How to live a psychedelic life with the poet and activist John Sinclair

July 26, 2016

John Sinclair at 12 Bar Club, London, Sunday 11th May 2014

Psychedelia with John Sinclair
Stuart Maconie’s Freak Zone

Stuart finds out how to live a psychedelic life with the poet and activist John Sinclair as BBC Music’s My Generation celebrates the 1960s. John Sinclair is best known for his jazz poetry, managing the rock band MC5 and being a founding member of the White Panther party in the late 1960s. Stuart chats to him about the creative philosophies behind psychedlia and how to open your mind.

John Sinclair in the Iron Man Records shop

TC Lethbridge – 2000TC – Standing On The Verge Of Getting It On


March 7, 2016

TC Lethbridge - 2000 TC book by John Higgs

Long, long ago in in the deep forgotten past, three musicians came together in an ancient landscape and made music that drifted away, seemingly lost for all time.

This was in Wiltshire around 1992, to be more precise.
2000 TC Standing on the verge of getting it on

The band was TC Lethbridge. It contained Doggen and Kev Bales from Spiritualized/Brain Donor and the artist Flinton Chalk. The band did not last long – they imploded before they had even played their first gig. But something happened to these musicians as they practiced, wrote and recorded in the Neolithic village of Avebury in the early nineties. They were marked by the experience.

The album they were recording as they fell apart was a project that always required closure. Two decades needed to pass before the politics and damaged relationships created by the band’s collapse could allow this to happen. In 2014 that album, 2000TC by TC Lethbridge, was finally mixed by the band from the original tapes and released on Iron Man Records.

T.C. Lethbridge - Band photo

One of those fascinated by the legend of this lost album was the author John Higgs. The Quietus has said that Higgs’ last book The KLF: Chaos, Magic and the Band who Burned a Million Pounds “might well be the best music book of the 2010s”. In The Guardian Dorian Lynskey described it as “like Adam Curtis brainstorming with Thomas Pynchon”, and Alexis Petridis called it “a thing of endlessly fascinating, utterly demented genius.” Alan Moore has said that Higgs’ next book Stranger Than We Can Imagine: Making Sense of the Twentieth Century, to be published in August 2015, is “an illuminating work of massive insight, I cannot recommend this magnificent work too highly.”

Such was the lure of the TC Lethbridge story that Higgs set about writing another book, 2000TC: Standing on the Verge of Getting It On, “in order to understand the drive, integrity and ambition of the young musicians in that Avebury hall”. This makes TC Lethbridge the only band to have a biography written about them before they had even gigged. In keeping with the unobtainable, mythic nature of the band, Higgs published this book in a limited run of only 111 copies. It is not for sale and there are no plans to make it available in any other format.

The book was published to mark an event that was for a long time considered unthinkable: TC Lethbridge played their first gig over the night on November 22-23rd 2014, at the Robert Anton Wilson festival and Cosmic Trigger play in Liverpool, hours after being presented with copies of this book.

This, then, is the story of TC Lethbridge up until that point. They are now an active live band whose three albums – the once-lost 2000TC, their first album Moon Equipped and their instrumental CD Mina – have all been made digitally available.

If this is their past, then what is their future? Perhaps that is a myth that has yet to be written.

TC Lethbridge - 2000 TC, Mina and Moon Equipped released 23rd November 2014 on Iron Man Records

John Sinclair – It’s All Good: A John Sinclair Reader

February 18, 2016

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It’s All Good: A John Sinclair Reader

Writer/Poet John Sinclair takes readers on a journey through time through music lyrics, poetry and stories from songwriters themselves. It’s All Good features stories of tragedy and triumph, musical and poetic inspiration that takes readers on a trip through the Wonder Years.

John Sinclair has been many things to many people—founder of the Detroit Artists Workshop and the White Panther Party, manager of the storied MC-5, producer of the legendary Ann Arbor Blues & Jazz Festivals and of records by artists from Deacon John to Sun Ra, political prisoner and implacable opponent of the marijuana laws since 1965, popular radio broadcaster at WDET and WWOZ and originator of the live coverage of the New Orleans Jazz & Heritage Festival, pioneer of podcasting and proprietor of his own internet radio station at Radio Free Amsterdam for the past ten years.

But first and always John Sinclair is a poet and journalist with 50 years of the written and spoken word behind him. His work in adapting the blues and jazz idioms to verse forms with musical accompaniment is without parallel, and he’s produced more than 20 albums of his music & verse creations.

IT’S ALL GOOD collects 25 of Sinclair’s poems and 25 prose writings into one handy compendium of selections from his books of poetry Fattening Frogs For Snakes—Delta Blues Suite, always know: a book of monk, and Song of Praise—Homage to John Coltrane, plus excerpts from his underground classic Guitar Army and features on Jack Kerouac, Dr. John, the Art Ensemble of Chicago, Sun Ra, Walter “Wolfman” Washington, Irma Thomas, and the Wild Indians of Mardi Gras.

IT’S ALL GOOD is accompanied by a free album download of Sinclair’s poetry & music collaborations corresponding to the poems in the book and featuring accompaniment by Wayne Kramer, Jeff Grand, Mark Ritsema, Charles Moore, Lyman Woodard ,Tom Worrell, Afrissippi , Ed Moss & the Society Jazz Orchestra and others.

Buy It’s All Good: A John Sinclair Reader

Product Details
Copyright The John Sinclair Foundation (Standard Copyright Licence)
Publisher Horner Books
Published 16 September 2015
Language English
Pages 416
Binding Perfect-bound Paperback
Interior Ink Black & white
Weight 0.27 kg
Dimensions (centimetres) 15.24 wide x 22.86 tall

John Sinclair – Tour Dates New Orleans 2016

February 11, 2016

JohnSinclair_420Cafe_Frenchy

Fri. Feb. 12    7:30 p.m.     Piano Poetry Paint @ Frenchy Gallery (8314 Oak St.) with Tom Worrell, Lionel Batiste & Frenchy

Sat. Feb 13         3 p.m.     Louisiana Music Factory with the Carlo Ditta Trio (421 Frenchmen St.)

Mon. Feb 15      7 p.m.       Reading from “IT’S ALL GOOD” at Frenchy Gallery

Tue. Feb 16       7 p.m.       Reading from “IT’S ALL GOOD” at Frenchy Gallery

Wed. Feb 17      7 p.m.       Reading from “IT’S ALL GOOD” at Frenchy Gallery

Thu. Feb 18       7 p.m.       Reading from “IT’S ALL GOOD” at Frenchy Gallery

Fri. Feb 19         7 p.m.       Reading from “IT’S ALL GOOD” at Frenchy Gallery

Sun. Feb. 28    10 p.m.       d.b.a. with the Carlo Ditta Trio (618 Frenchmen St.)

Mon. Mar. 7     10 p.m.     Hi-Ho Lounge (2239 St. Claude), Instant Opus Improvised Series

Wed. Mar. 9       9 p.m.       Little Gem Saloon with the Carlo Ditta Trio  (445 S. Rampart St.)

Track John Sinclair on SongKick and get updates for shows as they are announced

Buy John Sinclair Books, Music and more here

TC Lethbridge – Neo-Psychedelic rock troupe missing for 23 years by Guy Hirst

September 4, 2015

TC Lethbridge - 2000 TC book by John Higgs

Made up of two long standing members of space rock pioneers Spiritualized (Doggen, Bales) and named after the radical archaeologist turned occultist T.C. Lethbridge, the band return with three re-issues of their self-released albums recorded in the early nineties: Moon Equipped, Mina and 2000 TC – released November 23rd 2014 via Iron Man Records.

T.C Lethbridge is Kevin Bales, Tony Doggen Foster and Flinton Chalk.

TC Lethbridge - 2000 TC, Mina and Moon Equipped released 23rd November 2014 on Iron Man Records

The re-issues promoted their first public performance in 23 years last November at Liverpool’s Cosmic Trigger Festival, a theatrical production and continuation of the Illuminatus Trilogy – a satirical story of drugs, sex, magic and conspiracy theories – which was originally adapted to stage by legendary English writer and director Ken Campbell.

T.C. Lethbridge’s performance at Cosmic Trigger was a tribute to the late-great psychedelic evangelist Brian Barritt (cohort of LSD advocate Timothy Leary) who appears in the Cosmic Trigger book and had recorded with the band at Avebury stone circle during the making of 2000TC. Barritt also features on the track “Bou Saada” on the album and Flinton Chalk had previously collaborated with Barritt exploring the trance-inducing frequencies of Neolithic burial tombs – a main theme that runs throughout their music. In Brian Barritt’s words the group are exploring “Automatic writing on a sacred landscape.”

You can explore their music by listening to 2000TC here:

Author John Higgs has written a biography of T.C Lethbridge entitled “2000TC – Standing on the verge of Getting It On” and said:

“Spending a few months writing a biography of a band who have yet to show their faces in public was not the most career-minded way to spend my time, but it had to be done. This is a story about people who’ve had some form of visionary or incomprehensible experience, and about how they can only move on and process what happened to them through a creative act. It is about the impact an uncompleted artistic project can have on a life. It also functions as a jigsaw piece, connecting the story in my Timothy Leary book to the one I tell in The KLF. So, yeah, it had to be written.”

‘2000TC’ was recorded 1994 John Stewart Hall, Melbourne House, The Henge Shop, Avebury, 4 Track cassette, digitally remastered by John Davies 2014. You can buy 2000TC here

All re-issued TC Lethbridge albums can be found here

T.C. Lethbridge website: http://www.tclethbridge.com

– written by Guy Hirst 2015

John Higgs – “Stranger than we can imagine: Making Sense of The Twentieth Century” Book Launch

August 19, 2015

Friday 28th Aug 2015 - An evening with John Higgs and Guests

Friday 28th Aug 2015

An evening with John Higgs and Guests

Heavenly Social presents an evening with John Higgs and Guests

To celebrate the publication of his new book

Stranger Than We Can Imagine:

Making Sense of The Twentieth Century

Friday 28th August

7pm-1am

Free

The Social, 5 Little Portland Street, W1W 7JD

Nearest Tube Oxford Circus

The Social.com

Iron Man Records – a Birmingham based Independent Record Label

July 15, 2015

Iron Man Records Logo for print

Iron Man Records is a Birmingham based independent record label, founded in 1996. The label has released recordings by: P.A.I.N, Police Bastard, John Sinclair, Nightingales, Steve Fly, TC Lethbridge, Dufus, Sensa Yuma, and Last Under The Sun, amongst others.

“Music has no flag, no government, no police. Nobody owns it, nobody controls it. Music crosses all borders of geography, language, culture and belief. Music brings people together…..” – Reasons Why

Iron Man Records is run by a Music Promoter and Tour Manager – Mark Badger and a Script writer and Lawyer with a music background – Kevan Tidy.

Mark Badger founded Birmingham Music Network, in 2000.  Since 1994, Mark has organised more than 1000 gigs around Birmingham as Badger Promotions. Additionally, Mark Badger is an active member of two Birmingham based bands: Last Under The Sun and Police Bastard.

Before joining Iron Man Records, Kevan Tidy was a musician and a songwriter. Kevan has worked as a lawyer for many years and can help aspiring inventors, film makers, writers, and musicians and has worked at all levels.

Iron Man Records offers a number of services from Releasing Music, Tour Management and Online Strategy to Legal Advice. The label works closely with several radio stations, including: Music World Radio and Radio Free Amsterdam to give good new music a chance to be heard.

Iron Man Records is about artistic freedom. The label demonstrates its approach by supporting musicians who have something to say and wish to produce music in their own time, and on their own terms.

– Magdalena Szytko, Birmingham, 2015

Iron Man Records - Advert 2015 For Web

The Story of TC Lethbridge – 2000 TC: Standing on the verge of getting it on by John Higgs

January 8, 2015

Automatic writing in the sacred landscape. Established 1991.
TC Lethbridge - 2000 TC (Iron Man Records - 23rd Nov 2014)

TC Lethbridge – 2000 TC (Released by Iron Man Records – 23rd November 2014)

If you spend too much time in a state of mind which prevents normal perception, behaviour, or social interaction you might end up running a record label. Living life in a completely deluded state, generating massive debt for no apparent reason can be difficult to keep going for more than 17 years at a time but, it seems by some terrible mistake I’ve made it look relatively easy. But anyway, enough of that, I want to explain something.

I went to a meeting last year year, the back room of a pub, The George in Southwark actually. The pub is just a few minutes walk from The Shard in London. Gimpo worked on The Shard and if I was going to park anywhere, parking at the foot of the Shard endorsed his work. I’ve spent time, 25 hours at a time, in a van going round the M25 with Gimpo, and believe me, it’s an experience to be had. I was with Steve Fly, a writer, musician and someone who plays drums for the Detroit Poet, John Sinclair who used to manage MC5 and was a founder member of the White Panthers. Steve and John released Mohawk through Iron Man Records in March and I was interested to accompany Steve to the meeting. I wanted to listen in, and if necessary, endorse him as a potential Music Director for The Cosmic Trigger, a new stage play by Daisy Eris Campbell. Daisy is the daughter of Ken Campbell who staged the Illuminatus! in 1976. I was 5 years old when all of that was going on.

The meeting was interesting as I had never met Daisy before and had no idea what to expect. Michelle the production manager, who was sat opposite, seemed to be keen to find the right people to take on the task ahead and no one was thinking any of this was going to be easy. A lot of hard work was ahead. If Bill Drummond had gone out to get Araldite in 1976, never to return…I was sure that this new stage adaptation of Robert Anton Wilson’s book The Cosmic Trigger was not going to be any easier for anyone.

Robert Anton Wilson was an American author novelist, psychologist, essayist, editor, playwright, poet, futurist, civil libertarian and self-described agnostic mystic. I discovered Robert Anton Wilson by way of a band called The KLF and the various aliases from The Timelords, The Jams, The Justified Ancients of MU MU, to 2K and K Foundation. Magic Temple of Discordian Promotions gave me many of Robert Anton Wilson’s books as a present which I’ve read and sometimes re-read. Magick was also a big KLF fan and seemed to know more than me so we soon became good friends. Both Robert Anton Wilson and the discussions I had about his work with Magick gave me inspiration when organising gigs for bands in Birmingham, when signing on and eating the food in my housemate’s cupboard was about all I had. The last posting that Robert Anton Wilson put on his website said: “I look forward without dogmatic optimism but without dread. I love you all and I deeply implore you to keep the lasagna flying.” The whole concept of keeping the lasagne flying made sure I didn’t get any ideas like getting a job or doing anything sensible with my time. In fact, I only stopped organising gigs because the venue I worked at, The Old Railway, was scheduled to be bulldozed. But that’s an aside, someone else was at the meeting who I knew of but had never met. Flinton Chalk was sat across from me, he was the one who sold the old car to Jimmy Cauty which ended up being used in KLF music videos and was renamed Ford Timelord. Flinton had bought the car from a film studio and spent time with friends dressing up as a nun and driving around doing donuts in muddy fields in the middle of the night. You might be wondering where on earth all this is going. You see, as John Higgs will tell you, if you happen to run a record label and read his book The Brandy Of The Damned “This is the problem with doing weird things. If you behave like a reasonable person, then the world will be reasonable back. If you step outside of the norm, however, and act in freaky ways, then the world will match you step for step. ”

And this is how I ended up talking with Flinton about the car, dressing up as a transvestite pirate nun, Jimmy Cauty, KLF, Julian Cope, Tall Hats, Stones Circles, and his time living in Avebury. I used to live in Wiltshire so I know that part of the world pretty well. Judging by the number of times I had driven through Avebury late at night in the early 1990’s its a wonder I didn’t run Flinton down. Somehow we got on to 111hz which can wait for another time, and then to a serious story about his trip to Mothers Jam on Fyfield down near Avebury. A stone tried to dematerialise Flinton and Julian Cope on one of their outings to collect photos and detail for The Modern Antiquarian. Flinton also told me about his band TC Lethbridge, named after Thomas Charles Lethbridge, who was an English archaeologist, parapsychologist, and explorer.

Having spent every last penny for the last 17 years on a record label that few people have any interest in, or understanding of, I was in no mood to consider working with another band and certainly not one that hadn’t played a gig, or had been missing for 23 years with three unreleased albums. But, I have done many things over the years, sometimes for money, sometimes for free, and sometimes because insanity is a far more rational approach to a complex situation than trying to think things through properly. And that’s how I ended up agreeing to help TC Lethbridge until they found someone more suitable.

Sat next to me, Steve Fly had just been appointed Music Director for The Cosmic Trigger so the work was done. I didn’t get out of the building until I had also agreed to do whatever I could to help The Cosmic Trigger. What had started out in my mind as a meeting to endorse Steve and “listen in and learn,” ended up as “You don’t listen and you never learn.” And so it began. TC Lethbridge had found themselves a record label.

I drove back to Birmingham wondering if I would ever learn anything ever. But that was then, so here’s to the now.

John Higgs is the Author of ‘The KLF: Chaos, Magic and the Band who Burned A Million Pounds’ and ‘I Have America Surrounded: The Life of Timothy Leary’. John Also writes fiction (as JMR Higgs) including The Brandy of the Damned and The First Church on the Moon.

I’ve read John’s book on Timothy Leary and also his book on the KLF and The Brandy of The Damned. All of them are well worth the read, you can make your own mind up which one to read first but, before you consider any of those, I want to tell you about his latest work.
TC Lethbridge - 2000 TC book by John Higgs
John Higgs has written a book called 2000 TC: Standing on the Verge of Getting It On. The book is not for sale, it will be one of a private edition of 111 copies. Don’t ask. The answer will blow the right side of your brain.

2000 TC was written to mark The Cosmic Trigger play and festival performance in Liverpool. It is the story of TC Lethbridge, who played their first gig after the play, 23 years after they formed. TC Lethbridge are Doggen and Kev Bales, of Spiritualized and Julian Cope/Brain Donor, and Flinton Chalk, who you’ll find more about in John’s KLF book (pages 116-117).

2000 TC Standing on the verge of getting it on

2000 TC is an album recorded by TC Lethbridge in Avebury 20 years ago. It was remastered by the same person who remastered the recent Led Zeppelin reissues. Don’t ask about that either, that’s another story altogether. Flinton met me backstage at The Barbican on 31st May after John Sinclair had performed with The Founder Effect supporting Marshall Allen and The Sun Ra Arkestra. The gig was to celebrate 100 years since the birth of Sun Ra and it was a suitable venue to hand over the 2000 TC master. The album was released on November 23rd by Iron Man Records along with an album called Moon Equipped and another called Mina. The band have been missing for 23 years and now they are back with a gig as part of The Cosmic Trigger, a book by John Higgs, and three albums on Iron Man Records.

I should mention that Thomas Charles Lethbridge was born 23rd March 1901 and passed away on 30th September 1971. You may be interested to know that 30th September 1971 is my birthday. Let me be clear: I am not the reincarnation of TC Lethbridge. If I had come up with a good reason not to work with the band of the same name, it still wouldn’t have stopped anything. It appears from birth, despite my protesting, I have been destined to know TC Lethbridge and release the records by a band of the same name. You cant make this stuff up, no one would believe it. Give the music a listen, you might like it.

The voice on the 2000 TC track Bou Saada is that of Brian Barritt. He makes an appearance in the book Cosmic Trigger, when Timothy Leary tells Robert Anton Wilson that he needs to talk to Brian if they are to both understand Aleister Crowley.

John Higgs said “Spending a few months writing a biography of a band who have yet to show their faces in public was not the most career-minded way to spend my time, but it had to be done. This is a story about people who’ve had some form of visionary or incomprehensible experience, and about how they can only move on and process what happened to them through a creative act. It is about the impact an uncompleted artistic project can have on a life. It also functions as a jigsaw piece, connecting the story in my Timothy Leary book to the one I tell in The KLF.

So, yeah, it had to be written.

No doubt it will be made more widely available at some point, in some format, in some way, should the band keep gigging and putting themselves about. But until then – more about the band here, and catch them Saturday if you can.”

All three TC Lethbridge albums – Moon Equipped, Mina, and 2000 TC were released on 23rd November 2014 on Iron Man Records. Note: Any money generated from sales of these TC Lethbridge albums will be used to finance a vinyl and CD release of each record in future.

If you are interested in reviewing the 2000 TC book or reviewing any TC Lethbridge album get in touch

John Higgs spoke in Liverpool on the Sunday after Robin Ince and made an attempt to make sense of the preceeding days. Unfortunately I didn’t get there, I had to finish a few things and then pop out for a bit. I needed to get some Araldite.

Find out more about the band here:

TC Lethbridge website: http://www.tclethbridge.com

Facebook: https://www.facebook.com/TCLethbridgeMusic

Twitter: http://www.twitter.com/TC_Lethbridge

Iron Man Records - TC Lethbridge A5

TC Lethbridge

November 5, 2014

TC Lethbridge are Doggen, Kev Bales and Flinton Chalk. Automatic writing in the sacred landscape. Established 1991.

T.C. Lethbridge - Band photo
T.C. Lethbridge – Band photo.

Daniel James, Kev Bales, Tony Doggen Foster, Flinton Chalk at John Stewart Hall, Yatesbury, Wessex, where most of the tracks for Mina and 2000TC were recorded.

Flint had a tape with him, rough mixes of 2000TC songs recorded in Avebury which he pulled out of a box of cassettes under the stairs. I was keen to hear it. I was a big fan of the Mina instrumentals. I don’t know what I had been expecting, but it wasn’t the overwhelming sense of purpose that burst out of the speakers. I was reminded of the Jimi Hendrix Experience, which I was not prepared for. There is one particular section of 2000TC that for me crystallises everything that Flint, Kev and Doggen were doing. It is at the end of the sixth track. Doggen’s playing becomes increasingly possessed by some musical spirit, the like of which I have never heard before. As the song progresses you get the strange sense that those musicians no longer exist, that they have been replaced. They have sunk a deep well and been swept away by the sound gushing out of them. This builds and builds and… stops, abruptly. The tape ran out. But back in that hall none of them noticed. They continued, utterly lost in what they were doing… To hear where they were when just before the tape ended is a cruel tease indeed. But it also points to those lost moments we can never recover, of three musicians in Avebury who had left their egos far behind and were producing, as Brian Barritt put it, “automatic writing in the sacred landscape.” – John Higgs

 

‘Moon Equipped’ – 250 Vinyl 1994 self released. Recorded 1992 on board Judith, a Dutch barge on Thames at Battersea Bridge on 4 Track cassette.
TC Lethbridge - Moon Equipped (Iron Man Records - 23rd Nov 2014)
TC Lethbridge – Moon Equipped (Iron Man Records – 23rd Nov 2014)

‘Mina’ – 500 CDs self released 2001, recorded John Stewart Hall, Yatesbury, Melbourne House, Avebury, 1993, 4 track cassette, released to mark 100 years since Lethbridge’s birth.
TC Lethbridge - Mina (Iron Man Records - 23rd Nov 2014)
TC Lethbridge – Mina (Iron Man Records – 23rd Nov 2014)

‘2000TC’, recorded 1994 John Stewart Hall, Melbourne House, The Henge Shop, Avebury, 4 Track cassette, digitally remastered by John Davies 2014.
TC Lethbridge - 2000 TC (Iron Man Records - 23rd Nov 2014)
TC Lethbridge – 2000 TC (Iron Man Records – 23rd Nov 2014)

Band Line up:

Formed 1991 (Laurel Canyon) named 1992 (Avebury).

Flinton Chalk – Vocs, Keys, Percussion, Engineer, Producer.

Tony ‘Doggen’ Foster – Guitars, Keys, Lead Vocs, Digital Remaster Engineer.

Kev Bales – Drums, Percussion, Vocs,

Daniel James – Bass on 1st album.

Next public performance:
The Cosmic Trigger Festival, Camp and Furnace, Liverpool, 22nd Nov 2014 around 10pm…..

The Full Cosmic Trigger Experience 22nd/23rd November 2014
The Full Cosmic Trigger Experience 22nd/23rd November 2014

The Full Cosmic Trigger Experience
Find The Others
Conferestival

Performance, Speakers, Art, Music Cinema, Rituals, Workshops, poetry, Quizzes, Stalls, Discordian Papal Ball.

Prof. Robert Temple, Robin Ince, Nina Conti, Youth, Adam Gorightly, Johnny “Dolphin” Allen, C.J. Stone, John Higgs, Dr. David Luke, Greg Sams, Jeff young, Liverpool Impropriety, TC Lethbridge, DJ Kin, Michael Brunstrom, Dr. David Bramwell, John Constable, Salena Godden, Jacqueline Genie, Adrian reynolds, Jamie Reid, Jimmy Cauty.

Camp and furnace, Liverpool L1 0BY

14:23-02:23 Sat 22nd november 2014 (Play and Ball)

11:23-23:23 Sun 23 Nov 2014 (Conferestival)

Tickets £69 (full weekend = play and ball and festival)

Phone The Everyman box office: 0151 709 4776 www.cosmictriggerplay.com

T.C. Lethbridge website: http://www.tclethbridge.com

Facebook: https://www.facebook.com/TCLethbridgeMusic

Twitter: http://www.twitter.com/TC_Lethbridge

Iron Man Records - TC Lethbridge A5

A Festival of Detroit Artists’ Workshop People 1964-2014

November 1, 2014

A Festival of Detroit Artists' Workshop
“an autumn ecstasy in the contemporary arts”
Music, Poetry, Photography, Dance, films

A Festival of DAW People – 50th Anniversary 1964-2014

with the

Ron English Trio
John Dana
John Sinclair and His Blues Scholars
Leni Sinclair
George Tysh
Robin Eichele
Bill Harris
Ken Mikolowski

Sunday October 26th 2-5pm Mocad 4454 Woodward
Sunday November 2nd 2-4pm Scarab Club 217 Farnsworth
Sunday November 9th 2-4pm Scarab Club 217 Farnsworth
Monday November 10th 11.30am-1.30pm WSU Undergrad Library Community Room, 5150 Anthony Wayne Dr.

www.detroitartistsworkshop.org

The Full Cosmic Trigger Experience 22nd/23rd November 2014

October 18, 2014

The Full Cosmic Trigger Experience 22nd/23rd November 2014

The Full Cosmic Trigger Experience
Find The Others
Conferestival

If you are interested in finding out more about Robert Anton Wilson, The writing (and living) of Illuminatus, the cult novel which launched a million conspiracy-freaks; Stumbling, via LSD and Aleister Crowley onto a 6500-year-old conversation with the planet Sirius; Dreaming up the formula, with Timothy Leary, of positive human evolution; Co-conspiring to create the Discordian religion, which worships Eris, the Goddess of Chaos and Confusion; Tantric sex, musical sing-alongs and mass initiations; Bob’s fellow Discordian being accused of being “the second Oswald” in JFK’s assassination; Mind-blowing visual effects, extraordinary musical soundscapes, and proper “Ken Campbell style” acting; The journey through Chapel Perilous, a dangerous occultist crossing point, from which one either emerges paranoid or agnostic. This might be for you…..

Performance, Speakers, Art, Music Cinema, Rituals, Workshops, Poetry, Quizzes, Stalls, Discordian Papal Ball.

Prof. Robert Temple, Robin Ince, Nina Conti, Youth, Adam Gorightly, Johnny “Dolphin” Allen, C.J. Stone, John Higgs, Dr. David Luke, Greg Sams, Jeff young, Liverpool Impropriety, T.C. Lethbridge, DJ Kin, Michael Brunstrom, Dr. David Bramwell, John Constable, Salena Godden, Jacqueline Genie, Adrian Reynolds, Jamie Reid, Jimmy Cauty.

Camp and Furnace, Liverpool L1 0BY

14:23-02:23 Sat 22nd november 2014 (Play and Ball)

11:23-23:23 Sun 23 Nov 2014 (Conferestival)

Tickets £69 (full weekend = play and ball and festival)

Phone The Everyman box office: 0151 709 4776

The Full Cosmic Trigger Experience – Find The Others Conferestival 22-23rd November 2014

October 11, 2014

The Full Cosmic Trigger Experience 22nd/23rd November 2014

The Full Cosmic Trigger Experience 22nd/23rd November 2014
Find The Others
Conferestival

Performance, Speakers, Art, Music Cinema, Rituals, Workshops, poetry, Quizzes, Stalls, Discordian Papal Ball.

Prof. Robert Temple, Robin ince, Nina Conti, Youth, Adam Gorightly, Johnny “Dolphin” Allen, C.J. Stone, John Higgs, Dr. David Luke, Greg Sams, Jeff young, Liverpool Impropriety, TC Lethbridge, DJ Kin, Michael Brunstrom, Dr. david david Bramwell, John Constable, Salena Godden, Jacqueline Genie, Adrian reynolds, Jamie Reid, Jimmy Cauty.

Camp and furnace, Liverpool L1 0BY

14:23-02:23 Sat 22nd november 2014 (Play and Ball)

11:23-23:23 Sun 23 Nov 2014 (Conferestival)

Tickets £69 (full weekend = play and ball and festival)

Phone The Everyman box office: 0151 709 4776

More info: www.cosmictriggerplay.com

 

The Sun Ra Arkestra and John Sinclair – Barbican, London by Michael Horovitz, 4 June 2014

June 4, 2014

Detroit jazz poet John Sinclair, counterpointed by inventive British post-bop quartet The Founder Effect, whom he’d only just met, filled the first half hour of this marathon gig with echoes and premonitions of the Arkestra and of its visionary originator-captain Sun Ra, who died in 1993. Sinclair’s finale ‘Another Order of Being’ drew extensively on Ra’s pronouncements, notably that ‘A band can demonstrate unity among men more than anything else in the world’, and that ‘In some far place, many light years in space, where human feet have never trod! where human eyes have never seen! I’ll build a better kind of world’.

John Sinclair at The Barbican 31st May 2014

Then on ambled a dozen amiable all-black Arkestrans, exotically clad in flowing raiments and headgears of multinous shapes and colours, led by biblicly bearded, Popeishly mitred alto sax, flute and kora maestro Marshall Allen, who has directed the band’s various line-ups since 1995. What followed over the next two hours was pure Saturnalia, qua unrestrained merry-making – as came super/naturally, given it was just a few evenings after Ra’s 100th birthday – consolidating his lifelong insistence that he’d been delivered to Earth from Saturn to spread universal light.

The nonstop musical euphoria this edition of the band generated was one supreme generating factor, itself swathed throughout by another, the ebulliently bubbling psychedelic triple-screen liquid light-show laid on by ex-Pink Floyd illuminator Peter Wynne-Willson’s ‘Mystic Lights’. The band consisted of four saxes, two trumpets, trombone, french horn, guitar, two streams of percussion, Tyler Mitchell’s walking bass, the infinitely lyrical pianistics of Farid Barron and gospel-tinged songsprays from Tara Middleton.

Their repertoire included wild ‘inter-galactic’ Ra/Allen hits like ‘Sunology’, ‘Angels & Demons’, ‘Space is the Place’ interspersed with straight melodic, parodic, improvised/squealy-squawked variations on ‘When You Wish Upon a Star’, ‘Sometimes I’m Happy’ and the early Coleman Hawkins’ ‘Queer Notions’, plus unison and free-form honking’n’hooting’n’blurting’n’chanting, Swing Era riffing, with the marching band tradition recalled every so often by the horn-players taking off-stage sorties to every unoccupied foot-space in the jam-packed auditorium, whilst still blowing their (and many of our) arses off.

The kids’ playground/circus electricity were further recharged by Pucklike altoist Knoel Scott periodically erupting into nimbly balletic somersaults, flying handstands and joyously whizzing cartwheels, and a couple of times getting one of the other saxophonists to play vigorous physically-back-to-back duets with him.

The memory of this fantastic spectacle and its wondrous soundscapes will go on uplifting my spirits for many a moon. Should Ra himself have chosen to revisit that little bit of Earth for this party, he too may still be smiling these bits of his legacy’s work and play to have witnessed – and mayhap even deliver whatever he likes of it back to Saturn . . .

Michael Horovitz, 4 June 2014

Video by CHU on the making of 360 degree artwork for "Mohawk" by John Sinclair

February 17, 2014

“I sketched the entire world and digitised it inside Google’s Sketchup, where this three dimensional, three hundred and sixty degree artwork could spring to life. This sketch can be viewed from almost anywhere and the result is a multi-dimensional drawing – a million sketches worth. When making a normal two dimensional drawing, changing the viewpoint requires a completely new sketch – this way, the sketch allows plenty of freedom for the viewer and there are a sickening amount of permutations.

This economy in the production stemmed from the need to pay tribute to, as close as possible, the location and setting for the photoshoot on the cover of Thelonius Monk’s Undeground LP released on Columbia in 1967. The sleeve won a Grammy in 1968 for art direction.

Steve ‘Fly’ and I considered it may have been Monk’s apartment in Manhattan on the original sleeve. Wherever it may have been, I rebuilt the scene, destroyed it, reinfected it and drenched it all in psychedelia, on a stage that Paddington Bear would be proud of.

Is there something in that marmalade?” – CHU 14th Feb 2014

For more on CHU’s mind boggling digital sculpting, research and free-form thinking have a look at his own site and see for yourself what he has been up to:

http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

Video by CHU on the making of 360 degree artwork for "Mohawk" by John Sinclair

February 17, 2014

“I sketched the entire world and digitised it inside Google’s Sketchup, where this three dimensional, three hundred and sixty degree artwork could spring to life. This sketch can be viewed from almost anywhere and the result is a multi-dimensional drawing – a million sketches worth. When making a normal two dimensional drawing, changing the viewpoint requires a completely new sketch – this way, the sketch allows plenty of freedom for the viewer and there are a sickening amount of permutations.

This economy in the production stemmed from the need to pay tribute to, as close as possible, the location and setting for the photoshoot on the cover of Thelonius Monk’s Undeground LP released on Columbia in 1967. The sleeve won a Grammy in 1968 for art direction.

Steve ‘Fly’ and I considered it may have been Monk’s apartment in Manhattan on the original sleeve. Wherever it may have been, I rebuilt the scene, destroyed it, reinfected it and drenched it all in psychedelia, on a stage that Paddington Bear would be proud of.

Is there something in that marmalade?” – CHU 14th Feb 2014

For more on CHU’s mind boggling digital sculpting, research and free-form thinking have a look at his own site and see for yourself what he has been up to:

http://www.schudio.co.uk/blog/2014/mohawk-by-john-sinclair/

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