How do I become an Iron Man Records Patron?

Be the first to hear new releases and get special news updates. As a Patron you will you will be able to choose any T-shirt, CD, or Vinyl of your choice from the Iron Man Shop. Stickers, artwork and other Patron only items will be offered to you as they become available. Join a highly valued group, committed to supporting the future release schedule of Iron Man Records, and enjoy a copy of everything produced with your support on request. Your donation as a Patron will directly support our creative programme of releasing music on Vinyl and will allow us to work with and champion artists, music, ideas and creativity. How…

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Total Assault On The Culture – Join Us

I want to invite you to become a Patron of Iron Man Records. Since I started the record label 23 years ago, times have changed. Iron Man Records seeks to provide a cultural outpost for musicians, writers and travellers in the arts. An Embassy for the Imagine Nation committed to inspiring and promoting Independent creativity. The Record label seeks to encourage residents and travellers in the arts to gather, record and present their cultural insights and experiences. 125 Patrons currently support the record label. Iron Man Records wants to make all new record releases available on Vinyl. Your help will ensure the insanity continues. Iron Man Records relies on your support,…

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Nightingales – Four Against Fate released 22nd May 2020

New LP/CD/DD – Released by Tiny Global Productions – 22nd May 2020 While other bands singe their puny parts on a sponsored bonfire of mediocrity, the Nightingales give the gobshites a lesson in blue collar artrock ‘n’ roll. Without beards or tattoos, the past punk/post pop Midlands’ mavericks say, “No” to the vile, but proudly keep their shirts on. Twelve songs of madness & melody, recorded with demure diligence. Featuring guitars & guts, soul & stupidity, poetry & pish, kindness & kinks, glam rock & grim rap, Bollywood & bollocks, et fucking cetera. Cool, hot & bothered, it’s ‘Four Against Fate’ Pre order the new album Four Against Fate here: https://uknightingales.bandcamp.com/album/four-against-fate…

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Transglobal Underground – Walls Have Ears released 15th May 2020

‘WALLS HAVE EARS’ is the new album from Transglobal Underground, featuring family members from the beginning, the present and the future. If you would like a review copy of Walls Have Ears email mark@ironmanrecords.co.uk Transglobal Underground - "Walls Have Ears" released Friday 1st May 2020 Transglobal Underground have been described as "an anarchic self-built non-structure that goes it’s own way." It's probably the best record they've made. Here's a video for a track called Ruma Jhuma. The track features Natacha Atlas and Sheema Mukherjee. Transglobal Underground - Walls Have Ears You’ve gone your own idiosyncratic way since the 1990s. You’ve refused labels, moved in and out of different scenes and styles,…

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Natacha Atlas – It’s A Man’s World – Music Video – From the album Strange Days (Whirlwind Recordings, 2019)

Natacha’s revisit of the much-loved classic “It’s A Man’s World” was prompted by a belief that its message is ever more poignant in the context of today’s world. For all the apparent progress made since this song was penned in 1966, there remains a huge disparity between society’s valuation of women vs men within the current socio-economic structure. Released on May 3 2020 in joint celebration of James Brown‘s birthday and women everywhere. Directed by Riffy Ahmed https://www.natachaatlasofficial.com https://www.whirlwindrecordings.com Natacha Atlas - Voice Alcyona Mick - Piano Andy Hamill - Double Bass Vasilis Sarikis - Percussion Samy Bishai, Emma Smith, Oli Langford, Stephen Hussey - Violin I JennyMay Logan, Gillon Cameron,…

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Transglobal Underground – Walls Have Ears – For today only on Bandcamp

‘WALLS HAVE EARS’ is the new album from Transglobal Underground, featuring family members from the beginning, the present and the future. It will be released on May 15th 2020. Transglobal Underground - "Walls Have Ears" is available today Friday 1st May 2020, for one day only on Bandcamp. Available on vinyl £15, CD £10, and digital download £8. But for 24 hours only Transglobal Underground have been described as "an anarchic self-built non-structure that goes it’s own way." Tim and Hami have just sent me through an advance promo copy of the new album. It's probably the best record they've ever made. Here's a video for a track called Ruma Jhuma…

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John Murry – Monday 3rd February 2020 at The Slaughtered Lamb, London. Doors 7pm, Music from 7.30pm

John Murry was adopted at birth into the family of William Faulkner. Some have speculated that the Faulkner blood might also run in his veins, but that should be left for a Southern Gothic novel yet to be written (or perhaps re-written). Raised in Tupelo, Mississippi, in the shadow of Elvis, his undiagnosed autism led to troubles at an early age that led to prescribed medication, which led to un-prescribed medication, which led to being institutionalised for addiction and mental health issues at a too young age. Eventually, discarded onto the streets of Memphis, he found music, which became the one constant positive force in his life. Memphis led to San…

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An Embassy for the Imagine Nation committed to inspiring and promoting Independent creativity.

 Iron Man Records seeks to provide a cultural outpost for musicians, writers and travellers in the arts. An Embassy for the Imagine Nation committed to inspiring and promoting Independent creativity. The Record label seeks to encourage residents and travellers in the arts to gather, record and present their cultural insights and experiences. Iron Man Records relies on your support, and in turn works hard to earn and keep your trust through the care taken in spending funds on production, manufacture, distribution, marketing, and promotion of new music on Vinyl. Record releases and the campaigns that accompany them cost money and we won’t accept donations from governments, companies, local councils, Arts…

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Total Assault On The Culture – October 2019

Iron Man Records provides a cultural outpost for musicians, writers and travellers in the arts. An Embassy and Vehicle for the Imagine Nation committed to inspiring and promoting Independent creativity. The Record label seeks to encourage residents and travellers in the arts to gather, record and present their cultural insights and experiences. Read the October 2019 Newsletter here Sign up for the next Newsletter here

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Curse of Lono – Tour Dates October 2019

Curse of Lono RECIPIENTS OF THE BOB HARRIS EMERGING ARTIST AWARD AT THE 2019 UK AMERICANA AWARDS “If dangerous living bothers you, look away now - but for everyone else, Curse Of Lono are a new beacon of darkness.” MOJO “Curse Of Lono have conjured a seductive mise en scene whose charged atmosphere bears parallels to Emylou Harris’s Wrecking Ball and U2’s The Joshua Tree.” 8/10 UNCUT “A masterpiece… A giant atmospheric soundscape of an album.” 4/5 COUNTRY MUSIC PEOPLE “Their songs conjure up epic, vivid soundscapes with a heart of noir.” 8/10 CLASSIC ROCK “Edgy yet lush Americana with harmonies to die for… One of the essential albums of 2018.” 8/10 LOUDER THAN WAR Curse Of…

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Natacha Atlas – Strange Days

“Sophisticated atmosphere...compositional boldness...solid jazz aesthetic...Natacha Atlas delivers a refined musical experience, one that encourages revelling in the most meditative parts of the human imagination“ DOWNBEAT magazine, USA November 2019 Artist: Natacha Atlas Label: Whirlwind Recordings Format: 2 x 12" (180g) Sleeve: Gatefold Country: France Genres: Jazz Pressing: 1000 Copies Natacha Atlas - Strange Days - “A darkly dystopian Arabic-infused jazz fantasy” Over the years, Natacha Atlas has worked with Transglobal Underground, Peter Gabriel, Nitin Sawhney, Nigel Kennedy, Indigo Girls, Jean-Michel Jarre, and Ibrahim Maalouf. CD: High quality, 6 panel digifile with a velvety soft-touch laminate finish & 12 page booklet with lyrics in both English and Arabic Vinyl: High quality, 180…

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Transglobal Underground… A history…

Transglobal Underground had to happen. They refused to accept that dance music had to be four to the floor house. They refused to accept that something called ‘World Music’ ever existed. They slowed down hip-hop and sped up dub. They sang in whatever language they felt like singing in. they were DJs but they played live. Their influence is all over the place, sometimes benign, sometimes joyful, sometimes beautiful and sometimes bloody dreadful. But the price of innovation is often a trail of shite left in your wake. A thousand dodgy car adverts with colourful tribespeople, colonialised blanded out ethnic samples and ten year old beats…that’s not it at all… We’re…

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