Cosmic Trigger 4th – 27th May 2017

May 8, 2017

The Play by Daisy Eris Campbell. Adapted from Robert Anton Wilson’s seminal autobiography Cosmic Trigger: The Final Secret of The Illuminati. See it at The Cockpit – Gateforth St, Marylebone, London NW8 8EH. BUY TICKETS HERE

“Robert Anton Wilson’s ‘Illuminatus!’ had a profound effect on me and the Cosmic Trigger Play will no doubt do the same for a whole new generation.” Alan Moore, writer/author of V for Vendetta, Watchmen and Jerusalem

Turn On. Tune In. Find The Others

In 1976 maverick playwright and director Ken Campbell staged Robert Anton Wilson’s, Illuminatus! – a nine-hour stage play that helped launch the careers of Jim Broadbent and Bill Nighy. It also led to the backstage conception of a baby girl; Daisy Eris Campbell.

“One of the most original and unclassifiable talents in British theatre of the past half-century” The Guardian obituary for Ken Campbell – 2008

Now Love & Will Productions and The Cockpit are delighted to announce the debut full run of Daisy Campbell’s adaptation of Wilson’s seminal countercultural text; Cosmic Trigger. Part sequel, part revisit, part homage, part new writing; this is the story behind the notorious conspiracy satire, ‘Illuminatus!’, the extraordinary life of the novel’s author, Robert Anton Wilson, and the unstoppable force that was theatre legend Ken Campbell.

Daisy Campbell says; “Reading Cosmic Trigger changed my life and the lives of many others – and the book is dedicated to my Dad. Wilson’s uniquely optimistic and radically agnostic philosophy is incredibly relevant in these crazy times. We are absolutely thrilled to be working with The Cockpit on this production. They are the perfect co-conspirators to help us bring the wit and wisdom of Robert Anton Wilson back to life.”

The original work reinterpreted world history as a giant conspiracy theory and Daisy’s new work gives a backstory to the original production, featuring the lives of Wilson and Campbell, as well as the counterculture figures Timothy Leary, Alan Watts and William Burroughs, whom Robert Anton Wilson befriended.

Set in the late sixties and early seventies, the play recounts the period of Wilson’s life around the conception and writing of Illuminatus. During this time, he befriended heroes of counterculture, took LSD and experimented with the magical rituals of Aleister Crowley with predictably – and unpredictably – mind-blowing results.

With many of the original cast returning and Alan Moore appearing via specially recorded audio and morphed video projections Cosmic Trigger is a celebration of all that has gone before it as well as a vital venture in its own right. This is a highly ambitious production, with projections in the round, phantasmagorical multiple narratives, and a different actor performing as William Burroughs every night, it is designed to evoke the real-life hallucinogenic trip through conspiracy, paranoia and enlightenment that transformed Robert Anton Wilson from ‘Playboy’ editor to much-loved counter-cultural icon.

Dave Wybrow, Artistic Director of the Cockpit and co producer of Cosmic Trigger says; “We are putting together a venue, a tribe and new ways of networking and creating work. It’s about joining low tech to hi tech, low culture to high culture and low budgets to high levels of audience reach and social impact. This first venture looks at counter-cultural legacy. But the vision is an open artistic community for the future.”

Cosmic Trigger previously played for two days in November in Camp & Furnace in Liverpool and five days at Lost Theatre Vauxhall in London in 2014 – this is the play’s first full run.

Reviews:

Broadway World

London City Nights

The Upcoming

The Stage

International Times

The Guardian

The Times

Cosmic Trigger The Times Online Version

Radio/podcasts
Arthur Smith interviews Daisy Campbell on Radio 4 xtra:
http://buff.ly/2pSBxRh
Short thing with Arthur Smith (more like a plug)
http://www.bbc.co.uk/programmes/b08q3339

Cosmic Trigger – 4th – 27th May 2017 at The Cockpit
http://thecockpit.org.uk/cosmictrigger

Cosmic Trigger Press release

Related Materials:

Listen to Iron Man Records Release: Robert Anton Wilson meets Steve “Fly Agaric” Pratt

Listen to Cosmic Trigger I: Final Secret of the Illuminati (Audio Book) Written by Robert Anton Wilson and 
Narrated by Oliver Senton

Iron Man Records would like you to become a Patron.

February 3, 2017

The general history of art and literature shows that the highest achievements of the human mind are, as a rule, not favourably received at first. Iron Man Records would like to invite you to consider becoming a Patron.

Iron Man Records has dedicated over 20 years to supporting, promoting, and working with, some of the most interesting artists you may never have heard of, sometimes with a budget you can stick under a glass.

February will see the release of Police Bastard – “Confined” on Vinyl.

One of CVLT Nation’s Top Crust Albums: “Thought-provoking monologues and confrontational lyrics bring you on a cold, doom-laden journey of perpetual war, psychological mind control and disillusionment.”

April will see the release of John Sinclair – “Beatnik Youth Ambient” on Vinyl.

Ambient, chill out music from the restless creative mind of Youth with spoken word and poetry delivered by John Sinclair.

John, has been described as an Archetype of the 1960’s art, music and literary synthesis, and who today continues his work for cultural transformation. A psychedelic poet, a living legend, a veteran of the counterculture, a survivor of the Marijuana Wars, and one of the last bohemians still standing. As a co-founder of the Detroit underground newspaper The Fifth Estate, manager of MC5, and Chairman of the White Panther Party described on Wikipedia in these modern times as a far-left, anti-racist, white American political collective founded in 1968 and dedicated to cultural revolution, John Sinclair’s mark on the boho rock & roll underground has been unique.

Youth is one of the UK’s most influential producers and has been honoured with an Outstanding Contribution Award by the Music Producers Guild. His career spans more than 30 years and is one of the UK’s most consistent, credible and influential producers, Youth has also hand drawn the beautiful cover artwork.

Please consider becoming a Patron to support the work. Incredible amounts of time, effort, and money has gone into making these records happen. Iron Man Records would like to invite you to give your support to the artists involved and their work.

Among the rewards, Patrons will get a copy of each release as soon as it is available and Patrons will get their names printed on the sleeve of all future releases generated with their help and support.

You have to build the world you want to live in, and while you may not want to consider running a record label yourself, you can directly influence what happens next. Patrons enable Iron Man Records to continue the work supporting struggling artists.

Please consider getting involved. If you want an alternative to what you see going on around you, you have to make it for yourself. Let’s make something happen https://www.patreon.com/ironmanrecords

Burn Money – Become A Patron of Iron Man Records

March 3, 2016

Burn-Money-A6-Postcard-No-Crop-Marks

Iron Man Records wants to make all new record releases available on Vinyl.

23 Patrons currently support the record label. You are invited to become a Patron to ensure the insanity continues.

The journey from 1996, when Iron Man Records began, has been back-breaking. The record label has generated a mountain of debt and a serious Class “A” drug habit would have probably worked out a lot cheaper. Everything I earn, working as a Tour Manager, goes into keeping Iron Man Records moving and your support would be much appreciated at a critical time.

Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. There has to be something that opposes the “reality” that we are surrounded by every day.

I don’t expect everyone to like what the record label releases, but at least you have a choice.

Musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians have to plan and finance the costs of touring to promote their music by themselves. Musicians also need to eat and have a roof over their head, and I do too. It’s a tough time for musicians and artists, and you have to be mad to carry on sometimes.

I want to return to making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. It’s madness in the current economic climate, but a little bit of madness is just what is required. Are you still with me on this?

BVPy5zWIEAAgl1f

I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself. What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl in exchange for a number of rewards to make it all worth while.

Patrons will get a copy of everything the label produces, as it becomes available. Patrons will also get access to digital files of everything, so you can listen on portable electronic devices, and you will get all sorts of other benefits. For example: free stuff from the Iron Man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along. There is method to the madness, all you have to do is join in.

If you want to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put a page together on Patreon https://www.patreon.com/ironmanrecords which appears to be an interesting way to raise money. This will help produce Vinyl in small quantities and to the highest standards. Patreon lets you make recurring monthly donations and helps to reduce the upfront costs of producing music on vinyl. Anything from £1 a month or more is actually really helpful.

Iron Man Records is not in the pop business. The Label’s debts are what it’s worth. The label is trying hard, during a tough time in the history of recorded music, to help musicians and artists develop a sustainable future. To me, the simple way to do that, is to give the bands and artists a record to sell at gigs, that people would love to buy.

Iron Man Records wants to create Vinyl, something special, something that presents music in a format that people want to keep and enjoy. Life isn’t just about computers, mobile phones and social networking. There has to be an alternative. So if you want to join in and Burn Money, become a Patron and let’s make something happen. You have to make the world you want to live in.

Have a look here and any comments, good or bad are invited.

Immanentize

 

Your Insanity Will Do – Become A Patron Of Iron Man Records

February 8, 2016

I bought a copy of “The Manual” by Jimmy Cauty and Bill Drummond in 1996. I’d been looking for a copy for years. Some of it made sense, some of it didn’t. I liked the writing style and the advice given. I sent my receipt as proof of purchase to the PO BOX printed in the book and requested The Guarantee.

This is the reply that Bill Drummond sent back on headed paper. By reply Bill Drummond became the first Unaware Patron of Iron Man Records. Blame him for everything. A lot has happened since 1996. Your Insanity will do.

Iron Man Records - Your Guarantee

Your Insanity could help Iron Man Records to release more music on Vinyl via Patreon. There are 21 Patrons currently supporting the record label, you are invited to become a Patron too.

Iron Man Records has been running since 1996. The label has released over 30 records and continues to work hard on a daily basis. Iron Man Records wants to make all new record releases available on Vinyl. The label will continue to make everything available through digital channels. You are invited to get involved.

Why help Iron Man Records? Here’s a quote from Detroit Poet John Sinclair, who released an album called “Mohawk” through the label in recent times. This sums up the sort of thing going through my head when I started out trying to bring people together to do something under the label name of Iron Man Records at the start of it all in 1996.

“One of the most important things to young, formative artists is having a group of one’s peers that one can be a part of, can talk to, work with, work out ideas, etc and can give crucial support.

Modern society has succeeded to a frightening degree in alienating artists from one another (and of course from people in general; or at least vice versa) and atomizing what could be a vital, active community into a group of lone, defensive, hung-up people who are afraid to talk to and/or work with anyone but themselves and (maybe) three or four friends.

A community of artists means that a group of highly conscious people can help each other in very real ways. Artists working alone are cutting themselves off from sources of inspiration and influence that can help them immeasurably in their work.

The lone artists have no one to listen to their work, no one to offer criticism and ideas that would bring their work into sharper focus with itself. Hard to get as excited, as completely involved in one’s work by oneself; when you can talk about it with/to others who are trying to do the same thing as yourself and communicate it to others, you can achieve and maintain the state of consciousness Henry James called “perception at the pitch of passion.” And who better to communicate to than those few people who are operating at the same level of awareness and involvement as oneself?

We are now in a period of expanded consciousness in all the arts. NOW is the time to find out what’s wrong with your work, NOW, at least get an inkling of what other real people will think of it and how it communicates.

So: what we want is a place for artists—musicians, painters, poets, writers, film-makers—who are committed to their art and to the concept of community involvement to meet and work with one another in an open, warm, loving, supportive environment—a place for people to come together as equals in a community venture whose success depends solely upon those involved with it.”

In reality, the journey from 1996 has been back-breaking, and the record label has generated a mountain of debt. Everything I earn working as a Tour Manager goes into keeping Iron Man Records moving forward, and in doing so, I try to provide a platform and focal point for everyone involved with the label.

To-The-Gig

I manage to ensure that new records come out every year and during difficult times perhaps every two years. Without fail, Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. The label seeks to share what resources it has, and provides an alternative to the onslaught of pop culture and everything that goes with it. There has to be something that opposes the nonsense that we are surrounded by every day, there has to be a meeting place and platform for those that demand an alternative. There has to be a mechanism to share contacts, resources and ideas.

I don’t expect everyone to like what the record label releases, but at least the label gives you a choice. You don’t have to buy everything from “the man” and you don’t have to work for “the man” either. As the saying goes: “We may never defeat these swine, but we don’t have to join them.” There’s always another way, and for Iron Man Records and the musicians, artists and writers it works to support “the show must go on, by any means necessary…..or until we are all eliminated”

Sound-System

I can handle the logistics of running Iron Man Records by myself but I could use some help in releasing more Vinyl. At a time when “ownership” of music is becoming less important, and digital services are making “access” a much easier way of listening to more music than ever before, we have been left with a problem to solve.

How can the record label continue to release physical records by artists for people to “buy,” at a time when anyone, with any money left, can “access” more music for free, or at a fraction of the price, using streaming digital services?

We all know how to google an album, or a song, and find it for free. We’ve all done it. We all know how to access music on social networks for free, and through Streaming services like Spotify. Some of us buy our music from download sites. I think its fair to say some of us listen to more music than ever before, and choose to only spend our money on music from our favourite groups.

Iron Man Records has invested a lot of time and effort into making every release available through as many digital services as possible ensuring all the artists get a chance to be heard.

You can find all releases from Iron Man Records on iTunes, Apple Music, YouTube Music Key, Spotify, Amazon Music, Google Play, Deezer, Groove, Rhapsody, eMusic, Simfy Africa, iHeartRadio, MixRadio, MediaNet, VerveLife, Tidal, Gracenote, Shazam, 7Digital, Juke, JB Hi-Fi, Slacker, Guvera, KKBox, Akazoo, Anghami, Spinlet, Neurotic Media, Yandex, Target Music, ClaroMusica, Zvooq, Saavn, 8tracks, NMusic, Q.Sic and others.

From the stats, it is clear that plenty of people want to listen to the music Iron Man Records produces, but they don’t always want to pay for it. Many people want music as cheap as possible, and ideally for free. They would rather have access to music, than ownership of music. Fair enough, I can accept that, enjoy the music the way you want it. But how can the artists be supported to produce more work if people want “access” rather than “ownership?”

It makes me laugh when you hear people talking about how they won’t buy music from Amazon because Amazon doesn’t pay its workers a fair wage, and then get drawn into a discussion about what sites to use to find music for free without having to use Amazon.

People forget that starving musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians have to plan and finance the costs of touring to promote their music by themselves. Musicians also need to eat and have a roof over their head, and I do too. Some of the more popular releases on Iron Man Records might achieve 23,000 streams over a five year period but only sell about 60 downloads. In the same period they may only sell about 150 physical copies on cd and even less on vinyl. I read recently that 1,500 streams can equal one album sale. If that statistic is correct, in order to sell 1,000 albums, you need to generate 1,500,000 streams. That sounds ridiculous to me. It’s a strange time for music if you are operating independently. There’s not much money coming in from sales here at Iron Man Records yet more people are listening to the music Iron Man Produces than at any time previously.

These days, it’s interesting to note that many musicians would probably earn more per hour, packing boxes and packages for Amazon, even on the poor wages that Amazon pays, than at most gigs they end up playing. But lets move on, you get the point. It’s a tough time for musicians and artists, and you have to be mad to carry on against such odds that are always stacked against you.

Where does Iron Man Records find itself in the digital world?

Streaming is taking off and I have always loved vinyl as a format. I want to return to making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. It’s madness in the current economic climate, but a little bit of madness is just what is required.

It is clear to me that if you can produce anything of value in terms of your music, a digital version is necessary so people can access and even download your music on their mobile devices. But if you are serious about your music, you must release it on Vinyl so the really passionate fans of your music, can get a copy to add to their collection and enjoy when they are at home.

Iron Man Records is capable of releasing records and making them available worldwide across pretty much every digital platform. Producing CDs of each release is also affordable within the context of selling physical copies, sending out to press and radio and keeping things ticking over. Vinyl however, is a little bit tricky.

Producing a record on Vinyl is about three times more expensive than producing a cd, which means you have to sell three times more records to recover the upfront costs. So something has to give.

This year has been tough for Iron Man records, income from selling physical sales has continued to decline. In fact physical sales of everything both CD, Vinyl and DVD has steadily declined year on year since 2004 when I started keeping a record. Habits are changing all the time and the market is choosing to access music rather than own music. Times are changing and either Iron Man Records changes too, or it’s game over.

Where am I going with this? I want you to sign up or subscribe to insanity.

Immanentize

I want to start releasing records on Vinyl again and I need help reducing the front end costs. I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself. What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl. In exchange for help and support, you will get a copy of everything the label produces, as it becomes available. Supporters will get access to digital files of everything, so you can listen on portable electronic devices, and you will get all sorts of other benefits. For example: free stuff from the Iron Man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along. There is method to the madness and all you have to do is join in.

I would like to think that if you like what Iron Man Records does, if you would like to encourage the label to produce all releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put together a page on Patreon https://www.patreon.com/ironmanrecords which I think is an interesting way to raise money. This will help produce Vinyl in small quantities and to the highest standards with regards to artwork and packaging. Patreon lets you make recurring monthly donations and thereby helps to reduce the upfront costs of producing music on vinyl.

Anyone who donates will get a copy of the vinyl produced and a number of other benefits. Anything from £1 a month or more is actually really helpful, and knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive, and to make more music.

Let me be clear: Iron Man Records is not in the pop business. In fact it’s just not in business. The debts are what it’s worth. The label is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a Record to sell, at their gigs, that people would love to buy.

Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really. Life isn’t just about computers, mobile phones and social networking. There has to be an alternative.

Have a look here and any comments, good or bad are invited.

Mark – Iron Man Records

Believe-Nothing

Become A Patron of Iron Man Records

October 23, 2015

Iron Man Records - Vinyl 12" and 10" LPs

Support Iron Man Records creating Record Releases on Vinyl.

As a Patron we invite you to be the first to hear new releases and you will be sent special updates and news. You will have unlimited access to the Iron Man Records Sound Cloud account and you will be able to choose any T-shirt, CD, or vinyl of your choice from the Iron Man Shop.

WAV files of all new releases will be sent out using a file transfer service.

Stickers, artwork and any other limited items of interest will be offered to you first as they become available. You will also get free tickets to special events.

You may also be first to get an invite to be driven round the M25 for 25 hours on the weekend of Gimpo’s M25 25 hour spin. Fuel and Vehicle included but sanity is up to you.

As a patron, you will join a highly valued group, committed to supporting the future release schedule of Iron Man Records, and will enjoy a copy of everything produced on Vinyl with your support.

Your donation as a Patron will directly support our creative programme of releasing music on Vinyl and will allow us to work with and champion artists, music, ideas and creativity.

To Become a Patron of Iron Man Records go here

Thank You

Mark – Iron Man Records, 23rd October 2015

5-Seconds

Iron Man Records would like to release more music on Vinyl. You are invited to get Involved.

October 16, 2015

Iron Man Records - Vinyl 12" and 10" LPs

I want to invite you to support Iron Man Records releasing more music on Vinyl via Patreon.

A small donation of something like $1 a month could help Iron Man Records release some of the recent CD and Digital releases on Vinyl.

Here is a list of recent releases that could be made available on Vinyl with your help:

Police Bastard - Dead To The World final 1600x1600

IMB6020 POLICE BASTARD – Dead To The World – Digital Release (23rd November 2015)

M:CAD DrawingsKey ProductionGKA94675 CD 4pp GF Softpack 2 x P

IMB6021 POLICE BASTARD – Confined CD / Digital 2013

John Sinclair - Mohawk CD front

IMB6022 JOHN SINCLAIR – Mohawk CD / Digital 2014

Death To Fanatics FRONT 1600x1600px

IMB6023 DEATH TO FANATICS – Iron Man Records 1999-2014 compilation CD 2014

TC Lethbridge - Moon Equipped 1600x1600

IMB6027 T.C. Lethbridge – Moon Equipped – Digital Release (23rd November 2014)

TC Lethbridge - 2000 TC 1600x1600

IMB6028 T.C. Lethbridge – 2000 TC – Digital Release (23rd November 2014)

TC Lethbridge - Mina 1600x1600

IMB6029 T.C. Lethbridge – Mina – Digital Release (23rd November 2014)

Iron Man Records invites you to contribute to reducing the costs of producing albums on Vinyl. In exchange for your help, you will get a copy of everything the label produces, as it becomes available. Supporters will get digital files of everything, so they can also listen on portable electronic devices. You will also get all sorts of other benefits like free stuff from the iron man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along.

If you like what Iron Man Records does, if you would like to encourage the label to produce new releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

I have put a page up on Patreon here https://www.patreon.com/ironmanrecords

I think it is an interesting way to raise additional sums of money. This will help produce Vinyl in small quantities and to the highest standards. Patreon lets you make recurring monthly donations and helps to reduce the upfront costs of producing Vinyl.

Anyone who donates will get a copy of the Vinyl produced and a number of other benefits. Anything from $1 a month or more is actually really helpful. Knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive.

Iron Man Records is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a good record to sell.

Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really, life isn’t just about computers and social networking. There has to be an alternative. You have to make the world you want to live in.

A small donation could help Iron Man Records to release more music on Vinyl

October 5, 2015

I want to invite you to support Iron Man Records releasing more music on Vinyl via Patreon.

Police Bastard

I have been running Iron Man Records since 1996. I have never earnt anything, of any significance, from the work I have done so far, and neither have the bands. In fact the debts are what the label’s worth. It has been a true labour of love, and I like to think the music has made a lot of people happy. The label has released over 30 records by some fantastic bands and artists and continues to work hard on a daily basis. Iron Man Records wants to make all new releases from the label available on Vinyl and you are invited to help.

Iron Man Records - Vinyl 7" singles

The journey has been back-breaking, and the label has generated a mountain of debt too. Everything I earn as a Tour Manager goes into keeping Iron Man Records moving forward. I manage to ensure that records come out every year and during difficult times perhaps every two years. But without fail, Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. The label seeks to provide an alternative to the onslaught of pop culture and everything that goes with it. There has to be something that opposes the nonsense that we are surrounded by every day, in every format.

I don’t expect everyone to like what the record label releases, but at least the label gives you a choice. You don’t have to buy everything from “the man” and you don’t have to work for “the man” either. There’s always another way, and for Iron Man Records and the musicians, artists and writers it supports “the show must go on, by any means necessary, or until we are all eliminated”

I can handle running Iron Man Records by myself but I could use some help with releasing Vinyl. At a time when “ownership” of music is becoming less important, and digital services are making “access” a much easier way of listening to more music than ever before, I have been left with a problem to solve.

Iron Man Records - Vinyl 12" and 10" LPs

How can I continue to release physical records for people to “buy,” at a time when anyone, with any money left, can “access” more music for free, or at a fraction of the price, using streaming digital services?  

We all know how to google an album or a song and find it for free. We’ve all done it. We all know how to access music on social networks for free, and through Streaming services like Spotify. Some of us buy our music from download sites. I think its fair to say some of us listen to more music than ever before, and choose to only spend our money on music from our favourite groups.  

Iron Man Records has invested a lot of time and effort into making every release available through as many digital services as possible. From the stats, it is clear that plenty of people want to listen to the music Iron Man Records produces, but they don’t want to pay for it, they want it as cheap as possible and ideally for free. Fair enough, I can accept that.

It always makes me laugh when you hear people talking about how they wont buy music from Amazon because Amazon doesn’t pay its workers a fair wage and then get drawn into a discussion about what sites to use to find music for free without having to use Amazon.  

People forget that starving musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians also have to plan and finance the costs of touring to promote their music all by themselves. Musicians also need to eat and have a roof over their head, and I do too.   These days, it’s interesting to note that many musicians would probably earn more per hour packing boxes and packages for Amazon, even on the poor wages that Amazon pays, than at most gigs they end up playing. But lets move on, you get the point.

Iron Man Records - Vinyl 12" and 10" LPs

Where does Iron Man Records find itself in the current digital world?

Streaming is taking off and dominating everything, people want “access” to more music and are very choosey about what music they actually want to “buy.” The CD in my view will be around for a while yet but, if you can already access the music as a digital file online either as a download, or a stream, why buy a CD as well? I have always loved vinyl as a format and I have reached the stage now where I want to start making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. To be fair, in the UK, not many people will buy the vinyl I produce, the real market for Vinyl is in places like Germany, or Czech Republic and other places in Europe who can’t get enough of it. Vinyl provides a good incentive for any band with Vinyl for sale to go and tour. And that’s what most of the bands on the label do when given the chance.

Some years ago I was talking with a friend in Czech Republic, while on tour with Police Bastard. He was talking about the state of music and he summed it up like this. “I google new bands and their music, and listen for free. If I find a band I like, I will find out where they are playing and go and see them live. If I like the concert I will buy their album on Vinyl even though I already have it as a digital file on my computer at home. The digital files are for listening to on my phone or sending to friends, the Vinyl is for my collection and I listen to it on my record player when I’m at home.

This friend was also the same person who booked Police Bastard to play, organised the promotion of the concert, cooked the food for the band and gave us a place to have a wash and sleep after the show. People like this are what makes being in a band worthwhile, they actually care enough about the music to do something to help.

It is clear to me that if you can produce anything of value in terms of your music, a digital version is necessary so people can access and even download your music. But if you are serious about your music, you must release it on Vinyl so the really passionate fans of your music, like our friends in Czech Republic, can get a copy to add to their collection and enjoy when they are at home.

Iron Man Records is capable of releasing records and making them available worldwide across pretty much every digital platform. Producing CDs of each release is also affordable within the context of selling physical copies, sending out to press and radio and keeping things ticking over.

Iron Man Records - Vinyl 12" and 10" LPs 

Vinyl however, is a little bit tricky. Producing a record on Vinyl is about three times more expensive than producing a cd, which means you have to sell three times more records to recover the upfront costs. I don’t think any of the bands are expanding their fanbase faster than the costs of producing their music on vinyl and no one wants to start putting prices up. So something has to give. Either the records are released as digital only, or the releases come out on CD first to test the market, or I have to find three times as much money upfront to release a record on Vinyl.  

This year has been a tough year, income from selling physical sales has continued to decline. In fact physical sales of everything both CD, Vinyl and DVD has steadily declined year on year since 2004 when I started keeping a record. Its not my fault or anything to do with the bands, the physical sales are declining because the market has a greater choice of music than ever before and what I am selling is becoming a smaller and smaller part of that market. Habits have changed and the market is increasingly choosing to access music to listen to via platforms like spotify rather than owning music via buying records to take home and play. Times are changing  and either Iron Man Records changes too or it’s game over.  

So where am I going with all this? Let me explain.  

Digital – I make every release through Iron Man Records available in a digital format and that is relatively cost effective and easy to do. From the stats at this end this is something people want, and a format that makes all the music the label has produced to date easy to access across digital platforms worldwide. As a record label that’s at least one job done that the bands don’t need to worry about themselves. I have yet to generate enough money through digital services to pay the bands any meaningful sum, but month by month the situation seems to be getting better. I remain hopeful for the future.  

CD – I have made every release through Iron Man Records available on CD right up to recent years and the boxes and boxes of unsold stock tell me that there is still a market for CDS but interest in physical CDs is steadily declining. Once I’ve sold the stock I’ve already got I doubt it will be replaced by more cds. 

Vinyl – I started out releasing records on Vinyl when I first started the label, over 18 years ago. To be honest I have still got half the stock of Vinyl I pressed all those years ago but that is probably more to do with the fact I pressed too many records in an enthusiastic, naive and hopeful state of mind.   What I am proposing to do is this. I want to start releasing records on Vinyl again but I need some help and support in reducing the front end costs of producing the Vinyl. I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself.

What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl. In exchange for help and support, they will get a copy of everything the label produces, as it becomes available. Supporters will get digital files of everything, so they can also listen on portable electronic devices, and they will get all sorts of other benefits. For example: free stuff from the iron man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along.  

I would like to think that if you like what Iron Man Records does, if you would like to encourage the label to produce all releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.

Iron Man Records - Vinyl 12" and 10" LPs

I have put together a page on Patreon https://www.patreon.com/ironmanrecords which I think is an interesting way to raise additional sums of money. This will help produce Vinyl in small quantities and to the highest standards with regards to artwork and packaging. Patreon lets you make recurring monthly donations and thereby helps to reduce the upfront costs of producing music on vinyl.

Anyone who donates will get a copy of the vinyl produced and a number of other benefits. Anything from £1 a month or more is actually really helpful, and knowing a small regular sum is coming in each month allows me to plan more effectively.

Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive, and to make more music.

Let me be clear: Iron Man Records is not in the pop business. In fact it’s just not in business. The debts are what it’s worth. The label is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a Record to sell, at their gigs, that people would love to buy. Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really, life isn’t just about computers and social networking. There has to be an alternative.

Have a look here and any comments, good or bad are invited.

Mark – Iron Man Records 5th October 2015.

Tour Management Services

November 26, 2014

Luxury Splitter Vans for Hire- Driving You Crazy 2012

Iron Man offers Tour Management Services to bands and artists.

Tour Management – A professional solution for touring artists, providing a reliable service at a reasonable price. I can help organise the administration for a schedule of appearances, contacting each promoter or venue to ensure the clients technical and hospitality demands are met. I ensure the work remains within the budget. I will take care of the day to day planning and management of activities on the road, and any unforeseen issues or emergencies should they occur. Some recent clients have included: Seasick Steve, John Paul Jones, Madness, The Stone Roses, Killing Joke, Adam Ant, Roland Gift, Fatoumata Diawara, Talib Kweli, Little Barrie, House of Pain, Vagina Monologues, Ivo Papasov, Sierra Meastra.

Transfers – A simple and cost effective transfer service to or from the airport, the office, an exhibition, or an event.

Backline and Gear Moves – A reliable service to pick up or drop off backline, gear or trailers depending on your need. I use a suitable panel van, splitter van, or a Land Rover Defender, which will pull a Trailer (with a ramped load-on/off) capable of moving up to 2 tonnes of gear.

Email: mark@ironmanrecords.co.uk
Telephone: Mark (+44) 07974 746810

I can help with Merchandise, Production, Backline, Crew, Rehearsal, Recording, Press, Promotion, Online strategy and equipment storage.

From the point of pick up, to the final destination, your client is in safe hands. I offer a courteous and helpful service with an eye on safety and security. You and your clients can relax as I understand the importance or being discreet, reliable and friendly.

Safety and comfort is of utmost importance. All vehicles are always in a technically and optically perfect condition. Furthermore, all vehicles are non-smoking and undergo regular interior and exterior cleaning.

Email or Call for more info: Mark (+44) 07974 746810

Tour Management and Transfer Services

I can be found frequently in Birmingham, Cardiff and London.

Luxury Splitter Vans for Hire- Driving You Crazy 2012

Tour Management Services

Most of my work is based around Tour Management in the Music Industry but I have also worked with the Theatre and Film Industry.

I have played in all sorts of bands myself over the years, I’ve organised 1000’s of gigs as i used to put on regular shows in Birmingham, I’ve set up tours, managed bands, put together press kits, pr and promotion strategies, worked out online strategies for artists big and small, I run a record label, and I’ve dealt with all sorts of madness along the way. I have an understanding of most problems, pressures and issues that performers and their crew may face. I’ve taken a lot of people to a lot of gigs from living rooms, small venues, squats, warehouses, TV and Radio Stations to major music venues and festivals of all shapes and sizes.

I have a clean driving licence with a C1 and D1 which means I can tow trailers and drive any car, van or splitter.

Vehicles

I’m a freelance. I work for you, not the hire company. This means that if you employ me I can find you a good vehicle or trailer or anything else you might need so that’s less work you have to do. I can source Splitters, Gear vans, Cars, Minibuses…anything you might need.

Online Strategy

I have an active interest in internet and social media. If you’re interested in how I could help with your, or your artist’s on-line presence get in touch.

Rates

I charge per day. A day is 8 hours, after the first 8 hours I charge per hour. The hours run from when I collect the vehicle for the work until I return it.

Alternatively, I also charge a ‘set day rate’. This is negotiable, in advance of the work, depending on what you want me to do. Longer term clients tend to be on a set day rate, It works out cheaper and no one has to watch the clock.

I expect PDs and buyout/catering on any work where I’m away overnight, and buyout/catering on any day over 8 hours.

Some recent Artists / Clients

Seasick Steve, John Paul Jones, Madness, The Stone Roses, Mika, Killing Joke, Adam Ant, Roland Gift, Fatoumata Diawara, Anthrax, Modestep, Talib Kweli, Little Barrie, House of Pain, The Enemy, Friendly Fires, Crystal Castles, Bullet for my Valentine, The Orb, Barry Adamson, Vagina Monologues, Taio Cruz, Jay Reatard, Nightingales, Ivo Papasov, Sierra Meastra, Endbutt Lane, The Rakes, The Magistrates, Soulsavers, As I lay Dying, Roisin Murphy, Police Bastard, Dufus, Arrows, Ladytron, Son de la Frontera, Jeffrey Daniel, Johnny 2 Bad, XOVA, Johnny Foreigner and many others…..

(Long Wheel VW Crafter Splitter Van shown above is an example of the type of vehicle I most often use when working with Clients.)

Tour Management and Vehicle Hire

January 6, 2014

I work as a Tour Manager Email or Call Mark: (+44) 07974 746810

I can be found in or around Birmingham, Cardiff and London.

Luxury Splitter Vans for Hire- Driving You Crazy 2012

My work is based around Tour Management in the Music Industry but I also work with the Theatre and Film Industry.

I can help with: Merchandise, Production, Backline, Crew, Rehearsal, Recording, Press, Promotion, Online strategy and equipment storage.

Luxury Splitter Vans for Hire- Driving You Crazy 2012
Driving / TM Services

I have played in all sorts of bands myself over the years, I’ve organised 1000’s of gigs as I used to put on regular shows in Birmingham, I’ve set up tours, managed bands, put together press kits, PR and promotion strategies, worked out online strategies for artists big and small, I run a record label, and I’ve dealt with all sorts of madness along the way. I have an understanding of most problems, pressures and issues that performers and their crew may face. I’ve taken a lot of people to a lot of gigs from living rooms, small venues, squats, warehouses, TV and Radio Stations to major music venues and festivals of all shapes and sizes.

I have a clean driving licence with a C1 and D1 which means I can tow trailers and drive any van or splitter.

Vehicles

I’m a freelance. I work for you, not the hire company. This means that if you employ me I can find you a good vehicle or trailer or anything else you might need so that’s less work you have to do. I can source Splitters, Gear vans, Cars, Minibuses…anything you might need.

Online Strategy

I have an active interest in the internet and social media. If you’re interested in how I could help with your, or your artist’s on-line presence get in touch.

Rates

I charge per day. A day is 8 hours, after the first 8 hours I charge per hour. The hours run from when I collect the vehicle for the work until I return it.

Alternatively, I also charge a ‘set day rate’. This is negotiable depending on what you want me to do. Longer term clients tend to be on a set day rate, It works out cheaper and no one has to watch the clock.

I expect PDs and buyout/catering on any work where I’m away overnight, and buyout/catering on any day over 8 hours.

Some recent Artists / Clients

Seasick Steve, John Paul Jones, Madness, The Stone Roses, Mika, Killing Joke, John Sinclair, Adam Ant, Roland Gift, Fatoumata Diawara, Anthrax, Modestep, Talib Kweli, Little Barrie, House of Pain, The Enemy, Friendly Fires, Crystal Castles, Bullet for my Valentine, The Orb, Barry Adamson, Vagina Monologues, Taio Cruz, Jay Reatard, Nightingales, Ivo Papasov, Sierra Meastra, Endbutt Lane, The Rakes, The Magistrates, Soulsavers, As I lay Dying, Roisin Murphy, Police Bastard, Dufus, Arrows, Ladytron, Son de la Frontera, Jeffrey Daniel, Johnny 2 Bad, XOVA, Johnny Foreigner and many others…..

(Long Wheel VW Crafter Splitter Van shown above is an example of the type of vehicle I most often use when working with Clients.)

Tour Management, Vehicle & Driver Hire

June 20, 2011

OY59JEU - Good 2 Go Tours (uk+44) 0208 904 2022

In addition to running Iron Man Records, I work as a Tour Manager and help bands find just about everything else tour related.

I can also find the best Vehicle for your tour and help keep you to your budget. (Splitter, Gear Van, Car, Minibus etc)

Email or Call for more info: Mark: (+44) 07974 746810

I can be found frequently in or around Birmingham, Cardiff and London.

I can help you find: Drivers, Vehicles, Merchandise, Production, Backline, Crew, Rehearsal, Recording, Press, Promotion, Online strategy.

Driving /TM Services

Most of my work is based around Tour Management in the Music Industry but I have also worked with the Theatre and Film Industry.

I have played in all sorts of bands myself over the years, I’ve organised 1000’s of gigs as i used to put on regular shows in Birmingham, I’ve set up tours, managed bands, put together press kits, pr and promotion strategies, worked out online strategies for artists big and small, i run a record label, and i’ve dealt with all sorts of madness along the way. I have an understanding of most problems, pressures and issues that performers and their crew may face. I’ve taken a lot of people to a lot of gigs from living rooms, small venues, squats, warehouses, TV and Radio Stations to major music venues and festivals of all shapes and sizes.

I’m not an expert in everything ever but if I can’t help you or fix a problem i usually have a name or number in my phone that might resolve any issues along the way.

I have a clean driving licence with a C1 and D1 which means I can tow trailers and drive any van or splitter.

Vehicles

I’m a freelance, I work for you. This means that if you employ me I can find you a good vehicle or trailer or anything else you might need so that’s less work you have to do. I can source Splitters, Gear vans, Cars, Minibuses…anything you might need.

Online Strategy

I have an active interest in internet and social media. If you’re interested in how I could help with your, or your artist’s on-line presence get in touch.

I’ve been on the internet since 1996, and I’ve been active running sites since then.

Rates

I charge per day. I charge a ‘set day rate’. This is negotiable depending on what you want me to do.

I expect PDs and buyout/catering on any work where I’m away overnight, and buyout/catering on any day over 8 hours.

Some recent Artists / Clients

Seasick Steve, The Brand New Heavies, Crystal Castles, The Orb, Barry Adamson, Vagina Monologues, Jay Reatard, Nightingales, Ivo Papasov, Sierra Meastra, Police Bastard, Dufus, Son de la Frontera, Jeffrey Daniel, Johnny 2 Bad, XOVA, Johnny Foreigner and many others…..

(Long Wheel VW Crafter Splitter Van shown above is an example of the type of vehicle I most often use when working with Clients.)

Audition for your Freedom: Korrozao, Selfless, Collision Process Sunday June 13th 2010 at The Old Wharf, Birmingham

June 8, 2010

Iron Man Records, Ovation Music Management, Musoplex Studios and Badger Promotions present a Live Music Event of Punk, Metal, Crust…..Music:

Audition for your Freedom: Sunday June 13th at The Old Wharf, 21 Oxford St., Digbeth, Birmingham, B5 5NR, United Kingdom.

Korrozao (Sepultura meets Slayer, punk metal crust with vocals in Portuguese.)

http://www.myspace.com/korrozaopunk

Here are Korrozao MP3 to download: Track 07 – Korrozao Track 09 – Korrozao Track 11 – Korrozao Track 13 – Korrozao Civil Vandalism Another son of a bitch on tv

Here’s a Video: KORROZÃO – DEIXEM A FLORESTA

Korrozão | MySpace Music Videos

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Selfless (featuring members of Police Bastard, Last Under The Sun, I Am Colossus, Rivers Edge) 4 piece insane politically / socially charged hardcore punk crust grind band lying somewhere between Black Flag / Heresy/  Discharge…
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Collision Process – Walsall based Metal band. Adam Cooper – Lead Vocals, Matt Glover – Guitar, Dave Payne – Drums, Jon Walters – Guitar/Vocals, Dan Willett – Bass/Vocals)

The show is free. Please bring friends. Pass this information on.

The show wishes to raise awareness about the No One Is Illegal Network….

The network No one is illegal acknowledges no national borders, except as a political idea, in which we have no moral obligation or interest in accepting or upholding. A person born in one place has no greater rights to it than anyone else. This must not end as a vision, but must be practised. We do not recognize the rights of states, orginisations or individuals to limit peoples movement across borders or label this ”illegal” migration.

To us the right to free movement is inseparable from the right to take part in the social life under equal conditions. Until national borders are erased, we work towards giving all people inside a states borders the same social, political and economic rights and obligations. We oppose all political attempts to use immigration and migration as a weapon to undermine salary levels and social safety net inside a states borders, for example: recently immigrants were forced to work in the country under worse conditions than the rest of the population.

We want everyone to have the rights and responsibilities to actively participate in building a fair society. Democracy and radical change can only be built from the ground up. Therefore we organize autonomously and strive within the network to stay away from heirachy, as well as making decisions and acting without representation. We see ourselves as one part in a global fight that has been and is fought for freedom, solidarity and equality – against all forms of oppression.

The network No one is illegal is, for the time being, fighting this struggle through:

Directly supporting people who are applying for residence permits, or who are forced to live hidden because of the Swedish migration policy. Working for amnesty and permanent residency for all people that live here and want to stay here.

Fighting for peoples rights to come and stay inside the EU. To change the policies that systematically keep people out.

Spreading information about what Swedish and European migration policies really look like. Focus on the walls that has been built on EU’s outer borders to shut out refugees and other migrants. To tell refugees and other migrants stories. Punch a hole in the myth of the humane migration policies.

Convey political explanations to the question why people are forced to flee. Take the initiative to a deeper discussion about migration issues, sprouting from a vision of global solidarity. Show that these questions cannot be separated from discussions about world ecomony, working and living conditions, injustice, racism and oppression.

Work together with other groups that fight for refugees and other migrants rights as well as opening borders worldwide.

http://www.ingenillegal.org

http://www.ironmanrecords.co.uk

http://www.musoplex.com

http://www.myspace.com/ovationmusicmanagement