March 31, 2017
“Alice: Would you tell me, please, which way I ought to go from here?
The Cheshire Cat: That depends a good deal on where you want to get to.
Alice: I don’t much care where.
The Cheshire Cat: Then it doesn’t much matter which way you go.”
– Lewis Carroll,
I ignore the phone when I’m driving. I was on my way to meet Gimpo at the 24hr TESCO behind Thurrock Services. I was late. It’s a poor sort of memory that only works backwards. Who am I? What am I doing? How long is forever? Some questions never get an answer. Gimpo was probably stood on the Tarmac wondering where I was. It was cloudy and 13 degrees. No snow this year. The van had a good, working heater. Sometimes I do things I don’t fully understand.
Gimpo is best known to any KLF fan as the man who filmed the Burning of a Million Quid on the island of Jura in 1994. He drove Bill Drummond and Mark Manning to the top of the world as told in the book Bad Wisdom, and he managed to lose his boat ticket, causing chaos and panic, whilst on a trip up the Congo river in search of the Heart of Darkness. But that’s another story. Gimpo was also the ski-masked person armed with lighter fluid and matches when Rachel Whiteread turned up to claim the K Foundation art award for worst British artist on the steps of the TATE in 1993.
Gimpo’s M25 25 Hour Spin happens on the weekend closest to the vernal equinox. The Spin follows the outer lane of London’s M25 Orbital Motorway, clockwise, for 25 hours. It is not a race. The Spin has happened once a year since it started in 1997, and will cease in 2021. The spin is Gimpo’s idea.
As I descended into Lakeside Shopping area at Thurrock, I could see a figure dressed in a Hi-Vis Jacket stood in the middle of the carpark waving. That’s Gimpo. Always ready to go.
“You’re 13 minutes late” he said with a grin. I parked up. Before I knew it, we were in the supermarket picking up supplies. Bottles, packets, cables, memory cards and a lottery ticket. Gimpo may be a lot of things, but he’s never without hope.
Gimpo’s M25 25hr Spin always starts “top, dead centre” on Queen Elizabeth II bridge at Midday. As you pass between the twin towers at the top of the bridge, the view can pull your trigger if you know what to look for. Nothing seems to be what it is, because everything seems to be what it isn’t. Gimpo’s M25 odyssey begins.
Gimpo makes notes, checks the windscreen camera is working, and climbs back and forth taking pictures out of each window. “23 Mark….go to Toll 23” he shouts from the back somewhere. Anyone who has crossed the bridge in years gone by will remember the tolls. Gimpo always used Toll number 23. But now they’re gone, you have to pay the toll online. Gimpo insisted I move over to the right a bit. He wanted me to drive over the spot where Toll 23 used to be. You’ve got to have a system. Any ritual has an opening ceremony.
This year, Gimpo had acquired new technology. A good friend had furnished him with a high definition camera that could be stuck to the windscreen. The Camera could hold 3 hours footage on a memory card at a time. It was a Christmas present. Gimpo had managed to snap the back off already. It was stuck in a brutal manner, with gaffer tape, where the rear-view mirror might have been.
“Have you got my video Mark?” he shouted over the noise.
“Which video is that?” I replied.
“Concrete Enema. The one of the bloke having concrete poured up his ass.” Gimpo said.
“Not this again. No, I haven’t got your video. And No, I dont know who’s got it either. You ask me this everytime.” I said.
Once upon a time…. I went to the foundry in Shoreditch. I took my friend Richard of Discordian Promotions, the soundman from the gigs I organised at The Old Railway, Rhys, and my work experience girl Jane….. who was on her first day. We had gone to the M25 Spin recruitment evening which hoped to find additional drivers and supporters for the following year. The first year’s spin had been and gone. Gimpo was trying to “find the others” who would join him for year two. We had sat through poems by Wormlady, someone described by Gimpo as a “dangerous pyromaniac who hadn’t taken her medicine.” We sat through hours of footage of the previous years spin. We also sat through a selection of special presentations which included “Concrete Enema.” At the end of the evening, this particular video tape went missing, Gimpo has been searching for it ever since. But anyway, if you know who’s got it, please get in touch.
Back to 2017 and this year’s spin, Gimpo proudly announced “This is spin #20.”
“No it’s not” came the reply. “This is Spin #21. You did the first spin in 1987, count on your fingers, how many spin’s have you done since then?” Gimpo started counting and got lost around 15.
“Mark…..stop the van…I need to count. I get to 17, and then I get lost.”
We drove to Cobham services and stopped the van there. Two things followed. Gimpo and I put our hands flat on the dashboard and we counted from 1997 to 2017. 21. This year was Spin #21. Then Gimpo jumped from the vehicle and started putting the signs up. Gaffer tape in one hand, signage in the other, he carefully worked his way round the van. The artist worked.
“OK, we’re ready, let’s go!” He said. The laptop was plugged into the AUX on the stereo. Volume set to 23. The music started pumping. The 21st Spin was under way.
Gimpo jumped about in the back, laughing and wildly taking pictures and providing a non-stop commentary on everything that passed. I began to consider life. Some things cannot be explained. A man in a worn out, high vis-jacket bearing his own M25 Spin logo, armed with a camera phone, pointing out palm trees, crane lifts, pylons and road signs. And all while shouting instructions to the driver, to be sure to get the best picture. All work and no play makes Jack a dull boy.
“Mark! Let’s open both the side doors” Gimpo shouted above the music.
“No Gimpo, you’re not doing that. You’ll fall out. Theres another 24 hours to go” I said.
There was a pause. I could hear Gimpo falling about somewhere behind me. “I am the artist here” he shouted. “I’ll do what I want!”
At 6.36pm the Master Chaos van began a “Timed Lap.” Some things I do for money, Some things I do for free. Some things I cannot explain easily. In the philosophy of language and philosophy of science, nonsense is distinguished from sense or meaningfulness, and attempts have been made to come up with a coherent and consistent method of distinguishing sense from nonsense. Driving Gimpo around the M25 needs careful handling. Nonsense refers to a lack of sense or meaning. To Gimpo, his M25 25 Hour Spin has meaning. You cross the Greenwich Meridian twice on a single lap. You go back in time, before going forward in time. East to West then West to East. Gimpo travels clockwise keeping to the inside lane. He is careful to travel the outside of the M25 whilst travelling the inside lane on the motorway. There are many contradictions when you travel through the Vortex. There is method to Gimpo’s madness. The timed lap was completed at 8.39pm. One complete Orbit took 2 hours and 3 minutes. Work it out. Nothing happens by accident.
“Colin is going to flash us from the Bridge!” Gimpo shouted, as we descended from Queen Elisabeth II bridge and headed over the tarmac where Toll 23 used to be and started the next lap.
The story followed of how Gimpo knows Colin. I can’t repeat it here. After nearly 9 hours on the road, the mind starts to wander. Where is Gimpo going? Why is he doing this? What is he thinking? How did I end up as the driver? Are we alone? What’s the square root of the M25?
Looking out of the windscreen, the cars pass as they do on any day of the week. Behind me I can hear Gimpo jumping from one seat to another, a running commentary just 9 hours in, and the endless photography and documentation of the trip continues. “Mark, we are the only ones left!” Gimpo shouts. “I’ve got to send the pictures to Todd. How do you spell Todd? It’s ok I’ve found his email now. What time is it? Follow the signs. Tell me when you see the bridge. Colin is going to be there in ten minutes.”
I’m trying hard to drive and not consider any other issues. The hypnotic passing of white lines and road signs keeps me calm. I read every sign as it passes. I read every number plate. Looking for a meaning in all this. “If a tree falls in a forest and no one is around to hear it, does it make a sound?” I can’t help thinking about the philosophical thought experiment that raises questions regarding observation and knowledge of reality. And then Colin appeared.
“There he is! That’s Colin!” Gimpo shouted as he climbed headfirst into one of the co-pilots seats, his boots in my face, the light on his mobile phone almost blinding me for a moment. Gimpo took his position in the co-pilots seat and started waving frantically. And banging the windscreen. I beeped the horn as Gimpo pointed and shouted “There’s Colin!”
A small white dot shone down from the bridge. Some people want to be lost. Gimpo and I felt alive, we existed at last, someone was waving from the bridge. Albert Einstein is reported to have asked his fellow physicist and friend Niels Bohr, one of the founding fathers of quantum mechanics, whether he realistically believed that ‘the moon does not exist if nobody is looking at it.’ To this Bohr replied that however hard Einstein may try, he would not be able to prove that it does, thus giving the entire riddle the status of a kind of an infallible conjecture—one that cannot be either proved or disproved. Gimpo’s M25 Spin is not that dissimilar, until someone like Colin waves a torch from a motorway bridge.
Gimpo ordered a stop at Cobham. We took a relaxed break consisting of tea, a comfortable seat by the window and a discussion of the problems Bill Drummond was having with emissions from his land rover. It’s what you do at 11pm on the M25. We tried to blend in with the other late night service station users.
We left Cobham feeling good and ready to drive into the small hours. If only it was that easy. We found ourselves preparing for battle stations as Gimpo pointed out the signs confirming the worst: Only one lane open ahead.
The traffic ground to a complete standstill. Gimpo rolled the side-door back, jumped out and started marching down the hardshoulder. I had to put the handbrake on, and leave the engine running. I jumped out and followed him. Never get out of the van. Worried drivers behind us peered through their windscreens at the man in the high-vis jacket. “What are you doing?” I shouted. Gimpo turned and looked at me.
“There’s traffic officers ahead, they’re blocking the road. I’m going to tell them to move. They’re making us late!” he said.
“Get in the van before we both get run down” I said. By the time the words had left my mouth, Gimpo was already distracted taking photo’s of the nearby road sign. An artist never leaves their work once they are on to something. I shut the side door once Gimpo was back in his seat. The driver of the car behind gave me a look similar to that, which I imagine, anyone would give to a baboon as it prepared to tear their windscreen wipers off. Terror mixed with calm acceptance of what is about to happen. I made sure I gave them a smile and a wave. I always show courtesy to other road users, you never know what might happen. Then I climbed back into the van and considered whether I should have allowed Gimpo to talk to the traffic officers after all. We looked like we were going to be here sometime and at least Gimpo may have made some light entertainment, until the van got towed away and crushed.
I didn’t follow the signs. I found the next exit and headed into the darkness. Any route would do. After a wild safari through West London to avoid the traffic, and providing context to the M25 orbit we had been in all day, Gimpo announced he had a plan. You can’t open the vortex without causing a few ripples. Somewhere between Cobham and South Mimms, Gimpo announced he had come into posession of the keys to the vortex. It was his 21st Spin after all. “Mark, I’ve got the keys to the Vortex. I can do anything I want now…..”
“Really? That’s great. Don’t open the side doors, you might lose them.” I replied.
I could hear Gimpo rummaging around in the back in a frienzied state. “Stop at J23, we’re going for a walk.” he shouted. By now it was getting close to 4am. Strange things happen to your mind around 4am on the M25. Reality starts to melt. You are past tired, your body is in a state of confusion. You look out of the window, beyond the reach of the headlights and think to yourself “Have I been here before?” Scientific approaches reject the explanation of déjà vu as “precognition” or “prophecy” but rather explain it as an anomaly of memory, which creates a distinct impression that an experience is “being recalled”. This explanation is supported by the fact that the sense of “recollection” at the time is strong in most cases, but that the circumstances of the “previous” experience (when, where, and how the earlier experience occurred) are uncertain or believed to be impossible. This of course, is wrong. Colin has proved the Spin’s existence, and I know from the mileage, time on the dashboard and Gimpo jumping about that we have indeed been here before, probably 8 times by now, all at different times of light, darkness, position of the sun and the moon. And my mental health is past caring. We have been backwards and forwards through time as we cross the Greenwich Meridian twice on every lap. Everything looks different but strangely the same. The white lines have blurred and the street lights are starting to look like serpents streaking past the window. The road is flowing backwards. Insanity is stalking the corridors of my mind. I am not the re-incarnation of TC Lethbridge. Ritual Sacrifice. This was not my idea. Have I missed the turning? Le Mans is 24 hours, the spin is 25, it’s one louder. All the people I’ve let down. The prison without bars. Time travel. Unpaid parking tickets. Quantum mechanics. Burning money in phoneboxes. Chuck Berry has passed away. The freedom to daydream makes it easier to reconcile the servitude which is forced on us. There will be hell to pay for all this. What now? The forces of darkness have me cornered. I can’t find my way out of the maze. Let me out.
We stopped at South Mimms and left the van in the car park for a walk. There’s a pathway at the back of the Ramada Hotel. You can follow it back towards the Motorway and theres a stream and a walkway that runs underneath the M25. As we walked through the chill night air, our steps seemed to be almost calming after the long drive. “Let’s go to the dark side of the road” Gimpo said. In my mind, for no reason, I started to remember a poem called “Invictus” by the English poet William Ernest Henley (1849–1903). The third verse goes
“Beyond this place of wrath and tears, Looms but the Horror of the shade, And yet the menace of the years, Finds, and shall find me, unafraid.”
Gimpo, the man who filmed the burning of a million quid in a disused boathouse on Jura, led the way.
Humans live through their myths and only endure their realities. If you know anything of the idea of the hero’s journey you will know the cycle…..walking through the tunnel I started to think about roundabouts and circles drawn on bits of paper….at the top: ordinary world. First exit: call to adventure. Put your phone away: refusal of the call. Junction 30 Thurrock: meeting the mentor, Queen Elizabeth Bridge crossing the threshold, tests, allies, enemies….it’s just a habit of mind. Junction 23 South Mimms: innermost cave. then….. ordeal. All I could think of was “Entropy requires no maintenance” – Robert Anton Wilson. Gimpo walked. People think their way of looking at reality is the only sane way of viewing the world. I followed. What did Nelson Mandela and Timothy McVeigh have in common? I can’t stop my mind considering the possibilities. Here it comes.
From the tunnel, I snapped back into reality for a moment. Gimpo led the way up a flight of steps to a pathway that ran alongside the motorway. My darkest thoughts ran like a film in reverse through my mind. I couldn’t hear the birds singing any longer. Everything bad I could imagine ran through my head in the seconds it took to walk the path. “Look at that” Gimpo said. He stood at the wooden fence. “The M25 from the dark side. You can see the island from here. The road is deserted, there’s no traffic.” All time stood still. No cars. Nothing. Silence.
Gimpo started taking pictures. The road was empty. The island stood in all it’s majesty just three lanes away. Gimpo looked. I knew what he was thinking. One day Gimpo’s going to plant an Argentinian Flag on the island. Gimpo was lost in thought. Robert Anton Wilson once said: Of course I’m crazy, but that doesn’t mean I’m wrong. Gimpo considered the dark side of the road. Hell is just as bad as you imagine it to be. This place was all his.
I returned to some sort of sanity as I crossed back to the other side. I had lost 20 minutes. As I walked back across the tarmac, I felt like I had crossed to the other side and back. But I had lost all memory of it. Nothing could stop us now, the road back lay ahead. The Spin was past the tipping point. Time to get a cup of tea from the service station. Time flies.
The Mileage for one lap was 123 miles, from 212960 to 213083, I wasn’t about to try and count that on my fingers. We headed into another orbit. The M25 becomes a strange place at 11am on the Sunday of the Spin. Where has the time gone? How did we get here? We must have done another lap. My sense of time had completely broken down. I’m sure we had been here before.
People were already on their way back from the car boot sale that started at 6am. People were on their way back from holiday, others were just starting. Take a walk into Cobham services and order a cup of tea from Greggs. As you wait in the queue your mind wanders. What are you doing? Not now, not today, but generally? What are you doing? Then you remember a book you read 25 years ago:
“Not I, nor anyone else can travel that road for you. You must travel it by yourself. It is not far. It is within reach. Perhaps you have been on it since you were born, and did not know. Perhaps it is everywhere” ― Walt Whitman, Leaves of Grass.
You order a cup of tea, and then the number 23 appears. Reading the menu reveals a reminder: Don’t answer the phone. “The hero’s journey always begins with the call. One way or another, a guide must come to say, ‘Look, you’re in Sleepy Land. Wake. Come on a trip. There is a whole aspect of your consciousness, your being, that’s not been touched……And so it starts.” ― Joseph Campbell. The mad hatter hands you your cup of tea. The doormouse offers you milk. Everwhere you look, flamingoes walk past. The queen of hearts sits in the window with a starbucks coffee. The queen of spades is queuing at Macdonalds checking her phone. Gimpo is hanging around the Krispy Creme Donuts waiting for anyone to show interest in a tray of ten. Some things cannot be explained. In the carpark the van is parked up next to an AA Recovery truck. The markings on both hide the contradictions. Then Gimpo shouts “We’re late, we’re late!” Many people have come and gone round the M25, but only some discover what it’s about.
Gimpo is trying to make the worlds longest road movie. He wants to know where the M25 goes. He already knows what it’s about. He wants to know where it goes. And he intends to document it.
The spin finished 25 hours after it began. “Stop the van, stop the van!” Gimpo shouted. We found ourselves not far from the M40 turning. The van pulled onto the hardshoulder and Gimpo found the nearest road sign. He had fashioned a sticker that read “Gimpo’s M25 25 hour spin finished here 19/3/2017” After the celebratory pictures had been taken we both jumped back in the van. Where does the time go? The pain of our subserviance is never eased. Tomorrow is just a word. Not all who wander are lost.
Gimpo Gimpo http://www.gimpogimpo.com/m25spin/
Gimpo’s M25 Spin 2017 photos https://flic.kr/s/aHskRprd5t
February 8, 2016
I bought a copy of “The Manual” by Jimmy Cauty and Bill Drummond in 1996. I’d been looking for a copy for years. Some of it made sense, some of it didn’t. I liked the writing style and the advice given. I sent my receipt as proof of purchase to the PO BOX printed in the book and requested The Guarantee.
This is the reply that Bill Drummond sent back on headed paper. By reply Bill Drummond became the first Unaware Patron of Iron Man Records. Blame him for everything. A lot has happened since 1996. Your Insanity will do.
Your Insanity could help Iron Man Records to release more music on Vinyl via Patreon. There are 21 Patrons currently supporting the record label, you are invited to become a Patron too.
Iron Man Records has been running since 1996. The label has released over 30 records and continues to work hard on a daily basis. Iron Man Records wants to make all new record releases available on Vinyl. The label will continue to make everything available through digital channels. You are invited to get involved.
Why help Iron Man Records? Here’s a quote from Detroit Poet John Sinclair, who released an album called “Mohawk” through the label in recent times. This sums up the sort of thing going through my head when I started out trying to bring people together to do something under the label name of Iron Man Records at the start of it all in 1996.
“One of the most important things to young, formative artists is having a group of one’s peers that one can be a part of, can talk to, work with, work out ideas, etc and can give crucial support.
Modern society has succeeded to a frightening degree in alienating artists from one another (and of course from people in general; or at least vice versa) and atomizing what could be a vital, active community into a group of lone, defensive, hung-up people who are afraid to talk to and/or work with anyone but themselves and (maybe) three or four friends.
A community of artists means that a group of highly conscious people can help each other in very real ways. Artists working alone are cutting themselves off from sources of inspiration and influence that can help them immeasurably in their work.
The lone artists have no one to listen to their work, no one to offer criticism and ideas that would bring their work into sharper focus with itself. Hard to get as excited, as completely involved in one’s work by oneself; when you can talk about it with/to others who are trying to do the same thing as yourself and communicate it to others, you can achieve and maintain the state of consciousness Henry James called “perception at the pitch of passion.” And who better to communicate to than those few people who are operating at the same level of awareness and involvement as oneself?
We are now in a period of expanded consciousness in all the arts. NOW is the time to find out what’s wrong with your work, NOW, at least get an inkling of what other real people will think of it and how it communicates.
So: what we want is a place for artists—musicians, painters, poets, writers, film-makers—who are committed to their art and to the concept of community involvement to meet and work with one another in an open, warm, loving, supportive environment—a place for people to come together as equals in a community venture whose success depends solely upon those involved with it.”
In reality, the journey from 1996 has been back-breaking, and the record label has generated a mountain of debt. Everything I earn working as a Tour Manager goes into keeping Iron Man Records moving forward, and in doing so, I try to provide a platform and focal point for everyone involved with the label.
I manage to ensure that new records come out every year and during difficult times perhaps every two years. Without fail, Iron Man Records continues to release records by some of the most interesting and talented artists, writers, and musicians. The label seeks to share what resources it has, and provides an alternative to the onslaught of pop culture and everything that goes with it. There has to be something that opposes the nonsense that we are surrounded by every day, there has to be a meeting place and platform for those that demand an alternative. There has to be a mechanism to share contacts, resources and ideas.
I don’t expect everyone to like what the record label releases, but at least the label gives you a choice. You don’t have to buy everything from “the man” and you don’t have to work for “the man” either. As the saying goes: “We may never defeat these swine, but we don’t have to join them.” There’s always another way, and for Iron Man Records and the musicians, artists and writers it works to support “the show must go on, by any means necessary…..or until we are all eliminated”
I can handle the logistics of running Iron Man Records by myself but I could use some help in releasing more Vinyl. At a time when “ownership” of music is becoming less important, and digital services are making “access” a much easier way of listening to more music than ever before, we have been left with a problem to solve.
How can the record label continue to release physical records by artists for people to “buy,” at a time when anyone, with any money left, can “access” more music for free, or at a fraction of the price, using streaming digital services?
We all know how to google an album, or a song, and find it for free. We’ve all done it. We all know how to access music on social networks for free, and through Streaming services like Spotify. Some of us buy our music from download sites. I think its fair to say some of us listen to more music than ever before, and choose to only spend our money on music from our favourite groups.
Iron Man Records has invested a lot of time and effort into making every release available through as many digital services as possible ensuring all the artists get a chance to be heard.
You can find all releases from Iron Man Records on iTunes, Apple Music, YouTube Music Key, Spotify, Amazon Music, Google Play, Deezer, Groove, Rhapsody, eMusic, Simfy Africa, iHeartRadio, MixRadio, MediaNet, VerveLife, Tidal, Gracenote, Shazam, 7Digital, Juke, JB Hi-Fi, Slacker, Guvera, KKBox, Akazoo, Anghami, Spinlet, Neurotic Media, Yandex, Target Music, ClaroMusica, Zvooq, Saavn, 8tracks, NMusic, Q.Sic and others.
From the stats, it is clear that plenty of people want to listen to the music Iron Man Records produces, but they don’t always want to pay for it. Many people want music as cheap as possible, and ideally for free. They would rather have access to music, than ownership of music. Fair enough, I can accept that, enjoy the music the way you want it. But how can the artists be supported to produce more work if people want “access” rather than “ownership?”
It makes me laugh when you hear people talking about how they won’t buy music from Amazon because Amazon doesn’t pay its workers a fair wage, and then get drawn into a discussion about what sites to use to find music for free without having to use Amazon.
People forget that starving musicians have to go to band practice, pay for their rehearsals, record their music, and work out a way to release their music. Many musicians have to plan and finance the costs of touring to promote their music by themselves. Musicians also need to eat and have a roof over their head, and I do too. Some of the more popular releases on Iron Man Records might achieve 23,000 streams over a five year period but only sell about 60 downloads. In the same period they may only sell about 150 physical copies on cd and even less on vinyl. I read recently that 1,500 streams can equal one album sale. If that statistic is correct, in order to sell 1,000 albums, you need to generate 1,500,000 streams. That sounds ridiculous to me. It’s a strange time for music if you are operating independently. There’s not much money coming in from sales here at Iron Man Records yet more people are listening to the music Iron Man Produces than at any time previously.
These days, it’s interesting to note that many musicians would probably earn more per hour, packing boxes and packages for Amazon, even on the poor wages that Amazon pays, than at most gigs they end up playing. But lets move on, you get the point. It’s a tough time for musicians and artists, and you have to be mad to carry on against such odds that are always stacked against you.
Where does Iron Man Records find itself in the digital world?
Streaming is taking off and I have always loved vinyl as a format. I want to return to making every release on Iron Man Records available on Vinyl, as well as via streaming, downloads and on CD. It’s madness in the current economic climate, but a little bit of madness is just what is required.
It is clear to me that if you can produce anything of value in terms of your music, a digital version is necessary so people can access and even download your music on their mobile devices. But if you are serious about your music, you must release it on Vinyl so the really passionate fans of your music, can get a copy to add to their collection and enjoy when they are at home.
Iron Man Records is capable of releasing records and making them available worldwide across pretty much every digital platform. Producing CDs of each release is also affordable within the context of selling physical copies, sending out to press and radio and keeping things ticking over. Vinyl however, is a little bit tricky.
Producing a record on Vinyl is about three times more expensive than producing a cd, which means you have to sell three times more records to recover the upfront costs. So something has to give.
This year has been tough for Iron Man records, income from selling physical sales has continued to decline. In fact physical sales of everything both CD, Vinyl and DVD has steadily declined year on year since 2004 when I started keeping a record. Habits are changing all the time and the market is choosing to access music rather than own music. Times are changing and either Iron Man Records changes too, or it’s game over.
Where am I going with this? I want you to sign up or subscribe to insanity.
I want to start releasing records on Vinyl again and I need help reducing the front end costs. I’m not asking anyone to pay for everything, nor am I asking anyone to pay me to run Iron Man Records, I can look after all that myself. What I want to do is invite people to contribute to reducing the costs of producing albums on Vinyl. In exchange for help and support, you will get a copy of everything the label produces, as it becomes available. Supporters will get access to digital files of everything, so you can listen on portable electronic devices, and you will get all sorts of other benefits. For example: free stuff from the Iron Man shop, stickers, email updates, free tickets, and whatever else I can think up as I go along. There is method to the madness and all you have to do is join in.
I would like to think that if you like what Iron Man Records does, if you would like to encourage the label to produce all releases on Vinyl, and if you would like to support struggling musicians who are up against it on a daily basis, then please consider offering your support to the cause.
I have put together a page on Patreon https://www.patreon.com/ironmanrecords which I think is an interesting way to raise money. This will help produce Vinyl in small quantities and to the highest standards with regards to artwork and packaging. Patreon lets you make recurring monthly donations and thereby helps to reduce the upfront costs of producing music on vinyl.
Anyone who donates will get a copy of the vinyl produced and a number of other benefits. Anything from £1 a month or more is actually really helpful, and knowing a small regular sum is coming in each month allows me to plan more effectively.
Everything the label produces is accessible for free online anyway so you can have anything, anytime if you look for it. Offering a small monthly donation means that regardless of what goes on, Iron Man Records can keep releasing music on vinyl and keep helping the bands and artists to survive, and to make more music.
Let me be clear: Iron Man Records is not in the pop business. In fact it’s just not in business. The debts are what it’s worth. The label is trying hard, during a particularly tough time in the history of recorded music, to help musicians and artists develop a sustainable future. And to me, the simple way to do that, is give the bands and artists a Record to sell, at their gigs, that people would love to buy.
Iron Man Records wants to create Vinyl, something really special, something that presents music in a format that people want to keep and enjoy. That’s it really. Life isn’t just about computers, mobile phones and social networking. There has to be an alternative.
Have a look here and any comments, good or bad are invited.
Mark – Iron Man Records
August 19, 2015
Friday 28th Aug 2015
An evening with John Higgs and Guests
Heavenly Social presents an evening with John Higgs and Guests
To celebrate the publication of his new book
Stranger Than We Can Imagine:
Making Sense of The Twentieth Century
Friday 28th August
The Social, 5 Little Portland Street, W1W 7JD
Nearest Tube Oxford Circus
July 7, 2015
Adelphi is a Greek word meaning “brothers” (a + delphi, literally “of the same womb”)
Many thoughts pass through your mind when you do enough driving, few of them make any sense. I take a lot of bands to a lot of gigs, it’s what I do for money these days. Sometimes it can be hard not to pull the van over, drag everyone out on the motorway hard shoulder and tell them to “Stop living out of the asshole of your belief system and kick out the jams motherfucker!” In other words, shut up and play the music, or stop blaming everyone else and learn to get on with it. We all need each other in order to survive in this business, even if we don’t like that idea. Write, rehearse, record, perform. Everyone you meet has a piece in the puzzle. It’s your job to work out which piece. It’s not as simple as this one or that one, and I try not to live in the “A,” “not A” world, but if you drive long enough, you have to engage it in some sense. If you are in a band you have to learn the world can be more complex than just “A, Not A” and you have to read the signs too. You can never have enough confusion. Let me explain.
It can start with a simple set of roadsigns that flash past in a moment. Turn left for the Crematorium, turn right for the A30m. I’ll take the A30 for now. If you have ever been to Munich in Germany, there’s a T-junction on the way out of town. The sign at the T-junction reads Dachau to the right, or McDonalds to the left. Which way to the gig?
Using a Sat Nav can help you avoid the endless stream of reassuring roadside bill board images that seek to distract and divert but you still have to read the signs. You may find yourself at the mercy of the cult of yellow signs that seek to subvert your journey with irrational routes to a land that time and space has forgotten. You could end up at Thurrock Services one mad March morning and find yourself driving for 25 hours round the M25 with Gimpo jumping around in the back shouting “Tim! Tim! You’ve missed the turning!” To find your way you will need to read the signs. Timothy Leary said that “Everyone has a piece of the puzzle” and once you’ve turned on, tuned in and dropped out….your next task is to “Find The Others.” What happens next is up to you.
Turning on the TV in 1992, I watched with interest as one of my favourite bands of the previous 5 years, The KLF performed a song called “3am Eternal” backed by Extreme Noise Terror. The show ended with the audience being machine gunned. As the KLF left the music business, I decided to start organising gigs in Birmingham, which is where I was living at the time.
I had no money, no idea and made a start right away. As one things ends, so another must start. If Ken Campbell taught one thing that has resonated with me, he demonstrated the importance of picking up a phone and asking the question. “If it’s not impossible, it’s not worth doing.” I may not have had money or experience, but I did have access to a phone.
1992 was as good a time as any to start a music project if you discount the impact of the end of all music genres in 1994, the arrival of the internet, the cult of amateur, mobile phones and the end of all physical product. But I digress, thats not what I’m planning on discussing here. As Bill and Jimmy of The KLF moved on to other things in their own way, they set a clear benchmark for popular music, they also nailed the coffin lid shut on it too. Get in, go all the way, get out. Don’t over think it, keep it simple and don’t stick around once you have reached the top of your game. But the game’s over. Know when it’s time to leave. Understand what you’re starting. You can learn the rules to break them properly, but be prepared to embrace the contradictions. I have to agree that “It’s what you know, not who you know…..that matters.” To others you can appear mad, but that doesn’t mean you’re wrong.
I sometimes wonder how Hunter S. Thompson knew so much about so many things ahead of so many others. His work is almost a user manual, but that is another story.
Nearly 23 years later, I found myself driving a long wheel base VW Crafter from DYC Touring across London. It was the 1st of May 2015. If you are into your numbers then that is an interesting date. In the back was an amazing singer and songwriter called Eska, and her band. I was taking them to a gig and the traffic was heavy like any day in central London. As I turned to cross a bridge that has the HQ of MI5 on one side, and The Houses of Parliament on the other, Bill Drummond passed me on the inside in his land rover. In a moment I considered the five years of KLF, the Brit award from 1992 being buried somewhere near Stonehenge, the concepts of pop bands only living 5 years with everything provided before being executed by their successors live onstage, the idea that many artists produce their greatest work early in their career then limp on for 25 years desperate to relive their former glories and so on. All of the late night discussions about art, music, politics, belief systems and nonsense seemed to pass through my head in an instant.
I followed Bill Drummond’s land rover onto the bridge and considered the idea that a lot of his work is inspired by impulse. I considered the situation I found myself in, and I had a terrible realisation: The date, timing and location of all of this appeared to me to be perfect for some sort of ritual killing, and the abrupt ending of Bill Drummond’s career. I could bulldoze his vehicle over the side of the bridge into the River Thames. I had this mad idea that the energy released by such an act would be absorbed by Eska, strapped in the back, who in turn would go on to fame and fortune with her own music. Eska would live and Bill Drummond and the rest would be forgotten or perhaps consigned to notes given to music industries skills students at a failing place of Academia somewhere.
But as I considered the whole idea in more detail I became horrified I should even think such a thing. Bill Drummond should live. It is not for me to choose someone else’s end. Perhaps Bill’s best work is yet to come, perhaps his best work has indeed been early on in his career, but more important than that, does it really matter to anyone other than me? You have to learn to let it all go. You are the master, you make the grass green in your own world, but that’s it. Stop there. As Robert Anton Wilson will tell you, “Never totally believe anyone else’s belief system, and never totally believe your own.”
I settled for entertaining myself by overtaking his landrover and forcing him to sit behind the van in a state of rage whilst Eska reclined in air conditioned comfort in the back. I took a picture as we sat at the lights. Who could have known what insane thoughts were going through my head. I had to live on from this point. No pushing landrovers off bridges. Stop living out of silly belief systems. Let Bill Drummond live. If he goes on to create his greatest work now, so what…..and if its another 25 years of clinging to the cliff of hope, trying to relive former glories, then you can blame yourself for having such stupid beliefs, sorry. It doesn’t matter. Let it go. We all have a piece of the puzzle. Work it out for yourself. We are all better alive in my short sighted view.
But don’t let everything go. In 2006 I was on tour with a band called Dufus and I found a piece in the puzzle. We went to the Adelphi in Hull. The band spent a pleasant evening at a gig organised by Paul Jackson. After sound check, Paul ordered some food from a local take away and invited the travelling group to take a seat in the back room. If you visit The Adelphi Club in Hull you must also visit the back room. There is a sign on the back wall and it reads: “Hull is Twinned with your darkest thought.” The sign is Bill Drummond’s work, not very pleasant, but still his work. To me, my darkest thought with regards to a place like The Adelphi has always been “Imagine if all music was funded by the state?” Imagine if only those with approved funding applications organised music projects in your home town? Imagine what shit they would pull to manufacture your consent for their project. Imagine what shit they would buy for themselves with the money, whilst making all the artists, creatives and volunteers they’ve recruited jump through endless hoops on their behalf. Understand, The state of music would become the music of the state.
Make no mistake, funding is for funding, not you. People get what they deserve. If you don’t seek interesting music out for yourself then your world will fill with the latest indie shit spreaders pushed by the latest batch of sales and marketing types on the payroll of some funding application. Dufus had a good gig at The Adelphi that night and no funding application was in sight, Paul was delighted and the people who bought tickets and listened to the show left with big grins on their faces. Anyone who goes to The Adelphi, or any place like it to listen to music, knows something you don’t. As Dick Lucas of Subhumans will tell you, “Life isn’t about computers, it’s about talking to people face to face.” There’s a whole world that goes on without computers or mobile phones in places like The Adelphi. But the Adelphi is in trouble and its my own suspicion that you are spending too much time online. What was that? You don’t agree? Try this: First person to check their phone pays for dinner. Paul is struggling to make ends meet, he is worn out from 30 or more years of back breaking work to support new music. The place could use a bar manager and some good bands who have already made a name for themselves to return and shine a light on the venue, its ethos and Paul who has run the place from the start. New music needs a champion and Paul has played that role for long enough. You know what has happened since John Peel passed away. Imagine a world without Paul Jackson to book your band when no one else will give you a stage? The Adelphi needs a champion now, several champions to be exact. So you know what to do. If you are in a good band or want to see some good bands, Go to the Adelphi. Time may be running out but you can reverse the situation by simply turning up. It’s not rocket science.
I’m working with John Sinclair at the moment, he’s a poet from Detroit. When asked on BBC radio what new bands he felt excited about, he replied “None.” When asked to explain why, John reasoned that most new bands these days were more interested in buying a fancy car than any form of social, political or cultural change. Think about that for a moment. Have you ever been to the Adelphi? I wonder what can be said of audiences these days? Anyone else reading this ever been to the Adelphi? John Sinclair was a former manager of MC5. I don’t need to go into the detail but if you know what MC5 are all about and what John Sinclair is all about, there are enough ideas to last any artist a lifetime. Its not about some funded project. Its not about buying fancy goods either. It’s not about the money, it’s about sending a message. You have to make the world you want to live in. You cant just hope for it or believe in it, or apply for funding to create it. You have to make it and you had better start today. MC5 are celebrating 50 years this year. Where have you been all this time? Have you learned nothing?
Which brings me back to Ken Campbell. “Don’t believe anything. Nothing which is the product of a human mind is a fitting subject for your belief. But, you can suppose anything. And you should. The act of supposing is mind expanding. Suppose flying saucers, fairies, god if you must. But, don’t believe it!” – Ken Campbell. Thats why artists are important. They give you the chance to suppose.
Sometimes I think that Artists should be left to live or die by the work they create. Creation demands destruction. But I also think that the trick is to create but not be destroyed by it. Paul Jackson and many who have frequented the Adelphi have witnessed many good people fall by the way and too many idiots seem to be telling you that they are in charge. The arts should not be funded but don’t believe that the arts can survive without you. You are in charge here, you are the master, you make the grass green. The arts do need to be supported, but not by the state, not by funding applications, not by any of that. It’s up to the artists, musicians, poets, creators and you. If the Adelphi is to survive then the Adelphi needs you. Through the works you create and the ideas you present and the friends you invite to come with you. Suppose anything. Do as you will. Create. The Adelphi needs artists, musicians, creators and an Audience, not some funding application that demands a box to be ticked or some administrative outcome. If the Adelphi is to live then we all need to “Stop living out of the asshole of our belief system and kick out the jams motherfucker!” These things don’t make themselves. Here’s the website: http://www.theadelphi.com If it’s not impossible, it’s not worth doing. Find the others. Go to The Adelphi.
If you know any good live bands, pick up a phone:
Manager/Booker/Promoter Paul Jackson
The New Adelphi Club
89 De Grey Street, Beverley Road
Hull, East Yorkshire
Kingston Upon Hull
Call +44 (0) 1482 348216
December 5, 2014
A witness statement from Iron Man Records 2014.
I didn’t get much sleep the night before, I had been working on the release of the new John Sinclair record “Mohawk.” By the time I climbed into the car and started the engine it was 10am. I drove to London and dropped the car in Brentford, West London. I picked up the keys. I had a 9 seater VW Splitter van on hire from DYC Touring and headed to Shepherd’s Bush. I wasn’t due to meet the band until 3pm so I had a bit of time to park up and make phone calls.
If I was applying for a job I’d probably tell you I’m a tour manager, a music manager, I can drive a splitter van and tow trailers, and I have a clean driving licence. I could tell you I’ve been running a record label called Iron Man Records for 18 years, I play in a couple of bands, I run a few websites, I work freelance and so on. In reality, I don’t apply for jobs, employers find their way to me on personal recommendation because no one else, in a right mind, will take their work on. The day was looking no different to any other. The phone was ringing.
I have to do many things on a daily basis just to keep things moving, some of it for money, some of it for free, some of it because I have no other choice and some of it for reasons of pure nonsense. Don’t ask me to explain.
Gimpo was due to start the 25 hour M25 Spin at midday, so by now he should have completed a lap and be half way round the next one. The time was 2pm and my phone was lighting up with messages from people asking if I was on the Spin this year. No, I wasn’t on the Spin, I was driving a band called “Tenterhook” to Hereford for a gig at The Jailhouse. They needed a driver and had a small budget to work with. I had no money, and on that basis I was “available” to do the work. Gimpo was planning to do the M25 Spin solo this year. You can’t reason with someone like Gimpo. He thinks things up and goes and does them. No Discussion. No Explanation.
I had decided to leave him to it for now. For various reasons Tim, who usually drives the van for the whole 25 hour M25 Spin, was unable to make it this year. Sharon, who handles Navigation and supplies while Tim is at the wheel, was stuck in Guatemala with no money for a plane ticket. Todd, who looks after the website www.GimpoGimpo.com was in New Jersey, I already had several messages from him asking “What the fuck’s going on?”
Did I know what was going on? Can anyone know what’s going on in Gimpo’s mind? I managed to speak to Tim, he had been in touch with the man himself. Gimpo had made a start, but had only got half way round. Tim was worried about progress. Gimpo hadn’t got very far and Tim had been questioning Gimpo at length. “Half a lap? What are you doing? Selling Ice Cream? Get a move on, there’s work to do” It seemed to me that Gimpo was having technical problems. Gimpo was driving his own car this year in an attempt to do the M25 Spin solo for the first time. This might all sound pretty good, but the reality was a little different.
The CD player was broken in Gimpo’s car and the radio doesn’t really do it these days. Gimpo had fixed up the video camera with cable ties, and had a stock of blank mini DV tapes at the ready. But, there were a few other issues that hadn’t been thought through. You cant drive and text can you? You cant drive and take pictures can you? You cant drive, take pictures, text, answer the phone, send emails or reply to requests can you? So what was Gimpo to do? He was already on the M25 spin. Solo. No support. And how was he going to document the event? He had stopped at Clacket Lane Services to discover this was going to be a long and complicated day. He had an iphone, with a SIM card, which gave him free internet access but the camera on his Nokia phone was better. For some reason the Nokia wouldn’t send emails so Todd wasn’t going to get any picture updates for the website.
I rang Gimpo, as time was moving on, to find out what he was up to. Gimpo would not be stopped by anyone. Gimpo was doing the M25 spin and he would do it solo with or without anyone knowing about it. I had to go, it was nearly 3pm, the band needed to be in hereford for 6pm. I told Gimpo I would come and find him when I got back after the gig. He would have to go it alone till then.
3pm arrived and I found myself collecting a band, who are being managed by one of the few capable music management companies I know. They look after Madness, so no joke, they are going to do good things with this lot. The band are actually a singer and songwriter with a great voice who plays the guitar and goes under the name of “Tenterhook,” he’s 19. He works with some other musicians who play drums, guitar, bass and keys. The van was loaded and by 3.15pm we were on the road, to Hereford. The gig was just like any other I’ve been to. Headliners took for ever getting their soundcheck done, they didn’t really speak to anyone and then vanished. The lot I was with sound checked and agreed last details like set order, start and finish time, and made a start on the limited rider provided by the venue staff.
By now there was a long list of messages and emails asking what the fuck was going on? Where was Gimpo? Was he ok? What did I know? Had I heard anything? The Spin was on, nobody needed to know. Gimpo was at the wheel and with that thought in mind, it’s probably better not to know what’s going on.
“Tenterhook” didn’t go onstage till much later than planned. The band had a good one, it was their first gig and the applause gave the band the endorsement they were hoping for.
Outside the band members gathered to load the van while people came out of the the venue to chat and find out who they were, and where they had come from. It was their first gig together.
On the way back to London the beers opened, and the talk poured over the gig and what had just gone on. The band knew how much work was ahead but it seemed like a good start to the process.
I dropped the band back at 5am and taxis were waiting to take people home from the meeting point. “Where are you going now, where are you staying?” came the inevitable question. I unloaded the gear and handed it to the exhausted band members. “Don’t ask, you don’t want know” was my reply. I could see there were a load of messages that had come in on my phone while I was driving back from Hereford. I dared not even look till the van was parked, the gear unloaded, and the band already gone.
The phone was full of madness. I called Gimpo and found him at Clacket Lane Services. He had just pulled in to try and send some pictures to Todd. No change there then. I suggested we meet at Cobham services, only 30 minutes further round, to talk through what was going on.
I arrived at Cobham around 6am having dropped the splitter van back to DYC Touring on the way. The parking at Cobham is free for 2 hours then its £25 for up to 24 hours. As I despaired at the parking situation Gimpo arrived, “Don’t worry about parking Mark, lets book a meeting room for £8 the parking is free with that” I wasn’t about to try booking a meeting room at 6am on a sunday morning. Neither of us looked in any way believable and if we booked a meeting room and then vanished it may generate suspicion. We defaulted to the only option available, a cup of tea from Greggs and a meeting in the comfy chair area to work out what sort of plan might be possible under the circumstances.
Gimpo started emptying his pockets of leads, head phones, charger cables, car keys, phones and assorted other items. He explained the problem. “Ive got this iphone but you need two hands to work the camera. This Nokia has a better camera, and you can work it one handed, but I can’t get it to work. I can’t send emails to Todd.” I looked at both and tried to have a go at getting the Nokia to work. It was full of pictures, but no, the internet wasn’t working and I couldn’t work out how to get it to send and receive.
We finished the tea and returned to the vehicles. Gimpo spoke first. “Lets drop your car off on the A3, I know a place where Bill and Jimmy took a load of Journalists in the middle of the night. Ockham Common, It’s where we showed the money nailed to a piece of wood”. Back to reality, that sounded like a great idea even if no one would even remember or believe the basis upon which the suggestion had been made. I digress. I refused to pay £25 to park my car, that’s a waste of money isn’t it? I followed Gimpo back onto the M25 and just one stop further on we turned off onto the A3 and headed south for a few minutes. On the left is Ockham woods and there’s a car park with free parking. I parked my car and took what valuables I had with me. The early morning doggers looked on as Gimpo explained at length and in detail about his previous visits with Bill and Jimmy. I listened with interest as the story poured out and I transferred my stuff to Gimpo’s car. I didn’t have to time to think about the rest.
In a few minutes Gimpo was back on the M25 and the Spin continued. Gimpo looked worn out but determined. This was his M25 spin, he was the artist here, and no one was going to stop him. This was his first solo M25 spin. The phone rang and Gimpo activated his hands free set, it was Tim. Tim sounded like he was checking in to be sure that nothing had gone wrong, Gimpo passed the phone across. “Hi Mark, is everything all right?” he asked. Tim and I chatted a while longer and I handed the phone back. Gimpo continued on with the story about the phone, versus camera, versus driving solo problem. And then Tim was gone, and the spin continued.
Next up was “Give Peas a Chance” Bridge, just north of J16 where the M25 crosses the M40. We headed North while Gimpo endlessly flipped from one radio station to the next, attempting to find anything worth listening to, whilst broadcasting his irritation at the fact the cd player was broken and he had no “modern music” to listen to.
Gimpo drove at a steady 56 miles an hour. “The price of bloody fuel these days Mark, it’s a rip off” He said. “The spin gets more and more expensive every year, the only thing I can do is drive at what the car manual says is the most economical speed. 56 miles an hour. It’s not a race.”
Gimpo turned off at J23, South Mimms, he wanted to get some fruit juice and have a driving break. He parked up and as we both walked into the services he spotted four “Beat The Street” double decker tour buses parked up. “That’ll be Elton John or some other shit I bet” he said. “Who do these people think they are?”
Once inside I got a dissertation on the pros and cons of Krispi Kreme Donuts and Gimpo’s theory on who buys them, how, and why.
Back outside Gimpo showed me how he had stuck his signs to the roof of the car with gaffer tape. Only the truck drivers or bus passengers would see. We got back in the car and Gimpo set to work labelling and loading the next tape to go in the video camera. We headed back onto the M25 and I got the full account of Spin Island, the only island on the M25. Gimpo wants to plant an Argentinian Flag on it. He says he’d like to buy it and give it to the owners of Stott Hall Farm, between J22 and J23 on the M62. The story goes they refused to sell up and move house when they built the M62 Motorway over the Pennines so by rights, they should have spin Island too. Gimpo says there’s a hot spring on Spin Island. That’s why they had to split the motorway to go around it.
Onwards through a couple of tunnels then it was up over the Queen Elisabeth Bridge. Traditionally the spin starts at midday on the Saturday, top dead centre on the Queen Elisabeth Bridge. Descending on the other side Gimpo only uses Toll booth number 23. Gimpo paid the toll and as the barrier went up it was almost exactly 9am.
Next stop was Clacket Lane Services, “Doggers Delight!” Gimpo declared. “They put a rat trap in the hedge just there but the rat dug a hole underneath it.” More fruit juice and a quick driving break before moving on to Cobham and the lap was completed. Gimpo still couldn’t find anything to listen to on the radio. He switched it off in despair. “Where’s Tim?” he shouted, “He always has the music, we need Tim here to put the music on.”
Gimpo explained he wanted to do the last lap by himself so he dropped me back to my car. A committed artist. I collected my car and followed Gimpo back onto the M25. Some things just can’t be explained. Gimpo is making the worlds longest road movie. He wants to know where the M25 goes. His plan is to drive round the M25 every year on the closest Saturday night/Sunday morning to 21 March each year for 25 years. Gimpo has 7 years left to completion.
I looked across at the other drivers as they passed by on their way to nowhere, circling the nation’s capital. Another ruin of a world city. Gimpo was ahead at a steady 56mph, unmoved in his commitment to the work. Who would know who was in the car in front? An artist alone at work. An artist without a name or a country. An artist who has nothing in common with you. An artist filming the world’s longest road movie in an attempt to find out where the M25 goes. An artist with no gods and no masters. The M25, the London Orbital Motorway, 117 miles of open road where Gimpo is the artist. One man, just getting into it for himself.
Mark – Iron Man Records. 2014
October 11, 2014
The Full Cosmic Trigger Experience 22nd/23rd November 2014
Find The Others
Performance, Speakers, Art, Music Cinema, Rituals, Workshops, poetry, Quizzes, Stalls, Discordian Papal Ball.
Prof. Robert Temple, Robin ince, Nina Conti, Youth, Adam Gorightly, Johnny “Dolphin” Allen, C.J. Stone, John Higgs, Dr. David Luke, Greg Sams, Jeff young, Liverpool Impropriety, TC Lethbridge, DJ Kin, Michael Brunstrom, Dr. david david Bramwell, John Constable, Salena Godden, Jacqueline Genie, Adrian reynolds, Jamie Reid, Jimmy Cauty.
Camp and furnace, Liverpool L1 0BY
14:23-02:23 Sat 22nd november 2014 (Play and Ball)
11:23-23:23 Sun 23 Nov 2014 (Conferestival)
Tickets £69 (full weekend = play and ball and festival)
Phone The Everyman box office: 0151 709 4776
More info: www.cosmictriggerplay.com
August 17, 2013
Never get out of the van…..
Since 1997, the M25 has been the subject, canvas and location of a unique and unfolding work of performance art. Gimpo, ex-roadie and factotum of Bill Drummond, has driven round the infamous London Orbital for 25 hours, once a year. He will continue to do so until 2021 on a 25 year mission of discovery.
He calls it The M25 Spin.
Documentarian Dominic Wade, who has already explored the world of extended filming with his raw and revealing film 24 Hours In London, has been given unprecedented access to Gimpo and his world in order to document The Spin. Dominic will be joining Gimpo and his crew every year until 2021 as they seek to find The End Point Of A Circle.
Gimpo is an unusual and endearing character, and he’s seen a lot in his many years on the road. He was one of the few witnesses to the K Foundation’s anti-art establishment actions, which led to the burning of a million pounds on the Isle of Jura in 1994. Bill Drummond accompanied Gimpo on the first Spin. Footage of that day was captured on VHS and will be included in the film.
The M25 Spin is part performance artwork, part club venue (the references to rave culture and its restless, mobile nature are clear) and part motoring oddity (it’s still possible to buy DVDs that are exclusively footage of a circuit of the M25. It’s entirely likely that Gimpo owns one of these tapes). Featuring interviews with Bill Drummond and Iain Sinclair, The End Point Of A Circle will document, embrace and eventually become part of the whole process.
“You wanna know why the M25 Spin is 25hrs and not 24? Le Mans is 24hrs. I just want to be one louder.” – Gimpo
Whatever else happens, The Spin will make a mark on its completion. Even if it’s just skid marks somewhere near Junction 27.
The End Point Of A Circle – The 25min Trailer for the Film Odyssey of Gimpo’s M25 Spin will be shown at Portobello Film Festival on 29th August 2013 http://www.portobellofilmfestival.com/2013/aug29-pop.html
And if you can’t wait til August 29th, here’s another short film from the M25 Spin 2013 by Iron Man Records
…and if you really, really can’t wait, here is the first cut from 3 years ago:
August 1, 2013
From: Iron Man Records
To: All Agents
Edited transcript of a “Friends of Positive Void Communications” update for dissidents dissemination.
An action took place on 23 August 1994, in which the K Foundation burned cash, the amount of one million pounds sterling, on the Scottish island of Jura.
The incineration was recorded on a Hi-8 video camera by Gimpo. In August 1995, the film “Watch the K Foundation Burn a Million Quid” was toured around the UK.
Thirteen short months from now will be the 20th anniversary of the burning. We have been in discussion with organisers of certain film festivals who are keen to mark this special date by showing the film next year, however the more observant amongst you will be well aware that the 23rd Anniversary year is much more significant.
So we thought we would take this time to collate a body of footage, including naturally the Burning, but also the events leading up to and surrounding that infamous act. The complete body to be shown at a number of secret underground events (Friends & Invited Guests Only) from 2014 – 2017.
Special Friends are being invited to create “Live” soundtracks to the events as their personal interpretive AAArticulations.
Free-Minded Activists, Seditious Supporters and Fellow Junior Insurgents… We Are Recruiting!
If you are interested in getting involved contact us now.
In the Spirit of Mu
Liberate & Communicate
Love Peace & Happiness
Tim & Gimpo
March 19, 2013
Hello Dear Friends
We so hope you can forgive us for neglecting you for so long.
Due to a combination of commitments and personal circumstances we haven’t had any opportunity to post our usual monthly updates.
Top of the shop we need to thank everyone who contacted us in the last few weeks asking about the M25 Spin and we are pleased to welcome one and all at the weekend.
Gimpo’s M25 25 Hour Spin
Starts: 12 noon Saturday 23rd March 2013
Ends: 1pm Sunday 24th March 2013
Venue: The M25 London Orbital Motorway
If anyone would like to join us then please do come along.
If you are coming along and need our contact info then please drop us an email and we will sort that out.
The more Ancient of our friends will be aware that we promised a new t-shirt for March along with a Free CD featuring a previously unreleased track GVSCFOF13 – 3am Eternal (London By Night… All The Way Round).
We still intend to go ahead with this but it will have to be after the Spin… so keep looking forward.
In The Spirit Of MU
Liberate & Communicate
Love Peace & Happiness
Tim & Gimpo
Gimpo’s 25 : Gimpo starts to reveal his vision. He wants this thing, this Gimpo M25 spin, to become an annual event. The closest Saturday night/Sunday morning to 21 March each year, to mark the opening of the rave/festival/drug-taking/banging/techno/hippie thing that Gimpo and his weird mates know all about. He wants loads of other people to join in, come out in their cars, vans, trucks, loaded up. A non-stop 25 hour party, road to nowhere sort of thing; car stereos cranked up, people screaming, pumping horns, blowing whistles. Hundreds, thousands, pouring out of Clacky services. Not a race, but a celebration of this broken down modern world, where the M25 would get clogged up, grind to a standstill, the authorities could do nothing – and Gimpo would be king. From 45, by Bill Drummond
The Juniour Insurgent Transmitter Ensemble is accepting music for the Spin’s outside broadcast. Email a track (Under 25 MB) to email@example.com All sounds received will be played on the 2013 M25 Spin.
Gimpo’s M25 25 Hour Spin Ended Here 24-03-13 at Thurrock Services.
Gimpo’s M25 25 Hour Spin Ended Here 24-03-13 on the wall of the Iron Man Records office…..for now…..to be continued.
May 17, 2012
“We have been following a wild and wounded, glum and glorious, shit but shining path these past five years. The last two of which has led us up onto the commercial high ground — we are at a point where the path is about to take a sharp turn from these sunny uplands down into a netherworld of we know not what. For the foreseeable future there will be no further record releases from The Justified Ancients of Mu Mu, The Timelords, The KLF & any other past, present & future name attached to our activities. As of now all our past releases are deleted….”
Burn their money. Tear their world apart…
How To Burn Money
May 5, 2012
Buy Ted Chippington – Blues Fan. New 500 Limited edition 10″ Vinyl here
Straight outta Fenton (Stoke On Trent) the young Eddie Chippington began annoying audiences at hippy festivals and pop concerts in the early ’80s when opening shows for long haired groups such as Here & Now, The Cardiacs and Dangerous Girls.
When maturity and baldness caused the growing Potteries lad to become Ted Chippington and a ‘Top Comedian’ he also moved in to riling up and calming down excited crowds with his act at gigs by punk rocker bands The Fall, the Nightingales, The Farm, the Higsons and many others.
During this period Ted – “The funniest man alive” according to music weekly Sounds back in the day – was to influence a new generation of stand up comedians (Stewart Lee, Richard Herring, Simon Munnery, etc, etc) with his live performances of what Stewart Lee descibes as “a mixture of surrealism and insolent provocation and uncompromising boredom”. Indeed Lee claims that Chippington was the very reason he got in to stand up, while Herring speaks in glowing terms of Ted’s “contempt for the very idea of jokes”.
Ted first came to national prominence when he opened for The Fall in Birmingham in 1984 and his performance was recorded and released by the Nightingales’ Robert Lloyd’s record label Vindaloo Records as a 7″ EP.
Entitled Non Stop Party Hits of the 50s 60s and 70s, refering to his penchant at the time for performing his own versions of classic hits, the record was played often by John Peel on his Top Gear programme – a rare occurrence for a comedian.
In 1986 he released an album on Vindaloo, Man in a Suitcase – a collection of live recordings plus more songs – which reached the Top 10 in the Indie Album Chart and his version of “She Loves You” from the album received wider exposure following repeated plays by Steve Wright on his Radio 1 show which in turn led to the track being released as a single by Warner Brothers after being picked up by Bill Drummond (KLF, etc) who was an A&R man at Warners at the time.
The 45 narrowly failed to make the Top 50 but “She Loves You” raised Chippington’s profile considerably and led to numerous media appearances, including a turn on the BBC’s lunchtime magazine show Pebble Mill at One and as a guest on That’s My Dog.
Chippington also fielded interviews with many radio shows and magazines – from New Musical Express to the colour supplement of The Mail on Sunday – and performed at the Glastonbury and Reading festivals in addition to hosting his own sell out show at Paul Raymond’s Revue Bar in Soho – ‘An Evening With Ted Chippington’ featuring guests Mark E Smith, Keith Allen, Poison Girls’ Vi Subversa and presenter of New Faces and That’s My Dog Derek Hobson.
Chippington once again came close to mainstream UK singles chart success with a recording of his theme tune “Rockin’ with Rita (Head To Toe)” which he performed with his fellow Vindaloo artists the Nightingales and teenage girl group We’ve Got A Fuzzbox And We’re Gonna Use It. Promotion of this record included a performance on kids TV pop show Razzmatazz and a promo video featuring one of Ted’s football playing mates Pat Nevin.
Ted then toured the USA completely bamboozling American audiences when supporting Fuzzbox and recorded a ‘Live In USA’ album on the tour, which remained unreleased until twenty years later when surfacing on his ‘History Of Ted Chippington’ CD box set Walking Down The Road.
A further Vindaloo single followed, with his reading of Dion’s “The Wanderer”, and was another relative hit but still Chippington’s ruthless disregard for the conventions of stand-up made him a perennial outcast from the 1980s comedy scene – albeit a popular and influential performer.
In 1990, bored by the media attention and feeling his new found popularity was the opposite of his initial aim Ted retired from show business to pursue a career truck-driving in California.
This new career ended ignominiously when his lorry shed its load on the Pacific Coast Highway and for a few years Ted worked as a cook in various restaurants in Mexico before returning to the UK born again as Reverend Ted Chippington, getting married and settling in Torquay.
In 2007 a definitive 4CD box set of Ted (& Eddie) Chippington’s earlier work, entitled Walking Down The Road, was released on Robert Lloyd’s new Big Print label.
A tribute to Chippington entitled “Tedstock”, featuring Stewart Lee, Phill Jupitus, Simon Amstell, Josie Long, Richard Herring and numerous other stand-up comedians, was held at London’s Bloomsbury Theatre in order to fund this release. This event and the box set release led to a new flurry of media appearances for Chippington, including substantial tribute articles in national newspapers (Independent, Guardian, etc) and television (including a feature on BBC’s Culture Show).
Due to demand and boredom Ted began gigging once more but found the experience tedious and has once more gone in to a semi retirement, however he still enjoys performing with his good mates the Nightingales and has done several tours with the group in the last couple of years, including his first dates in Germany and Switzerland where he completely baffled his audiences although performing his act in German.
Ted will once again be touring the UK with the Nightingales in May/June 2012 (dates below) and to coincide with these shows Respect Vinyl is proud to announce the first record of new Chippington material for over twenty five years – Blues Fan – a 10″ single of his classic live favourite coupled with a whole bunch of material on the 33rpm B-Side, including music by Ted’s all female American backing group TC & The Sushine Band.
Blues Fan is probably Ted’s best record release yet and an instant Chippington ‘greatest hit’.
Side A – 45rpm
Side B – 33rpm
PHIL COLLINS IMPRESSION
BENNY HILL’S MATE
29 – Shrewsbury, The Vaults
30 – Brighton, Green Door Store
31 – LONDON (DALSTON), POWER LUNCHES ARTS CAFE – “BLUES FAN” LAUNCH PARTY WITH SPECIAL GUESTS
1 – London, Nambucca
2 – Southampton, Talking Heads
3 – Wolverhampton, Slade Rooms
4 – York, Fibbers
5 – Manchester, Night & Day
6 – Glasgow, Nice N Sleazy
7 – Stockton On Tees – ARC Arts Centre
8 – Birmingham (Digbeth), Wagon & Horses
9 – Bristol, The Thunderbolt
10 – Kidderminster, Boar’s Head
Buy Ted Chippington – Blues Fan. New 500 Limited edition 10″ Vinyl here
February 23, 2010
GIMPO’s M25 Spin 2010.
Sat 20th to Sun 21st March 1pm.
Meet at ThurrocK Service Station, off M25 at 11am Sat 20th March.
This just in….. As many of you will recall a cache of lost and forgotten material was rediscovered during Jimmy’s house move early last year.
Some of the tracks were liberated by The Junior Insurgent Transmitter Ensemble for the soundtrack to the 2009 M25 Spin.
We have produced a single track DVD sampler and will be giving it away to all the “spinners” joining us this year.
The track featured is a unique version of the Pure Trance classic What Time Is Love and was recorded and performed by The KLF at the very first Helter Skelter illegal rave held on the 30th September 1989.
We will be meeting up at Thurrock Service Station just off the M25 at 11am on Saturday 20th March 2010 and will be on the London Orbital Motorway until 1pm on Sunday 21st March.
Every two laps we stop for fuel and pick up passengers / collaborators at Clacket Lane Services (clockwise side).
If you are unable to come along to this years Spin but would like to buy a copy of the DVD Sampler it is available at:
We look forward to seeing you all very soon.
Love Peace & Happiness
Tim & Gimpo
November 29, 2009
Music World Radio, November 23rd 2009
DJ Paul E.D presents an Iron Man Records Special. Paul works through the history of the label and reviews and plays a selection of songs from each of the releases to date.
Fav tracks: Scene not heard, Euromisery, Jobseeker, Sign From The Gods, Filth,
IMB6002 P.A.I.N featuring Howard Marks : Let Me Grow More Weed CD single 2000 Buy It
fav tracks: Road Rage, Let me Grow More Weed
play: Let me grow more weed
IMB6003 P.A.I.N : Our Universe Commences Here Vinyl/CD LP 2001 Buy It
fav tracks: schtum, rockin cross de border, A-Z, Chickens
play: rockin cross de borda
IMB6004 LESS: “And I’ll see you never work again” taunted Florence CDLP 2001 Buy It
fav tracks: 9-5 Murder, Only Users lose drugs, the idea, Goodnight John
play: only users lose drugs
IMB6005 GORGEOUS: Cursed with Being….. CDLP 2003 Buy It
fav tracks: greatest liar alive, bad missionaries, prodigal scum
play: prodigal scum
DLPR2006 PIGFISH: The Reverend James CD mini LP 2003 Buy It
fav tracks: getting up early, get out, shut up,
play: get out
IMB6007 SIST: Talking Points Not Tragedies CDEP 2004 Buy It
fav tracks: television led, hindsight is a wonderful thing
play television led
IMB6009 P.A.I.N: Oh My God, We’re Doing It! CDLP re-issue 2005 Buy It
fav tracks: british justice, no leaders for the fre, oh no its the pigs
play: oh no its the pigs
IMB6010 LAST UNDER THE SUN: Windfall CDLP 2004 Buy It
fav tracks: stop the engines, days, this business
IMB6011 LAST UNDER THE SUN: All Empires Crumble CDEP 2005 Buy It
fav tracks: fuck the government, bring me their heads, open fire,
play: bring me their heads
IMB6012 LAST UNDER THE SUN: Gone CDLP 2005 Buy It
fav tracks: time for your leaving, the shed, count to ten, captain of my soul, inside out
play: inside out
IMB6013 SENSA YUMA: Up Yours! CDLP 2004 Buy It
fav track: war, on you, waiting, ear damage
IMB6015 DUFUS: Neuborns CDLP 2004 Buy It
fav tracks: neuborns, a having party, ploo and brof, climb, hapi bdae seth
play: ploo and brof
IMB6016 DUFUS: The Last Classed Blast CDLP 2006 Buy It
fav tracks: babylon com, balloon rocking chair, right on, lay down flat
play: babylon com
IMB6017 NIGHTINGALES: Out Of True CDLP 2006 Buy It
fav tracks: born again in birmingham, theres a new world just opening for me
play: born again in birmingham