never have heard of, sometimes with a budget you can stick under a glass.

February will see the release of Police Bastard – “Confined” on Vinyl.

One of CVLT Nation’s Top Crust Albums: “Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control and disillusionment.”

April will see the release of John Sinclair – “Beatnik Youth Ambient” on Vinyl.

Ambient, chill out music from the restless creative mind of Youth with spoken word and poetry delivered by John Sinclair.

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today continues his work for cultural transformation. A psychedelic poet, a living legend, a veteran of the counterculture, a survivor of the Marijuana Wars, and one of the last bohemians still standing. As a co-founder of the Detroit underground newspaper The Fifth Estate, manager of MC5, and Chairman of the White Panther Party described on Wikipedia in these modern times as a far-left, anti-racist, white American political collective founded in 1968 and dedicated to cultural revolution, John Sinclair’s mark on the boho rock & roll underground has been unique.

Youth is one of the UK’s most influential producers and has been honoured with an Outstanding Contribution Award by the Music Producers Guild. His career spans more than 30 years and is one of the UK’s most consistent, credible and influential producers, Youth has also hand drawn the beautiful cover artwork.

Please consider becoming a Patron to support the work. Incredible amounts of time, effort, and money has gone into making these records happen. Iron Man Records would like to invite you to give your support to the artists involved and their work.

Among the rewards, Patrons will get a copy of each release as soon as it is available and Patrons will get their names printed on the sleeve of all future releases generated with their help and support.

You have to build the world you want to live in, and while you may not want to consider running a record label yourself, you can directly influence what happens next. Patrons enable Iron Man Records to continue the work supporting struggling artists.

Please consider getting involved. If you want an alternative to what you see going on around you, you have to make it for yourself. Let’s make something happen https://www.patreon.com/ironmanrecords

Police Bastard – “Confined” VINYL limited to 500 copies. Released Jan 23rd 2017

December 4, 2016

“Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control and disillusionment.”

M:CAD DrawingsKey ProductionGKA94675 CD 4pp GF Softpack 2 x P

Cover Art by Mark “Skinny” Orton

Pre-order your copy on VINYL now. Only 500 copies to be pressed on Double Gatefold VINYL. Released January 23rd 2017

All pre-orders will be £10 plus postage and sent out ahead of the release date.

BGacGUeCYAEzQXs

A big thank you to all Iron Man Records Patrons who helped make this possible.

Suzy Tweddle, Deborah Ritchie, Scott Roe, Margaret Calleja, Thomas Rathgeber, Dan, Lee Parsfield, Chris Scales, Muir Mathewson, Michael Howe, Jonathan Harris, Dave Barnard, Bill Fadden, Mike Burgess, Jachim Palm, Lyle Bignon, Thomas Burke, Ben Cartlidge, Matt Grimes, Toby Conyers, Chris, Andy Cavendish, Steve Wyatt, Andrew Dubber, Frank Knoblich, Vaughan Roberts, Ian Robertson, Marcus H….

M:CAD DrawingsKey ProductionGKA94675 CD 4pp GF Softpack 2 x P

“CVLT Nation’s Top 6 Crust Albums 2013: Police Bastard are pretty infamous at this stage, so no need for any introductions with band member links to Doom, Sore Throat, Filthkick, Sensa Yuma etc. Their new album ‘Confined’ sticks to their cynical view of the world mixed with innovative guitar textures and driving industrial intensity. Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control, disillusionment and omnipresent bullshit. For a band that has been knocking about on and off for twenty years, they could be forgiven for reverting to the formulaic. However, they rethink and deliver a furious maelstrom of complex dark hardcore, best served cold.” – CVLT Nation (Dec 19, 2013)

“The album starts with “The Curse Of The Cross”, an anti-theistic slice of brutality, which leaves the listener in no doubt that Police Bastard mean business. You even get a quote from Richard Dawkins about teaching the bible as fiction. Musically they give us huge chugging riffs on “Brought To Our Knees”, which tackles the blandness of multi-national companies infecting the high street, set against the backdrop of the widening gap between rich and poor. For those that like their anthems loud and stompy, “Sick Sick System” will no doubt win a seal of approval with its knock about Punk mayhem and catchy refrain, ‘sick sick system, same old bullshit’. Elsewhere on the album, we get subjects as diverse as being captivated by virtual reality (Word Confined) and environmental disaster from the hand of mankind (Cries From The Earth). Album closer “Fortress” sees organised religion attacked once more, and poses the question, how long before it crumbles…..” – Zak, Ryans Gig Guide (Dec 01, 2013)

“….From Mark Orton‘s cover art through the final song, “Fortress,” Police Bastard have presented an album that uses hardcore’s battering ram approach to push through a series of songs that depict how humanity has destroyed the Earth. Lines such as “We’re sealing our fate” hammer home the idea that mankind has taken the world to the edge of existence, and we’ll all soon perish, should we not change our ways. Thankfully, Confined manages to never lapse into Earth Crisis-like preaching, choosing instead to quote the likes of John Gray‘s Straw Dogs: “Long after the traces of the human animal have disappeared, many of the species it is bent on destroying will still be around, along with others that have yet to spring up. The Earth will forget mankind. The play of life will go on.” While the music is basic hardcore which occasionally aims for bigger sonic targets, the lyrics and presentation are what make Police Bastard worth checking out……” – Rock Star Journalist, Rock Star Journalist (Nov 22, 2013)

Ten songs recorded in early 2013 and released through Iron Man Records, Birmingham.

Tracklisting:

Side A
The Curse Of The Cross
Brought To Our Knees
Sick Sick System
Humanimal
Cries From The Earth

Side B
Binary Thinker
Words Confined
Bite The Hand
We Are The Dead
Fortress.

All Lyrics: Pid and John

All Music: Police Bastard

Layout: John Doom

The album was Recorded, Mixed, Produced and Mastered by Simon Reeves at Framework Recording Studios.

Label: Iron Man Records
Catalog: IMB6036
Format: VINYL Double Gatefold Limited to 500 copies
Country: England
Released: 2017
Genre: Rock
Style: Punk

This Week: Total Assault On The Culture

September 24, 2016

Patron-Logo-Banner-1600x400px

Bandcamp
Work has started on uploading the Iron Man Records Catalogue on Bandcamp. To start with all releases will be available for £5 or you can Stream the releases and listen for free. All Releases are available on most of the download and streaming platforms already but for those of you who want an alternative to Apple Music, Spotify, Amazon, Google, Youtube, Facebook and all the other main providers, Bandcamp seems good.

Back In Five Years:
Some people wonder what on earth I do for a living. Well, I earn money working as a Tour Manager. I spend all the money I earn trying to keep Iron Man Records going. Here’s a life in a couple of weeks:

Support Insanity A6 Postcard No Marks
Become A Patron
If you want to contribute to the work of Iron Man Records, here’s How To Burn Money – Become A Patron of Iron Man Records

Cosmic Trigger
Steve Fly and Simon Reeves start work on post production this week. Simon spent three days last week recording Oliver Senton reading Cosmic Trigger 1 by Robert Anton Wilson. Here’s a picture of Simon and Oliver at Framework Studio, Birmingham, on completion of the great work.

fullsizerender-1
Framework Recording Studios, Birmingham.
Framework Studios has worked with Napalm Death, Carcass, Cathedral, Meathook Seed, P.J.Harvey, Ride, Family Cat and other acts including Piss On Authority, Police Bastard, Spirit Bomb, Drongos For Europe, Selfless, Cerebral Fix and more. Telephone Simon (UK+44) 07790 158210 or email siframework@gmail.com

Vinyl Test Pressings:
I’m waiting on test pressings of John Sinclair – Beatnik Youth Ambient to arrive and also test pressings of Police Bastard – Confined. Exciting times.

Pre-order John Sinclair – Beatnik Youth Ambient on VINYL
LP-3.5mmSPINE_GZ.qxd
You can pre-order the Vinyl, Double CD and T-shirt here:  http://ironmanrecords.bigcartel.com/artist/john-sinclair

All Press enquiries to Sean Newsham : sean@mutante-inc.demon.co.uk
Catalogue Number: IMB6033
Release date: April 2017
Label: Iron Man Records
Distribution: Cargo

Side A
Do It (6:16) Recitation – John Sinclair, Music – Youth, Mix – Youth and Michael Rendall
Brilliant Corners (11.29) Recitation – John Sinclair, Produced by Youth

Side B
War On Drugs (6:18) Recitation – Howard Marks, Music – Youth, Mix – Youth and Michael Rendall
Sitarrrtha (9:19) Recitation – John Sinclair, Produced by Youth

John Sinclair, the renegade poet, scholar and cultural revolutionary releases “Beatnik Youth Ambient” on Iron Man Records. The record is over 30 minutes of ambient, chill out music from the restless creative mind of Youth with some fine spoken word and poetry delivered by John Sinclair.

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today continues his work for cultural transformation.

Youth is one of the UK’s most influential producers and has been honoured, this year, with an Outstanding Contribution Award by the Music Producers Guild. His career spans more than 30 years and is one of the UK’s most consistent, credible and influential producers, Youth has also hand drawn the beautiful cover artwork.

The record features 4 ambient tracks including 2 tracks completed in late 2015. Do it and War on Drugs were composed and produced by Youth with words By John Sinclair and Howard Marks. John Sinclair presents some illuminating words of wisdom on the life of the artist in the opening track Do It, while Howard Marks delivers some lost last words in War on Drugs on side B.

The Mood is maintained by 2 extra ambient tracks taken from the Beatnik Youth album simultaneously released by Iron Man Records on Double CD. The free-form cinematic Brilliant Corners is a homage to Kerouac, Ginsberg and Burroughs and the smokily atmospheric Sitarrtha reflects on the work of John Coltrane. The record is a smoker’s dream with the 4 ambient tracks clocking in at just over 30 minutes.

From Detroit to New Orleans and from Los Angeles to Amsterdam, John Sinclair is still the king-size, psychedelic old-gangster poet, a living legend, a veteran of the counterculture, a survivor of the Marijuana Wars, and one of the last bohemians still standing. As a co-founder of the Detroit underground newspaper The Fifth Estate, manager of MC5, and Chairman of the White Panther Party described on Wikipedia in these modern times as a far-left, anti-racist, white American political collective founded in 1968 and dedicated to cultural revolution his mark on the boho rock & roll underground has been unique.

In 1969, with Richard Nixon in the White House, Vietnam in chaos in the wake of the Viet Congs near-suicidal Tet Offensive, and American cities still scared and scarred from urban riots, even the comparatively harmless agitprop pranks of White Panther cultural revolution had those in power reaching for their metaphoric and sometimes actual revolvers. Authorities remembered how John had organized the MC5 playing outside the 1968 Democratic National Convention in Chicago, the only band actually able to perform before Mayor Daley’s rabid police department violently derailed the massive anti-Vietnam war rally with teargas, billy clubs, and helicopter support.

John was deemed a danger to society and set up like a bowling pin. After handing a couple of joints to a hassling hippie who turned out to be an undercover narcotics agent, John found himself on the bad end of a ten year jail term. At the same time though he became a cause celebre. Free John Sinclair became one more battle cry in an embattled era. Protests, propaganda, and a giant concert in Ann Arbor headlined by John Lennon and Yoko Ono ultimately resulted in John s release in November 1971. Lennon even wrote a song about him called ‘John Sinclair’ which he included on his
‘Sometime In New York City’ album.

In common with much that happens with John, a meeting with producer Youth (Paul McCartneys ‘Fireman’, Primal Scream, The Verve etc & Killing Joke bass player) that sowed the creative seeds was a matter of stoned synchronicity. As former Track Records boss Ian Grant tells it, Alan Clayton told me he had John Sinclair coming round tomorrow. I said “The John Sinclair?” One night Zodiac (Mindwarp) was on the bill with the Dirty Strangers and Youth was very taken with John. “I want to make a jazz album with John” he said. Since then, the two met at Youths house whenever he was home, and when John was in the country, and recorded the album.

And through the course of those recordings John, always so associated with the 1960s, took a serious step into the ways of the 21st century, with the same intoned poetry, but with melodic backing vocals, highly inventive production, even a nod to hip-hop, but still remembering his first loves of blues, be-bop, and classic rock & roll.

Beatnik Youth Ambient is one more step in the Big Chief’s long zigzag trip that seems set to continue all the way to the far blue horizon. Summing up John Sinclair, you can only say with certainty that the beatnik goes on.

Your Insanity Will Do – Become A Patron Of Iron Man Records

February 8, 2016

I bought a copy of “The Manual” by Jimmy Cauty and Bill Drummond in 1996. I’d been looking for a copy for years. Some of it made sense, some of it didn’t. I liked the writing style and the advice given. I sent my receipt as proof of purchase to the PO BOX printed in the book and requested The Guarantee.

This is the reply that Bill Drummond sent back on headed paper. By reply Bill Drummond became the first Unaware Patron of Iron Man Records. Blame him for everything. A lot has happened since 1996. Your Insanity will do.

Iron Man Records - Your Guarantee

Your Insanity could help Iron Man Records to release more music on Vinyl via Patreon. There are 21 Patrons currently supporting the record label, you are invited to become a Patron too.

Iron Man Records has been running since 1996. The label has released over 30 records and continues to work hard on a daily basis. Iron Man Records wants to make all new record releases available on Vinyl. The label will continue to make everything available through digital channels. You are invited to get involved.

Why help Iron Man Records? Here’s a quote from Detroit Poet John Sinclair, who released an album called “Mohawk” through the label in recent times. This sums up the sort of thing going through my head when I started out trying to bring people together to do something under the label name of Iron Man Records at the start of it all in 1996.

“One of the most important things to young, formative artists is having a group of one’s peers that one can be a part of, can talk to, work with, work out ideas, etc and can give crucial support.

Modern society has succeeded to a frightening degree in alienating artists from one another (and of course from people in general; or at least vice versa) and atomizing what could be a vital, active community into a group of lone, defensive, hung-up people who are afraid to talk to and/or work with anyone but themselves and (maybe) three or four friends.

A community of artists means that a group of highly conscious people can help each other in very real ways. Artists working alone are cutting themselves off from sources of inspiration and influence that can help them immeasurably in their work.

The lone artists have no one to listen to their work, no one to offer criticism and ideas that would bring their work into sharper focus with itself. Hard to get as excited, as completely involved in one’s work by oneself; when you can talk about it with/to others who are trying to do the same thing as yourself and communicate it to others, you can achieve and maintain the state of consciousness Henry James called “perception at the pitch of passion.” And who better to communicate to than those few people who are operating at the same level of awareness and involvement as oneself?

We are now in a period of expanded consciousness in all the arts. NOW is the time to find out what’s wrong with your work, NOW, at least get an inkling of what other real people will think of it and how it communicates.

So: what we want is a place for artists—musicians, painters, poets, writers, film-makers—who are committed to their art and to the concept of community involvement to meet and work with one another in an open, warm, loving, supportive environment—a place for people to come together as equals in a community venture whose success depends solely upon those involved with it.”

In reality, the journey from 1996 has been back-breaking, and the record label has generated a mountain of debt. Everything I earn working as a Tour Manager goes into keeping Iron Man Records moving forward, and in doing so, I try to provide a platform and focal point for everyone involved with the label.

To-The-Gig

I manage to ensure that new records come out every year and during difficult times perhaps every two years. Without fail, Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. The label seeks to share what resources it has, and provides an alternative to the onslaught of pop culture and everything that goes with it. There has to be something that opposes the nonsense that we are surrounded by every day, there has to be a meeting place and platform for those that demand an alternative. There has to be a mechanism to share contacts, resources and ideas.

I don’t expect everyone to like what the record label releases, but at least the label gives you a choice. You don’t have to buy everything from “the man” and you don’t have to work for “the man” either. As the saying goes: “We may never defeat these swine, but we don’t have to join them.” There’s always another way, and for Iron Man Records and the musicians, artists and writers it works to support “the show must go on, by any means necessary…..or until we are all eliminated”

Sound-System

I can handle the logistics of running Iron Man Records by myself but I could use some help in releasing more Vinyl. At a time when “ownership” of music is becoming less important, and digital services are making “access” a much easier way of listening to more music than ever before, we have been left with a problem to solve.

How can the record label continue to release physical records by artists for people to “buy,” at a time when anyone, with any money left, can “access” more music for free, or at a fraction of the price, using streaming digital services?

We all know how to google an album, or a song, and find it for free. We’ve all done it. We all know how to access music on social networks for free, and through Streaming services like Spotify. Some of us buy our music from download sites. I think its fair to say some of us listen to more music than ever before, and choose to only spend our money on music from our favourite groups.

Iron Man Records has invested a lot of time and effort into making every release available through as many digital services as possible ensuring all the artists get a chance to be heard.

You can find all releases from Iron Man Records on iTunes, Apple Music, YouTube Music Key, Spotify, Amazon Music, Google Play, Deezer, Groove, Rhapsody, eMusic, Simfy Africa, iHeartRadio, MixRadio, MediaNet, VerveLife, Tidal, Gracenote, Shazam, 7Digital, Juke, JB Hi-Fi, Slacker, Guvera, KKBox, Akazoo, Anghami, Spinlet, Neurotic Media, Yandex, Target Music, ClaroMusica, Zvooq, Saavn, 8tracks, NMusic, Q.Sic and others.

From the stats, it is clear that plenty of people want to listen to the music Iron Man Records produces, but they don’t always want to pay for it. Many people want music as cheap as possible, and ideally for free. They would rather have access to music, than ownership of music. Fair enough, I can accept that, enjoy the music the way you want it. But how can the artists be supported to produce more work if people want “access” rather than “ownership?”

It makes me laugh when you hear people talking about how they won’t buy music from Amazon because Amazon doesn’t pay its workers a fair wage, and then get drawn into a discussion about what sites to use to find music for free without having to use Amazon.

People forget that starving musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians have to plan and finance the costs of touring to promote their music by themselves. Musicians also need to eat and have a roof over their head, and I do too. Some of the more popular releases on Iron Man Records might achieve 23,000 streams over a five year period but only sell about 60 downloads. In the same period they may only sell about 150 physical copies on cd and even less on vinyl. I read recently that 1,500 streams can equal one album sale. If that statistic is correct, in order to sell 1,000 albums, you need to generate 1,500,000 streams. That sounds ridiculous to me. It’s a strange time for music if you are operating independently. There’s not much money coming in from sales here at Iron Man Records yet more people are listening to the music Iron Man Produces than at any time previously.

These days, it’s interesting to note that many musicians would probably earn more per hour, packing boxes and packages for Amazon, even on the poor wages that Amazon pays, than at most gigs they end up playing. But lets move on, you get the point. It’s a tough time for musicians and artists, and you have to be mad to carry on against such odds that are always stacked against you.

Where does Iron Man Records find itself in the digital world?

Streaming is taking off and I have always loved vinyl as a format. I want to return to making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. It’s madness in the current economic climate, but a little bit of madness is just what is required.

It is clear to me that if you can produce anything of value in terms of your music, a digital version is necessary so people can access and even download your music on their mobile devices. But if you are serious about your music, you must release it on Vinyl so the really passionate fans of your music, can get a copy to add to their collection and enjoy when they are at home.

Iron Man Records is capable of releasing records and making them available worldwide across pretty much every digital platform. Producing CDs of each release is also affordable within the context of selling physical copies, sending out to press and radio and keeping things ticking over. Vinyl however, is a little bit tricky.

Producing a record on Vinyl is about three times more expensive than producing a cd, which means you have to sell three times more records to recover the upfront costs. So something has to give.

This year has been tough for Iron Man records, income from selling physical sales has continued to decline. In fact physical sales of everything both CD, Vinyl and DVD has steadily declined year on year since 2004 when I started keeping a record. Habits are changing all the time and the market is choosing to access music rather than own music. Times are changing and either Iron Man Records changes too, or it’s game over.

Where am I going with this? I want you to sign up or subscribe to insanity.

Immanentize

I want to start releasing records on Vinyl again and I need help reducing the front end costs. I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself. What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl. In exchange for help and support, you will get a copy of everything the label produces, as it becomes available. Supporters will get access to digital files of everything, so you can listen on portable electronic devices, and you will get all sorts of other benefits. For example: free stuff from the Iron Man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along. There is method to the madness and all you have to do is join in.

I would like to think that if you like what Iron Man Records does, if you would like to encourage the label to produce all releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put together a page on Patreon https://www.patreon.com/ironmanrecords which I think is an interesting way to raise money. This will help produce Vinyl in small quantities and to the highest standards with regards to artwork and packaging. Patreon lets you make recurring monthly donations and thereby helps to reduce the upfront costs of producing music on vinyl.

Anyone who donates will get a copy of the vinyl produced and a number of other benefits. Anything from £1 a month or more is actually really helpful, and knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive, and to make more music.

Let me be clear: Iron Man Records is not in the pop business. In fact it’s just not in business. The debts are what it’s worth. The label is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a Record to sell, at their gigs, that people would love to buy.

Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really. Life isn’t just about computers, mobile phones and social networking. There has to be an alternative.

Have a look here and any comments, good or bad are invited.

Mark – Iron Man Records

Believe-Nothing

Iron Man Records would like to release more music on Vinyl. You are invited to get Involved.

October 16, 2015

Iron Man Records - Vinyl 12" and 10" LPs

I want to invite you to support Iron Man Records releasing more music on Vinyl via Patreon.

A small donation of something like $1 a month could help Iron Man Records release some of the recent CD and Digital releases on Vinyl.

Here is a list of recent releases that could be made available on Vinyl with your help:

Police Bastard - Dead To The World final 1600x1600

IMB6020 POLICE BASTARD – Dead To The World – Digital Release (23rd November 2015)

M:CAD DrawingsKey ProductionGKA94675 CD 4pp GF Softpack 2 x P

IMB6021 POLICE BASTARD – Confined CD / Digital 2013

John Sinclair - Mohawk CD front

IMB6022 JOHN SINCLAIR – Mohawk CD / Digital 2014

Death To Fanatics FRONT 1600x1600px

IMB6023 DEATH TO FANATICS – Iron Man Records 1999-2014 compilation CD 2014

TC Lethbridge - Moon Equipped 1600x1600

IMB6027 T.C. Lethbridge – Moon Equipped – Digital Release (23rd November 2014)

TC Lethbridge - 2000 TC 1600x1600

IMB6028 T.C. Lethbridge – 2000 TC – Digital Release (23rd November 2014)

TC Lethbridge - Mina 1600x1600

IMB6029 T.C. Lethbridge – Mina – Digital Release (23rd November 2014)

Iron Man Records invites you to contribute to reducing the costs of producing albums on Vinyl. In exchange for your help, you will get a copy of everything the label produces, as it becomes available. Supporters will get digital files of everything, so they can also listen on portable electronic devices. You will also get all sorts of other benefits like free stuff from the iron man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along.

If you like what Iron Man Records does, if you would like to encourage the label to produce new releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put a page up on Patreon here https://www.patreon.com/ironmanrecords

I think it is an interesting way to raise additional sums of money. This will help produce Vinyl in small quantities and to the highest standards. Patreon lets you make recurring monthly donations and helps to reduce the upfront costs of producing Vinyl.

Anyone who donates will get a copy of the Vinyl produced and a number of other benefits. Anything from $1 a month or more is actually really helpful. Knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive.

Iron Man Records is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a good record to sell.

Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really, life isn’t just about computers and social networking. There has to be an alternative. You have to make the world you want to live in.

P.A.I.N – Our Universe Commences Here Vinyl distributed by Cargo

September 30, 2014

P.A.I.N - O.U.C.H - Our Universe Commences Here 1600x1600

Track Listings

1. Schtum
2. P.A.I.N
3. Blue Ska
4. Rocking Cross De Borda
5. Neighbourhood Watch
6. Super Drugs
7. A-Z
8. S.T.A.H.B.M
9. Eastern Dub
10. Chickens

Double Gatefold Vinyl (Distributed By Cargo 13 Oct 2014)
Number of Discs: 1
Label: Iron Man Records

O.U.C.H is the long awaited second album from P.A.I.N. The South London conspiracy offer the world a radioactive audio file crammed full of Nuclear Dub, Genetically modified Ska, and BSE laced Punk Rock. The album is about the prison system, its use against the defenceless, and laws that cannot be defended. The band have found allies in unexpected places, such as the well documented liason with Howard Marks and the support of Kate Bush. Always outspoken, P.A.I.N see their music as a vehicle of political expression; There is much more to Our Universe than the prohibition of Cannabis, you only have to look at the poetic irony of simultaneous fuel protests and widespread environmental catastrophe. Everyone will talk of the necessity for radical change, yet still, nothing changes. Are we all just consumers for the profit of the IMF? Do our lives really amount to a column of figures? Just who has the power now? Surprisingly, it’s still all of us. The Protest Movement has become global in response, and we now have a genuine opportunity to fight back at the real enemy; no longer the copper, or politician, but the evil bastards who claim with a straight face that they own 90% of the worlds resources. We are all born on this planet and every single human being alive has an equal right to life, air, water, and food. They tell us that this is being naive and unrealistic. We tell them that we will never rest until our demands are met, they had better sleep lightly – P.A.I.N.

Original sleeve artwork by top British cartoonist Pete Loveday whose Saga of Russell comic books can be found around the world. P.A.I.N feature ex-members of R.D.F and A.O.S.3. Members of P.A.I.N can also be found in SUICIDE BID, RUBELLA BALLET, LESS and LEGION OF DYNAMIC DISCHORD.

P.A.I.N - OUCH poster 150 dpi

P.A.I.N – Oh My God! We’re doing it! CD distributed by Cargo

September 29, 2014

P.A.I.N - Oh My God! We're Doing It....We're Fuckin' Doing It....!! 1600x1600

Track Listings
1. Intro/Beltane
2. Everything Must Go
3. Pork Dub
4. British Justice
5. No Leaders For The Free
6. Money
7. Oh No! It’s The Pigs
8. Lighters
9. Punx With Guns

Audio CD (Distributed by Cargo 13 Oct 2014)
Number of Discs: 1
Label: Iron Man Records

This is the re-issue on Iron Man Records of P.A.I.N’s classic first album. Originally released on Inner State back in 1995 the album sold out and after the collapse of Inner State had been lost until now. The Original artwork has been reconstructed to be as close to the original as possible and the track listing includes all the classics from the P.A.I.N set.

The album includes the work of Phil, Dan and Ozzy who were all in R.D.F. Phil has also played guitar with RUBELLA BALLET and been involved with the band called SUICIDE BID. John is no longer performing with the band and is currently working with a reformed A.O.S.3. (John also did LEGION OF DYNAMIC DISCHORD and later a band called LESS)

This record was seen by P.A.I.N as the third in a trilogy, RDF: Raggamuffin Statement, A.O.S.3: Diversionary Tactics and this cd P.A.I.N: Oh My God! We’re Doing it.

P.A.I.N play heavy dub reggae, good time ska, and pissed off punk rock, and endeavour to keep their addled heads around the contradictory and confusing areas of radical politics. The Band has supported numerous underground struggles and pressure groups along the way, working extensively with groups like Reclaim the Streets, Anti-globalisation groups, Hunt Saboteurs, Anti-fascists, Squatters, Mad Pride, MacLibel, and many more….

That’s the politics, however, it would be to sell the band short to say the story stops there…They are, like most punk bands, part Pistols, part Spinal Tap (actually, was there much difference?) and the best things about P.A.I.N are the stories of what has happened to them over the years, genuinely unbelievable situations…Contrary to the many rumours circulating, the band have not split up, they never did. The band are alive and well and gigging all over the place, writing songs for the next album. They have a page on facebook too.

“Through raw dub, reggae and punk rock P.A.I.N. challenge inconsistent politics and attack and question through intelligent and bright lyrics: “So many thousands across the country with nowhere to go at night, so they take over empty derelict houses to call their own and try to put right, can’t you see that squatting is not a moral wrong it’s a cry for help from those in need, anxious for a roof over their head when the council are deaf to their pleas”. There are bands that just use politics as a front and something to sing about and there are bands that truly believe in what they are writing and singing about and who are devoted to it even when they’re not making music and that’s P.A.I.N. Their sound and attitude is unquestionably English and this record could have come out in the late ’70’s, early ’80’s or really anytime up to the present. It’s old-fashioned and fresh all at once and it’s a pity that you don’t really get bands like this anymore….really staunch, raw political bands. It’s all just silly shit these days where very few punk rock bands have got anything really important to say.”

 “P.A.I.N (Propaganda and Information Network for the uninitiated) were/are a band formed from the ashes of the seminal RDF (Radical Dance Faction) and the festy-dub-ska-punk AOS3 (named after Augustus Owsley Stanley III, maker of much LSD and roadie for Grateful Dead). With that background in mind, “Oh My God…” manages to combine a hard radical political edge with catchy tunes, skanking dub and some original sampling!

At just over 40 minutes with 9 tracks including the RDF songs “Punx with guns” and “Lighters” (with the same tune as Dum-Diggy on Ragamuffin Statement) there is something for everyone on here. From the slowed-out dub reggae of “Beltane” and the ludicrously catchy “Money” to the punked up “British Justice” and “Oh no! It’s the Pigs,” this album incorporates the best of the earlier bands’ sounds. The political angle makes this album sublime and not done in a conventional anarcho-ranting way but fusing some humour, simple choruses and catchy tunes such as “If you go down to Sainsbury’s, the special offer of the week is that it’s free” and “British justice… British justice… I can’t make sense of it ‘cos I’m stupid.” Vegetarianism, environmental activism, anti-capitalism, self-organisation and anti-statism are among the topics covered in songs, but not in a preach-shove-down-throat way but to the relaxing dub beats and bouncing British punk. To round it all off, the album ends with armed revolution on the streets of Britain!

Admittedly the recording quality could be a tad better but by standards of other DIY punk/reggae/free-festival types, it’s not that bad! To top it all off, the title comes from the truly brilliant anarchist-propaganda Tin Tin “Breaking Free” comic which makes for a great album cover and t-shirt!

“Oh my God…” brings together all the best elements of AOS3, RDF, the anarchist-influences, free festivalling and biting satire. Still going strong despite losing John from AOS3, P.A.I.N manage to make one of the best ska-dub-punk-esque releases which you can come back to again and again. Finally, to top it all off, many hours will be wasted laughing at the booklet that comes with it demonstrating all the political acts against the state, government, Tories and much more. May the session continue!” By MH Lambert on 8 Oct 2007.

P.A.I.N- Oh My God! Net Advert

Police Bastard – “Confined” CD distributed by Cargo

September 20, 2014

“Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control and disillusionment.”

Police Bastard - Confined CD Front Cover

Police Bastard – Confined – CD Album (Iron Man Records) Distributed by Cargo – October 6th 2014

Cover Art by Mark “skinny” Orton

Police Bastard - Confined - Terrorizer review by Ian Glasper 2014

“CVLT Nation’s Top 6 Crust Albums 2013: Police Bastard are pretty infamous at this stage, so no need for any introductions with band member links to Doom, Sore Throat, Filthkick, Sensa Yuma etc. Their new album ‘Confined’ sticks to their cynical view of the world mixed with innovative guitar textures and driving industrial intensity. Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control, disillusionment and omnipresent bullshit. For a band that has been knocking about on and off for twenty years, they could be forgiven for reverting to the formulaic. However, they rethink and deliver a furious maelstrom of complex dark hardcore, best served cold.” CVLT Nation (Dec 19, 2013)

Police Bastard - Confined Band Photo 2013

Police Bastard band photo by Andy Ward

“The album starts with “The Curse Of The Cross”, an anti-theistic slice of brutality, which leaves the listener in no doubt that Police Bastard mean business. You even get a quote from Richard Dawkins about teaching the bible as fiction. Musically they give us huge chugging riffs on “Brought To Our Knees”, which tackles the blandness of multi-national companies infecting the high street, set against the backdrop of the widening gap between rich and poor. For those that like their anthems loud and stompy, “Sick Sick System” will no doubt win a seal of approval with its knock about Punk mayhem and catchy refrain, ‘sick sick system, same old bullshit’. Elsewhere on the album, we get subjects as diverse as being captivated by virtual reality (Word Confined) and environmental disaster from the hand of mankind (Cries From The Earth). Album closer “Fortress” sees organised religion attacked once more, and poses the question, how long before it crumbles…..” – Zak, Ryans Gig Guide (Dec 01, 2013)

Police Bastard - Confined CD Back Cover

“….From Mark Orton‘s cover art through the final song, “Fortress,” Police Bastard have presented an album that uses hardcore’s battering ram approach to push through a series of songs that depict how humanity has destroyed the Earth. Lines such as “We’re sealing our fate” hammer home the idea that mankind has taken the world to the edge of existence, and we’ll all soon perish, should we not change our ways. Thankfully, Confined manages to never lapse into Earth Crisis-like preaching, choosing instead to quote the likes of John Gray‘s Straw Dogs: “Long after the traces of the human animal have disappeared, many of the species it is bent on destroying will still be around, along with others that have yet to spring up. The Earth will forget mankind. The play of life will go on.” While the music is basic hardcore which occasionally aims for bigger sonic targets, the lyrics and presentation are what make Police Bastard worth checking out……” Rock Star Journalist, Rock Star Journalist (Nov 22, 2013)

Tracklisting:

The Curse Of The Cross, Brought To Our Knees, Sick Sick System, Humanimal, Cries From The Earth, Binary Thinker, Words Confined, Bite The Hand, We Are The Dead, Fortress.

All Lyrics: Pid and John

All Music: Police Bastard

Layout: John Doom

The album was Recorded, Mixed, Produced and Mastered by Simon Reeves at Framework Recording Studios.

Police Bastard - Confined Inside CD wallet

Police Bastard Logo 2013

Presskit for Reviewers / Podcast / Radio people here: http://www.sonicbids.com/PoliceBastard

Police Bastard / War Plague – Attrition Vinyl split album Buy it here (Vinyl version of It’s Good To Hate with an extra track)

Police Bastard – T-shirts and other items of interest Buy here

IMB6020 Police Bastard – Dead to the world CD Album (Discography of everything from Gulf War Syndrome onwards with 7 never released new songs. Should be released next…..)

More Police Bastard info here: Police Bastard, Twitter, Facebook

For all Police Bastard bookings: mark@ironmanrecords.co.uk

Dufus – The Last Classed Blast CD distributed by Cargo

September 18, 2014

Dufus - The Last Classed Blast
Dufus – The Last Classed Blast – IMB6016 CD distributed by Cargo

Dufus are widely respected as possibly the most prolific, original and influential band to emerge from the chaotic mash of the Anti-Folk and experimental acoustic and rock genre in the last ten years. Dufus released their 10th album “The Last Classed Blast” on Iron Man Records.

The record features 15 tracks written and arranged by lyricist/singer, acoustic guitar player and front man Seth Faergolzia. The record was Engineered and Mixed by Mark Ospovatat at Emandee Recording House, Brooklyn, New York. Within the music of Dufus resides a severe tension in constant jeopardy of hurtling out of control; aggressive and nurturing, chaotic yet structured, solitary and social, apolitical and revolutionary. It is complex genius. Dufus wears experimental song structures and their own handmade clothing, improvising often during live performance with a blend of different forms in often unexpected and pleasantly surprising ways while all the time maintaining an uplifting experience for the listener’s benefit. The uses of all forms of art are included, musically and visually stimulating with a degree of performance art unknown to most audiences.

Seth Faergolzia is truly an intense performer with a truly connected mind. Seth is known for his trademark of reversing lines, swapping lyrics, changing tempos and style whilst cutting up words or replacing with his own made up language and extensive vocal sounds. John Peel loved it.

Dufus has graced the stage with such acts as Ween, Animal Collective, Moldy Peaches, Yeah Yeah Yeahs, Kool Kieth, Regina Spektor, Herman Dune, Dub Trio, Cerberus Shoal, Adam Green, Usaisamonster, Kimya Dawson, Jeffrey Lewis, Moe, John Brown’s Body, and the Black Dice.

“An incredible record which wears off-kilter, experimental song structures like a gleaming new suit” Mary Boyd, National Student Newspaper.

“Songs like the cut-up Dawn Crusade and the interestingly titled Nenglich Phlarloosely keep the freak flag flying” Subba Culture.

“A weird mix of folk, Beefheart and Zappa style avant-nuttiness” Mark Rowland Penny Black Music.

“Rightly respected as one of the most prolific, original and influential bands to emerge from the anti-folk scene and in their ten years of being have been criminally ignored by wider audiences” Mary Boyd, National Student Newspaper.

Tracklisting: 1/Dawn Crusade 2/Babylon Com 3/Tutu 4/Innabarabie 5/Dissassemblement Hymn # Exponential 6/Heaven is Waiting 7/Balloon Rocking Chair 8/War is Over 9/Right On 10/Nenglich Phlarloosely 11/You Weren’t Ready 12/Sacred Charney 13/On and On 14/Lay Down Flat 15/Try More Patiently

Artwork By – Nick White
Engineer – Kinyon Brinson, Mark Ospovat, Nathan Silas Richardson
Mastered By – Mark Christensen
Mixed By [Emandee Recording House] – Mark Ospovat
Mixed By [Rep Studios] – Nathan Silas Richardson
Performer [Musicians] – Amanda Conklin, Anders Griffin, Betsy Cohen, Bree Fisher, Brent Cole, Eyal Talmudi, G. Lucas Crane, Imani Coppola, Jali Jobatieh, Mark Ospovat, Pan Tor, Rick Snell, Rudy Nunez, Ryan Abb, Ryan Bruce Curtis, Seth Hebert Faergolzia, Spencer Chakedis, Stephen Calkins, William Meyer
Producer – Dufus, Seth Faergolzia
Mixed at Emandee Recording House, Brooklyn, and Rep Studios, Ithaca
Mastered at Engine Room

Nightingales – "Out Of True" in 2014

January 4, 2014

Born out of Birmingham’s original punk group The Prefects, the Nightingales have stubbornly ploughed their own furrow in the field of alternative rock n roll for three decades. 2006 saw the release of “Out Of True” on Iron Man Records and the return of a reformed Nightingales after some years away. The band have not wasted much time since then and yet another new album is on the way for 2014.

Nightingales - Out of True

Buy Nightingales CDs here: http://ironmanrecords.bigcartel.com

The new album, which remains secret for now, was recorded at Faust studio in September 2013 for release in spring 2014. There will be a vinyl lp and the record label & title will be confirmed soon.

The band hope to announce tour dates for UK/Europe for  April and May and some Festivals to be confirmed for over the summer/autumn 2014.

There may be some United States dates in Sept/Oct time too.

Nightingales are planning a 7″ 45rpm to be released at some point & another album to be recorded later in the year for early 2015 release.

Described in John Robb’s definitive post punk biography ‘Death To Trad Rock’ as “the misfits’ misfits”, the band has constantly garnered praise and respect from other artists and received endless glowing press reports, particularly for their live shows. Led by singer/lyricist Robert Lloyd (‘The most underestimated songwriter of his generation’ according to Ben Thompson in the Independent) the latest incarnation of the Nightingales are back again with a new album recorded at Faust studio in September 2013 for release in spring 2014. There will be a vinyl lp and the record label & title will be confirmed soon.

Birmingham’s original punk group The Prefects had been part of The Clash’s ‘White Riot Tour’, recorded a couple of Peel sessions, released a 45 on Rough Trade and, years after splitting up, had a retrospective CD released by NY label Acute Records to all round glowing reviews – from Rolling Stone to webzines.

The Nightingales was formed by former members of The Prefects following that band’s demise in 1979.

With an ever fluctuating line up, based around lyricist/singer Robert Lloyd, the Nightingales enjoyed cult status in the early ’80’s as darlings of the credible music scene and were championed by John Peel, who said of them – “Their performances will serve to confirm their excellence when we are far enough distanced from the 1980’s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans”.

The group recorded a bunch of critically acclaimed singles (Almost always ‘Single Of The Week’ in the music press) and three albums, plus many radio sessions for their great supporter Peel – more than any other band bar The Fall. They also regularly toured the UK and Northern Europe, as headliners and supporting acts as diverse as Bo Diddley and Nico.

In the late Eighties the Nightingales stopped working but, following the occasional gig between times, they re-grouped in 2004, with Lloyd being joined by original Prefects guitarist Alan Apperley.

Since restarting the group have been more productive than ever – releasing five 7″ vinyl singles and three studio albums (Plus two live ‘bootleg’ albums), touring England, mainland Europe and USA numerous times, recording many radio sessions along the way. They have been invited to play various festivals in Europe and the States, including Glastonbury and SXSW. Their “Let’s Think About Living” 45 was ‘Single Of The Week’ on BBC 6 Music and they have continued to receive regular rave reviews for their records and live shows.

2006 saw the release of “Out Of True” on Iron Man Records and the return of a reformed Nightingales after some years away. In 2008 the band recorded “Insult to Injury” produced by Hans Joachim Irmler of krautrock legends Faust which was released in 2009 on Irmler’s Klangbad label. “The Lost Plot”, an Irmler produced 10″ EP was released to coincide with the band’s Euro tours in 2011.

“No Love Lost” was also recorded at Faust Studio in Germany but this time self produced and was released in April 2012.

small selection of recent press:

Nothing could have prepared for the astonishing revelation of Robert Lloyd’s Nightingales… The cumulative effect is one of euphoric delight, of old knowledge in the hands of new disciples. “Dig the depth of the furrow of mirth that I can plough,” sings Lloyd on The Overreactor. Tonight The Nightingales hit an epic new low. Catch them when they’re at it again – MOJO, UK

The Nightingales have always been simply a great rock ‘n’ roll band and 32 years on they’re right at the top of their game – THE STOOL PIGEON, UK

The Nightingales – they’re back and they’re marvellous – MARC RILEY/BBC 6 MUSIC, UK

Nightingales are unreal. The level of playing and songwriting after their post-punk hiatus is unparalled by any of their generational comeback cohorts – TERRE T/WFMU, USA

With The Fall getting Lifetime Achievement awards and Gang Of Four canonised it is long past time the wayward genius of Robert Lloyd and his cohorts was recognised – RECORD COLLECTOR, UK

Rock & Roll at its best – SUDDEUTSCHE ZEITUNG, GERMANY

Consistently excellent, the Nightingales are back, as ferociously sardonic as ever. Nice to see them still mad, still funny, still wrecking the furniture after all these years. – DUSTED, USA

Shows just how poor these skinny jeaned little shits currently doing the rounds really are. – TASTY, UK

The Nightingales in Southend on Friday jetted in to my top ten gigs of all time – PHILL JUPITUS/BBC 6 MUSIC, UK

Forget all these NME Band of the Week types, who make out they don’t care, they won’t compromise, etc, whilst wearing the same indie uniform and churning out the same tired old riffs. They don’t need your attention. The Nightingales do. Because rock ‘n’ roll rarely gets as uncompromising as this – PLASTELIN, SERBIA

The Nightingales revisited their past and offered up the future. Still stunningly relevant – LONDON EVENING STANDARD, UK

The Nightingales subjugate a rapt and breathless audience with a performance of sinewy magnificence – DAILY TELEGRAPH, UK
Tuesday night at the Cake Shop in NYC. One of the best shows I’ve seen in years. Jangly, angsty, angular, punk, post-punk, just rock and roll, whatever, they destroyed – DAN SELZER/ILXOR, USA

The Nightingales have been responsible for some of the most genuinely innovative minority music of the past three decades. – THE QUIETUS, UK

They sound wired, edgy, boozy and as dangerous as ever, like a new band full of that energy that comes with those first moves and not a band who’ve been doing this since the start of punk. Robert Lloyd really shouldn’t be this good after all these years, should he? – THE ORGAN, UK

Boozy and deranged, Insult to Injury is how the new Franz record ought to sound – VICE, UK

This is a living, breathing beast of an album – ARTROCKER MAGAZINE, UK

This is their fiercest, most lacerating album yet, better by a good margin than the mid-1980s Pigs on Purpose…and that was excellent – BLURT, USA

Their freshest and most subtly intoxicating work to date – OBSERVER MUSIC MONTHLY, UK

The new album from the ‘Gales is their finest for 27 years. Start here and work backwards – SUNDAY TIMES, UK

Unlovable as ever. The Nightingales remain hard work for precious little gain – MOJO, UK

“The new album by Nightingales is brilliant. One of the fiercest and most exhilarating rock records I’ve heard in ages.” Andrew Male, MOJO

Nightingales ‘No Love Lost’ cd/dd – Cooking Vinyl – Released April 30th 2012 – Press Report March 30th 2012

www.thenightingales.org.uk
www.facebook.com/pages/The-Nightingales/8860762012
http://twitter.com/_Nightingales

Buy Nightingales CDs here: http://ironmanrecords.bigcartel.com

Seth Faergolzia of Dufus Europe Tour May 1st – 26th 2014

January 1, 2014

Seth Faergolzia of Dufus will be back in Europe from May 1st-26th. Ever since his days as the mastermind behind critically-acclaimed avant-boho outfit Dufus, Seth Faergolzia has blazed colorful trails into modes of expression one couldn’t have foreseen even as Dufus were being hailed as “freak folk” innovators.

When Faergolzia first emerged out of lower Manhattan at the turn of the millennium, he cut quite the figure as a trailblazing artist committed to pursuing his vision on the fringe of the fringes, quickly distinguishing himself as a visionary with an entertainer’s flair and a penchant for bending minds. Naturally, the surface absurdism of his output drew comparisons to likeminded iconoclasts like Captain Beefheart, Zappa, Ween, and Mr. Bungle. But, Faergolzia has come to represent a genre unto himself, the labyrinthine pathways of his inspiration delighting audiences and collaborators alike. In his new live show, taking the stage as a one-man tornado of sound, Faergolzia draws from new material, electronic samples, loops, improvisations, and choice selections from the Dufus vault — a full and varied cross-section of the matchless oddball muse that has delighted audiences, collaborators, and critics alike for over a decade.

You can buy Dufus – The Last Classed Blast, Dufus – Neuborns and many more Dufus and Seth Faergolzia CDs in The Iron Man Shop here: http://stores.ebay.co.uk/Iron-Man-Shop

 

Police Bastard – Confined

December 29, 2013


Police Bastard are back with a new album on Iron Man Records called Confined.

“CVLT Nation’s Top 6 Crust Albums 2013: Police Bastard are pretty infamous at this stage, so no need for any introductions with band member links to Doom, Sore Throat, Filthkick, Sensa Yuma etc. Their new album ‘Confined’ sticks to their cynical view of the world mixed with innovative guitar textures and driving industrial intensity. Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control, disillusionment and omnipresent bullshit. For a band that has been knocking about on and off for twenty years, they could be forgiven for reverting to the formulaic. However, they rethink and deliver a furious maelstrom of complex dark hardcore, best served cold.” CVLT Nation (Dec 19, 2013)
“The album starts with “The Curse Of The Cross”, an anti-theistic slice of brutality, which leaves the listener in no doubt that Police Bastard mean business. You even get a quote from Richard Dawkins about teaching the bible as fiction. Musically they give us huge chugging riffs on “Brought To Our Knees”, which tackles the blandness of multi-national companies infecting the high street, set against the backdrop of the widening gap between rich and poor. For those that like their anthems loud and stompy, “Sick Sick System” will no doubt win a seal of approval with its knock about Punk mayhem and catchy refrain, ‘sick sick system, same old bullshit’. Elsewhere on the album, we get subjects as diverse as being captivated by virtual reality (Word Confined) and environmental disaster from the hand of mankind (Cries From The Earth). Album closer “Fortress” sees organised religion attacked once more, and poses the question, how long before it crumbles…..” – Zak, Ryans Gig Guide (Dec 01, 2013)
“….From Mark Orton‘s cover art through the final song, “Fortress,” Police Bastard have presented an album that uses hardcore’s battering ram approach to push through a series of songs that depict how humanity has destroyed the Earth. Lines such as “We’re sealing our fate” hammer home the idea that mankind has taken the world to the edge of existence, and we’ll all soon perish, should we not change our ways. Thankfully, Confined manages to never lapse into Earth Crisis-like preaching, choosing instead to quote the likes of John Gray‘s Straw Dogs: “Long after the traces of the human animal have disappeared, many of the species it is bent on destroying will still be around, along with others that have yet to spring up. The Earth will forget mankind. The play of life will go on.” While the music is basic hardcore which occasionally aims for bigger sonic targets, the lyrics and presentation are what make Police Bastard worth checking out……” Rock Star Journalist, Rock Star Journalist (Nov 22, 2013)
You can Buy Police Bastard – Confined CD in The Iron Man Shop here: http://ironmanrecords.bigcartel.com
All Bookings: Email (tel: 07974 746810)
Press / Fanzines / Magazines / Bloggers: Email with your postal address for a review copy.

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